SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Michael Festing"/1) | (@(roleclean,performerclean) "Michael Festing")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 252 matches on Author, 67 matches on Performance Comments, 54 matches on Event Comments, 29 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The United Company. There is uncertainty concerning this date; it appears on Luttrell's copy (Huntington Library) of the separately printed Prologue and Epilogue, and the date may represent the time of his purchase rather than a date of performance. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 141-45. Downes (Roscius Anglicanus, pp. 39-40): All the preceding Plays, being the chief that were Acted in Dorset-Garden, from November 1671, to the Year 1682; at which time the Patentees of each Company United Patents; and by so Incorporating the Duke's Company were made the King's Company, and immediately remov'd to the Theatre Royal in Drury-Lane. Upon this Union, Mr Hart being the Heart of the Company under Mr Killigrew's Patent never Acted more, by reason of his Malady; being Afflicted with the Stone and Gravel, of which he Dy'd some time after: Having a Sallary of 40 Shillings a Week to the Day of his Death. But the Remnant of that Company; as, Major Mohun, Mr Cartwright, Mr Kynaston, Mr Griffin, Mr Goodman, Mr Duke Watson, Mr Powel, Sr, Mr Wiltshire, Mrs Corey, Mrs Bowtell, Mrs Cook, Mrs Montfort. [Joined the new company]. Note, now Mr Monfort and Mr Carlile, were grown to the Maturity of good Actors. The mixt Company then Reviv'd the several old and Modern Plays, that were the Propriety of Mr Killigrew, as Rule a Wife, and have a Wife: Mr Betterton Acting Michael Perez; Don Leon, Mr Smith, Cacofogo, Mr Cartwright: Margaretta, Mrs Barry: Estiphania, Mrs Cook. Next, @The Scornful Lady.@The Plain Dealer.@The Mock Astrologer.@The Jovial Crew.@The Beggars Bush.@Bartholomew-Fair.@The Moor of Venice.@Rollo.@The Humorous Lieutenant.@The Double Marriage.@ With divers others. George Powell, Preface to The Treacherous Brothers (1690): The Time was, upon the uniting of the Two Theatres, that the Reviveing of the old stock of Plays, so ingrost the study of the House, that the Poets lay dorment; and a new Play cou'd hardly get admittance, amongst the more precious pieces of Antiquity, that then waited to walk the Stage. Cibber, Apology, ed. Lowe, I, 95-96): I shall content myself with telling you that Mohun and Hart now growing old [for, above thirty Years before this Time, they had severally born the King's Commission of Major and Captain in the Civil Wars), and the younger Actors, as Goodman, Clark, and others, being impatient to get into their Parts, and growing intractable, the Audiences too of both Houses then falling off, the Patentees of each, by the King's Advice, which perhaps amounted to a Command, united their Interests and both Companies into one, exclusive of all others in the Year 1682. This Union was, however, so much in favour of the Duke's Company, that Hart left the Stage upon it, and Mohun survived not long after

Performances

Mainpiece Title: Title Unknown

Event Comment: Benefit Michael Lally

Performances

Mainpiece Title: The Funeral

Dance: I: Muzette-Young Rainton, Miss Robinson; II: French Peasant-Roger; III: A new Spanish Dance-Lally, Duplessis, Haughton; IV: Whitsun Holidays-Boval, Mrs Tenoe; V: Pastoral-Lally, Mrs Walter

Event Comment: By Desire. [In a letter to the Daily Journal, 13 Feb., Michael Poitier thanks the public for the applause given him on 8 Feb., and refers to the earlier disturbance there occasioned by his failure to appear with Mlle Roland. He states that she was indisposed and that he sent a message to that effect to the manager.]

Performances

Mainpiece Title: The Miser

Afterpiece Title: Colombine Courtezan

Event Comment: Benefit the Author. [In Daily Journal, 24 Feb., Michael Poitier publishes several notices relating to his failure to dance on 7 Dec. 1734.]

