Event Comment: Benefit Mrs Lampe and Miss Young. Afterpiece: A new Comic-Masque of Speaking, Singing, and Dancing. The Musick composed by Mr Lampe. Receipts: money #39 8s. 6d.; seals #69 16s. (Account Book); #130 (Rylands MS.)

Event Comment: Benefit for Miss Macklin. Mainpiece: Not acted these 2 years. [See 24 May 1759.] Part of Pit will be rail'd into Boxes. Ladies send servants by 3 o'clock. Tickets deliver'd out for the Constant Couple will be taken this night. Receipts: #47 5s. plus #73 17s. from tickets (Box 235; Pit 84; Gallery 75) (Account Book). Charges: #63 (Account Book)

Event Comment: Benefit for Miss Elliot. No Building on Stage. Last time of performing the Afterpiece this season. [But see 18 April.] Lost...a pocket book containing an account of last year's tickets for a benefit at Covent Garden. It is of no use to anyone but the owner (Daily Advertiser)

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. This performance may well be the premiere. In the Preface the author states that the play was asked for on Shrove Tuesday and he wrote it within a week; a premiere, then, before this date would allow very little time for rehearsal. This play is certainly a "Lenten" performance, for it was acted on a Wednesday in Lent and was referred to in the Prologue as a "Lenten Play." See the discussion under The Spanish Rogue (March 1673) and Gray, pp. 785-86. See also J. G. McManaway, The Copy for The Careless Lovers," MLN, XLVI (1931), 406-9. Preface to the edition of 1673: [This play] was written at the Desire of the Young Men of the Stage, and given them for a Lenten-Play, they ask't it not above a Week before Shrove-Tuesday

Event Comment: Benefit for Mas. Maltere, Miss Foulcade, Mrs L'font & Goodwin. Receipts: #130 (Cross)

Event Comment: Benefit for Miss Catley, being the last time, but one, of her performing this season. Box, Pit and Gallery Tickets to be had of Mr Sarjant at the Stage Door. Charges #65 6s. Profit to Miss Catley #136 5s.; plus #67 11s. from tickets (Box 232; Pit 49; Gallery 22). Paid one year's Rector's Rate for theatre due Xmas last #8 15s., Watch rate #14 11s. 8d., and half year's paving rate due Mich. last #26 5s. Paid Recor's rate (one year's due Xmas last) for House in Bow Passage, 6s. 3d, and watch rate for ditto 10s. 8d. Receipts: #201 5s. 6d. (Account Book)

Event Comment: Benefit Miss Brett

Event Comment: Benefit Thompson, Le Sac, Miss Rogers

Event Comment: Benefit for Miss George. Public Advertiser, 30 July: Tickets to be had of Miss George, No. 23, King-street, St. Ann's, Soho

Event Comment: Benefit for Mrs Martyr. 1st piece: Never performed here. [Miss Thornton is identified by MS annotation on Kemble playbill. Address by Horatio Edgar Robson (European Magazine, May 1786, p. 369).] 2nd piece: Not acted these 7 years. 3rd piece: Written by Henry Fielding. Morning Herald, 19 Apr.: Tickets to be had of Mrs Martyr, No. 31, Tavistock-street, Covent Garden. Receipts: #280 6s. 6d. (138/15/6; 3/6/0; tickets: 138/5/0) (charge: #105)

Event Comment: Benefit for Nix and Miss Barnes. Receipts: #254 3s. 6d. (67.10.0; 23.19.6; 2.19.0; tickets: 159.15.0) (charge: #106 2s. 9d.)

Event Comment: Benefit Havard, J. Delagarde, Miss Wherrit. At the particular Desire of several Persons of Distinction

Event Comment: Benefit Miss Norsa. At the particular Desire of several Persons of Quality

Event Comment: Benefit Ridout and Dupre. [Rich's Register adds Livier and Miss Brunette.] Mainpiece: Written by the late Mr Congreve. Receipts: money #11 19s.; tickets #104 16s

Event Comment: Benefit Mrs Pritchard and Miss Mann

Event Comment: Benefit for Stede, Redman, Mrs Bambridge, Miss Minors, Miss Ferguson and Miss Morrison. Tickets deliver'd also by Goodall, Rawlings, Miss Allen, Widow Dupre, Mrs Hitchcock. No charges made, but House receiv'd 1!2 value of all income. Receipts: #16 14s. 6d. @Tickets Box Pit Gallery Value 1!2 Value@Stede 7 74 81 #20 19s. #10 9s. 6d.@Redman 8 71 38 #16 9s. #8 4s. 6d.@Goodall .. 46 34 #14 16s. #7 8s.@Mr Rawlings 16 57 65 #19 1s. #9 10s. 6d.@Miss Minors 17 71 26 #17 10s. #8 15s.@Mrs Ferguson 8 73 91 #22 1s. #11 6d.@Mrs Allen .. 25 19 #5 13s. #2 16s.@Morrison 26 41 55 #18 3s. #9 1s. 6d.@Dupre 10 44 57 #14 16s. #7 8s.@Hitchcock 23 67 34 #19 4s. [Seems to have rec'd full value #77 6s. 6d.]@Total 115 614 530 #173 17s.

Event Comment: Benefit for Shuter and Miss Haughton. Tickets at stage door. [For criticism of Shuter and Miss Haughton, see Genest, IV, p. 363, from The Present State of the Stage in Great Britain and Ireland, 1753. Nineteen of the Fifty-five pages of this pamphlet defend the stage on classicial authority and moral grounds from attacks by the religious bigots, and present an ideal picture of a manager, laying under some contribution, it would seem, the character of a manager presented ten years earlier (1743) in Queries to be Answered. The author especially likes the moral of Tate's alteration of Lear. The remaining pages give a paragraph or two of criticism to the leading actors and actresses in some of their most affecting parts (sixteen pages to Drury Lane Performers, all of whom appear in the author's eye to be either "Excellent" or "Very Good.") The remaining space is devoted to the performers at Covent Garden and at the Theatre Royal in Dublin. All those spoken of fare well in the hands of this bound-to-be pleased critic. Shuter is here commended for ability to play an Old Man convincingly though he was but 22 years old, and to play at all considering his lack of education. He possesses a great fund of drollery, and bids fair to be as great in low comedy as it is possible for man to conceive.' Miss Haughton described as an actress of promise. Seems never to have got the better of a lisp, and a Newcastle manner of pronouncing the letter 'r.'] Receipts: #290 (Cross)

Event Comment: Benefit for Miss Dulisse. Afterpiece By Particular Desire of several Ladies of Quality