SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Master Vernon"/1) | (@(roleclean,performerclean) "Master Vernon")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1877 matches on Performance Comments, 1096 matches on Performance Title, 483 matches on Event Comments, 36 matches on Roles/Actors, and 13 matches on Author.
Event Comment: Mr Daigueville, late Ballet-Master, and First Dancer, at Drury Lane Playhouse begs leave to acquaint the Nobility and Gentry, that he continues to teach the Minuet, Louvre, Cotillions, Allemande, Minuet Dauphine, Country Dances, &c. at his house in King-Square Court, Dean St. Soho. Receipts: #251 14s. (Treasurer's Book)

Performances

Mainpiece Title: Sethona

Afterpiece Title: The Note of Hand

Event Comment: Benefit for Reddish. Music for Mainpiece composed by an eminent Master. Authorship Henry Jones, Reddish, and Dr Hiffernan (Biographia Dramatica). Rec'd Stopages #2 12s. 6d. Paid 4 days salary list #348 14s. 8d.; Mr King's extra salary #2; Mr Garrick on Acct #50; Mr Costain on note #2 2s. (Treasurer's Book). Receipts: #247 1s. 6d. Charges: #72 10s. Profit: #174 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Heroine Of The Cave

Afterpiece Title: The Padlock

Cast
Role: Leander Actor: Vernon

Music: II: A Solemn Hymn-

Dance: IV: The Sailors Revels, as17730918

Event Comment: Benefit for Fishar (ballet master). Charges #66 3s. 6d. Profit to Fishar #49 2s. 6d., plus #115 6s. from tickets (Box 156; Pit 155; Gallery 169). Paid Whitefield for cloaths of the pages #21 17s. 6d.; Paid Mr Capell for a suit of men's cloaths #5 5s. Receipts: #115 6s. (Account Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Author

Dance: A Triple Hornpipe-Miss Matthews, Miller, Eves; being his first appearance. The two last, scholars to Fishar. A New Dance with Baskets of Flowers[, in which introduced, by particular desire, a Minuet and Allemande-Fishar, Sga Manesiere; [her first appearance this season. A New Grand Ballet, The Black Prince's Festival- (that night only); Prince-Fishar; Pages-Blurton, Miller; Favourites-Miss Twist, Miss Valois; [See17720424.] A New Serious Ballet-Miss Parish[, a Child of Ten Years of age, with only 4 months' instruction, Apprentice to Fishar, her first appearance

Ballet: The Favorite Comic Ballet, first time this season, The Wapping Landlady. Jack-Fishar; Landlady-Banks; Orange Woman-Miss Twist [see17730424]; [with Sixfold Hornpipe- [see17730424]

Event Comment: Benefit for Grimaldi, Ballet-Master, and Hurst. Receipts: #241 15s. 6d. Charges #74 14s. Profits to Grimaldi and Hurst: #177 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: All For Love

Afterpiece Title: The Pigmy Revels

Dance: IV: A Pantomime Dance call'd The Taylors-Grimaldi, Atkins, Mrs Sutton; V: A Hornpipe-a Scholar of Grimaldi

Event Comment: [See Epilogue to the Rival Candidates at dl 1 Feb. 1775, wherein Weston comments on his Dog Dragon, "But should his master's sing-song melt your soul @ He'll be as soft as-Signior Rossignol: @ Will with harmonious howlings swell each note, @ And bark sweet music,--only from his throat."

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Druids

Event Comment: Benefit for Mrs Woodman, late of Covent Garden, left a Widow with five Children. By Permission of the Lord Chamberlain. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. To begin at 6:00 p.m. [Public Advertiser, 21 Feb., contained a long letter concerning the small attendance on this occasion: "One of the finest Female Singers this Country has for many years produced is now, through a Series of Misfortunes as unavoidable as unforeseen, in a State of Wretchedness scarcely credible. [Her husband, a schoolteacher, died.] Alas! she had five helpless innocent to drink of the same bitter Cup, to harrow up all the Heartstrings of a Mother, and to tear her Soul unavailingly for that Support, of which she herself was depriv'd by the Death of their Father. [The expenses of the benefit performance exceeded the receipts of the house.] Calamity became heaped upon Calamity, and she is now weeping in a Prison, over her unhappy little ones, for a Sum not exceeding #50." Appeal is made for gifts to relieve her. On 23 May, Mrs Woodman released from prison, gave a Benefit Concert at the Crown and Anchor Tavern, concluding with an Occasional Musical Address to the Town called The Grateful Acknowledgment, written and the music compiled from a most eminent Master by Adam Smith, sung by Mrs Woodman.

