SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Michael Christian Festing"/1) | (@(roleclean,performerclean) "Michael Christian Festing")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 268 matches on Author, 112 matches on Performance Comments, 76 matches on Event Comments, 39 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

Performance Comment: Vocal Parts-Sga Sybilla, Miss Young, Waltz, Hague, Messing Jr; Act I: The overture in Otho-; A Concerto of Geminiani-; A Solo on the German Flute-Balicourt; Powerful Guardians, Come ever Smiling Liberty by Handel-Sga Sybilla; Concerto on the Bassoon-Miller; Solo on the Violincello-Jones; First Trumpet-Snow; A Grand Concerto with Trumpets French Horns, and four Kettle Drums-John Mitchell Axt; who has had the honour to perform before several Sovereigns and English General Officers with great applause. Between the Acts: Preamble on Kettle Drums-Axe; a piece of music-six of the best French Horns; in England, never attempted before. Act II: The Music on the Thanksgiving Day-; compos'd by John Frederick Lampe, as it was perform'd on Thursday the 9th day of October 1746, in the Savoy. The words oy Christian Benjamin Schlaiblin, dedicated to the Duke of Cumberland. Concluding with the Water Music of Handel-;accompanied with four kettle drummers-.
Event Comment: At the New Theatre in the Haymarket (where Mr Foote lately appeared), an Orator's head will be dissected secundum artem. The Orators will be shewn lying in state with Heiroglyphicks and Monumental Inscriptions. The Question will be whether they will be allow'd Christian burial? If t'is granted, a funeral Oration will be pronounced by Martinus Scriblerus. Places for the Boxes to be taken at the theatre. Thus orator to orator succeeds@Another and another after him@and the last.

Performances

Mainpiece Title: A Course Of Comic Lectures

Event Comment: Benefit for Burton and Philips. Last time of performing the Afterpiece this season. Tickets deliver'd by Mr Hayes will be taken. Mainpiece: Not acted these 6 years. [See 2 Feb. 1753.] This month was published An Answer to that Important Question Whether it is lawful for the Professors of the Christian Religion to go to plays (32 pp.) [Advises members of the Congregation to read Scriptures instead.] Also published A Letter of Abuse to David Garrick. Receipts: #160 (Cross)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Tamer Tam'd

Song: I: Miss Young

Dance: II: A Comic Dance [dancers unspecified]-; III: A Hornpipe-Harrison; IV: A New Comic Dance-

Event Comment: Did I tell you that the Archbishop tried to hinder the Minor from being played at Drury Lane? For once the Duke of Devonshire was firm, and would only let him correct some passages, & even of those the Duke has restored some. One that the Prelate effaced was 'You snub-nosed son of a bitch.' Foote says he will take out a license to preach Sam Cant against Tom Cant. (Walpole to Montagu, 24 Nov.). [See also Duke of Devonshire's statement to Garrick concerning the alteration of some lines, Private Correspondence, ed. Boaden, I, 120. See Gentlemen's Magazine, p. 502: Extracts from Christian and Critical remarks on a droll or interlude, call'd the Minor, said to be acted by authority; and Mr Foote's answer. Ten columns of alternate attack and justification.

Performances

Mainpiece Title: The Minor

Afterpiece Title: A Duke and no Duke

Dance: I: The Colliers, as17601024; II: The Mad Doctor, as17601014

Event Comment: [This year was published The Companion to the Playhouse; or, An historical account of all the Dramatic Writers, and their works that have appeared in Great Britain and Ireland to the year 1764. Composed in the form of a Dictionary. for the more readily turning to any particular author or performance. Two vols. Dedicated to Garrick. (Who receives eleven and one-half columns of comment, more than any other dramatist.) This is the beginning of the Biographia Dramatica. This year was published Essays on Important Subjects intended to establish the Doctrine of Salvation by Grace, by John Witherspoon (President of Princeton). Vol. II, contained a Serious Enquiry into the nature and effects of the Stage," being an attempt to show that contributing to the support of a Public Theatre is inconsistent with the character of a Christian (112 pp).

