SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Miss Cecilia Young"/1) | (@(roleclean,performerclean) "Miss Cecilia Young")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 15099 matches on Performance Comments, 4671 matches on Performance Title, 2163 matches on Event Comments, 750 matches on Author, and 17 matches on Roles/Actors.
Event Comment: Benefit for Palmer. Mr Palmer most respectfully informs the Publick, the Lord Chamberlain having given Permission, Mr Colman having liberally granted the use of the Theatre, and his Brethren kindly consented to perform, that [there] will be presented...[as above. This benefit had originally been arranged for 20 Sept., but because of the death of the Duke of Cumberland, the theatre on that night was dark.] Tickets to be had of Palmer, No. 3, London Road, St. George's Fields; and of Rice, at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Son in Law

Performance Comment: Arionelli-Waterhouse; Cranky-Hollingsworth; Bouquet-Haymes; Mum-Fawcett; Idle-R. Palmer; Vinegar-Baddeley; Bowkitt-Bannister Jun.; Cecilia-Mrs Bannister.
Cast
Role: Cecilia Actor: Mrs Bannister.

Entertainment: Monologues. End: The Lecture upon Heads-Palmer; After which: Liberty; or, Two Sides of the Water-Bannister Jun

Performances

Mainpiece Title: Alexanders Feast Grand Selection 0

Afterpiece Title: Alexanders Feast 1

Performance Comment: PART I. Overture-; 'Twas at the Royal Feast-Harrison; Happy Pair-Harrison, Chorus; The song began from Jove-Miss Poole; The Listening croud-Chorus; With ravished ears-Miss Poole; The praise of Bacchus-Harrison; Bacchus ever fair and young-Sale, Chorus; Sooth'd with the sound-Harrison; He chose a mournful muse-Mrs Billington; He sung Darius-Chorus; Softly sweet in Lydian measures-Mrs Billington; War he sung is toil and trouble-Incledon; The many rend the skies-Chorus; The Prince unable to conceal his pain-Mrs Billington; The many rend the skies repeated-Chorus.

Afterpiece Title: Alexanders Feast 2

Performance Comment: PART II. Now strike the golden lyre again-Harrison; Revenge! Timotheus cries, Behold a ghastly band-Griffith; Give the vengeance due-Incledon; The Princes applaud-Incledon, Chorus; Thais led the way-Mrs Billington, Chorus; Thus long ago-Harrison; At last divine Cecilia came-Chorus; Let's imitate their notes above-Mrs Billington, Harrison; Let old Timotheus yield the prize-Chorus.

Afterpiece Title: PART III

Performance Comment: A Grand Miscellaneous Act. ; Overture and Dead March (Saul)-; Balmy sweetness-Harrison (Boyce); Thou shalt bring them in-Mrs Piele (Israel in Egypt); Disdainful of danger-Harrison, Incledon, Sale (Judas Maccabaeus); The Soldier tir'd of war's alarms-Mrs Billington (Dr Arne); Bless the true Church and save the King-Incledon, Chorus (Athalia); There in myrtle shades-Miss Poole (Hercules); But bright Cecilia, As from the power of sacred lays-Mrs Billington; The dead shall live-Chorus (Dryden's Ode).

Performances

Mainpiece Title: Alexanders Feast 0 Redemption 0 Lallegro Ed Il Pensieroso 0

Afterpiece Title: Alexanders Feast 1

Performance Comment: 'Twas at the royal feast-Harrison; Happy happy pair-Harrison, Chorus; Timotheus placed on high-Harrison; The song began from Jove-Mrs Second; The list'ning croud-Chorus; With ravish'd ears-Mrs Second; The praise of Bacchus-Harrison; Bacchus ever fair and young-Bartleman; Bacchus' blessings-Chorus; Sooth'd with the sound-Harrison; He chose a mournful muse, He sung Darius-Mrs Billington; With downcast looks the joyless victor sat, Behold Darius great and good-Chorus; The mighty master, Softly sweet in Lydian measure-Mrs Billington; War he sung-Mrs Second; The many rend the skies-Chorus; The prince unable-Mrs Billington; The many rend the skies [repeated]-Chorus.