Performances

Mainpiece Title: Junius Brutus

Afterpiece Title: The Devil to Pay

Event Comment: Benefit Michael Lally. By Command of Her Royal Highness the Princess Amelia. Tickets to be had at Mr Lally's House in Southampton-Row, Bloomsbury. Two Rows of the Pit will be laid into the Boxes

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Toy Shop

Dance: I: English Maggot by S. Lally, De la Garde, Miss Baston. II: Grand Pastoral Dance by Lally, Mlle Salle, Miss Rogers, S. Lally, Le Sac, Delagarde, Duke, Mrs De l'Orme, Miss Baston, Miss Norsa. III: Glover's Scotch Dance. IV: Minuet by Lally and Mlle Salle. V: Pigmalion by Lally and Mlle Salle

Event Comment: Benefit Michael Lally. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Country House

Dance: II: Two Pierrots-Nivelon, Lalauze; IV: Comic Dance-Nivelon, Lalauze, Mrs Laguerre, Mrs LeBrun; V: Scot's Dance-Glover, Mrs Laguerre, Desse, Mrs Ogden, Tench, Mlle Delorme

Song: III: As I saw Fair Clara-Beard, Salway

Event Comment: Benefit Michael Lally. At the Desire of several Ladies of Quality. [Tickets at Lally's House in Southampton-Row.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Flora

Dance: II: Je ne scai quoi-Tench, Villeneuve, Miss Oates; III: Grecian Sailors-Glover; IV: Two Pierrots-Nivelon, Lalauze; with a Minuet-Lally (his first since his lameness), Mlle Roland; V: Grand Ballet-Glover, Mlle Roland; accompanied-Tench

Event Comment: Benefit Michael Lally. At the Desire of several Ladies of Quality. Two Rows of the Pit will be laid into Boxes. [Tickets at Lally's House in Southampton-Row, Bloomsbury.

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Honest Yorkshireman

Dance: I: Tambourine-Mlle Roland; II: Two Pierots-Lalauze, Desse; III: By particular Desire, a Ball Dance, concluding with a Minuet-Lally, Mlle Roland; IV: Comic Dance-Villeneuve, Miss Oates; V: Glover, Mlle Roland

Event Comment: Benefit Michael Lally. At the Desire of several Ladies of Qualit(. Mainpiece: Written by Colley Cibber, Esq; Poet-Laureat. [Two Rows of Pit and part of Stage formed into Side-Boxes. Tickets at Lally's House in Southampton-Row, Bloomsbury.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Stage Coach

Dance: I: Wooden Shoe Dance-French Boy; II: Je ne scai quoy-Villeneuve, Richardson, Miss Oates; IV: Comic Ballet-Villeneuve, Miss Oates; V: Ball Dance, Minuet-Lally, Mlle Roland; End Afterpiece: Scots Dance-Glover, Mlle Roland

Event Comment: At the particular Desire of several Ladies of Quality. Benefit Michael Lally. [Tickets at Lally's House, in Great Russel Street, over-against Montagu-House.] Receipts: money #42 15s.; seals #163 9s. (Account Book); #180 (Rylands MS.). [According to the Account Book, Lally was charged #30 for his benefit.

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: Nancy

Dance: TThe Matelots-Mechel, Mlle Mechel; Yorkshire Maggot-Haughton, Mlle Roland; Louvre, Minuet-Lally, Signora Barberini

Event Comment: Benefit Michael Dove. Tickets at Dove's, The Sun, in Hooper's Square

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Devil to Pay

Dance: DDrunken Peasant-Chettle

Song: Mrs Dunstall, Mrs Jones

Event Comment: Benefit Michael Lally. Two rows of the Pit will be rail'd in, and added to the boxes, and the stage will be formed into an Amphitheatre, where servants will be allowed to keep places. Ladies are desired to send servants by three. Tickets to be had at Lally's House in Great Russel St., opposite Montague House

Performances

Mainpiece Title: The Recruiting Officer

Dance: TThe Peasants, as17420210; Chacone, as17411230; Rigadone Provencale, as17420226; Louvre, Minuet By Particular Desire,-Mr Lally, a young Gentlewoman (a scholar of Mr Lally) who never appeared on the stage before

Event Comment: Benefit Michael Lally. Two Rows of the Pits will be laid into the Boxes. And for the better accommodation of the ladies, the stage will be form'd into side boxes, where servants will be allow'd to keep places. Ladies desired to send servants by three

Performances

Mainpiece Title: Love's Last Shift

Dance: I: Dutch Skipper, as17421025; II: Characters of Dancing, as17421025; III: Grand Ballet, as17421108; IV: Grand Comic Ballet, as17430407 V: (By particular Desire) a Louvre, Minuet-Lally, Mlle Anne Auretti

Event Comment: [From The London Evening Post: Married: Michael Arne, music composer and son of Dr Arne, to Miss Wright, a celebrated singer of Drury Lane Theatre."] Paid Mr Evans on Wardrobe acct #10 10s. (Treasurer's Book). Receipts: #133 17s. (Treasurer's Book)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Queen Mab

