SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "May"/1) | (@(roleclean,performerclean) "May")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1809 matches on Event Comments, 175 matches on Performance Comments, 72 matches on Performance Title, 59 matches on Roles/Actors, and 1 matches on Author.
Event Comment: Benefit for Murray. Morning Chronicle, 8 May: Tickets to be had of Murray, No. 77, Long Acre. Receipts: #263 0s. 6d. (118.7.6; 6.11.0; tickets: 138.2.0)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Paradox

Afterpiece Title: Lovers' Quarrels

Song: In the course of the Evening: As17990430; End IV 1st piece: The Funeral Procession of Juliet, Dirge-; Vocal Parts, as17981008, but Hill, _Gray, Miss +Waters, Mrs +Atkins, Miss _Leserve, Miss _Gray

Event Comment: Benefit for Wild, prompter. 2nd piece [1st time: M. INT 1]. 3rd piece: As it was originally performed upwards of 50 nights in the Year 1789. Being a Selection of favorite Scenes form the following celebrated Pantomimes: Harlequin Sorcerer, Mother Shipton, Choice of Harlequin, Druids, Friar Bacon, Harlequin Freemason, Omai, Magic Cavern, and Harlequin Rambler. The machinery of the Peacock by Sloper. With the original Scenery painted by Lambert, Dall, Carver, Hodgins and Richards. The Music selected from Dr Arne, Dr Arnold, Dr Fisher, M.? Arne, Vincent, Dibdin and Shield. Morning Chronicle, 4 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #399 19s. 6d. (205.18.0; 16.4.6; tickets: 177.17.0)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: An Egeirophadron

Afterpiece Title: Harlequin's Chaplet

Dance: II: Negro Dance-Bologna Jun., Platt, King

Song: End I: Black Ey'd Susan-Incledon

Event Comment: Benefit for Mrs Pope. Mainpiece: Not acted these 6 years. In I a Grand Banquet Scene. A Procession from the Abbey at the Coronation of Queen Anne Bullen. The Piece to conclude with the ceremony at the Royal Christening. [Holman's 1st appearance as King Henry was at this theatre, 24 May 1793.] Morning Chronicle, 27 Apr.: Tickets to be had of Mrs Pope, Half Moon-street, Piccadilly. Receipts: #391 0s. 6d. (299.15.6; 2.9.0; tickets: 88.16.0)

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: Hartford Bridge

Song: In course of Evening: Black Ey'd Susan-Incledon; Tomorrow-Incledon

Music: Preceding: Grand Sonata on the Piano Forte-Master Parker; with a new Rondo-Master Parker (Haydn); End I: a celebrated Lesson of Nicolai-Master Parker

Entertainment: Monologues End II: Alexander's Feast-Master Parker; End: Grand Address to the Audience-Master Parker

Event Comment: Benefit for Dignum. Morning Chronicle, 11 May: Tickets to be had of Dignum, No. 23, New North-street, Red Lion-square. Receipts: #713 9s. (87.10.6; 34.1.6; 2.8.0; odd money: 11.3.0; tickets: 578.6.0) (charge: #212 7s. 5d.)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: No Song No Supper

Song: End I: Sweet Lillies of the Valley-Dignum; End IV: My Friend is the Man I'd copy through Life (written by Miles Peter Andrews, Esq., composed by Hook)-Dignum; V: a song, as17990214

Event Comment: Benefit for Miss Mellon. Morning Chronicle, 17 May: Tickets to be had of Miss Mellon, No. 17, Little Russell-Street, Covent Garden. Receipts: #122 2s. 6d. (71.17.6; 48.17.6; 0.19.0; odd money: 0.8.6; tickets: Miss Mellon to pay a Moiety over #50 [total of tickets not listed]) (charge: none listed)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: High Life below Stairs

Dance: As17990309

Event Comment: Benefit for Townsend and Mrs Johnson. 3rd piece [1st time in London; F 1, by William Dunlap]: Performed with distinguished Applause at the John St.? Theatre, New York [on 9 Jan. 1797]; compressed into one act [from two], and adapted for the English Stage by a Gentleman [perhaps the author]. "Commencing at half past eleven o'clock, and after a tiresome variety of other entertainments, the audience thought they had had enough for their money, and demanded the fall of the curtain before the conclusion of [Tell Truth and Shame the Devil]" (Monthly Mirror, June 1799, p. 367). Morning Chronicle, 8 May: Tickets to be had of Townsend, No. 9, Leicester-place. [Mrs Johnson not listed.] Receipts: #442 17s. 6d. (108.1.0; 1.11.0; tickets: 333.5.6, of which Townsend sold 218.2.0; Mrs Johnson 115.3.6)

