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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "May"/1) | (@(roleclean,performerclean) "May")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2030 results for: Keyword - May
We found 1809 matches on Event Comments, 175 matches on Performance Comments, 72 matches on Performance Title, 59 matches on Roles/Actors, and 1 matches on Author.

1626
14 May 1788 @ Covent Garden

Event Comment: Benefit for Booth. Afterpiece: Not acted these 7 years [acted 12 Nov. 1782. Rees is identified in Dram. Reg.]. Public Advertiser, 10 May: Tickets to be had of Booth, No. 18, Broad-court, Bow-street, Covent Garden. Receipts: #234 2s. (95.13; 7.1; tickets: 131.8)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Minor

Dance: As17880328

1627
16 May 1788 @ Covent Garden

Event Comment: Benefit for Mr and Mrs Brown. Mainpiece: With a Grand Processionv, as 21 Sept. 1787. [The Cottagers, a comic opera written by Mrs Brown's daughter, was published in 1788, and 1st acted at the Crow Street Theatre, Dublin, 19 May 1789.] Receipts: #167 7s. (58.2; 7.9; tickets: 101.16)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Royal Chace

Song: In afterpiece: a Hunting Song-Darley

Entertainment: Monologue. End afterpiece: an Occasional Epilogue[, in the character of Harlequin] (written by Miss Ross)-Brown

1628
23 May 1788 @ Drury Lane Theatre

Event Comment: Benefit for Phillimore and Spencer. Comus [advertised on playbill of 22 May] is obliged to be deferred, on Account of the Indisposition of Mrs Crouch. Receipts: #261 18s. (18.14; 8.15; 0.15; tickets: 233.14) (charge: #106 6s. 6d.)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: High Life below Stairs

Dance: As17880313

Song: End III: Ma chere Amie-Dignum

1629
27 May 1788 @ Drury Lane Theatre

Event Comment: The Regent [advertised on playbill of 26 May] is unavoidably deferred, on Account of the sudden and severe Indisposition of Barrymore. Receipts: #47 15s. (39.6; 7.14; 0.15)

Performances

Mainpiece Title: Welfth Night

Afterpiece Title: The First Floor

1630
28 May 1788 @ Drury Lane Theatre

Event Comment: Benefit for Mme Mara. Public Advertiser, 2 May: Tickets to be had of Mme Mara, No. 64, Pall-Mall. Receipts: #149 17s. 6d. (73.10.0; 9.2.6; 1.5.0; tickets: 66.0.0) (charge: free)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Humourist

1631
02 June 1788 @ Covent Garden

Event Comment: Benefit for Leoni. [Master Braham's 1st appearance was at this theatre on 21 Apr. 1787 (also on the night of Leoni's benefit), when he sang two songs.] Public Advertiser, 17 May: Tickets to be had of Leoni, No. 1, Well Close-square. Receipts: #123 17s. 6d. (89.14.6; 3.13.0; tickets: 30.10.0)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Poor Vulcan

1632
09 June 1788 @ Drury Lane Theatre

Event Comment: [This was, officially, Smith's last appearance on the stage, but see dl, 18 May 1798.] Receipts: #201 6s. 6d. (171.3.0; 29.15.0; 0.8.6)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Richard Coeur de Lion

1633
30 September 1788 @ Haymarket Theatre

Event Comment: By Permission [of the Lord Chamberlain]. 3rd piece: Written by A. Murphy, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had at the Shakespeare, Covent-garden; the Chapter Coffee-house, Paternoster-row; the Horn Tavern, Doctors Commons; the Theatre, where Places for the Boxes may be taken; and at Abbott's Academy, Bridges-street, Westminster

Performances

Mainpiece Title: Miss In Her Teens

Afterpiece Title: Barnaby Brittle; or, A Wife at her Wit's End

Afterpiece Title: The Citizen

Entertainment: Monologue. End 1st piece: Scrubb's Trip to the Jubilee (as altered by the late David Garrick, Esq., in character,)-Death; Vaudeville. End 2nd piece: a new favourite song-Birkett; Dance-the Miss Simonets; A Pantomimical Interlude: Harlequin (with the celebrated Dying Scene)-Follett Jun., Clown- Follett Sen.; +A martial song-Birkett

1634
16 October 1788 @ Covent Garden

Event Comment: [Miss Reynolds' 1st appearance was at this theatre, 3 May 1787.] Receipts: #229 13s. (227.2.6; 2.10.6)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: Animal Magnetism