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Devil to Pay; or, the Wives Metamorphosed

Dance: II: Hornpipe-Rawlins

Song: End Opera: Aileen a Roon-Mrs Woodman

Event Comment: Benefit for Lany, Ballet Master to the Opera

Performances

Mainpiece Title: La Marchesa Giardiniera

Dance: As17750425

Event Comment: A New Serenata by the most eminent Masters

Performances

Mainpiece Title: La Difesa D'amore

Afterpiece Title: Pyramo E Tisbe

Dance: New Serious Ballet, as17750425 New Ballet, as17750425 Grand Chaconne, as17750425 Louvre, as17750425 End Opera: Champetre Comique, as17750425 but _Asselin

Event Comment: Benefit for Daguville (ballet master) and Helme (principal dancer). The Englishman in Paris deferr'd on account of Woodward's Indisposition

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Cross Purposes

Dance: A New Comic Dance call'dThe Country Macaroni Assembly-Daguville, Daguville's Scholar; in which (by Desire) Minuet-Helme, Sga Vidini; End Opera: A New Dance call'd The British Bacchanalian , or The Hop-Pickers, an Interlude of Singing and Dancing,-Helme, Sga Vidini; in which The Wooden Shoe Dance- introduced by Daguville

Ballet: II: A New Grand Historical Dance of Warriors, call'd Boadicea Queen of Britain. Queen-Mrs Daguville; her Two Daughters-Miss Ross, Miss Armstrong (Scholars to Daguville); Helme, Daguville

Event Comment: A New Comic Opera. Music By Gazaniga, a Neopolitan Master. Benefit for Signora Sestini

Performances

Mainpiece Title: Alcina

Dance: I: Les Deux Soeurs, as17760203; II: Ballet Pastoral-S. Vallouy, Mme Vallouy, Helm, Mlle Sophie; Pigmalion, as17760307

Event Comment: Benefit for Dagueville (ballet master) and Sga Vidini. Doors open half past 5. To begin a half past 6 o'clock

Performances

Mainpiece Title: Edward And Eleonora

Afterpiece Title: A Duke and no Duke

Dance: II: New Dance Call'd The Academy-; in which will be introduced the New Court Minuet, Rigadoon (never perform'd before)-Mas. Holland, Miss Armstrong; with a Minuet, Allemande-Mas. Dagueville, a Girl only 5 years old; to conclude with a new Cadrille-Sg and Sga Zuchelli, Dagueville, Sga Vidini; End: a New Dance call'd The Humours of the New@Market Races with all the usual performances,-Dagueville, Harris, Rudd, Mas. Holland, Miss Ross, Miss Armstrong, Sga Vidini; to conclude with the Pony Races-

Event Comment: Paid Mountford [master carpenter] for Scene Men #15 19s. 3d. Receipts: #276 3s. 6d. (275.14.6; 0.9.0)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Golden Pippin

Dance: End: As17761009

Event Comment: A new Serious Opera. The Music by several eminent Masters; under the Direction of Giardini [who also composed the overture (see 14 Dec.)]. With magnificent new Scenes, Dresses and Decorations, both for the Opera and Dances. Tickets will be delivered at the Office in Union-court, Haymarket, at Half a Guinea each. 1st Gallery 5s. 2nd Gallery 3s. By Their Majesties' Command, No Person can be admitted behind the Scenes. The Doors to be opened at 6:00. To begin exactly at 7:00 [same throughout season]. Care will be taken that no Inconvenience shall arise from the Pavement not being compleated in the Haymarket, the Commisioners having promised to leave the Way safe for Carriages. The Nobility and Gentry will be so obliging to give Orders to take up and set down with their Horses Heads towards Pall-mall. The Door in Market Lane for Chairs only. Public Advertiser, 21 Sept.: Subscriptions are received by Messrs Hoare, in Fleet-street, and by Johnson at the Office in Union-court, Hay-market

