SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Miss Heard"/1) | (@(roleclean,performerclean) "Miss Heard")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 13794 matches on Performance Comments, 4409 matches on Performance Title, 2131 matches on Roles/Actors, 2061 matches on Event Comments, and 2 matches on Author.
Event Comment: Betterton's Company. The date of this performance, which coincides with the opening of the playhouse in Lincoln's Inn Fields by Betterton's Company, is established by Downes, Roscius Anglicanus, pp. 43-44: [Betterton, Mrs Bracegirdle, Mrs Barry, and others] set up a new Company, calling it the New Theatre in Lincolns-Inn-Fields; and the House being fitted up from a Tennis-Court, they Open'd it the last Day of April 1695, with a new Comedy: Call'd, Love for Love....This Comedy being Extraordinary well Acted, chiefly the Part of Ben the Sailor, it took 13 Days Successively. Three songs in the play were published separately: I tell thee, Charmion, the music by Finger, sung by Pate and Reading, is in Thesaurus Musicus, 1696, The Fifth Book. A Nymph and a Swain, the music by John Eccles and sung by Pate; and A Soldier and a Saylour, the music by John Eccles, and sung by Dogget, are in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 196-97: After we had stolen some few Days March upon them, the Forces of Betterton came up with us in terrible Order: In about three Weeks following, the new Theatre was open'd against us with veteran Company and a new Train of Artillery; or in plainer English, the old Actors in Lincoln's-Inn-Fields began with a new Comedy of Mr Congreve's, call'd Love for Love, which ran on with such extraordinary Success that they had seldom occasion to act any other Play 'till the End of the Season. This valuable Play had a narrow Escape from falling into the Hands of the Patentees; for before the Division of the Company it had been read and accepted of at the Theatre-Royal: But while the Articles of Agreement for it were preparing, the Rupture in the Theatrical State was so far advanced that the Author took time to pause before he sign'd them; when finding that all Hopes of Accomodation were impracticable, he thought it advisable to let it takes its Fortune with those Actors for whom he had first intended the Parts. A Comparison Between the Two Stages (1702), p. 10: Ramble: You know the New-house opened with an extraordinary good Comedy, the like has scarce been heard of. Critick: I allow that Play contributed not a little to their Reputation and Profit; it was the Work of a popular Author; but that was not all, the Town was ingag'd in its favour, and in favour of the Actors long before the Play was Acted. Sullen: I've heard as much; and I don't grudge 'em that happy beginning, to compensate some part of their Expence and Toil: But the assistance they receiv'd from some Noble Persons did 'em eminent Credit; and their appearance in the Boxes, gave the House as much Advantage as their Contributions. Ramble: Faith if their Boxes had not been well crowded, their Galleries wou'd ha' fallen down on their Heads. Sullen: The good Humour those Noble Patrons were in, gave that Comedy such infinite Applause; and what the Quality approve, the lower sort take upon trust. Gildon, The Lives and Characters (ca. 1698), p. 22: This Play, tho' a very good Comedy in it self, had this Advantage, that it was Acted at the Opening of the New House, when the Town was so prepossess'd in Favour of the very Actors, that before a Word was spoke, each Actor was clapt for a considerable Time. And yet all this got it not more Applause than it really deserv'd. An Essay on Acting (London, 1744), p. 10: The late celebrated Mr Dogget, before he perform'd the Character of Ben in Love for Love, took Lodgings in Wapping, and gather'd thence a Nosegay for the whole Town