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Queen Mab

Dance: III: The Medley, as17641120

Event Comment: Went into the Pit...to see Tamerlane. Havard is too old and wants power for the character of Tamerlane, Moneses by Reddish, Dervis by Bransby. Holland excels in Bajazet and was the only character in proper dress. It hurt me to see Tartars in ancient Greek dresses with ridiculous modern periwigs, and Greek christians in English habits. Mrs Dancer as Arpasia, was as great (particularly in the last scene) as in any character in which I ever saw her and received that distinguished applause she deserved. The Entertainment was Harlequin's Invasion (Neville MS Diary)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: Harlequin's Invasion

Related Works
Related Work: Harlequin's Invasion; or, A Christmas Gambol Author(s): Michael Arne
Event Comment: By Particular Desire. Before the King of Denmark. To being at 7:00 p.m. London Evening Post: Died Mrs Pritchard 20 August after an illness of 10 days. The pains she endured which were great indeed she bore with a fortitude and resignation which the true Christian could only support. She actually obtained a victory over Death, expressing in her last moment the utmost composure, felicity and firmest hope of a lofty change in life and death. She was in all a pattern of worthy immitation

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Daphne and Amintor

Event Comment: Benefit for Mrs Barry. Mainpiece: A Tragedy altered from Thomson [by Thomas Hull] never perform'd. Part of Pit laid into the Boxes. Servants who are to keep places are desired to be at the stage door by 4 o'clock, and those Ladies and Gentlemen who have taken seats in the Pit are requested to come early to prevent confusion in getting to their places. Epilogue by Sheridan. [This play had been refused a license on 26 March 1739, While Walpole was still Prime Minister, probably because of such speeches as: @Is there a cure on Humankind so fell@So pestilent, to Prince and People,@As the base servile vermin of a court;@Corrupt, Corrupting ministers and favourites?@How oft have such eat up the widow's morsel,@The Peasant's toil, the Merchant's far-sought gain,@And wantoned to the ruin of a nation!-Larpent MS, op. p. 65.@ Also the play equalizes Christianity and Mohammedanism before God, and gives a slight edge to the latter (Act IV, scene ii), suggesting the part politics play in Christian churches. An account of the alterations made for the present performance is given in the Westminster Magazine for March. The review concludes: The Play was got up altogether well, and reputedly acted, and is in its present state what the Ladies call "a very pretty tragedy."

Performances

Mainpiece Title: Edward And Eleonora

Afterpiece Title: The Padlock

Dance: End Epilogue: The Vintage Festival, as17741007

Event Comment: A new Serious Opera, with Grand Chorusses; the Music by Johann Christian? Bach

Performances

Mainpiece Title: Orione

Dance: End I: New Serious Ballet, as17770412; End II: La Paysane Distraite, as17770520, but Mme _Simonet; End Opera: Serious Ballet-Mons and Mme Simonet, Sg and Sga Zuchelli, Vallouy@le@cadet, Mlle DeCamp, Mlle Baccelli

Event Comment: A new Serious Opera [1st time; SER 3, librettist unknown]. With grand chorusses; the Music entirely new by Johann Christian? Bach

Performances

Mainpiece Title: La Clemenza Di Scipione

Dance: End I: Divertisement, as17780207; End Opera: new grand Serious Ballet, Les Amans unis par l'Hymen-Simonet, Mlle Baccelli, Sg and Sga Zuchelli, Vallouy@le@cadet

Song: II: an air-Sga Danzi; [accompanied on the violin-Cramer; violoncello-Cervetto; German flute-Florio; hautboy-LeBrun. [This was sung, as here assigned, in all subsequent performances.

Ballet: End II: La Surprize de Daphnis et Cephise. As17780331

Event Comment: Afterpiece: Not acted these 7 years [acted 1 Jan. 1781]. A Dramatic Entertainment of Singing, Dancing, and Dialogue, in Honour of Shakespeare. In which will be introduced a Pageant, the music by Dibdin. Books of the Songs to be had at the Theatre. "The Jubilee is now worn out and of no repute" (Public Advertiser, 21 Nov.). [For a complete account of the original production in 1769 see Christian Deelman, The Great Shakespeare Jubilee, 1964, pp. 280-86.] Receipts: #241 9s. (199/16/0; 39/8/6; 2/4/6)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: Huniades

Performance Comment: The Christian Characters by Kemble, R. Palmer, Wroughton, Barrymore, Aickin, Dignum, Whitfield, Maddocks, Packer, Bland, Jones, Cooke, Lyons, A Young Lady (Author of the Tragedy; 1st appearance on any stage), Miss Collins. The Mahometan Characters by Palmer, Benson, Webb, Sedgwick, Caulfield. Cast from London Chronicle, 21 Jan.: Hungarians: Huniades-Kemble; Vilach-R. Palmer; Corvinus-Wroughton; Count of Cilley-Barrymore; Campestran-Aickin; Zilugo-Whitfield; Old Officer-Packer; Agmunda-Miss Brand; Ella-Miss Collins; Turks: Mahomet II-Palmer; Mustapha-Benson; Zoganus-Webb; Aga-Sedgwick; Chusanes-Caulfield; Dignum, Maddocks, Bland, Jones, Cooke, Lyons; Prologue-Miss Farren; Epilogue-Bannister Jun.

