SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Merchant of London"/1) | (@(roleclean,performerclean) "Merchant of London")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1176 matches on Performance Title, 954 matches on Event Comments, 478 matches on Performance Comments, 2 matches on Roles/Actors, and 0 matches on Author.

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Macklin; Merchant-Delane; Bassanio-Havard; Gratiano-Mills; Lorenzo-Lowe; Launcelot-Neale; Tubal-Taswell; Portia-Mrs Clive; Nerissa-Miss Bennet; Jessica-Mrs Ridout; Salanio-Berry; Morochius-Woodburn; Balthazar-Green; Duke-Winstone; Solarino-Turbutt.
Cast
Role: Merchant Actor: Delane

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: The Royal Merchant

Performance Comment: As17421228, but Merchant-Ryan; Bertha-Mrs Walter; Jaqueline-Mrs Vincent; Vandunk-_.
Cast
Role: Merchant Actor: Ryan

Afterpiece Title: The Rape of Proserpine

Dance: Cooke, the two Aurettis

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Shepard; Lorenzo-Cross; Launcelot-Neale; Portia-Mrs Woffington, 1st time; Merchant-Delane; Bassanio-Havard; Gratiano-Mills; Gobbo-Ray; Marochius-Woodburn; Nerissa-Mrs Bennet; Jessica-Mrs Ridout; Prologue to the Masons-Mills; Epilogue-Mrs Woffington.
Cast
Role: Merchant Actor: Delane

Afterpiece Title: The Devil to Pay

Song: The Usual Masons' Songs-

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Portia-Mrs Clive, 1st appearance here in 3 years; Shylock-Macklin; Merchant-Delane; Bassanio-Havard; Gratiano-Mills; Launcelot-Neale; Lorenzo-Lowe (with songs proper for the character); Gobbo-Ray; Morochius-Woodburn; Tubal-Taswell; Salanio-Berry; Solarino-Blakes; Duke-Winstone; Nerissa-Mrs Bennet; Jessica-Mrs Ridout.
Cast
Role: Merchant Actor: Delane

Afterpiece Title: The Anatomist

Dance: III: Mechel

Song: IV: The Subscription-Lowe

Performances

Mainpiece Title: The Royal Merchant

Performance Comment: As17491109, but Merchants-_; Boor-_; Ferret-_; Ginks-_; Snap-_.
Cast
Role: Royal Merchant Actor: Ryan
Role: Merchants Actor: Oates, Holtham, Anderson, Redman

Afterpiece Title: Perseus and Andromeda

Performances

Mainpiece Title: The Royal Merchant; Or, The Beggar's Bush

Performance Comment: Royal Merchant-Ryan; Clause-Bridgwater; Woolfort-Sparks; Hubert-Ridout; Hemskirk-Gibson; Vandunk-Marten; Gertrude-Mrs Barrington; Jaqueline-Miss Haughton; Prince Prig-Dunstall; Higgen-Arthur.
Cast
Role: Royal Merchant Actor: Ryan

Afterpiece Title: The Necromancer

Performances

Mainpiece Title: The Royal Merchant; Or, The Beggar's Bush

Performance Comment: Royal Merchant-Ryan; Clause-Bridgwater; Woolfort-Sparks; Hubert-Ridout; Hemskirk-Bransby; VanDunk-Marten; Gertrude-Mrs Barrington; Jaqueline-Mrs Vincent; Prig-Dunstall; Higgen-Arthur.
Cast
Role: Royal Merchant Actor: Ryan

Afterpiece Title: The Fair

Dance: As17521028

Performances

Mainpiece Title: The Royal Merchant; Or, The Beggar's Bush

Performance Comment: Royal Merchant-Ryan; Clause-Bridgwater; Woolfort-Sparks; Hubert-Ridout; Hemskirk-Gibson; Vandunk-Marten; Prig-Shuter; Higgen-Arthur; Jaqueline-Miss Mullart; Gertrude-Mrs Barrington.
Cast
Role: Royal Merchant Actor: Ryan

Afterpiece Title: Harlequin Sorcerer

Performances

Mainpiece Title: The Royal Merchant

Performance Comment: As17600412 but Merchant-Perry; Boor-Collins; Sanp-Buck; Sailor-Holtom.
Cast
Role: Merchant Actor: Perry

Afterpiece Title: The Siege of Quebec; or, Harlequin Engineer

Entertainment: M+Monologue. An Epilogue in Imitation of Shakespeare's Stage of Human Life=-Cresswickas17600508

Dance: II: The Drunken Peasant-Miles; Clown-Bennet; IV: The Fingalian Dance, as17591102

Event Comment: Boxes #84 12s. 6d. Macklin's fifth part of surplus came to #30 14s. 9d. Paid Pattinson, Tallow Chandler #52 2s. Paid Coal Merchant in Full as per bill #71 13s. Paid Mr Rich #5 5s. to give to Miss Fielding for her performance in the part of Bertha in the Royal Merchant of the 7th Inst. (Account Book). Receipts: #216 14s

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: Sg Maranesi, Mlle Capdeville

Performances

Mainpiece Title: The Royal Merchant

Performance Comment: As17610107, but Woolfort-Anderson; Bertha-Mrs Lee; Hemskirk-Gibson; Merchants-Wignel, Holtom, R. Smith.
Cast
Role: Merchants Actor: Wignel, Holtom, R. Smith.