Performances

Mainpiece Title: Astarto

Dance: New Dances composed by Simonet and Vallouy.End I: a Grand Serious Ballet-Mons Simonet, Mme Simonet (their 1st appearance in England), Sg Zuchelli, Sga Zuchelli; End II: a new Pastoral Ballet Les Amans Heureux; ou, L'Aimable Vieillesse-Mons Vallouy, Mme Vallouy, Sg and Sga Zuchelli, Vallouy@le@cadet; End Opera: a new Ballet Demi-caracteres Les Amusemens Champetres-Mons and Mme Simonet, Sg and Sga Zuchelli

Event Comment: Opera: The Music by several eminent Masters [Giordani, Traetta, Hasse, Vento]; under the Direction of Giardini

Performances

Mainpiece Title: Antigono

Dance: End I: La Force de l'Amour, as17761214; End II: Serious Ballet, as17770225; End Opera: Les Amusemens Champetres, as17761102

Event Comment: Some of the Audience having objected to the Omission of a Scene on Friday night, that Scene will be restored this Evening. [Public Advertiser, 18 Oct., specifies the scene as that of Diana Trapes in Act III, the exclusion of whom "breaks a principal Link in the Chain of the Plot."] Paid Guard [master carpenter] for Scene-men #19 15s. Receipts: #287 16s. (286.8; 1.8)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Cross Purposes

Dance: Hornpipe, as17771017; End: As17771001

Event Comment: A new Serious Opera [1st time; SER 3, by Pietro Metastasio; a pasticcio]. The Music by Bertoni and other eminent Masters [Myslivecek, Monza, Sarti]. 'Pacchierotti, who on this night made his 1st appearance in London, was] conscious that the chief delight of singing, and his own supreme excellence, lay in touching expression, and exquisite pathos...As an actor, with many disadvantages of person, for he was tall and awkward in his figure, and his features were plain, he was nevertheless forcible and impressive: for he felt warmly, had excellent judgment, and was an enthusiast in his profession. His recitative was inimitably fine, so that even those who did not understand the language could not fail to comprehend, from his countenance, voice, and action, every sentiment he expressed" (Mount-Edgcumbe, pp.24-25)

Performances

Mainpiece Title: Demofoonte

Dance: End II: La Noche Hollandoise, as17781124; End Opera: a New Ballet, connected with the Opera,-Mons Simonet, Mme Simonet, Banti, Sga Tinti

Ballet: End I: Annette et Lubin. As17781124

Event Comment: Opera: The Music by Bertoni and other eminent Masters [Paisiello and Gluck]

Performances

Mainpiece Title: L'olimpiade

Dance: End I: Les Paysans Voles, as17790515, but _Banti, LeDet; End II: +Les Moissonneurs, as17781229; End Opera: a New Divertisement-Simonet, Banti, Mlle Baccelli

Event Comment: Paid Guard [master carpenter] of Scene Men #28 19s. 2d. Receipts: #216 12s. (214.6; 2.6)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Midas

Dance: As17790929

Event Comment: Opera: The music by several Eminent Masters [chiefly Bertoni, with additions by Paisiello and Gluck]; under the Direction of Bertoni. Benefit for Pacchierotti. Tickets to be had of Pacchierotti, No. 20, Queen Ann Street, Westminster

Performances

Mainpiece Title: L'olimpiade

Dance: End I: Grand Serious Ballet, as17800208; End II: La Bergere Coquete, as17800122; End Opera: Serious Ballet, as17800122; Grand Chaconne, as17800122