Performances

Mainpiece Title: Love For Love

Performance Comment: Edition of 1695: A Prologue for the opening of the New Play-House-Mrs Bracegirdle in Man's Cloaths; Sent from an unknown Hand; Prologue Spoken at the opening of the New House-Mr Betterton; Epilogue Spoken at the opening of the New House-Mrs Bracegirdle; Sir Sampson Legend-Underhill; Valentine-Betterton; Scandal-Smith; Tattle-Boman; Ben-Dogget; Foresight-Sanford; Jeremy-Bowen; Trapland-Triffusis; Buckram-Freeman; Angelica-Mrs Bracegirdle; Mrs Foresight-Mrs Bowman; Mrs Frail-Mrs Barry; Miss Prue-Mrs Ayliff; Nurse-Mrs Leigh; Jenny-Mrs Lawson.
Cast
Role: Miss Prue Actor: Mrs Ayliff
Event Comment: DDaily Advertiser [see Woodward's mimicry of Foote, 22 Jan.]: We hear from Drury Lane that on Monday night Harry the Smuggler, who was tried and convicted last summer in the Haymarket, was found hanging in one of the cells of that prison: It seems he has long had a Design to make way with himself and at several times procured poison from Foppington, Harry Wildair, Tom Thimble, &c. but the Quantity, though it made him exceeding sick, not being sufficient to dispatch him, he at last tuck'd himself up in his own Tit for Tat. When he was cut down he look'd very ghastly, and great groanings were heard in the prison before, at, and after his committing the Fact....It is very remarkable that he had on the very coat, which, in Conjunction with one Abel Drugger, not yet taken, he stole from Sammy the Auctioneer; but from the diligent search made after Drugger, it is believed he will soon be brought to Justice. Receipts: #60 (Cross); #67 8s. (Treasurer's Book)

Performances

Mainpiece Title: Loves Last Shift

Afterpiece Title: A Duke and no Duke

Dance: SSwedish Gardeners, as17491219

Ballet: SSavoyard Travellers. As17500118, but Principal Savoyards-Miss Baker, Mrs _Addison

Performance Comment: As17500118, but Principal Savoyards-Miss Baker, Mrs _Addison.
Event Comment: [Mainpiece in place of First Love, advertised on playbill of 14 Mar. In it the playbill retain Palmer as Frederick Bertram and Miss Farren as Eliza Ratcliffe, but "The Publick are most respectfully informed that in consequence of the Indisposition of Palmer and Miss Farren, the Characters of Charles [sic] Bertram and Eliza in The Jew will be performed by C. Kemble and Mrs Goodall" (printed slip attached to Kemble playbill).] Receipts: #145 14s. 6d. (102.3.0; 38.5.0; 5.6.6)

Performances

Mainpiece Title: The Jew

Performance Comment: As17951003, but Frederick Bertram-C. Kemble; Eliza Ratcliffe-Mrs Goodall; Mrs Goodison-Mrs Heard.
Cast
Role: Mrs Goodison Actor: Mrs Heard.
Role: Dorcas Actor: Miss Tidswell.

Afterpiece Title: The Doctor and the Apothecary

Cast
Role: Isabella Actor: Miss DeCamp
Role: Theresa Actor: Miss Tidswell.
Event Comment: Powell: Gamester rehearsed at 11; Lodoiska at 12 (Bannister, Miss Redhead ill; Boyce, Denman, Fisher, Horsfall, Bardeauleau, Annereau, Cooke, Walker absent; Sedgwick, Webb, Fairbrother, Boimaison, Dorion Jun. one chorus). Receipts: #388 18s. (314/10/0; 68/7/6; 5/8/6; tickets not come in: 0/12/0)

Performances

Mainpiece Title: The Gamester

Performance Comment: Beverley-Barrymore; Lewson-Bensley; Stukely-Palmer; Jarvis-Aickin; Bates-Packer; Dawson-Phillimore; Waiter-Banks//Mrs Beverley-Mrs Siddons; Charlotte-Mrs Kemble; Lucy-Mrs Heard .
Cast
Role: Lucy Actor: Mrs Heard

Afterpiece Title: MY GRANDMOTHER

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Country Revels

Performance Comment: Colin-Essex; Phoebe-Mrs Booth; Yeomen-Houghton, Lally, Berry; Yeomen's Wives-Mrs Walter, Miss Williams, Mrs Mullart; Milkmaids-Miss Williams, Miss Mann, Miss Mears, Mrs Delorme, Miss Atherton; Farmers-Stoppelaer, E. Roberts; Clowns-Jones, Grey; Peasants-Lally Jr, Tench, Davenport, Miss Mann, Miss Mears, Mrs Delorme; Harlequin-LeBrun.

Performances

Mainpiece Title: At kings Anna

Performance Comment: [Characters by Wroughton, Whitfield, Palmer, Bannister Jun., Suett, Lyons, Webb, Miss Pope, Miss Collins, Mrs Kemble, Mrs Jordan, Mrs Powell, Mrs Booth, Mrs Bland, Mrs Edwards. [Cast from Larpent MS: Sir Frederick Touchwood-Wroughton; Gaythorn-Whitfield; Henry-Palmer; Bustle-Bannister Jun.; Pill-Suett; Jonathan-Lyons; Lady Touchwood-Miss Pope; Lady Lydia Graveairs-Miss Collins [in MS: Mrs Goodall]; Cordelia-Mrs Kemble; Anna-Mrs Jordan; Miss Harcourt-Mrs Powell; Dawdle-Mrs Booth; Ruth-Mrs Bland [in MS: Miss Heard]; Daube-Mrs Edwards; unassigned-Webb; Prologue-Palmer; Epilogue-Mrs Jordan.

