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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Masters Hamilton"/1) | (@(roleclean,performerclean) "Masters Hamilton")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3028 results for: Keyword - Masters Hamilton
We found 1790 matches on Performance Comments, 1031 matches on Performance Title, 450 matches on Event Comments, 145 matches on Roles/Actors, and 10 matches on Author.

2776
22 June 1733 @ Goodman's Fields

Performances

2777
22 September 1733 @ Drury Lane Theatre

Performances

Mainpiece Title:

2778
20 October 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The Careless Husband

Music: Second Musick: First Concerto of the 1st Opera of Geminiani. Third Music: Overture compos'd by Handel for Alexander. I: A Concerto call'd The Cuckoo composed by Vivaldi. III: Duo for Two French Horns by Charle and Giay

Dance: V: La Follette s'cest ravizee by Nivelon and Miss Mann

Song: II: Quanto Dolce by Miss Arne. IV: Per le forte del tormento by Miss Arne and Young Master Arne

2779
25 October 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Mock Doctor

Dance: A new Grand Ballad called Les Amants Constants by Essex, Miss Robinson, Houghton, F. Tench, Janno, Holt, Miss Mann, Miss Oates, Miss Brett

Song: I: Quanto Dolce by Miss Arne. In III: Per le porte del tormento by Miss Arne and Master Arne

2780
12 November 1733 @ Goodman's Fields

Performances

Mainpiece Title: The Constant Couple

Cast
Role: Angelica Actor: Mrs Hamilton

Afterpiece Title: The Happy Nuptials: With The Amorous Sportsman

2781
19 November 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The Provok'd Husband

Music: Second Musick: 1st Concerto of Corelli. Third Musick: Overture compos'd by Handel for the Opera of Alexander. I: A Concerto call'd The Cuckoo by Vivaldi

Dance: II: La Basetelle by Essex, and Miss La Tour. In V: Les Amants Constants by Essex, Houghton, Miss Robinson, F. Tench, Holt, Miss Mann, Miss Brett

Song: II: Limpio Rigor del Fato and Was Ever Nymph Like Rosamond by Miss Arne. IV: Per le Porte del Tormento by Miss Arne and Master Arne

2782
04 January 1734 @ Haymarket Theatre

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: Flora

Music: As17331201 for Second and Third Musick. III: The Cuckoo, composed by Vivaldi

Dance: I: La Follette s'cest ravisee by Nivelon and Miss Mann. V: Grand Dance in Momus, as17331231

Song: II: L'empio Rigor del Fato by Miss Arne. IV: Per le parte del Tormento by Miss Arne and Master Arne

2783
04 March 1734 @ Haymarket Theatre

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Mock Doctor

Music: Select Pieces between the Acts

Dance: By Nivelon, Miss Mann, Essex, Miss Robinson

Song: Hush, Hush, ye little Warbling Choir by Miss Arne. Per le Porte del Tormento by Miss Arne and Master Arne

2784
21 August 1734 @ Haymarket Theatre

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Don Quixote in England

Dance: I: Prince of Wales's Saraband and Minuet by Davenport and Miss Brett. III: Les Bergers Heureux by Davenport and Miss Brett. V: The Black Joke by Davenport and Miss Brett

Song: In II: Lempio Rigor del Fato by Miss Jones. IV: Was ever Nymph like Rosamond by Miss Jones. End Afterpiece: A Dialogue by Master Arne and Miss Jones

2785
11 September 1734 @ Hampstead

Performances

Mainpiece Title: Concert

2786
07 November 1734 @ Haymarket Theatre

Performances

Mainpiece Title: Arlequin Astrologue, Ramoneur, Statue

Dance: The Double Face by Mlle Chateauneuf. Wooden Shoe Dance by Master Francis Cochoy

2787
21 February 1735 @ Hickford's Room

Performances

Mainpiece Title: Concert

Music: Vocal by Waltz. Instrumental by Opera Masters, especially Flute by Hagan, French Horn by Antony Uhl and Cook

Performance Comment: Instrumental by Opera Masters, especially Flute by Hagan, French Horn by Antony Uhl and Cook .