Afterpiece Title: The Devil to Pay

Dance: The Last New Comic Dance-Maranesi, Mlle Capdeville

Event Comment: Mainpiece: Never acted there. Neville MS Diary: Both theatres opened again with The English Merchant. Went into the Pit of cg. Shuter did Freeport pretty well, but had not that appearance of blunt honesty which Yates has in that character....I like Miss Pope better in Molly than Mrs Mattocks. Mrs Goodman by Mrs Ward, who is a very different figure now from what she was some years ago. Her daughter did Amelia pretty well, but has a stiffiness and an indifferent voice. End Act III, The Irish Lilt-The celebrated dancer Aldridge, Sga Manesiere. Entertainment Harlequin Dr Faustus. I hope this emulation between the 2 Houses will cause exertion. Receipts: #146 8s. 6d. (Account Book)

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: Harlequin Dr Faustus

Dance: III: The Irish Lilt, as17670921

Event Comment: Read the two last acts of the Merchant of Venice, which I had not time to read last night (Neville MS Diary). Receipts: #108 4s. 6d. (Account Book)

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: Harlequin Dr Faustus

Event Comment: Paid Hull the balance of his night of The Royal Merchant the 16th Inst....#38 14s. Paid also the Extra Charge and allowed again for the same night...#3 10s. (Account Book). [Hull seems to have protested the charge of candles, drum & chorus in addition to the high house charge of #84, and seems to have succeeded.] Receipts: #141 13s. 6d. (Account Book)

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: The Apprentice

Dance: II: The Dutch Milkmaid, as17671114; End of Opera: A New Comic Dance, as17671024

Event Comment: Paid half year's Land Tax for theatre due Mich. last: #61 5s.; half year's window lights for ditto: #6 10s. 6d.; half year's land tax for House in Bow Passage: #2 3s. 9d., and window lights for same 15s.; Paid Stubbs (timber merchant) as per bill #50; Paid Evans (sawyer) #9 5s. (Account Book). Receipts: #240 9s. 6d. (Account Book)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: IV: Corsican Sailor's Punch House, as17711011

Event Comment: Paid Messrs. Raban & Kime (coal merchants) #56 15s.; Paid Sarjant half aear's rent for the House in Bow Passage due Mich. last #20 (Account Book). Receipts: #195 3s. 6d. (Account Book)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: III: The Corsican Sailor's Punch House, as17711011; IV: The Lamplighter, as17711016

Event Comment: [As mainpiece the playbill announces The Man of the World, but "The Merchant of Venice, which was performed last night (on account of Miss Younge's sudden Indisposition) was received with the greatest Applause" (Public Advertiser, 1 Feb.).] Receipts: #243 17s. (242/11; 1/6)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Choice of Harlequin

Event Comment: TThe London Chronicle 1758 (p. 461): Having already read the play [The London Cuckolds] it was no wonder if my inclinations to attend the exhibition of it were very small; however, being in some measure oblig'd to perform that penance, I paid my money and sat down in the pit, where I underwent three hours entertainment, if I may call it so, only to be rooted in a former opinion, that the author of this comedy deserved to be hanged; and that the only excuse which could be made for suffering it to be acted would be invincible stupidity. This monstruous production of nonsense and obscenity, is the spawn of one Ravenscroft, a writer whose wit was as contemptible as his morals were vitious. He does not seem to have had one sentiment either of a man of Genious of a gentleman, at least if we may judge by the characters he has daubed, which are a pack of reprobates of the lowest kind. Nor are the things which look like incidents in this play the produce of his own invention, but the squeezings from an extravagant novel of Scarron, and two or three ill-chosen fables of LaFontaine; of which ingredients he has contrived to mix up a sort of hog-wash, sweetened with a few luscious expressions and a large portion of the grossest lewdness, to the palates of swine, or what is the same thing, men like them; but which must be odious to, and nauseated by all people of delicate taste, or common modesty. The three gallants in this comedy, Townly, Ramble and Loveit, never make their appearance upon the stage but to talk bawdy, and that in terms very little different from the most vagabond inhabitants of Covent Garden, nor do they make their exit but with a professed intention to commit adultery with one woman or another, who walks off with him very contentedly for that purpose. I must here observe that adultery is committed no less than seven times during the five acts. [The play an insult to the London aldermen and their wives.] There were several men of distinction in the boxes at this play, and I think about eight ladies. What their inward feelings might be I know not; but if one might judge of their thoughts by the gravity of their looks, they were rather mortified than diverted. But of the women of the town, who as we suppose were unwilling to let slip so fair an opportunity of getting a supper and a bed-fellow, there were crowds both in the pit and green boxes...