Afterpiece Title: The Deaf Lover

Cast
Role: Sophia Actor: Miss Collins
Role: Betty Actor: Miss Tidswell.

Performances

Mainpiece Title: The Provokd Husband Or A Journey To London

Performance Comment: Townley-Ryan; Manly-Delane; Lady Grace-Mrs Barrington; Basset-Anderson; Mrs Motherly-Mrs Cushing; Myrtilla-Miss Young; Trusty-Miss Haughton; Sir Francis-Arthur; Lady Wronghead-Mrs Bambridge; Squire Richard-Collins; Moody-Dunstall; Miss Jenny-Miss Minors, being her first appearance on that stage; Lady Townley-Mrs Woffington.

Afterpiece Title: Phebe or The Beggars Wedding

Performance Comment: Hunter-Lowe; Chaunter-Bridgwater; Quorum-Marten; Tippet-Miss Young; Phebe-Mrs Dunstall.
Cast
Role: Tippet Actor: Miss Young
Event Comment: This Farce was written by Mr Coleman. The Novelty of the Subject, together with its being extremely well perform'd; gave the Audience such entire Satisfaction that I never heard Such Bursts of Applause; crying out Bravo! Bravo! &c. &c. (Hopkins). [Identical in Hopkins Diary.] Farce very greatly receiv'd (Cross Diary)

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Havard; Dervise-Bransby; Hali-Fox; Prince of Tanais-Ackman; Omar-Lee; Axalla-Packer; Bajazet-Holland; Moneses-Jackson; Selima-Mrs Davies; Arpasia-Mrs Pritchard; With the Usual Prologue-; In Act IV, the original Song of O! Gentle Sleep-Miss Young.
Cast
Role: Gentle Sleep Actor: Miss Young.

Afterpiece Title: The Deuce Is in Him

Performance Comment: Principal Parts-Obrien, King, Packer, Mrs Hopkins, Miss Plym, Miss Pope; Prologue-; Col. Tamper-Obrien; Prattle-King; Major Belford-Packer; Emily-Miss Pope; Bell-Mrs Hopkins; Mademoiselle Florival-Miss Plym; Servant-Strange (Genest, V, 39; MacMillan). MacMillan).
Event Comment: Oratorio composed by Handel. Tickets to be had and places for the Boxes to be taken of Mr Johnston at the Stage Door of the Theatre, at Half a Guinea each. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. The Doors to be opened at Five o'Clock. To Begin at Half past Six. N.B. Those ladies who had Side Boxes last year, are humbly requested if they intend to continue them the ensuing season, to give immediate notice to Mr Johnston to have them secured. [The Westminster Magazine (March) commented: "One of those whims by which the public are continually influenced, has made it the ton to resort to this theatre to hear and see Miss Linley, the syren of Bath. This young lady who is greatly indebted to nature for the eclat with which she is followed, and not a little to the fortuitous concurrence of remarkable incidents in her life has drawn crowded houses incessantly; and this success has been insured by the constant attendance of his Majesty and the Royal family at this theatre."

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Parts were: Judas-r; Israelite Man-r; Israelite Woman-r; Chorus-r; Simon (Brother to Judas)-; Messenger-r; Eupolemus(Jewish Ambassador to Rome)- The vocal parts-Miss Linley, Mrs Weichsel, Miss Mary Linley, Mr Norris, Mr Parry (Public Advertiser).