1635
03 November 1788 @ Drury Lane Theatre

Event Comment: The Doors to be opened at 5:15. To begin at 6:15 see 11 May 1789]. Receipts: #122 10s. (91.3.0; 30.16.0; 0.11.0)

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Stolen Heiress or the Salamanca Doctor Outplotted Author(s): Thomas May

Afterpiece Title: The Doctor and the Apothecary

1636
03 November 1788 @ Covent Garden

Event Comment: The Doors to be opened at 5:15. To begin at 6:15 [see 12 May 1789]. Receipts: #191 12s. 6d. (188.2.6; 3.10.0)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Marian

Song: As17881013

1637
03 January 1789 @ Covent Garden

Event Comment: 1st piece: Not acted these 3 years [acted 21 May 1787]. Receipts: #183 18s. (168.17; 15.1)

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: The Child of Nature

Afterpiece Title: Aladin

1638
11 March 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: A Prelude

Afterpiece Title: Redemption 0; Triumph of Truth 0

Performance Comment: Selected from the Great and Favourite Works of Handel that were performed at his Commemoration in Westminster Abbey and at the Pantheon on 26 and 27 May 1784. For a detailed account of what was sung, see17890318 Principal Vocal Parts and Violin As17890227.

Music: End I oratorio: serenata solo on harp, as17890306End II: a new Grand Concerto on the harp-Mme Krumpholtz; Conclude: God save Great George our King-

1639
20 March 1789 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Grand Concerto-; Let me wander not unseen-Miss Mahon; And young and old-Chorus (L'Allegro); Music spread thy voice around-Harrison, Chorus (Solomon); O magnify the Lord-Miss Cantelo (Chandos? Athems); May no rash intruder, [the] Nightingale Chorus-(Solomon); Gentle Airs-Harrison (Athalia); O God who in thy heavenly band-Chorus (Joseph); The Prince unable to conceal his Pain-Sga Storace (Alexander's Feast); The King shall rejoice-.

Afterpiece Title: Grand Selection 3

Music: End II: As17890227; End Part I: Concerto by Handel on organ-Greatorex

1640
21 March 1789 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; T 5, by the Hon. John St.John. Prologue by William Fawkener.-Epilogue by the author (see text)]. Public Advertiser, 1 May 1789: This Day is published Mary Queen of Scots (1s. 6d.). [As afterpiece the playbill announces Who's the Dupe?, but it was not acted. Kemble Mem. lists the substitute play.] Receipts: #240 9s. (226.4.0; 13.8.6;0.16.6)

Performances

Mainpiece Title: Mary Queen Of Scots

Afterpiece Title: High Life below Stairs

1641
27 March 1789 @ Drury Lane Theatre

Event Comment: [Mrs Siddons had 1st recited the Monody at Bath, 1 May 1779.

Performances

Mainpiece Title: A Prelude

Afterpiece Title: Acis and Galatea; Triumph of Truth 0

Afterpiece Title: The Monody on the Death of Garrick

Music: As17890311

1642
04 April 1789 @ Drury Lane Theatre

Event Comment: Afterpiece: Not acted these 5 years [not acted since 4 May 1782. Miss Raymond is identified by MS annotation on Kemble playbill; Diary, 6 Apr., states she had acted two or three nights at Bath]. Receipts: #244 11s. (227.10; 16.6; 0.15)

Performances

Mainpiece Title: Mary Queen Of Scots

Afterpiece Title: Miss in her Teens

1643
14 April 1789 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Crouch. Public Advertiser, 30 Mar.: Tickets to be had of Mrs Crouch, No. 56, Tichfield-street, Oxford-street. Mainpiece: Not acted these 3 years.The original Music composed by William? Jackson, and several additional songs. Afterpiece: Not acted these 3 years [not acted since 14 May 1783]. Receipts: #226 9s. 6d. (76.14.0; 24.9.0; 2.11.6; tickets: 122.15:0) (charge: #109 12s. 5d.)

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Divorce

1644
20 April 1789 @ Drury Lane Theatre

Event Comment: Mainpiece [C 5, by the Hon. Henry Seymour Conway, adapted from Les Dehors Trompeurs; ou, L'Homme du Jour, by Louis de Boissy; incidental music by Michael Kelly. Prologue by the author. Epilogue by John Burgoyne (see text)]: 1st time at a public theatre. With new Scenes and Dresses. [This was 1st acted on 31 May 1788 at the private theatre in the town house of the Duke of Richmond, which was situated on what is now Richmond Terrace, Whitehall. It was demolished in 1819.] Diary, 16 June 1789: This Day is published False Appearances (1s. 6d.). Receipts: #138 3s. (114.15.0; 22.5.6; 1.2.6)

Performances

Mainpiece Title: False Appearances

Afterpiece Title: Miss in her Teens

Song: V: song in character-Mrs Crouch. [This was sung, as here assigned, in all subsequent performances.