Afterpiece Title: Alexanders Feast 2

Performance Comment: Now strike the golden lyre-Harrison; Break his bands of sleep asunder-Chorus; Hark hark the horrid sound-Harrison; Revenge revenge Timotheus cries, Behold a ghastly band-Bartleman; Give the vengeance due, The princes applaud-; Thais led the way-Mrs Billington; The princes applaud [repeated]-Chorus; Thus long ago-Harrison; At last divine Cecilia came-Chorus; Your voices tune-Mrs Billington; Let's imitate her notes above-Harrison, Bartleman; Let old Timotheus-Chorus.

Afterpiece Title: Grand Miscellaneous Act

Event Comment: Benefit for Johnstone. 1st piece [1st time; M. INT 1, by John Cartwright Cross. Text Q. Roach, 1794). For music see 1 May]. 2nd piece: For that night only, by Permission of George Colman, Esq. Jun.; Never (previously] performed here. 3rd piece: For this night only, by Permission of George Colman, Esq. Jun. [holder of copyright of both pieces]. Morning Chronicle, 7 Apr.: Tickets to be had of Johnstone, No. 19, Piazza, Covent Garden. Receipts: #333 8s. 6d. (146/2/0; 5/17/6; tickets: 181/9/0)

Performances

Mainpiece Title: British Fortitude And Hibernian Friendship Or An Escape From France

Performance Comment: Edward-Incledon; Joey-Munden; Sedgly-Hull; Patrick-Rock; French Commandant-Claremont; Gaoler-Blurton; Sailor-Wilde; Captain O'Leary-Johnstone// Annette-Miss Poole .

Afterpiece Title: THE LONDON HERMIT or Rambles in Dorsetshire

Performance Comment: Toby Thatch- Quick; Old Pranks- Munden; Young Pranks-Fawcett; Natty Maggs-Bernard; Barleycorn-Cubitt; Whimmy-Powel; Tully-Johnstone If Dian-Miss Hopkins; Mrs Maggs-Mrs Henley; Kitty Barleycorn-Mrs Mountain .

Afterpiece Title: THE SON IN LAW

Performance Comment: Signor Arionelli-Incledon; Bowkitt-Fawcett (Their 1st appearance in those characters); Bouquett-Davies; Vinegar-Cubitt; Cranky-Powel; Idle-Farley// Cecilia-Mrs Clendining. VAUDEVILLE. End of 2nd piece An Irishman's Tour through London; or, Tully's Vocal and Rhetorical Description of Westminster Abbey, St. James's, St. Paul's, The Tower, A Quarrel, A Masquerade, &c., by Johnstone . or, Tully's Vocal and Rhetorical Description of Westminster Abbey, St. James's, St. Paul's, The Tower, A Quarrel, A Masquerade, &c., by Johnstone .

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17941122, but Myrtle-Macready; Lucinda-Miss Cornelys; Indiana-Mrs Esten (1st and only appearance this season); added: Sir John Bevil-Hull; Mrs Sealand-Mrs Davenport.
Cast
Role: Lucinda Actor: Miss Cornelys
Role: Young Belville Actor: Holman

Afterpiece Title: The British Recruit

Afterpiece Title: Barataria or Sancho Turned Governor

Performance Comment: Sancho Pancha-Quick; Duke-Claremont; Manuel-Davies; Pedro-Thompson; Recorder-Powel; Alonzo-Davenport; Don Quixote-Williamson; Lady Tereza Pancha-Mrs Davenport; Spanish Lady-Mrs Platt; Duchess-Miss Cornelys; Mary the Buxom-Mrs Mattocks.
Cast
Role: Duchess Actor: Miss Cornelys

Song: As17950316

Entertainment: Monologues. End: Dryden's Ode on St. Cecilia's Day-Mrs Esten; After which: Belles Have at Ye All (written by the Author of the Prologue to Crotchet Lodge [Robert Houlton])-Mrs Mattocks

Performance Comment: End: Dryden's Ode on St. Cecilia's Day-Mrs Esten; After which: Belles Have at Ye All (written by the Author of the Prologue to Crotchet Lodge [Robert Houlton])-Mrs Mattocks.
Cast
Role: Cecilia's Day Actor: Mrs Esten
Event Comment: Benefit for Johnstone. 1st piece: By permission of G. Colman, Esq.; never performed here. [Bannister Jun.'s 1st appearance at this theatre was on 2 Feb. 1779.] 3rd piece: Not performed here these 3 years. [No play of this title had been hitherto acted anywhere. But it appears to be the same as The Sailor's Prize, for which see cg, 1 May 1795.] Morning Chronicle, 22 Apr.: Tickets to be had of Johnstone, No. 19, Piazza, Covent Garden. Receipts: #478 (208.6.6; 13.17.6; tickets: 255.16.0)