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: Catherine and Petruchio

Afterpiece Title: Tell Truth and Shame the Devil

Song: End: Mad Tom-Betts (1st appearance on the stage); Young William-Incledon; The Golden Days-Munden; The Tight Little Island-Townsend; The Wind blew fresh and fair-Townsend

Music: End I 1st piece: Concerto Clarionet-Orsato (of the Theatre Royal Venice; 1st appearance in this Metropolis); a duetto solo by means of the Pression and Repercussion of the Air-Orsato This his curious Discovery has received the greatest Applause in most of the Courts

Event Comment: [Afterpiece in place of The Deserter, advertised on playbill of 20 May. Account-Book: Tickets delivered by Miss Arne will be admitted.] Receipts: #328 (205.7.6; 67.2.0; 2.15.6; odd money: 1.4.6; tickets: 51.10.6)

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: The Shipwreck

Song: End: the Fishing Duet from Don Juan-Miss Arne, Miss Wentworth

Event Comment: "I did not act this Night, being at Home to receive the 4th & 5th Acts of my Part in the new Play [see 24 May]" (Kemble Mem). Tickets delivered [Account-Book: by Miss Briggs, Miss Clarke, Rhodes] for Thursday will be admitted. Receipts: #187 13s. 6d. (123.12.6; 62.10.0; 1.11.0; tickets: none listed)

Performances

Mainpiece Title: The Castle Of Montval

Afterpiece Title: The Adopted Child

Event Comment: Notice on playbill of 22 May: The Necessity of using the Stage for the Scenery of the New Play of Pizarro will prevynt any Performance at this Theatre Tomorrow Evening

Performances

Mainpiece Title: None

Event Comment: Benefit for Miss Waters. Afterpiece: By permission of the Proprietors of the Theatre-Royal, Drury Lane. Morning Chronicle, 3 May: Tickets to be had of Miss Waters, No. 43, Conduit-street, Hanover-square. Receipts: #461 0s. 6d. (172.11.0; 5.1.0; tickets: 283.8.6)

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: No Song No Supper

Song: End II: a song [Rosalie (Monthly Mirror, Aug. 1799, p. 109)]-Miss Waters; End III: The Death of Admiral Benbow-Incledon; End IV: a favorite duet-Incledon, Miss Waters; End: Old Towler-Incledon

Event Comment: "Much of the superfluous matter [in mainpiece] is cut out. The Epilogue...was not delivered on Saturday night; an apology was made for it on account of an accident" (Morning Chronicle, 27 May). Receipts: #301 3s. (264.6; 36.4; 0.13)

Performances

Mainpiece Title: Pizarro

Afterpiece Title: The Deaf Lover

Song: As17990524

Event Comment: Benefit for Whitfield. Afterpiece [1st time; F 2, by John Till Allingham]. Morning Chronicle, 14 May: Tickets to be had of Whitfield, No. 10, Clifford's-inn. Ibid, 26 July 1799: This Day is published Fortune's Frolic (price not listed). Receipts: #394 13s. 6d. (79.15.0; 5.0.0; tickets: 309.18.6)

Performances

Mainpiece Title: Secrets Worth Knowing

Afterpiece Title: Fortune's Frolic

Dance: The Highland Lovers [see17990423]-; with Un Pas de Trois-Bologna, Miss E. Cabanel, Miss H. Cabanel; Un Pas Seul Serieux-Miss H. Cabanel; Un Pas Seul de Demie Caractere-Miss E. Cabanel, Platt

Song: End II: The Death of Admiral Benbow-Incledon; End IV: Black Ey'd Susan-Incledon; The Tight Little Island-Townsend

Event Comment: Last night Pizarro underwent "further curtailments. It was concluded by a little after ten o'clock" (Morning Chronicle, 28 May). 'It is unquestionably the most excellent play I ever saw for variety of attractions. The scenery and decorations are splendid and magnificent without being tawdry or puerile, and these ornaments are made to heighten, not supersede, real dramatic merit" (Henry Crabb Robinson, Diary, 1869, I, 58-59). Receipts: #402 2s. (354.10; 45.17; 1.15)