Music: I: Concerto on Violin-Mr ThomasLinley

Event Comment: Afterpiece [1st time; F 2, ascribed variously to John O'Keeffe and to James Foord; adapted from La Gageure Imprevue, by Michel Jean Sedaine. Text prints a Prologue "Supposed to be written by G. Colman, Esq., and intended to be spoken by Bannister Jun.," but "it arrived, by accident, too late at the theatre to be studied and recited" (London Chronicle, 25 Aug.)]. "A new afterpiece was...attempted to be represented, [but] it was not heard out" (Public Advertiser, 19 Aug.). Public Advertiser, 8 Oct. 1788: This Day is published A Key to the Lock (1s.)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: A Key to the Lock

Performance Comment: Principal Characters by Bannister Jun., Iliff, Usher, Abbot, R. Palmer, Miss Collett, Miss Palmer, Mrs Gaudry, Mrs Brooks. Cast from text (Harrison and Co., 1788): Don Juan-Bannister Jun.; Don Pedro-Iliff; Sancho-Usher; Antonio-R. Palmer; Inis-Miss Collett; Laura-Miss Palmer; Margaretta-Mrs Gaudry; Donna Elvira-Mrs Brooks; unassigned-Abbot.
Cast
Role: Inis Actor: Miss Collett
Role: Laura Actor: Miss Palmer

Performances

Mainpiece Title: Caelia Or The Perjurd Lover

Performance Comment: Edition of 1733 lists: Lovemore-Bridgwater; Wronglove-Wm. Mills; Bellamy-Hallam; Meanwell-Mills; Gentleman-Berry; Keeper of Prison-Oates; Constable-Harper; Bounce-Jones; Porter-Mullart; Wronglove's Servant-E. Roberts; Caelia-Mrs Cibber; Mrs Lupine-Mrs Charke; Flippant-Mrs Walter; Wag-Mrs Shireburn; Dizen-Miss Williams; Teazer-Miss Mears; Cicely-Mrs Mann; Keeper's Wife-Mrs Grace; Prologue-Cibber Jr; Epilogue by Henry Fielding-Miss Raftor.
Cast
Role: Dizen Actor: Miss Williams
Role: Teazer Actor: Miss Mears
Role: Henry Fielding Actor: Miss Raftor.
Event Comment: DDaily Advertiser, 15 Feb.: We hear that Miss Budgell, duaghter of the late Eustace Budgell, Esq. who perform'd the part of Polly on Monday Night in the Beggar's Opera, met with such unusual Applause, that several persons of Quality have desired the same performance tomorrow

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Blakes; Polly-Miss Budgell; Lucy-Miss Dunstall; Mrs Peachum-Mrs Yates; Peachum-Yates; Lockit-Dunstall; 1st time in all parts for these actors on this stage. 1st time in all parts for these actors on this stage.
Cast
Role: Polly Actor: Miss Budgell
Role: Lucy Actor: Miss Dunstall

Afterpiece Title: The Amorous Goddess

Event Comment: Tragedy never acted. By James Thomson. Characters New Dress'd. But as it is rather more fashionable to run mad about Mr Thomsons's play, I will change my theme and talk to you of Tancred. I want much to know how you like it, at this distance I would lay any wager you do not like it so well as your sister does, who certainly cannot be your sister and not have been to see it long ago. Everybody agrees that no play was ever so much improved in acting, at least since the Booths and Bettertons. That first scene expecially, where Siffredi discovers to Tancred who he is, pleased me almost beyond anything I ever saw, indeed even before I saw it, that scene was my favourite. But what do you think of the story, and what of the style?-A Series of Letters between Mrs Elizabeth Carter and Miss Catherine Talbot, I, 60 (dated strangely 2 March). [On 26 April, the Daily Post published a letter by Bellario on Tancred and Sigismunda, discussing the kind of support it received]: A very remarkable new Lord of the Treasury was proud of appearing its Foster Father, and attended at the public rehearsals; the first night of the performance this celebrated person and his friends in the Box with him (all very lately most flaming Patriots) were seen clapping their hands at the following remarkable speech: First of You All...To Quit Mistakes. [The letter also discussed political aspects of the play, then the poetry of the lines. The author heard that three hundred lines were cut out after the first performance, and was of opinion that double that amount would have been beneficial.