Performances

Mainpiece Title: False And True

Performance Comment: Count Benini-Munden; Marchesi Caliari-Murray; Count Florenzi-H. Johnston; Lealto-Fawcett; Nicolo-Hill; Tomaso-Davenport; Malevole-Davenport [sic]; O'Raffarty-Johnstone; (with a new Planxty [in character, which includes Mr O'Raffarty's Parentage, Family Friend, Cheap Dinner or Pot Luck, and Joys of a Sun Shiny Night)-Johnstone; Marchesa Veteria-Mrs Davenport; Lauretta-Miss Wheatley; Juliana-Miss Sims; Janetta-Mrs Atkins.
Cast
Role: Lauretta Actor: Miss Wheatley
Role: Juliana Actor: Miss Sims

Afterpiece Title: The Son in Law

Performance Comment: Bowkit (By Permission of the Proprietors of Drury-Lane Theatre)-Bannister Jun. (1st appearance on this stage); Cranky-Munden; Vinegar-Emery; Orator Mum-Knight (Their 1st apappearance in those characters); Bouquet-Hill; Idle-Farley; Signor Arionelli-Incledon; Cecilia-Mrs Atkins.

Afterpiece Title: The Paradox or Maid Wife and Widow

Dance: III: a Characteristic Dance and Masquerade as at the Venetian Carnival-

Song: In course Evening: a new Sea Ballad, composed for his Royal Highness the Prince of Wales, Tomorrow[; or, the Mars, Capt. Connor (the words by the Author of the Castle Spectre [Matthew Gregory Lewis]; the music by Kelly)-Incledon; A Touch at old Times-Munden; In my Father's Mud Cabin-Johnstone

Performances

Mainpiece Title: A Grand Selection 0principally From The Works Of handel Redemption 0

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Esther)-; Tyrants would-Mrs Crouch; Tyrants ye in vain-Chorus (Athalia); How willing-Sedgwick (Samson); What's sweeter-Miss Hagley, Dignum (Joseph); The smiling dawn-Master Welsh (Jephtha); Solo (on the harp)-Meyer; Deeper and deeper still-Kelly; Waft her angels-Chorus (Jephtha); Lord in thee-Incledon, Chorus (Te Deum).

Afterpiece Title: Grand Selection 2

Performance Comment: Concerto bassoon-Parkinson; Ye men of Gaza-Miss Barclay (Samson); And in that air behold! God is my salvation, Therefore with joy-Reinhold; And in that day, Call upon his name-Mrs Bland; Sing unto the Lord-Mrs Crouch, Reinhold; Cry out and shout-Chorus (New Anthem, Shaw); Ah chi sa-Kelly, Morelli, Mrs Crouch [Il Barbiere di Siviglia, Paisiello]; With ravish'd ear-Miss Hagley (Alexander's Feast); But bright Cecilia, As from the power-Mrs Crouch (Dryden's Ode).

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music Messiah

Performance Comment: see17890306Principal Vocal and Instrumental Performers As17890227, but Principal Vocal Performers-Miss Mahon.

Afterpiece Title: Grand Selection 1

Performance Comment: Overture and March-(Scipio); Tyrants would in impious throngs-Chorus (Athalia); Oft on a plat of rising ground-Harrison (L'Allegro); The many rend the skies-Chorus (Alexander's Feast); Tune your harps-Miss Mahon (Esther); From Harmony-Harrison, Chorus (Dryden's Ode); Ye Sacred Priests, Farewell ye limpid Springs-Sga Storace (Jephtha); From the censer-Chorus (Solomon).
Cast
Role: Tune your harps Actor: Miss Mahon

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Grand Concerto-; Let me wander not unseen-Miss Mahon; And young and old-Chorus (L'Allegro); Music spread thy voice around-Harrison, Chorus (Solomon); O magnify the Lord-Miss Cantelo (Chandos? Athems); May no rash intruder, [the] Nightingale Chorus-(Solomon); Gentle Airs-Harrison (Athalia); O God who in thy heavenly band-Chorus (Joseph); The Prince unable to conceal his Pain-Sga Storace (Alexander's Feast); The King shall rejoice-.