Performances

Mainpiece Title: Pizarro

Afterpiece Title: The Virgin Unmask'd

Song: As17990524

Event Comment: Benefit for Mrs Siddons. Morning Chronicle, 20 May: Tickets to be had of Mrs Siddons, No. 49, Great Marlborough-street. Receipts: #439 12s. 6d. (228.14.6; 40.6.0; 0.16.0; tickets: 169.16.0) (charge: free)

Performances

Mainpiece Title: Pizarro

Afterpiece Title: The Humourist

Song: Vocal Parts, as17990524, but Mrs _Illingworth, Mrs _Coates

Event Comment: [3rd piece in place of The Norwood Gipsies, advertised on playbill of 29 May.] Receipts: #163 16s. (157.13; 6.3)
Event Comment: Benefit for Mrs Litchfield and Miss Mitchell. 3rd piece: Not acted these 2 years. Morning Chronicle, 25 May: Tickets to be had of Mrs Litchfield, No. 38, Bedford-street, Covent Garden; of Miss Mitchell, No. 3, Park-street, Grosvenor-square. Receipts: #304 15s. 6d. (76.7.6; 1.12.0; tickets: 226.16.0)

Performances

Mainpiece Title: The Lie Of The Day; Or, A Party At Hampton Court

Afterpiece Title: Lock and Key

Afterpiece Title: The Midnight Hour

Song: End II: The Death of Admiral Benbow-Incledon; End: a song-Townsend; End I 2nd piece: The Snug Little Island-Townsend; End 2nd piece: Old Towler-Incledon

Entertainment: Monologue Alexander's Feast-Mrs Litchfield

Event Comment: Benefit for Hull and Waddy. 3rd piece: In 3 acts. Not acted these 3 years. Morning Chronicle, 30 May: Tickets to be had of Waddy at M'Knowl's, No. 8, Great Wild-street, Lincoln's Inn Fields. [Hull not listed.] Receipts: #348 8s. 6d. (214.13.6; 3.0.0; tickets: 130.15.0)

Performances

Mainpiece Title: The Horse And The Widow

Afterpiece Title: Inkle and Yarico

Afterpiece Title: The School for Arrogance

Dance: In II 2nd piece: Negro Dance, as17990513, but added: Blurton

Song: In course Evening: Young William was a Seaman true-Incledon; A favorite new song-Miss Waters; comic song-Munden; Old Towler-Incledon; Boxing the Compass-Fawcett

Event Comment: [Extra night] Benefit for the General Lying-In Hospital, Bayswater, Under the Patronage of Her Majesty. Tickets to be had at the Hospital; of Longman and Wilkinson, Cheapside; Broderip andCo., Haymarket; and of Brandon at the Theatre, where Places for the Boxes may be taken. Many of the Re-Renters have generously relinquished their Privilege upon this Night. [Faulkner had acted at dl on 21 Dec. 1796, and Mrs Johnstone at cg on 4 Jan. 1798.] Receipts: none listed

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Jew and the Doctor

Song: End II: Hope told a flattering tale-Mrs Ferguson; accompanied on the Pedal Harp-Weippert

Music: End I: Grand Sonata on the Piano Forte, as17990515; End IV: Lesson of Nicolai, as17990515

Entertainment: Monologues Before: [Collins' Ode on the Passions-Master Parker; End III: The Birth Day Ode [by Henry James Pye, 1st performed at St. James's Palace, 4 June, the birthday of George III]-Master Parker; End: Imitations-Mrs Sumbel (late $Mrs Wells)

Event Comment: The Subscription Operas being now over, Ladies (not Subscribers) may be accomodated with Boxes for the remainder of the season, by applying to Shelmerdine, at the Office of the Theatre, in the Haymarket

Performances

Mainpiece Title: An Act Of Elfrida

Afterpiece Title: I Due Svizzeri

Dance: End: a new divertissement, La Double Epreuve- (composed by D'Egville); End 2nd piece: Telemaque, as17990330

Event Comment: [St.Pierre had danced at dl on 9 May 1798.] Receipts: #470 (440.5; 29.2; 0.13)