1645
21 April 1789 @ King's Theatre

Performances

Mainpiece Title: A gala Sponsored By brooks's Club, Celebration Of king's Recovery [and See 15, 24 Apr

Performance Comment: 11 May]. [Shortly before midnight an overture-; [was played, followed by a duet-Kelly, Sga Storace, [assisted by a Chorus; music by Mazzinghi-; An Ode by Robert Merry-Mrs Siddons; [dressed "a la Britannia, with a spear, standing on a raised stage...This being finished a Transparent Paintingv dropped upon her, and she was no more seen." The Ode was concluded at 12:30, and Rule Britannia-[ was sung. Supper was served at two o'clock, but no dancing was possible because of the large number of guests. "Many persons were not gone at six in the morning." The price of seven tickets was 25 guineas (World, 22, 23 Apr.). was sung. Supper was served at two o'clock, but no dancing was possible because of the large number of guests. "Many persons were not gone at six in the morning." The price of seven tickets was 25 guineas (World, 22, 23 Apr.).

1646
28 April 1789 @ Covent Garden

Event Comment: Benefit for Aickin. [Meredith is identified in European Magazine, May 1789, p. 410, which also states address was written by a Mr Vardill.] Mainpiece: End of Act II the Grand Triumphal Entry of Alexander into Babylon. Public Advertiser, 24 Apr.: Tickets to be had of Aickin at his house, No. 5, Gower-street, Bedford-square. Receipts: #228 4s. 6d. (155.17.6; 8.2.0; tickets 64.5.0)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: Midas

Dance: As17881010

Entertainment: Monologue. Preceding: Occasional Address-Middleton

1647
02 May 1789 @ Covent Garden

Event Comment: Benefit for Miss Fontenelle. Public Advertiser, 14 Apr.: Tickets to be had of Miss Fontenelle at her house, No. 271, Holbourn. 2nd piece: Compressed into 3 short Acts. "Miss Fontenelle...is the best Romp we ever saw, Mrs Jordan alone excepted...We were sorry to see [her] fall over the groove of the scene; but as practice is more forcible than precept, we hope it will teach her the truth of Friar Lawrence's caution, 'they stumble who run fast'" (Diary, 4 May). Receipts: #219 19s. (133.14.6; 6.8.6; tickets: 79.16.0)

Performances

Mainpiece Title: The Sultan

Afterpiece Title: The Highland Reel

Afterpiece Title: The Romp

Dance: End 2nd piece: The Piping Pedlar-Byrne, Mrs Goodwin

1648
02 May 1789 @ King's Theatre

Event Comment: Sga Giuliani being very much indisposed, the Comic Opera is unavoidably obliged to be substituted for Il Disertore [advertised in World, 1 May]

Performances

Mainpiece Title: La Cosa Rara

Dance: End I: Les Jalousies du Serail, as17890317but Mlle Guimard; in which the favourite +Pas de Deux Russe-[See17890507]; End Opera: Admete-[, as17890428

1649
04 May 1789 @ Drury Lane Theatre

Event Comment: On Account of Mrs Siddons's Indisposition her Benefit is deferred 'till Monday the 11th Instant. [Afterpiece in place of The Pannel, advertised on playbill of 2 May.] Receipts: #249 4s. (122.7.0; 23.17.6; 2.19.6)

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Devil to Pay

1650
05 May 1789 @ Drury Lane Theatre

Event Comment: Benefit for Baddeley. 3rd piece [1st time; INT I, probably by Robert Baddeley. Not in Larpent MS; not published]: Taken from [The Lame Lover, by] the late Samuel Foote, Esq. Public Advertiser, 2 May: Tickets to be had of Baddeley, No. 10, New Store-street, Bedford-square. Receipts: #297 16s. (74.14; 8.12; 0.19; tickets: 213.11) (charge: #117 16s. 4d.)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: (End of Act II) Jewish Education

Afterpiece Title: A Lesson for Lawyers

Afterpiece Title: Rosina

Entertainment: Monologue. As17890430