Performances

Mainpiece Title: Tancred And Sigismunda

Performance Comment: Tancred-Garrick; Siffredi-Sheridan; Osmond-Delane; Rodolpho-Havard; Sigismunda-Mrs Cibber; Laura-Miss Budgell; Epilogue-Miss Budgell, Mrs Cibber [1st edition, but listed in order of actors given by General Advertiser, except General Advertiser adds Bridges & Mozeen].1st edition, but listed in order of actors given by General Advertiser, except General Advertiser adds Bridges & Mozeen].
Cast
Role: Laura Actor: Miss Budgell
Role: Epilogue Actor: Miss Budgell, Mrs Cibber

Performances

Mainpiece Title: The Fair Quaker Of Deal Or The Humours Of The Navy

Performance Comment: Worthy-Ryan; Rovewell-Usher; Sir Charles-Ridout; Easy-Ricard; Cribage-Anderson; Purser-Redman; Jiltup-Mrs Bambridge; Advocate-Miss Ferguson; Barmaid-Miss Morrison; Flip-Dunstall; Sailors-Marten, Collins, Bancraft, Holtam, Bennet; Beau Mizen-Dyer; Arabella-Mrs Vincent; Belinda-Mrs Ridout; Jenny Private-Miss Pitt; Fair Quaker-Mrs Barrington.
Cast
Role: Advocate Actor: Miss Ferguson
Role: Barmaid Actor: Miss Morrison
Role: Jenny Private Actor: Miss Pitt

Afterpiece Title: Harlequin Dr Faustus

Cast
Role: Hero Actor: Baker, Miss Young
Role: Miller's Wife Actor: Miss Hilliard

Dance: As17521207

Event Comment: Mainpiece: Written by Shakespear. Miss Pritchard did Juliet for the First time of her Acting & Met with uncommon Applause, tho' so frightened the first Act, we Scarce cou'd hear her (Cross). Miss Pritchard's was a most remarkable first appearance--the Particularity of the public for her mother--Garrick's patronage and tuition, her own beautiful face, which was fascinating to a degree, had all great attraction. Mrs Pritchard, as Lady Capulet, leading in her daughter as Juliet, the distress of the young lady, the good wishes and tenderness of the town, all combined made an affecting scene--but that partiality dwindled away in the early part of the season (Genest, IV, 474, from Tate Wilkinson). Receipts: #226 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Garrick; Juliet-Miss Pritchard, 1st appearance on any stage; Lady Capulet-Mrs Pritchard; Escalus-Bransby; Capulet-Berry; Paris-Jefferson; Benvolio-Usher; Montague-Burton; Tibalt-Blakes; Friar Lawrence-Havard; Mercutio-Woodward; Nurse-Mrs Macklin; With the Additional Scene Representing the Funeral Procession to the Monument of the Capulets-; The Vocal Parts-Beard, Champnes; In I, Masquerade Dance-.

Afterpiece Title: The Anatomist

Event Comment: At 5 went into the Pit at Covent Garden to see Mrs Yates do Lady Townly. Yates is an excellent Sir Francis, but Powell does not shine in Lord Townly....The Entertainment was the new comedy in two acts called the Oxonian in Town, with a prologue by Woodward in the character of a student....It being suspected that a number of sharpers whose characters and practices are laid open in this piece, would attempt to damn it tonight (the 3rd of its being Performed) under pretence of its casting odium on the Irish, bills were dispersed in the House during the play vindicating it from any such intention. Woodward was allowed to speak the prologue, but as soon as the curtain drew up catcalls began. When the performers retired, Powell spoke several times, but was not heard. I was told that the author (Mr Colman) desires to know whom he has offended. The Pros were a very great majority, and at last after a contest of better than 1!2 an hour, the victory was over and the piece was performed. I think it contains many good sentiments, and excellent instruction to young men and is not unworthy of Mr Colman. If vice must not be exposed to hatred and contempt, the usefulness of our theatres is at an end. Only I think the Covent Garden pleasures are represented in too favourable a light. When all was over Powell came on the stage and thanked the audience for their generous protection (Neville MS Diary). Receipts: #212 12s. (Account Book)

Performances

Mainpiece Title: The Provokd Husband Or A Journey To London

Performance Comment: Lord Townly-Powell; Manly-Clarke; Richard-Dibdin; Moody-Dunstall; Basset-Dyer; Sir Francis-Yates; Poundage-Bates; Servant-Holtom; Constable-Wignell; James-R. Smith; Lady Grace-Mrs Dyer; Lady Wronghead-Mrs Pitt; Mrs Motherly-Mrs Ferguson; Myrtilla-Miss Pearce; Trusty-Miss Mills; Miss Jenny-Mrs Mattocks, 1st time; Lady Townly-Mrs Yates.
Cast
Role: Myrtilla Actor: Miss Pearce
Role: Trusty Actor: Miss Mills
Role: Miss Jenny Actor: Mrs Mattocks, 1st time