Event Comment: [Mainpiece in place of The First Part of King Henry the Fourth, announced on playbill of 22 Sept.] Afterpiece: The Overture and the rest of the music composed by Dr Fisher. Paid Music 22nd Inst. #7 15s. 4d.; Properties 22nd Inst. 9s. 8d.; Wardrobe #6 11s. 6d.; Supernumeraries #1 19s.; Chorus Singers #1 5s.; Guard [master carpenter] for Scene Men #10 19s. 5d. Receipts: #194 13s. 6d. (193.18.0; 0.15.6)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Norwood Gypsies

Dance: As17800921; Afterpiece: Dancing-Harris, Langrish, Miss Besford, Miss Matthews

Event Comment: [Trew's 1st appearance on the stage was at this theatre, 24 Nov. 1780.] Paid Properties 4s. 4d.; Wardrobe #5; Supernumeraries #1 11s. 6d.; Guard [master carpenter] for Scene Men #11 6s. 4d. Receipts: #208 8s. (207/6/6; 1/1/6)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Marriage Act

Dance: In Act I of mainpiece a Masquerade Scene incident to the Play and a Minuet by Aldridge and Miss Besford. [These were included, as here assigned, in all subsequent performances.]

Song: End of Act iv of mainpiece Juliet's Funeral Procession with the Solemn Dirge. Vocal Parts by Mattocks, Reinhold, Davies, Robson, J. Wilson, Baker, Darley, Doyle, Simpkinson; Miss Harper, Mrs Martyr, Miss Morris, Mrs Morton, Miss Stuart, Mrs Kennedy

Event Comment: Tickets delivered by Nash, Helme, Daglish, Dale, Brigg, Barthrope, Master Pulley, Mrs Lewis, Mrs Byrne will be taken. [In mainpiece the playbill retains Du-Bellamy as Lord Aimworth and Williames as Mervin, but on the Kemble playbill their names are deleted and MS annotations substitute Williames and Fawcett. This was Mrs Cargill's last appearance in London. Subsequently she acted in India.] Receipts: #231 17s. 6d. (32/8/0; 22/9/6; 0/15/0; tickets: 176/5/0)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Irish Widow

Dance: End of Act I of mainpiece a Hornpipe, as17820314nd of mainpiece a Minuet by Brigg and A Young Lady (his Scholar [unidentified]); End of Act I of afterpiece The Irish Fair, as17820406

Event Comment: Afterpiece [1st time; P 2 (?), by Thomas King. MS not in Larpent; not published; synopsis of action in Public Advertiser, 27 Dec.]: With Variety of new Scenes, Dresses and Decorations. With a Grand View of the Cumberland Fleet sailing for the Cup, and a Song and Chorus in Honour of the Institution. To conclude with a Pageant Rural and Pantomimical. [These were included in all subsequent performances.] The Music partly new and partly compiled [by Thomas Linley Sen.] from the best Masters. The Paintings by Greenwood and other eminent Artists. Nothing under Full Price will be taken. Account-Book, 17 Feb. 1783: Paid King in full for Harlequin's Wedding #47 1s. Receipts: #231 (225/10; 5/10)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Triumph of Mirth; or, Harlequin's Wedding

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Triumph of Mirth

Performance Comment: As17821226, but omitted: Spencer, Alfred, Master Wilson; Mrs Love, Mrs Booth, Mrs Granger, Miss Simson, Miss Barnes .

Dance: In Act II of mainpiece a Masquerade and Dance proper to the Play

Event Comment: Tickets delivered by Miss Barnes, Miss Tidswell, Mrs Heard, Miss Richards, Dale, Stageldoir, Daglish, Kenny, Brigg, Master Wilson will be taken. Receipts: #211 14s. 6d. (27/5/0; 14/16/0; 0/7/6; tickets: 169/6/0)

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Gentle Shepherd

Dance: End of Act III of mainpiece, as17820917; End of Act iv Hornpipe by a Young Lady [unidentified] (Scholar of Brigg)

Song: End of mainpiece Tally Ho! by Miss Barnes