Dance: II: The Vintage, as17661011

Event Comment: Paid Michael Arne on his note #50; Blandford (tallow chandler's bill #45 12s.; Paid Mr Barber for Cloaths #14 14s.; Paid Hopkins for licensing two farces #4 4s. (Treasurer's Book). Receipts: #114 15s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Daphne and Amintor

Dance: II: The Italian Bakers, as17661011

Event Comment: Benefit for Woodward. Mainpiece: Never acted there. Charges #69 12s. 6d. Profit to Woodward #121 2s. 6d., plus #44 10s. from tickets (Box 178) (Account Book). The several Musical Pieces performed last night at Covent Garden, were very agreeably received by a numerous Audience. The well contrasted variety of the Compositions in which each performer exerted their [highest] excellency had the most pleasing effect. Dr Arne's elegant Serenata, as well as the Thunder Ode, composed by Mr Michael Arne, met with the greatest Applause. The Performance will be repeated on Wednesday Next (Public Advertiser). Receipts: #190 15s

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias

Afterpiece Title: Harlequin Sorcerer

Monologue: Interlude.IV: Will be introduc'd an Interlude of Music and Dancing, call'd The Contention of Wit and Wealth. Plutus-Reinhold; Wit-Mrs Wewitzer; the Dance-Fishar, Sga Manesiere

Event Comment: Mainpiece [1st time; PAST 3]: Taken from [The Winter's Tale, by] Shakespeare [altered by George Colman elder]. Afterpiece: Likewise taken from [A Midsummer-Night's Dream, by] Shakespeare. Books of both pieces to be had at the Theatre. The Musick of both pieces by the most eminent Composers [i.e. Michael Arne, Dibdin, Dr Burney, Hook, Theodore Smith, Dr Arnold]. The Characters new dressed

Performances

Mainpiece Title: The Sheep-shearing

Afterpiece Title: The Fairy Tale

Dance: With aPastoral Dance (incident to the [main]piece)-; End: As17770707

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows (1st time)-Mrs Kennedy; new songs(composed by Michael? Arne)-Mrs Kennedy; Hawthorn-Reinhold; Sir William Meadows-Fearon; Eustace-Mahon; Hodge (1st time)-Doyle; Justice Woodcock-Wilson; Deborah-Mrs Pitt; Margery-Miss Valois; Lucinda-Mrs Morton; Rosetta-A Young Lady (1st appearance on any stage [Miss Thornton]).Miss Thornton]).

Afterpiece Title: The Reprisal

Dance: As17781201

Event Comment: Mainpiece [1st time; C 5, by Hannah Cowley.] Miss Younge had a song [Wake, thou son of dullness] composed by Michael Arne. Authors of Prologue and Epilogue unknown]: New Scenes and Dresses. Account-Book, 16 June: Paid Mrs Cowley for suspending the publication of the Belle's Stratagem #100. Public Advertiser, 1 Apr. 1782: In a few Days will be published The Belle's Stratagem. A spurious Copy having been published in Ireland [in 1781] make[s] it necessary to observe that the above is the genuine Comedy, as performed at Covent Garden Theatre. Ibid., 9 Apr. 1782: This Day is published The Belle's Stratagem (1s. 6d.). Receipts: #213 19s. (212.15.6; 1.3.6)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Cross Purposes

Event Comment: Afterpiece [1st time; CO 2, by William Augustus Miles]: The music entirely new, composed by Michael Arne. With new Scenes, Dresses, and Decorations. Books of the Opera to be had at the Theatre. Public Advertiser, 15 Apr. 1780: This Day is published The Artifice (1s.). Receipts: #119 8s. 6d. (71.12.0; 47.1.6; 0.15.0)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Artifice

Related Works
Related Work: The Artifice Author(s): Michael Arne
Event Comment: Afterpiece [1st time; F 2, by John O'KeefFe, altered from his The She Gallant; or, Square-Toes Outwitted, 1st acted at Smock Alley Theatre, Dublin, 14 Jan. 1767, and in London at the HAY, 13 Oct. 1779. Incidental music by Michael Arne and William Shield. Text 1st published by T. N. Longman and O. Rees, 1800. Prologue by George Colman, the elder (Colman, Prose, m, 231)]. Receipts: #228 10s. 6d. (226/14/6; 1/16/0)

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: The Positive Man

Event Comment: Mainpiece: With Alterations in the Dialogue and New Music [i.e. 6 new songs by John O'Keeffe with music by Michael Arne: 3 sung by Fairfield, and 1 each by Theodosia, Farmer Giles and Fanny. They are printed in London Chronicle, 26 Sept. and in Town and Country Magazine, Sept. 1782,p. 452]. The Words of the New Songs will be given at the Boxes. Afterpiece: 6th time [i.e. in continuation of the reckoning for the previous season]. [Brett was from the HAY.] Receipts: #271 10s. 6d. (269/4/6; 2/6/0)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Retaliation