Afterpiece Title: Grand Selection 3

Performance Comment: Overture-(Ariadne); From wave to wave-Sale; Thy right hand O Lord-Chorus (Israel in Egypt); Pleasure my former ways resigning-Harrison; Happy if still we reign-Chorus (Time and Truth); Pious Orgies-Miss Cantelo [Judas Maccabaeus]; But bright Cecilia-Sga Storace; As from the power of sacre lays-Chorus (Dryden's Ode); God save Great George our King-Greatorex.

Music: End II: As17890227; End Part I: Concerto by Handel on organ-Greatorex

Performances

Mainpiece Title: A Grand Selection 0principally From The Works Of handel Redemption 0

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Esther)-; Tyrants-Mrs Crouch, Chorus [Athalia]; How willing-Sedgwick (Samson); What's sweeter-Miss Hagley, Dignum (Joseph); Let me wander, Or let the merry bells-Master Welsh; And young and old-Chorus (L'Allegro); The Prince-Mrs Bland (Alexander's Feast); Deeper and-Kelly; Waft her angels-Chorus (Jephtha); Lord in thee-Incledon, Chorus (Te Deum).

Afterpiece Title: Grand Selection 2

Performance Comment: Justly these evils, Why does the God?-Incledon; Ye men of-Miss Barclay (Samson); And in that air Behold! God is my salvation-Reinhold; Therefore with joy-Reinhold; And in that Day-Mrs Bland; Call upon his name-Mrs Bland; Sing unto the Lord-Mrs Crouch, Reinhold; Cry out and shout-Chorus (New Anthem, Shaw); Dead March (Saul)-; Lord remember David-Kelly [Sosarme]; Ah chi sa-Kelly, Mrs Crouch, Morelli; Consider found shepherd-Master Welsh (Acis and Galatea); But bright Cecilia, As from the pow'r-Mrs Crouch (Dryden's Ode).
Cast
Role: Ye men of Actor: Miss Barclay

Afterpiece Title: Grand Selection 3

Performance Comment: Behold! I tell, The trumpet shall sound-Reinhold (The Messiah); Is not the King?, Nn the charmer fondly gazing-Miss Hagley (Arnold); Non vi par-Morelli, Kelly, Mrs Crouch (Sarti); Fair Rosale-Master Welsh (Linley); Softly rise-Dignum; Ye southern breezes-Chorus (Solomon, Boyce); O magnify the Lord-Mrs Crouch; Every day will I give thanks-Incledon (Coronation Anthems); Worthy is the lamb-Chorus (The Messiah).

Song: End II: Mad Bess-Mrs Crouch (Purcell)

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0 Lallegro Ed Il Penseroso 0 Messiah 0

Afterpiece Title: A Grand Selection of Sacred Music 1

Afterpiece Title: A Grand Selection of Sacred Music 2

Performance Comment: Overture (Berenice)-; What Passion cannot Music raise?-Miss Poole; From Harmony-Chorus [Dryden's Ode]; Return O God of Hosts-Sga Galli [Samson]; What's sweeter than-[Joseph]; Pour forth no more-Bartleman; No more to Ammon's God-Chorus [Jephtha]; Every day will I give thanks-Braham [Chandos Anthems]; Lord remember David-Mme Mara [Sosarme]; From the censer-Chorus [Solomon].Solomon].
Cast
Role: Actor: Miss Poole

Afterpiece Title: A Grand Selection of Sacred Music 3

Performance Comment: Overture (Samson)-; Agitata-Mme Mara; Total eclipse-Braham; O first created beam-Chorus [Samson]; He was eyes unto the blind-Miss Poole [Siroe]; But bright Cecilia-; and The Dead shall live-Chorus [Dryden's Ode].Dryden's Ode].