Afterpiece Title: The Deaf Lover

Event Comment: The United Company. There is uncertainty concerning this date; it appears on Luttrell's copy (Huntington Library) of the separately printed Prologue and Epilogue, and the date may represent the time of his purchase rather than a date of performance. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 141-45. Downes (Roscius Anglicanus, pp. 39-40): All the preceding Plays, being the chief that were Acted in Dorset-Garden, from November 1671, to the Year 1682; at which time the Patentees of each Company United Patents; and by so Incorporating the Duke's Company were made the King's Company, and immediately remov'd to the Theatre Royal in Drury-Lane. Upon this Union, Mr Hart being the Heart of the Company under Mr Killigrew's Patent never Acted more, by reason of his Malady; being Afflicted with the Stone and Gravel, of which he Dy'd some time after: Having a Sallary of 40 Shillings a Week to the Day of his Death. But the Remnant of that Company; as, Major Mohun, Mr Cartwright, Mr Kynaston, Mr Griffin, Mr Goodman, Mr Duke Watson, Mr Powel, Sr, Mr Wiltshire, Mrs Corey, Mrs Bowtell, Mrs Cook, Mrs Montfort. [Joined the new company]. Note, now Mr Monfort and Mr Carlile, were grown to the Maturity of good Actors. The mixt Company then Reviv'd the several old and Modern Plays, that were the Propriety of Mr Killigrew, as Rule a Wife, and have a Wife: Mr Betterton Acting Michael Perez; Don Leon, Mr Smith, Cacofogo, Mr Cartwright: Margaretta, Mrs Barry: Estiphania, Mrs Cook. Next, @The Scornful Lady.@The Plain Dealer.@The Mock Astrologer.@The Jovial Crew.@The Beggars Bush.@Bartholomew-Fair.@The Moor of Venice.@Rollo.@The Humorous Lieutenant.@The Double Marriage.@ With divers others. George Powell, Preface to The Treacherous Brothers (1690): The Time was, upon the uniting of the Two Theatres, that the Reviveing of the old stock of Plays, so ingrost the study of the House, that the Poets lay dorment; and a new Play cou'd hardly get admittance, amongst the more precious pieces of Antiquity, that then waited to walk the Stage. Cibber, Apology, ed. Lowe, I, 95-96): I shall content myself with telling you that Mohun and Hart now growing old [for, above thirty Years before this Time, they had severally born the King's Commission of Major and Captain in the Civil Wars), and the younger Actors, as Goodman, Clark, and others, being impatient to get into their Parts, and growing intractable, the Audiences too of both Houses then falling off, the Patentees of each, by the King's Advice, which perhaps amounted to a Command, united their Interests and both Companies into one, exclusive of all others in the Year 1682. This Union was, however, so much in favour of the Duke's Company, that Hart left the Stage upon it, and Mohun survived not long after

Performances

Mainpiece Title: Title Unknown

Event Comment: Benefit Michael Lally

Performances

Mainpiece Title: The Funeral

Dance: I: Muzette-Young Rainton, Miss Robinson; II: French Peasant-Roger; III: A new Spanish Dance-Lally, Duplessis, Haughton; IV: Whitsun Holidays-Boval, Mrs Tenoe; V: Pastoral-Lally, Mrs Walter

Event Comment: By Desire. [In a letter to the Daily Journal, 13 Feb., Michael Poitier thanks the public for the applause given him on 8 Feb., and refers to the earlier disturbance there occasioned by his failure to appear with Mlle Roland. He states that she was indisposed and that he sent a message to that effect to the manager.]

Performances

Mainpiece Title: The Miser

Afterpiece Title: Colombine Courtezan

Event Comment: Benefit the Author. [In Daily Journal, 24 Feb., Michael Poitier publishes several notices relating to his failure to dance on 7 Dec. 1734.]

