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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Masters"/1) | (@(roleclean,performerclean) "Masters")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6019 results for: Keyword - Masters

We found 7080 matches on Roles/Actors, 1269 matches on Performance Comments, 1030 matches on Performance Title, 407 matches on Event Comments, and 0 matches on Author.

651
11 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)

652
30 April 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Camp

Dance: After the Singing, as17840311athi

Song: End of mainpiece a favourite song by Miss George

Monologue: 1784 04 30 Before the mainpiece an occasional Address spoken by Mrs Wells

653
11 May 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Lyar

Dance: As17840311athi

654
20 May 1784 @ King's Theatre

Performances

Mainpiece Title: Demofoonte

Dance: End of Act II a Grand Heroic Pantomime Ballet (1st time; composed by Lepicq), Semiramis (the subject taken from the well-known tragedy of that name). Assures-Pitrot (some years ago Ballet-Master and 1st Dancer at this Theatre); Arsaces or Ninias-Lepicq; Semiramis-Mme Rossi; Azema-Mme Simonet; other Principal Dancers-Henry, Vestris [Jun.], Mme Theodore; End of Opera Le Deserteur, as17840513, but omitted: Henry, Zuchelli

655
19 July 1784 @ Haymarket Theatre

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Genius of Nonsense

656
10 August 1784 @ Haymarket Theatre

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: A Peep into Elysium; or, Foote, Weston, and Shuter in the Shades

Afterpiece Title: The What d'ye Call It

Monologue: 1784 08 10 End of interlude Joe Haynes's Epilogue, riding on an Ass, by Wilson

657
26 August 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Foote, Weston, and Shuter in the Shades

Afterpiece Title: Medea and Jason

Dance: In Act III of 2nd piece Hornpipe by Byrne

Monologue: 1784 08 26 As 10 Aug

658
17 September 1784 @ Haymarket Theatre

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Apprentice

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by a Gentleman [unidentified]; End of afterpiece a Mad Song in character by Lyons. imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes

659
23 October 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Catherine and Petruchio

660
06 November 1784 @ Covent Garden

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: Tom Thumb

Dance: End of Act III of mainpiece The Belle of the Village, as17840917

661
04 February 1785 @ Covent Garden

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Afterpiece Title: The Magic Cavern

662
03 March 1785 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a New Divertissement, in which the 3 different Stiles of Dancing, viz., Serious, Demicharacter and Comic, by Lepicq, Mme Rossi, Sg and Sga Angiolini, with a Dance performed in Wooden Shoes by Nivelon, Frederic, Mlle Dorival; End of Opera a new Pastoral Ballet in 2 parts, composed by Gardel Sen., Ballet-master to the French Court, A la Plus Sage; ou, La Vertu Ricompensk, by Lepicq, Mme Rossi, Frederic, Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival

663
17 June 1785 @ Windsor Castle Inn, King Street, Hammersmith

Performances

Mainpiece Title: The Wonder: A Woman Keeps A Secret

Afterpiece Title: The Lying Valet

Song: After the Monologue, by Miss Cranford

Monologue: 1785 06 17 End of mainpiece an Occasional Address to the Audience by Wright

664
13 July 1785 @ Haymarket Theatre

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Harlequin Teague; or, The Giant's Causeway

Dance: Afterpiece: To conclude with a Grand Ballet by Byrne and the two Miss Simonets, &c. [This was danced, as here assigned, in all subsequent performances.]

665
18 November 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Jubilee

666
21 November 1785 @ Covent Garden

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Tom Thumb

Song: As17851114, but added: Mrs Swords

667
01 December 1785 @ Covent Garden

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Afterpiece Title: Rosina

668
30 December 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Hurly-Burly

669
06 April 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Catherine and Petruchio

Dance: End of Act III of mainpiece The Lucky Return, as17860105; End of Act IV Minuet de la Cour, as17860116

670
30 June 1786 @ Windsor Castle Inn, King Street, Hammersmith

Performances

Mainpiece Title: Hamlet: Prince Of Denmark

Afterpiece Title: Taste; or, The Diversions of the Morning

Afterpiece Title: Catherine and Petruchio; or, The Taming of a Shrew

671
03 July 1786 @ Haymarket Theatre

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Here, and There, and Every Where

Dance: In afterpiece, by Byrn, Rochfort, Giorgi Jun., the two Miss Simonets

672
21 July 1786 @ Haymarket Theatre

Performances

Mainpiece Title: The First Part Of King Henry Iv, With The Humours Of Sir John Falstaff

Afterpiece Title: Gretna Green

673
04 September 1786 @ Haymarket Theatre

Performances

Mainpiece Title: I'll Tell You What

Afterpiece Title: Harlequin Teague; or, The Giant's Causeway

Dance: In afterpiece, by Byrn, the two Miss Simonets, Master Degville, Miss De Camp

674
15 November 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Richard Coeur de Lion

675
23 November 1786 @ Covent Garden

Performances

Mainpiece Title: He Wou'd Be A Soldier

Afterpiece Title: Tom Thumb