Music: End I: concerto on the oboe-W. Parke; End II: concerto on Piano Forte-Dussek

Event Comment: Oratorio announced for Representation this Evening [L'Allegro il Penseroso, also Dryden's Ode for St. Cecilia's Day] cannot be performed on account of the Indisposition of a Principal Performer [Public Advertiser, 10 Mar.: Miss Linley]

Performances

Mainpiece Title:

Performances

Mainpiece Title: Alexanders Feast

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Overture. 'Twas at the royal. Happy pair. Timotheus plac'd. The song began. The list'ning croud. With ravish'd ears. The praise of Bacchus. Bacchus ever fair. Bacchus' blessings. Sooth'd with the sound. He chose a mournful. He sung Darius. With downcast looks. Behold Darius. The mighty master. Softly sweet, accompanied on the violoncello by C. Ashley. War, be sung. The many rend. The prince unable. PART II. Now strikes the golden. Break his bands. Hark, hark! Revenge, revenge. Behold a ghastly band. Give the vengeance. Thais led the way. The Princes applaud. Thus long ago. At last divine Cecilia. Your voices tune. Let's imitate her notes. Let old Timotheus. PART III. A GRAND MISCELLANEOUS ACT. Overture and March (SCIPIO). He measureth the waters and He layeth the beams by Bartleman (REDEMPTION). O let eternal Honors and From mighty Kings by Miss Parke (JUDAS MACCABAEUS). Softly rise O southern breeze by Incledon; Ye Southern breezes by Chorus (SOLOMON, by Boyce). Bravura Song by Mme Mara. The Lord shall reign by Chorus; And Miriam and Sing ye to the Lord by Mme Mara; The horse and his Rider by Double Chorus (ISRAEL IN EGYPT). To conclude with God save Great George our King and Rule Britannia .

Music: End of Part I Giardini's Sixth Concerto on the Violin by G. Ashley

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Miser or Wagner and Abericock

Performance Comment: Miser (Quaker)-Cibber Jr; Pierrot (Starved Servant)-Roger; Wagner (Faustus' Heir, in Character of Harlequin)-Clark; Abericock (Spirit left him by Faustus)-Miss Robinson Jr; Harlequin's Servant (Clown)-Harper; Miller's Wife and Daughter (Quakers)-Mrs Wetherilt, Miss Tenoe; Four Spirits (Quakers) rais'd to entertain Harlequin-Young Rainton, Young Sandham, Miss Robinson, Mrs Walter; Spirits rais'd for the Celebration of Harlequin's Marriage: Rural Lass-Miss Robinson; Country Lads-Young Rainton, Young Sandham; Countrymen-Boval, Haughton, Duplessis; Countrywomen-Mrs Brett, Mrs Walter, Mrs Young; Pomona-Mrs Booth; Statues-Thurmond, Lally, Roger, Essex.

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Barry; Capulet-Sparks; Montague-Bridgwater; Escalus-Gibson; Benvolio-Usher; Paris-Anderson; Lady Capulet-Mrs Barrington; Friar Lawrence-Ridout; Gregory-Bennett; Sampson-Collins; Abram-Dunstall; Balthazar-White; Mercutio-Dyer; Tibalt-Cushing; Nurse-Mrs Pitt; Juliet-aYoung Gentlewoman (who never appeared on any stage before); [With a Masquerade Dance- [proper to the play; [and an Additional Scene introduced representing the Funeral Procession of Juliet-; [which will be accompanied with a Solemn Dirge-; the vocal parts-Lowe, Howard, Legg, Baker, Roberts, Mrs Lampe, Miss Young, Mrs Chambers; [With an Occasional Prologue-Barry.*c1753 10 10 cg A Prologue by Barry to introduce a young gentlewoman in Juliet (Miss Nossiter) who never appear'd upon any stage. Great Applause. The Prologue about Mrs Cibber's Leaving Rich (Cross). Romeo was perform'd by Barry and Juliet by Miss Nossiter, being the first time of her appearing on any theatre. The delicacy of her figure, and her gracefull distress, obtained for her the warmest applause; and as she grew more animated in the progress, she frequently alarmed the audience with the most striking attitudes. If this young actress studies the management of her voice, and attains a more simple elocution--she will prove a shining ornament to the stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct.). [The Occasional Prologue was printed in the Public Advertiser, 20 Nov.: @Who could have thought that Juliet could e'er prove@False to her Romeo, faithless to her Love?@She Mrs Cibber? on whose voice the raptured audience hung,@Caught with th'angelic music of her tongue;@Whose native tenderness so oft has charm'd;@Whose grief afflicted, and whose Rage alarm'd,@Deaf to her vows, and to her Romeo's calls,@Has fled alas from our Verona's walls!@In such a plight what cou'd poor Romeo do?@Why, Faith, like modern lovers, seek anew;@And happy shall I think me in my Choice,@If 'tis approv'd of by the public voice.@ Twenty three more lines present the qualifications for Miss Nossiter to play the part, and plead for an encouraging round of applause for her.] and as she grew more animated in the progress, she frequently alarmed the audience with the most striking attitudes. If this young actress studies the management of her voice, and attains a more simple elocution--she will prove a shining ornament to the stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct.). [The Occasional Prologue was printed in the Public Advertiser, 20 Nov.: @Who could have thought that Juliet could e'er prove@False to her Romeo, faithless to her Love?@She Mrs Cibber? on whose voice the raptured audience hung,@Caught with th'angelic music of her tongue;@Whose native tenderness so oft has charm'd;@Whose grief afflicted, and whose Rage alarm'd,@Deaf to her vows, and to her Romeo's calls,@Has fled alas from our Verona's walls!@In such a plight what cou'd poor Romeo do?@Why, Faith, like modern lovers, seek anew;@And happy shall I think me in my Choice,@If 'tis approv'd of by the public voice.@ Twenty three more lines present the qualifications for Miss Nossiter to play the part, and plead for an encouraging round of applause for her.]