2788
17 March 1735 @ Drury Lane Theatre

Event Comment: Benefit Denoyer. By Command of His Royal Highness. Mainpiece: Taken from Moliere. London Daily Post and General Advertiser, 17 March: The celebrated Monsieur Denoyer and Mademoiselle Salle, by Permission of the Masters of the two Theatres Royal, have agreed to dance together at each other's Benefit

Performances

Mainpiece Title: The Mother-in-law

Afterpiece Title: The Lottery

Dance: I: Russian Sailor by Denoyer, &c. II: By Denoyer's Apprentice. III: Shepherd's Mount by Denoyer, Mlle Salle, &c, with a new Scene, and New Habits. V: Minuet (in modern Habits) by Denoyer and Mlle Salle

2789
28 April 1735 @ Covent Garden

Performances

Mainpiece Title: The Double Deceit

2790
11 June 1735 @ Drury Lane Theatre

Performances

Mainpiece Title: As 10 May, But Decius-boman

Afterpiece Title: An Old Man Taught Wisdom

Music: Select Pieces

Dance: I: English Maggot by Villeneuve and Mrs Walter. II: Drunken Peasant by Le Brun. In: Black and White Joak by Nivelon and Miss Mann. V: Amorous Swain, as17350327

Song: IV: As17350603

2791
24 September 1735 @ York Buildings

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Art of Management; or, Tragedy Expell'd

Entertainment:

2792
26 November 1735 @ Swan Tavern

Performances

Mainpiece Title: Concert

Music: A Solo and several Pieces on the French Horn by Mr Charles. And several Songs and Duets by the two Miss Youngs. The German Flute by Mr Pelicour [Balicourt in Daily Advertiser], lately arrived from abroad; Being the first Time of his Performing in England

2793
04 May 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rover

Afterpiece Title: The Mock Doctor

Dance: I: Mason's Dance by Delamayne. II: English Maggot by Villeneuve and Mrs Walter. IV: Black and White Joak by Phillips and Miss Mann. After Epilogue: The Rover by Essex, Mrs Walter, Miss Mann, &c

Song: I: The Enter'd Prentice's Song: Come let us Prepare. III: On, on, my dear Brethren. V: Sing then my Muse

2794
07 January 1737 @ Haymarket Theatre

Event Comment: DDaily Advertiser, 7 Jan.: We are inform'd, that a certain Author, Tir'd With the vain Attempts he has often made in the Political Way, has taken it into his Head, as unwilling to lay down the Character of a Reformer, to explode the reigning Taste for dumb Shew and Machinery, and has declar'd open War against Harlequin, Punch, Pierot, and all the Modern Poets, viz. Joiners, Dancing-Masters, and Scene-Painters. 'Tis said, that he has dispos'd every Thing in such a manner, and is so forward in his Preparations, that he will open the Campaign next Week, having three new Pieces in Rehearsal on the Stage of the little Theatre in the Hay-Market. The Design is, no doubt, laudable, but the Chance of War is doubtful; he makes head against a powerful Alliance; and we do not hear that he is strengthen'd by any of the Auxiliaries of Parnassus

Performances

2795
26 January 1737 @ Loriner's Hall

Performances

Mainpiece Title: Les Precieuses Ridicules

2796
04 May 1737 @ Haymarket Theatre

Performances

Mainpiece Title: Pasquin

Afterpiece Title: Fame; or, Queen Elizabeth's Trumpets; or, Never plead's Hopes of being a Lord Chancellor; or, The Lover turn'd Philosopher; or, The Miser's Resolve upon the Lowering of Interest

2797
13 May 1737 @ Drury Lane Theatre

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Devil to Pay

Dance: I: Wooden Shoes-Livier, Villeneuve; II: Two Pierrots-Livier, Pelling; III: Hornpipe-a Seafaring Gentleman for his Diversion; IV: Turkish Dance-Muilment, Villeneuve, Livier; V: A new Scotch Dance-Dupre, Mrs Pelling

2798
30 August 1737 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by the late Mr Congreve. Egerton 2320: Berry, Oats & Shepard discharg'd much noise in ye Pit for ye restoring of Oats. Griffin at Rotterdam, Jack Ray did his part. Milward's [?] a good one--the first night of Beard's playing--his success great. Receipts: #115. [For performances at the Fairs, see season of 1736-1737.] Daily Advertiser, 22 Aug.: The House [dl] is neatly decorated, and a very large Lobby prepar'd for the Servants that keep Places, with two Fire Places, Seats, near the Boxes, where a Person is to attend to call them, whe wanted by their Masters or Ladies. There is also a new Passage to the Pit, which will make it much more convenient for the Audience

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Devil to Pay

2799
08 November 1737 @ Covent Garden

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Dragon of Wantley

Song: CChancon a Boire-Leveridge, Laguerre

Dance: Glover, Mlle Roland

2800
28 April 1738 @ Drury Lane Theatre

Performances

Mainpiece Title: Julius Caesar