Performances

Mainpiece Title: Pizarro

Afterpiece Title: Katharine and Petruchio

Song: Mainpiece: Vocal Parts-Kelly, Sedgwick, Dignum, Danby, Mrs Crouch, Miss DeCamp, Miss Stephens, Miss Leak, Miss Dufour

Ballet: End: The Scotch Ghost. As17981206, but Jamie-St.Pierre (1st appearance on this stage); Saundy-_; Donald-_; Villagers-_

Event Comment: [Address by Thomas John Dibdin (T. J. Dibdin, Reminiscences, 1, 256).] Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30 [see 9 Dec.]. Places for the Boxes to be taken of Brandon at the Box office in Hart-street. No Money to be returned. [On playbill of 6 May 1800: Printed by E. Macleish, 2, Bow-street, Covent-Garden.] Receipts: #290 3s. 6d. (279.12.0; 10.11.6)

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Rosina

Entertainment: Monologue Preceding: New Occasional Address-Pope

Event Comment: By Authority of the Lord Chamberlain. Benefit for Mrs Hunter, late of Covent-Garden Theatre. [Epilogue by Miles Peter Andrews.] Tickets to be had of Mrs Hunter, No. 12, Leicester-street, Leicester-square; and of Rice at the Theatre, where Places for the Boxes may be taken. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: Fortune's Frolick

Event Comment: [Tomkins, who had 1st appeared at this theatre on 1 May 1799, is identified by MS annotation on Kemble playbill.] Receipts: #178 17s. (117.9; 60.1; 1.7)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Katharine and Petruchio

Event Comment: Mainpiece: Not acted these 4 years. Afterpiece [1st time; P 2 (?). Not published; Songs: Larpent MS 1272]: Invented by T. Dibdin, & produced under the Direction of Farley. To conclude with an Allegorical Procession of the Seasons, Months and Hours, to the Temple of Domestic Happiness. With entire new Music, Scenery, Machinery, Machinery, Dresses and Decorations. The Overture and Music composed by Moorehead. The Dances by Bologna Jun. The Scenery by Phillips, Lupino, Hollogan, Wilkins, Bromley, the two Whitmores, Powell. The Machinery by Cresswell, Sloper, Goostree, C. Dibdin Jun., &c. The Dresses by Dick and Mrs Egan. Books of the Songs [J. Barker, 1799] to be had in the Theatre. "The opening scene of the new pantomime is highly interesting. The representation of the Volcanov, and the fight in the air between Floridel and Cratero, may with justice claim the epithet of grand and magnificent" (Dramatic Censor, I, 13). Account-Book, 6 Feb, 1800: Paid Moorehead for music in Volcano #25. Receipts: #366 7s. (344.17; 21.10)

Performances

Mainpiece Title: The Earl Of Essex; Or, The Unhappy Favorite

Afterpiece Title: The Volcano; or, The Rival Harlequins

Event Comment: p Comic Opera; the music by Paisiello. 2nd ballet: Originally composed by D'Auberval, and brought out with new Episodes and Dances by D'Egville [with music by Bossi], The Doors to be opened at 6:15. To begin at 7:15 [same throughout opera season]. Single tickets for the night, for pit or gallery, to be had at the office of the Theatre. [Sga Bolla was from the opera, Milan. Sga Clara's name is not in the playbill, but "The second comic opera singer, Sga Clara, was also new...There is much sweetness and delicacy in her voice, and perhaps it may be owing to her evident timidity that it did not seem to possess strength and compass in proportion" (Monthly Visitor, Jan. 1800, p. 71). Deshayes was from the Opera, Madrid.

Performances

Mainpiece Title: I Zingari In Fiera

Dance: End I: A New Divertisement (composed by D'Egville)-Didelot, Mme Rose Didelot, Mr Laborie, Mme Laborie, Mme Hilligsberg, Deshayes (1st appearance in this country), Mlle Parisot (1st appearance at this theatre these 2 years); End Opera: a new Anacreontic Ballet, in 2 parts, Les Jeux d'Egle-Deshayes, Laborie, D'Egville, Didelot, Mme Hilligsberg, Mlle Parisot, Mme Laborie, Mlle J. Hilligsberg, Mrs D'Egville, Mme Rose Didelot