Performances

Mainpiece Title: Love In A Village

Performance Comment: Principal parts: Beard, Mattocks, Collins, Shuter, Dyer, Dunstall, Baker, Barrington, Holtom, Bennet, Davis, Mrs Younger, Mrs Stephens, Miss Miller, Mrs White, Mrs Walker, Miss Davies, Miss Brent, Miss Hallam. Hawthorn-Beard; Justice Woodcock-Shuter; Young Meadows-Mattocks; Eustace-Dyer; Sir William Meadows-Collins; Hodge-Dunstall; Rosetta-Miss Brent; Lucinda-Miss Hallam; Deborah Woodcock-Mrs Walker; Margery-Miss Davies; Others-Baker, Barrington, Holtom, Bennet, Davis, Mrs Younger, Mrs Stephens, Miss Miller, Mrs White (Edition of 1763); Dances Incident to the Opera-Maranesi, Miss Twist. (playbill).

Dance: II: The Jealous Woodcutter, as17621023

Performances

Mainpiece Title: The Amorous Widow

Afterpiece Title: Apollo and Daphne or Harlequins Metamorphoses

Performance Comment: Harlequin-Clark; Pierot-Roger; Pantalon-Cibber Jr; Harlequin's Child-Miss Robinson Jr; Pigmy Dancing Master-Sandham; Scaramouch-Haughton; Pantalon's Daughters-Mrs Young, Mrs Paulet; Adonis-Young Rainton; Venus-Miss Robinson; Apollo-Thurmond; Daphne-Mrs Booth; Night-Miss Lindar; Aurora-Mrs Bowman; Cupid-Young Leigh; Daphne's Followers-Miss Tenoe, Mrs Walter; Sylvan-Essex; Nymph-Mrs Booth; Pan-Roger; Shepherds-Lally, Boval; Shepherdesses-Mrs Tenoe, Miss Lindar; Countrymen-Haughton, Duplessis; Countrywomen-Mrs Walter, Mrs Young.

Performances

Mainpiece Title: The Minor

Performance Comment: [As17730611but to avoid confusion full cast listed]: Smirk, Mrs Cole-Foote; the Minor-Aickin; Shift (with imitations)-Hutton; Sir William-Lloyd; Sir Richard-Howard; Loader-Davis; Transfer-Follett; Dick-Jacobs; Lucy-Miss Ambrose.
Cast
Role: Lucy Actor: Miss Ambrose.