Dance: II: New Comic Dance, as17671106; End: The Merry Sailors, as17671009

Event Comment: By Command of Their Majesties. Mrs Davies Miss Tittup--La! La! King sent a letter to $Sheridan desiring to be off his Engagement--all made up at night. Mattocks came and told me that Lacy had sold Half his Share of the Patent to Mr Langford (The Auctioneer) and Captain Thomson (Authour of the Syrens &c.). I acquainted Sheridan of it--he had not heard it before (Hopkins Diary). Receipts: #267 6s

Performances

Mainpiece Title: New Brooms

Cast
Role: Doxy Actor: Miss Platt
Role: Miss Dripping Actor: Miss Stageldoir
Role: Miss Quaver Actor: Mrs Wrighten

Afterpiece Title: As You Like It

Performance Comment: Touchstone-King; Orlando-Reddish; Jaques-Jefferson; Duke Senior-Hurst; Duke Frederick-Bransby; Oliver-Packer; Amiens (with songs)-Vernon; Corin-Waldron; LeBeau-Everard; Silvius-R. Palmer; William-Messink; Adam-Moody; Caelia-Mrs Baddeley; Cuckoo Song-Mrs Baddeley; Phoebe-Mrs Davies; Audrey-Mrs Bradshaw; Rosalind-Miss Younge.
Cast
Role: Rosalind Actor: Miss Younge.

Afterpiece Title: Bon Ton or High Life above Stairs

Performance Comment: Sir John Trotley-King; Colonel Tivy-Brereton; Davy-Parsons; Jessamy-Lamash; Mignon-Burton; Lord Minikin-Dodd; Miss Tittup-Mrs Davies; Lady Minikin-Miss Pope.
Cast
Role: Miss Tittup Actor: Mrs Davies
Role: Lady Minikin Actor: Miss Pope.

Dance: End I: The Grand Garland Dance-Giorgi, Sga Crespi, Slingsby

Song: In V: a song-Mrs Scott

Event Comment: Tickets delivered by Miss Barnes, Miss Tidswell, Mrs Heard, Miss Richards, Dale, Stageldoir, Daglish, Kenny, Brigg, Master Wilson will be taken. Receipts: #211 14s. 6d. (27/5/0; 14/16/0; 0/7/6; tickets: 169/6/0)

Performances

Mainpiece Title: The Confederacy

Cast
Role: Corinna Actor: Miss Barnes
Role: Flippanta Actor: Miss Pope
Role: Clarissa Actor: Miss Farren

Afterpiece Title: The Gentle Shepherd

Cast
Role: Patie Actor: Miss M. Stageldoir
Role: Peggy Actor: Miss Wheeler

Dance: End of Act III of mainpiece, as17820917; End of Act iv Hornpipe by a Young Lady [unidentified] (Scholar of Brigg)

Song: End of mainpiece Tally Ho! by Miss Barnes

Performance Comment: by Miss Barnes .
Event Comment: "[King's] utterance possessed an articulate velocity and smartness never heard but from him; and a collected confidence in himself that extorted an applause paid to the situation, or the sentiment, rather than the man" (Boaden, Siddons, II, 105). [Address written by Richard Cumberland (Betsy Sheridan, Journal, 1960, p. 25).] Receipts: #255 13s. 6d. (228/1/0; 27/11/0; 0/1/6)

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: Lord Ogleby-King (1st appearance these 2 years); Sterling-Parsons; Sir John Melvil-Bensley; Lovewell-Brereton; Serjeant Flower-Wrighten; Traverse-Phillimore; Trueman-Fawcett; Canton-Baddeley; Brush-Palmer; Miss Sterling-Miss Pope; Fanny-Mrs Brereton; Chambermaid-Mrs Wilson; Betty-Mrs Love; Mrs Heidelberg-Mrs Hopkins .
Cast
Role: Miss Sterling Actor: Miss Pope

Afterpiece Title: The Quaker

Performance Comment: Steady-Bannister; Solomon-Parsons; Easy-Wrighten; Lubin-Suett; Gillian-Miss Field; Cicely-Mrs Love; Floretta-Mrs Wrighten .
Cast
Role: Gillian Actor: Miss Field

Monologue: 1784 09 30 End of Act I an Occasional Address spoken by King

Event Comment: "Last night Miss Poole was absent from indisposition" (Morning Herald, 31 Mar.). Her substitute is not named. Account-Book, 9 June: Received of Ashley oratorio rent #350. [This was Reinhold's last appearance on the stage.