Dance: End of Act I of mainpiece The Belle of the Village by Harris and Miss Matthews

Event Comment: Mainpiece: Altered from [The Scornful Lady, by] Beaumont and Fletcher [1st time; c 5, by William Cooke; incidental music by Michael Arne. Prologue by the alterer. Epilogue by George Colman, the elder (see text)]. Public Advertiser, 27 Jan. 1783: Wednesday Morning [29 Jan.] will be published The Capricious Lady (price not listed). "The costume of James's reign was strictly attended to in the dresses of the characters; and I remember the enjoyment of Mrs Abington, in a high ruff and a rich silver silk edged with black velvet" (Boaden, Siddom, I, 371). Receipts: #228 4s. 6d. (218/10/6; 9/14/0)

Performances

Mainpiece Title: The Capricious Lady

Related Works
Related Work: The Capricious Lady Author(s): Michael Arne

Afterpiece Title: Rosina

Dance: As17820927

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: Harlequin's Chaplet

Entertainment: Afterpiece: [To conclude with Three Entire New Scenes, representing the Town and Harbour of Toulon; with a View of the Manoeuvring of the British, Spanish, and French Fleets, after the Surrender of the Town and Fortifications to the English] on the Twenty-ninth of August [1793]. In which, When in War on the Ocean-Davies; an Entire New Song [composed by Shield,-Incledon; The Music- [Selected by Shaw from Pepusch, Dr Arne, Arnold, Fisher, [Michael] Arne, Vincent, Dibdin, Reeve, Shield; The Dances-Byrn, Holland[; The Scenery-Hodgins, Walmsley, Phillips

Performance Comment: In which, When in War on the Ocean-Davies; an Entire New Song [composed by Shield,-Incledon; The Music- [Selected by Shaw from Pepusch, Dr Arne, Arnold, Fisher, [Michael] Arne, Vincent, Dibdin, Reeve, Shield; The Dances-Byrn, Holland[; The Scenery-Hodgins, Walmsley, Phillips.
Event Comment: Benefit for the Relief of the Widows and Orphans of the brave Men who fell in the late Glorious Actions [on 1 June 1794], under Earl Howe. The Whole Receipt of the Night to be applied to the above Fund. Under the Patronage of His Royal Highness the Prince of Wales, and His Royal Highness the Duke of Clarence. The Tickets for the Boxes at Half-a-Guinea each, are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangements of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Lauderdale, Lord Mulgrave, Lord William Russel, The Right Honourable the Lord Mayor [Paul Le Mesurier], Mr Alderman Coombe, Hon. Thos. Erskine, J. Nesbit Esq., I. B. Church Esq., W. Devaynes Esq., J. Taylor Vaughan Esq., J. J. Angerstein Esq., R. B. Sheridan Esq. Tickets and Places for the Boxes, not disposed of by the Committee, to be had of Fosbrook, at the Box-Office, Little Russel-Street. Tickets also to be had at the Bar of Lloyd's Coffee House. Afterpiece [1st time; ENT 2, by Richard Brinsley Sheridan and James Cobb; with songs written by the Duke of Leeds, the Earl of Mulgrave, Mary Robinson, Joseph Richardson, &c. In 1797 altered as CAPE ST. VINCENT. Prologue by Joseph Richardson (London Chronicle, 4 July). Epilogue by Richard Brinsley Sheridan]: The Music composed and selected by Storace [with one song each by Reeve. Linley Sen., Michael Kelly]. The Dresses, Scenery and Machinery entirely New. "This piece is a sort of continuation of No Song No Supper...hastily put together for the occasion" (European Magazine, July 1794, p. 60). "The Theatre this Evening was crowded in every Part, the receipt amounting to something better than 1300 Guineas" (Powell). Powell, 1 July: Country Girl rehearsed at 10; Glorious First at 12 and at night. 2 July: Glorious First rehearsed at 10. Receipts: #1,526 11s. (450/6/0; 41/13/0; 0/12/6; tickets in boxes: 954/0/0; tickets in pit: 80/0/0) (charge: free)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Dance: In afterpiece the Ballets composed by James D'Egville; the Principal Dancers-D'Egville, Gentili, and also by permission of the Proprietor of the King's Theatre, Mme Del Caro, Mlle E. Hilligsberg, Mlle Hilligsberg