Afterpiece Title: A Trip to Portsmouth

Performance Comment: Parts by Weston, DuBellamy, Castle, Hutton, Bolton, LaMash, Follett, Hamilton, Fearon, Courtney, Bannister, Lings, Osborne, Francis, Ward, Lloyd, Mrs Fearon, Miss Platt, Mrs Palmer, Miss Atkinson, Mrs Weston, Miss Craven, a Young Gentlewoman. Prologue-Weston; To conclude with a Treble Hornpipe-Giorgi's scholars; Buck-Weston; Tom-Bannister; Sir Flimsey-Castle; Young Inkle-Lamash; Miss Flirt-Miss Craven; Lady Lochiel-Mrs Fearon; Simpson-DuBellamy; Sneer-Jacobs; Old Incle-Fearon; Hearty-Ward; Frenchman-Bolton; Laird-Hamilton; Landlord-Lloyd; Waiter-Hutton; 2nd Sailor-Follett; Groanly-Pearce; Katty-Miss Wilde; Landlady-Miss Platt; Dorothy-Mrs Weston; Nan-Mrs Palmer; Cicely-Miss Atkinson (Edition of 1773); Parts-Courtney, Lings, Osborne, Francis, a Young Gentlewoman.
Cast
Role: Young Inkle Actor: Lamash
Role: Miss Flirt Actor: Miss Craven
Role: Katty Actor: Miss Wilde
Role: Landlady Actor: Miss Platt
Role: Cicely Actor: Miss Atkinson
Role: Parts Actor: Courtney, Lings, Osborne, Francis, a Young Gentlewoman.

Performances

Mainpiece Title: She Woud And She Woud Not Or The Kind Imposter

Afterpiece Title: Harlequin Happy and Poor Pierrot Married

Performance Comment: Pierrot-Roger; Colombine's Father-Weaver; His Servants-Hallam Sr, Ray; Harlequin-Clark; Pierrot's Servants-Young Hallam, Young Wetherilt; Cupid-Miss Robinson Jr; Colombine-Mrs Mills; Bridemen-Lally, Essex, Boval, Rainton; Bridesmaids-Mrs Brett, Miss Lindar, Mrs Walter, Mrs Young; Children of Love representing two Harlequin s-Young Master Lally, Miss Brett.

Performances

Mainpiece Title: The Second Part Of King Henry The Fourth

Afterpiece Title: Harlequins Triumph

Performance Comment: Miser-Cibber Jr; Pierot-Roger; Harlequin-Clark; Clown-Harper; Harlequin's Attendant Spirit-Miss Robinson Jr; Miller's Wife and Daughter-Mrs Wetherilt, Miss Tenoe; Rural Lass-Miss Robinson; Country Lads-Young Rainton, Young Sandham; Countrymen-Boval, Haughton, Duplessis; Countrywomen-Mrs Brett, Mrs Walter, Miss Young; Pomona-Mrs Booth; Statues-Thurmond, Roger, Lally, Essex.

Performances

Mainpiece Title: King Henry The Ivth Part Ii With The Humours Of Sir John Falstaff And Justice Shallow

Afterpiece Title: Harlequin Happy and Poor Pierrot Married

Performance Comment: Pierrot-Roger; Clombine's Father-Cibber Jr [possibly an error for Weaver; see17281101]; Servants-Hallam Sr, Ray; Harlequin-Cibber Jr; Pierot's Servants-Young Hallam, Young Wetherilt; Cupid-Miss Robinson Jr; Colombine-Mrs Mills; Bridemen-Lally, Essex, Boval, Rainton; Bridemaids-Miss Robinson, Miss Lindar, Mrs Walter, Mrs Roger; Children of Love, representing Two Harlequins-Young Master Lally, Miss Brett.

Performances

Mainpiece Title: Sir Courtly Nice

Afterpiece Title: Apollo and Daphne or Harlequins Metamorphoses

Performance Comment: Apollo-Thurmond; Daphne-Mrs Booth; Night-Miss Lindar; Aurora-Mrs Boman; Cupid-Young Leigh; Daphne's Followers-Miss Tenoe, Mrs Brett, Mrs Walter; Pastora-Mrs Robinson; Harlequin-Cibber Jr; Pierrot-Roger; Pantalon-Miller; Cookmaid-Harper; Punch-Boval; Pigmy Dancing Master-Sandham; Scaramouch Singing Master-Haughton; Pantalon's Daughters-Mrs Brett, Mrs Young; Adonis-Young Rainton; Venus-Miss Robinson; Concluding with a Rural Masque: Les Bois d'Amourette-; Nymph-Mrs Booth; Rival Swains-Thurmond, Roger; Shepherds-Boval, Lally, Haughton, Duplessis; Shepherdesses-Miss Tenoe, Mrs Brett, Mrs Walter, Miss Lindar.