Performances

Mainpiece Title: A Grand Selection 0 From The Most Favourite Works Of Handel Messiah

Afterpiece Title: Grand Selection 1

Performance Comment: Overture- (Samson); Shall I in Mamre's-Sale; For all these mercies-Chorus (Joshua); O Change beyond Report, O Mirror of our fickle state-Miss Celson (Samson); My arms against, Sound an alarm-Incledon; We hear-Chorus; Come ever smiling liberty-Miss Poole (Judas Maccabaeus); When his loud voice-Chorus (Jephtha); O worse than Death, Angels ever bright-Mme Mara (Theodora); He gave tham hailstones-Chorus (Israel in Egypt).

Afterpiece Title: Grand Selection 2

Performance Comment: Overture and March- (Scipio); Tyrants would-Mme Mara; Tyrants ye in vain-Chorus (Athalia); He layeth the beams-Reinhold (Ezio); Grateful hearts-Miss Dufour (Nabal); Fall'n is the foe-Chorus (Judas Maccabaeus); Great Jehovah's awful word-Miss Poole (Israel in Egypt); Gentle Airs-Incledon; accompanied on the violoncello-C. Ashley (Athalia); Bravura Agitata-Mme Mara; The Lord shall reign-Chorus; For the Horse of Pharaoh, And Miriam-Incledon; Sing ye to the Lord-Mme Mara; The Horse and his Rider-Chorus (Israel in Egypt); Mad Bess-Mme Mara (Purcell).

Afterpiece Title: Grand Selection 3

Performance Comment: Selected from The Messiah. Overture-; Comfort ye, Every Valley-Incledon; And the Glory-Chorus; How beautiful-Master Elliot; The trumpet shall sound-Reinhold; Rejoice greatly-Miss Poole; For unto us a Child is born-Chorus; I know that my Redeemer Liveth-Mme Mara; Hallelujah-Chorus.
Cast
Role: Rejoice greatly Actor: Miss Poole

Music: End I: concerto on the oboe-W. Parke; End II: concerto on the violin-G. Ashley

Event Comment: Rich's Company. The date of the first performance is not known, but the fact that the play was advertised in the London Gazette, No. 3140, 12-16 Dec. 1695, to be published 17 Dec. 1695, suggests that its first appearance was not later than November 1695. According to the Edition of 1695, the music was set by the late Henry Purcell, Courteville, Samuel? Aykerod, and other composers. For Purcell's music, see Purcell's Works, Purcell Society, XVI (1906), xxix-xxxi. The songs were sung by Miss Cross and Mrs Verbruggen. Preface, Edition of 1696: I must inform the Reader, that this Third Part before it came upon the Stage was acknowledg'd and believ'd by all that saw it, and were concern'd (as well those that heard it read, as those that were Actors, who certainly, every one must own, are in their Affairs skilful enough to know the value of things of this Nature) to be much the best of all the Three Parts;...tho prepar'd by my indefatigable Diligence, Care, Pains, nay, the variety which I thought could not possibly miss the expected Success, yet by some Accidents happening in the Presentment, was disliked and explored; The Songish part which I used to succeed so well in, by the indifferent performance the first day, and the hurrying it on so soon, being streightned in time through ill management--(tho extreamly well set to Musick, and I'm sure the just Critick will say not ill Writ) yet being imperfectly performed, was consequently not pleasing; and the Dances too, for want of some good Performers, also disliked; all which, tho impossible for me to avoid, and not reasonably to be attributed any way to a fault in me, yet the noisy Party endeavour'd to use me as ill as if it were, till the generous Opposition of my Friends gave me as much reason to thank them for their Justice, as to despise the others Malice.... As to the Poppet Shew in the Fourth Act, the Accident of its being plac'd so far from the Audience, which hindred them from hearing what either they or the Prolocutor said, was the main and only reason of its diverting no better. A Comparison Between the Two Stages (1702) p. 17: Sullen: The third Part of Don Quixote. Ramble: Oh the ever-running Streams of Helicon! by all that's Poetical, my Friend Durfey; good lack! I thought I shou'd meet with him before we got half way: Well, in the name of Impudence, what luck? Sullen: Damn'd, Damn'd to all intents and purposes. Ramble: His first and second Part did well

