SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Miss P Farren"/1) | (@(roleclean,performerclean) "Miss P Farren")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 14084 matches on Performance Comments, 4417 matches on Performance Title, 3269 matches on Event Comments, 16 matches on Roles/Actors, and 0 matches on Author.

Performances

Mainpiece Title: A Jovial Crew

Performances

Mainpiece Title: The Massacre Of Paris

Performances

Mainpiece Title: Don Sebastian

Performances

Mainpiece Title: The Rival Queens Or The Death Of Alexander The Great

Performances

Mainpiece Title: Amphitryon Or The Two Sosias

Performances

Mainpiece Title: King Edward The Third With The Fall Of Mortimer Earl Of March

Performances

Mainpiece Title: The Prophetess

Performances

Mainpiece Title: King Edward The Third

Performances

Mainpiece Title: King Arthur Or The British Worthy

Event Comment: On this date the Queen granted permission for the company to act at Oxford from 10 July 1691 for twelve days. See CSPD, 1690-91, p. 430; Sybil Rosenfeld, Some Notes on the Players in Oxford, 1661-1713, pp. 370-71; and A Long Prologue to a Short Play, Spoken by a Woman at Oxford Drest like a Sea Officer, in Poems on the Affairs of State, Part III, 1698, p. 581

Performances

Performances

Mainpiece Title: The Marriage hater Matched

Performances

Mainpiece Title: King Arthur

Performances

Mainpiece Title: The Orphan

Performances

Mainpiece Title: Henry The Second

Performances

Mainpiece Title: Henry The Second

Performances

Mainpiece Title: The Fairy Queen

Event Comment: The United Company. The date of the first production is not known, but the Gentleman's Journal, February 1692@3 (issued in March) makes clear that it followed Congreve's play: We have had since a Comedy, call'd, The Wary Widow, or Sir Noisy Parrot, by Henry Higden Esq; I send by here the Prologue to it by Sir Charles Sedley, and you are too great an Admirer of Shakespeare, not to assent to the Praises given to the Fruits of his rare Genius (p. 61). The play was announced in the London Gazette, No. 2875, 29 May-June 1693. The music for one song, All hands up aloft, was by Berenclow, and the song appears in D'Urfey, Wit and Mirth, 1699. Dedication, edition of 1693: But now it is forced to beg for your Protection from the malice and severe usage it received from some of my Ill natured Friends, who with a Justice peculiar to themselves, passed sentence upon it unseen or heard and at the representation made it their business to persecute it with a barbarous variety of Noise and Tumult. Gildon, The Life of Mr Thomas Betterton (p. 20): The actors were completely drunk before the end of the third act, and being therefore unable to proceed with this "Pleasant Comedy," they very properly dismissed the audience

Performances

Mainpiece Title: The Wary Widow Or Sir Noisy Parrat

Performances

Mainpiece Title: A Very Good Wife

Performances

Mainpiece Title: The Double Dealer

Performances

Mainpiece Title: Abdelazar Or The Moors Revenge

Performances

Mainpiece Title: The Lovers Luck

Performances

Mainpiece Title: The She gallants