Performances

Mainpiece Title: Loves Last Shift Or The Fool In Fashion

Afterpiece Title: Apollo and Daphne or Harlequins Metamorphoses

Performance Comment: Harlequin-Clark; Pierrot-Roger; Pantalon-Cibber Jr; Harlequin a Child-Miss Robinson Jr; Pigmy Dancing Master-Sandham; Scaramouch-Haughton; Pantalon's Daughters-Mrs Young, Mrs Paulet; Adonis-Rainton; Venus-Miss Robinson; Apollo-Thurmond; Daphne-Mrs Booth; Night-Miss Lyndar; Aurora-Mrs Bowman; Cupid-Young Leigh; Nymph-Mrs Booth; Pan-Roger; Shepherds-Lally, Boval; Shepherdesses-Miss Tenoe, Miss Lindar; Countrymen-Haughton, Duplessis; Countrywomen-Mrs Walter, Mrs Young.

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Fairy Queen or Harlequin Turnd Enchanter

Performance Comment: Fairy Queen-Miss Raftor; Her Followers-Young Master Lally, Young Master Tench, Miss Robinson, Miss Brett; Shepherd-Rainton; Shepherd's Man-Wetherilt; Harlequin-Surel; Colombine-Mrs Walter.

Afterpiece Title: Concluding with the Loves of Shepherds and Shepherdesses

Performance Comment: Shepherds-Lally, Essex, Haughton, Roger; Shepherdesses-Mrs Roger, Mlle Delorme, Miss Williams, Miss Mears.

Performances

Mainpiece Title: The Fathers Or The Good Naturd Man

Performance Comment: Principal Characters by King, Dodd, Bensley, Parsons, Baddeley, Whitfield, Webster, Mrs Baddeley, Mrs Hopkins, Miss Younge. [Cast from text (T. Cadell, 1778): Sir George Boncour-King; Young Kennel-Dodd; Mr Boncour-Bensley; Old Valence-Parsons; Old Kennel-Baddeley; Young Valence-Whitfield; Young Boncour-Webster; Miss Valence-Mrs Baddeley; Mrs Boncour-Mrs Hopkins; Miss Boncour-Miss Younge; Prologue-King; Epilogue-Miss Younge. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Young Kennel Actor: Dodd
Role: Young Valence Actor: Whitfield
Role: Young Boncour Actor: Webster
Role: Miss Valence Actor: Mrs Baddeley
Role: Miss Boncour Actor: Miss Younge
Role: Epilogue Actor: Miss Younge.

Afterpiece Title: The Irish Widow

Cast
Role: Widow Brady Actor: Miss Walpole.

Dance: As17780919

Performances

Mainpiece Title: The Albion Queens

Afterpiece Title: The Harlots Progress or The Ridotto Al Fresco With a Grand Masque calld The Judgment of Paris or The Triumph of Beauty

Performance Comment: Edition of 1733 lists: Harlequin-LeBrun; Beau Mordecai-Stoppelaer; Old Debauchee-Berry; Justice@Mittimus-Mullart; Mons Poudre-Oates; Constable-Jones; Keeper-Burnet; Porter-Peploe; Pompey-Young Grace; Beadles-Gray, Wright; Kitty-Miss Raftor; Madam Decoy-Mrs Mullart; Jenny-Mrs Grace; Beau Brindle-Leigh; Les Capricieux-Essex, Miss Robinson; Hungarians-Houghton, Mrs Walter; Fingalians-Lally Sr, Miss Mears; Scaramouch-Lally Jr; Pierrot-Tench; Mezzetin-Stoppelaer; Ladies of Pleasure-Miss Mann, Miss Atherton, Miss Price; Marquis de Fresco-Arlequin en Chien; but Daily Post, 24 March (not later) adds: Shepherds-Lally Sr, Lally Jr, Tench, Davenport; Shepherdesses-Mrs D'Lorme, Mrs Grace, Miss Mann, Miss Price; Paris-Denoyer; Helen-Mrs Booth; Juno-Mrs Walter; Pallas-Miss Mears; Mercury-Stoppelaer; Power-Ellis Roberts; Venus-Miss Robinson; Thalia-Miss Raftor; Euphrosyne-Mrs Mullart; Aglaia-Miss Atherton; Fame-Young Cunningham.