Performances

Mainpiece Title: The Comical History Of Don Quixote The Third Part With The Marriage Of Mary The Buxome

Performance Comment: Edition of 1696: Prologue-[Enter Mr Horden, [After eight lines] Miss Cross [enters; Epilogue-Mary the Buxome; Don Quixote-Powell; Sancho-Newth; Basilius-Horden; Camacho-Bullock; Jaques-Pinkeman; Carrasco-Verbrugen; Gines de Passamonte-Lee; Puppets (design'd to be Acted by)-Children; Carter to the Lyon-Smeaton; Quitteria-Mrs Finch; Dulcinea del Toboso-Smeaton; Teresa-Mrs Powell; Mary the Buxome-Mrs Verbruggen; Altisidora-Mrs Cross.
Event Comment: Benefit Miss Norsa. Tickets at her Lodgings, Nassau Street, near Gerrard Street. Receipts: money #12 14s. 6d.; tickets #101 9s. London Daily Post and General Advertiser, 29 April: We hear Mr Handel has compos'd a new Opera, on the Occasion of his Royal Highness's Marriage to the Prince[S] of Saxe Gotha, and as the Wedding was solemnized sooner than was expected, great Numbers of Artificers, as Carpenters, Painters, Engineers, &c. are employed to forward the same

Performances

Mainpiece Title: The Relapse

Performance Comment: Hoyden-Miss Norsa; Foppington-A. Hallam; Loveless-Ryan; Worthy-Delane; Berinthia-Mrs Horton; Amanda-Mrs Hallam; Sir Tunbelly-Mullart; Young Fashion-Walker; Coupler-Hippisley; Surgeon-James; Lory-Chapman; Nurse-Mrs Mullart .
Cast
Role: Hoyden Actor: Miss Norsa

Afterpiece Title: Flora

Performance Comment: As17360427 but Flora-Miss Norsa .
Cast
Role: Flora Actor: Miss Norsa

Dance: Two Pierrots by Lalauze and Nivelon. The Peasants by Lalauze, Mlle D'Hervigni, &c. Sailors (from orestes) by Glover, Tench, Desse, Delagarde, Livier, Richardson

Performances

Mainpiece Title: Sir Walter Raleigh

Cast
Role: Florella Actor: Miss Bennet.

Afterpiece Title: The Harlots Progress or The Ridotto Al Fresco

Performance Comment: Kitty-Mrs Clive; Harlequin-Woodward; Beau Mordecai-Macklin; Debauchee-Turbutt; Constable-Marshall; Porter-Peploe; Jenny-Miss Thynne; Mother Midnight-Hough; Bess Brindle-Leigh; Pompey-Young Brooks; Justices-Taswel, Raftor, Cole; Ladies of Pleasure-Mrs Bennet, Miss Thynne; concluding with a new Masquerade Dance-Leviez, Woodward, Pelling, Rector, Carney, Mrs Walter, Mrs Thomson, Mrs Bennet, Mrs Vallois.

Dance: As17390920

Performances

Mainpiece Title: Cato

Afterpiece Title: The Amorous Goddess

Performance Comment: As17440202, but Harlequin's Child-Miss Yates; a Fairy-a Lilliputian woman; Fantastic Sprights-_; Shepherds-Muilment, Desse, Liviez, Baudouin; Shepherdesses-Mrs Walter, Mrs Thomson, The Miss Scotts, Mlle Auguste.

Performances

Mainpiece Title: Oroonoko

Performance Comment: Oroonoko-Delane; Aboan-Sparks; Governor-Anderson; Blandford-Ridout; Driver-Dunstall; Stanmore-Gibson; Widow-Mrs Bambridge; Daniel-Collins; Jack Stanmore-Bencraft; Hotman-Holtham; Charlotte-Mrs Ridout; Lucy-Miss Copen; Imoinda-Miss Bellamy.
Cast
Role: Lucy Actor: Miss Copen
Role: Imoinda Actor: Miss Bellamy.

Afterpiece Title: Apollo and Daphne

Cast
Role: Colombine Actor: Miss Haughton
Role: Venus Actor: Miss Young
Role: Diana Actor: Miss Falkner
Role: Frenchwoman Actor: Miss Granier