Performances

Mainpiece Title: The London Cuckolds

Afterpiece Title: The Double Disappointment

Dance: As17581016

Performances

Mainpiece Title: Distress'd Beauty; Or, The London Prentice

Performance Comment: As at bf, but London Prentice-Penkethman; Achmet-Oates; Haly-Parler; Amurath-Boheme; Wantbrains-Wetherell Jr; Selima-Mrs Middleton; Zara-Mrs Willis.
Cast
Role: London Prentice Actor: Penkethman

Dance: Newhouse, Mrs Whllis, Miss Francis, Sandham's Son and Daughter

Song: In Praise of a Country Life-Mrs Willis

Performances

Mainpiece Title: Distress'd Beauty; Or, The London Prentice

Performance Comment: See17220905, but London Prentice-Penkethman.
Cast
Role: London Prentice Actor: Penkethman.

Song: As17220905; Mrs Willis, Miss Francis, Sandham's Son, Sandham's Daughter

Dance: Mrs Willis, Miss Francis, Sandham's Son and Daughter

Entertainment: For the Diversion of Gentlemen and Ladies, several excellent Entertainments of Dancing on the Ropes and Tumbling-a Company lately arrived from Holland, which never perform'd on Mr Penkethman's Stage before; besides Dancing on the Rope without a Pole-a Youth lately come from France

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The London Prentice

Performance Comment: Parts-Beard, Wilder, Vernon, Miss Thomas, Mrs Clive. [Emperor-Wilder; Vizir-Vernon; London Prentice-Beard; Humdrumeda-Miss Thomas; Princess Theoraze-Mrs Clive (MacMillan).]
Cast
Role: London Prentice Actor: Beard

Dance: Devisse, Mlle Auretti

Event Comment: Benefit for Miss Baker. [Ralph's Ramble (Larpent MS 254) seems patterned on the Farmer's Return from London. Ralph returns to the Mill and gives impressions, not all complimentary, of his trip to London. A Monologue in Couplets with a song.

Performances

Mainpiece Title: Zara

Afterpiece Title: Daphne and Amintor

Dance: I: A Dance-Aldridge, Miss Baker; After the Entertainment: A New Dance call'd the Fortune Tellers-Aldridge, Miss Baker

Entertainment: End: King (for that night only) will present the Audience with a New Comic Descriptive Piece call'd Ralph's Ramble Or O'Rare London! (being a short sequel to a comic character in the Maid of the Mill.)-King

Performances

Mainpiece Title: The Goldsmiths Jubilee; Or, London's Triumph

Performance Comment: Containing, A Description of the several Pageants: On which are Represented, Emblematical Figures, Artful Pieces of Architecture, and Rural Dancing: with the Speeches Spoken on each Pageant. Performed Octob. 29, 1674 for the Entertainment of the Right Honourable and truly Noble Pattern of prudence and Loyalty, Sir Robert Vyner, Kt & Bart, Lord Mayor of the City of London: At the proper Costs and Charges of the Worshipful Company of Goldsmiths. The King's Most Sacred Majesty and his Royal Consort, their Royal Highnesses the Duke and Dutchess of York, Prince Rupert, The Duke of Monmouth, several Foreign Embassadors, Chief Nobility, and Secretaries of State, honouring the City with their Presence.

Performances

Mainpiece Title: The Triumphs Of London

Performance Comment: Performed on Friday, Octob. 29. 1675 for the Entertainment of the Right Honourable and truly Noble Pattern of Prudence and Loyalty, Sir Joseph Sheldon Kt, Lord Mayor of the City of London. Containing a true description of the several Pageants with the Speeches spoken on each Pageant. Together with the several Songs sung at this Solemnity. All set forth at the proper Costs and Charges of the Worshipful Company of Drapers. Design'd and Composed by Tho. Jordan, Gent.

Performances

Mainpiece Title: The Triumphs Of London

Performance Comment: Performed on Tuesday, October XXIX. 1678. For the Entertainment of the Right Honourable, and truly Noble Pattern of Prudence and Loyalty, Sir James Edwards Knight, Lord Mayor of the City of London. Containing a true Description of the several Pageants, with the Speeches spoken on each Pageant. Together with the Songs sung in this Solemnity. All set forth at the proper Costs and Charges of the Worshipful Company of Grocers. Designed and Composed by Tho. Jordan, Gent.