Performances

Mainpiece Title: Junius Brutus

Afterpiece Title: The Devil to Pay

Event Comment: Benefit Michael Lally. By Command of Her Royal Highness the Princess Amelia. Tickets to be had at Mr Lally's House in Southampton-Row, Bloomsbury. Two Rows of the Pit will be laid into the Boxes

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Toy Shop

Dance: I: English Maggot by S. Lally, De la Garde, Miss Baston. II: Grand Pastoral Dance by Lally, Mlle Salle, Miss Rogers, S. Lally, Le Sac, Delagarde, Duke, Mrs De l'Orme, Miss Baston, Miss Norsa. III: Glover's Scotch Dance. IV: Minuet by Lally and Mlle Salle. V: Pigmalion by Lally and Mlle Salle

Event Comment: Benefit Michael Lally. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Country House

Dance: II: Two Pierrots-Nivelon, Lalauze; IV: Comic Dance-Nivelon, Lalauze, Mrs Laguerre, Mrs LeBrun; V: Scot's Dance-Glover, Mrs Laguerre, Desse, Mrs Ogden, Tench, Mlle Delorme

Song: III: As I saw Fair Clara-Beard, Salway

Event Comment: Benefit Michael Lally. At the Desire of several Ladies of Quality. [Tickets at Lally's House in Southampton-Row.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Flora

Dance: II: Je ne scai quoi-Tench, Villeneuve, Miss Oates; III: Grecian Sailors-Glover; IV: Two Pierrots-Nivelon, Lalauze; with a Minuet-Lally (his first since his lameness), Mlle Roland; V: Grand Ballet-Glover, Mlle Roland; accompanied-Tench

Event Comment: Benefit Michael Lally. At the Desire of several Ladies of Quality. Two Rows of the Pit will be laid into Boxes. [Tickets at Lally's House in Southampton-Row, Bloomsbury.

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Honest Yorkshireman

Dance: I: Tambourine-Mlle Roland; II: Two Pierots-Lalauze, Desse; III: By particular Desire, a Ball Dance, concluding with a Minuet-Lally, Mlle Roland; IV: Comic Dance-Villeneuve, Miss Oates; V: Glover, Mlle Roland

Event Comment: Benefit Michael Lally. At the Desire of several Ladies of Qualit(. Mainpiece: Written by Colley Cibber, Esq; Poet-Laureat. [Two Rows of Pit and part of Stage formed into Side-Boxes. Tickets at Lally's House in Southampton-Row, Bloomsbury.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Stage Coach

Dance: I: Wooden Shoe Dance-French Boy; II: Je ne scai quoy-Villeneuve, Richardson, Miss Oates; IV: Comic Ballet-Villeneuve, Miss Oates; V: Ball Dance, Minuet-Lally, Mlle Roland; End Afterpiece: Scots Dance-Glover, Mlle Roland

Event Comment: At the particular Desire of several Ladies of Quality. Benefit Michael Lally. [Tickets at Lally's House, in Great Russel Street, over-against Montagu-House.] Receipts: money #42 15s.; seals #163 9s. (Account Book); #180 (Rylands MS.). [According to the Account Book, Lally was charged #30 for his benefit.

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: Nancy

Dance: TThe Matelots-Mechel, Mlle Mechel; Yorkshire Maggot-Haughton, Mlle Roland; Louvre, Minuet-Lally, Signora Barberini

Event Comment: Benefit Michael Dove. Tickets at Dove's, The Sun, in Hooper's Square

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Devil to Pay

Dance: DDrunken Peasant-Chettle

Song: Mrs Dunstall, Mrs Jones

Event Comment: Benefit Michael Lally. Two rows of the Pit will be rail'd in, and added to the boxes, and the stage will be formed into an Amphitheatre, where servants will be allowed to keep places. Ladies are desired to send servants by three. Tickets to be had at Lally's House in Great Russel St., opposite Montague House

Performances

Mainpiece Title: The Recruiting Officer

Dance: TThe Peasants, as17420210; Chacone, as17411230; Rigadone Provencale, as17420226; Louvre, Minuet By Particular Desire,-Mr Lally, a young Gentlewoman (a scholar of Mr Lally) who never appeared on the stage before

Event Comment: Benefit Michael Lally. Two Rows of the Pits will be laid into the Boxes. And for the better accommodation of the ladies, the stage will be form'd into side boxes, where servants will be allow'd to keep places. Ladies desired to send servants by three

Performances

Mainpiece Title: Love's Last Shift

Dance: I: Dutch Skipper, as17421025; II: Characters of Dancing, as17421025; III: Grand Ballet, as17421108; IV: Grand Comic Ballet, as17430407 V: (By particular Desire) a Louvre, Minuet-Lally, Mlle Anne Auretti