SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Miss Heard"/1) | (@(roleclean,performerclean) "Miss Heard")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 13794 matches on Performance Comments, 4409 matches on Performance Title, 2131 matches on Roles/Actors, 2061 matches on Event Comments, and 2 matches on Author.

Performances

Mainpiece Title: Cato

Performances

Mainpiece Title: The Double Gallant Or The Sick Ladys Cure

Performances

Mainpiece Title: Henry Viii

Afterpiece Title: The Harlots Progress

Performance Comment: Advertised but dismissed.

Performances

Mainpiece Title: The Tempest

Performances

Mainpiece Title: The Recruiting Officer

Event Comment: In a letter to the Daily Post. 4 June, the Patentees of Drury Lane-Mary Wilks, John Ellys, Hester Booth, and John Highmore-stated the cast of the Patentees. The gist of their statement is: (1) They operate under a Patent commencing 1 Sept. 1732 which, by Deaths and Legal Assignments, is the property of the four, with Highmore possessing one half, at an expence of #6,000 and upwards. (2) Several of the Players have threatened to desert the service of the Patentees and have contracted with some of the Trustees (the Sharers) to secure possession of the Theatre. (3) Drury Lane is let upon lease from the Duke of Bedford, granted to Thomas Kynaston and Francis Stanhope, Trustees for the Sharers (commonly called Renters) of Drury Lane at the rent of #50 annually upon a Fine of 1,000 guineas paid for the renewal of the lease. (4) The Players, under the Patentees, have acted at Drury Lane for twenty-one years without any interruption form the Trustees upon the sole contract that the Patentees pay the Trustees #3 12s. each acting night, besides the Liberty of seeing Plays. (5) At the beginning of this Season the manager's office received a letter from a few of the Renters demanding an Advance of Rent. Highmore, being new, was concerned, and asked the managers to take care of the matter; and thereafter the signers (the Patentees) had heard of no further discontent among the Renters. (6) To defend themselves against stories of hardship or complaint by the actors, the Patentees point out that the following weekly salaries had been paid: Colley Cibber #12 12s.; Theophilus Cibber #5; Mills Sr, #1 daily for 200 days certain, and a benefit, clear of all charges; Mills Jr #3; Johnson #5; Miller #5; Harper #4; Griffin #4; Shepard #3; Hallam, for himself and his father, the latter of little or no service, #3; Mrs Heron #5; Mrs Butler #3. For these charges and others, the Patentees stand a daily expence of #49 when the theatre is open. (7) Further, the Patentees paid Cibber Jr his wife's whole salary without her being able to act the greater part of the winter, #9 weekly for the two; Mills Jr, in the same circumstances with his wife, #5 10s. weekly for the two; Miller a salary (amounting to #40) for eight weeks before he acted, and a gratuity of ten guineas; Griffin a present of ten guineas; Harper a present, amount not specified; Mrs Heron an increase form 40s. to #5 weekly, although she refused afterward to play several parts assigned her and acted but seldom

Performances

Performances

Mainpiece Title:

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Music: Select Pieces

Performances

Mainpiece Title: Semiramis

Event Comment: Preface to edition of 1734: The Fourth Night a Set of about eight or ten young Fellows went to the Bedford Coffee-House ... and declared publickly that they came purposely to damn the Play, and would not leave the Play-House till they had compassed their Ends. . . . Accordingly Mr Ryan coming on to speak the Prologue, they began their Uproar, but were soon silenced, and the Prologue was heard with Applause. The Play beginning, they began again, and were so loud that Mr Ryan acquainted them, that as he could not imagine there was anything in the Play they could except against, he was apprehensive he had the Misfortune to displease them. Mr Quin then came on, and told them he found the House was divided, and as the Majority was for hearing the Play, he hop'd those who were not, would go out. The House on that were unanimous, and cry'd, Turn them out, Turn them out, but they saved the Audience the Trouble of doing it, and retired under the general Hiss of every Person then present

Performances

Mainpiece Title: The Ladys Revenge

Dance: By Malter and Mlle Salle

Performances

Mainpiece Title:

Performances

Mainpiece Title: Parnasso In Festa

Performances

Mainpiece Title:

Performances

Mainpiece Title: The Beggars Opera

Performances

Mainpiece Title: Pastor Fido

Performances

Mainpiece Title: The Provokd Wife

Dance: La Coquette & Les Jaloux (new) by Denoyer, Poitier, and Mlle Roland. With New Habits

Event Comment: As 5 March. London Daily Post and General Advertiser, 13 March: Last Night their Majesties and the Princess Caroline . . . heard Esther, an Oratorio; and Mr Handel's two new inimitable Concertos on the Organ. [Egmont also present.]

Performances

Mainpiece Title: Cast Not Listed But See 5 March

Performances

Mainpiece Title: Artaxerxes

Event Comment: Grub St. Journal, 26 Feb. 1736: The second night (so well was this Comedy receiv'd by the Town) the audience of about 5l. was dismiss'd. Daily Journal, 29 April: We hear . . . The Double Deceit . . . was not acted last Night, on Account of a Letter sent by Mr Walker, who had a principal Part in it, acquainting Mr Rich, that he had study'd his Part, but could not make himself Master of it, and therefore desired he wou'd provide some body else to do it. N.B. The Part is about Eight Lengths, and was above eight Weeks in Mr Walker's Hands

Performances

Mainpiece Title: The Double Deceit

Performance Comment: Advertised but dismissed .

Performances

Mainpiece Title: The Man Of Taste

Afterpiece Title: Harlequin Orpheus

Event Comment: Daily Advertiser, 22 May: We hear that Mons Poitier and Mademoiselle Roland made their Submission last Night on the Stage, and ask'd Pardon of the Town, and afterwards danc'd with universal Applause

Performances

Mainpiece Title: The Man Of Taste

Afterpiece Title: Harlequin Orpheus

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Art of Management or Tragedy Expelld

Entertainment: