Event Comment: Ballet composed by D'Auvigne, ballet master

Event Comment: [Pasticcio: an opera, cantata, or other composition made up of various pieces from different authors or sources. See H. Walpole to Mann, 1 Nov. 1752, Our Operas begin tomorrow with a pasticcio full of most of my favourite songs." Grove's Dictionary, II, 688: "A species of lyric drama composed of airs, duets and other movements selected from different sources and so grouped as to provide a mixed audience with the greatest possible number of favourite airs in succession." See favorable notice 20 March in the Public Advertiser. The Westminster Magazine remarked of Oratorio season at cg: "They have not possessed so uninterrupted a flow of success, but we remember that they have experienced more barren seasons. The instrumental band is superior to that at the other house, and the vocal not at all inferior. At this house they have produced selections of musical pieces, by the most capital masters, arranged so as to form entire entertainments. In general these are very agreeable." See 20 March.] Charges: #35

Event Comment: Benefit for Fishar (ballet master) and Sga Manesiere. [The Lady identified as Mrs Sage by Kemble note on playbill.] Charges #65 10s. 6d. Profit to each beneficiary #18 6s. 3d., plus income from tickets: Fishar #61 14s. (Box 104; Pit 150; Gallery 132); Sga Manesiere, #66 12s. (Box 125; Pit 179; Gallery 85) (Account Book). Receipts: #002 3s

Event Comment: Benefit for Quick. Afterpiece: A new Farce never performed. Altered from Sir Charles Sedley's Piece of the same title by Dr Goldsmith. Acted only this night (playbill). [The notation on the alteration is by Kemble on the playbill. The characters are: Sourby, Octavio, Wentworth, Dancing Master, Scamper, Clarissa and Jenny. See Edition by Alice I. Perry Wood (Cambridge, Mass., 1931).] Charges #66 5s. Profit to Quick #7 6d., plus #80 from tickets (Box 100; Pit 263; Gallery 156) (Account Book). [Brief review of the Grumbler in the Westminster Magazine for May 1773: "It was several years ago translated from the French, and received this night some additional touches from the pen of Dr Goldsmith. An entertainment of one act cannot be expected to contain much. The whole merit of this is centered in one character, and perhaps in one scene."] Receipts: #73 5s. 6d

Event Comment: Benefit for Miss Stede, Hollingsworth and Master Jones. Tickets deliver'd by Abbot, Wilkinson, Mrs Woolley, Pilford, T. Ansell, Mrs Hitchcock, Widow Trott, Sherrat, Whately, Doe, Mrs Paddick, Claridge, and Curteen will be taken. [No charges. House took half value of tickets plus ready receipts of #20 10s.] Receipts: #20 10s. (Account Book). @Tickets Box Pit Gallery Value Half Value@Miss Stede 29 47 42 #18 10s. #9 5s.@Hollingsworth 3 6 17 #3 7s. #1 13s. 6d.@Mrs Jones - - - - -@Abbott 17 71 79 #22 16s. #11 8s.@Wilkinson 27 34 1 #11 19s. #5 19s. 6d.@Mrs Woolley 12 44 56 #15 4s. #7 12s.@Pilfold 36 249 93 #55 13s. #27 16s. 6d.@Ansell 11 58 60 #17 9s. #8 14s. 6d.@Mrs Hitchcock 37 44 24 #18 5s. #9 2s. 6d.@Mrs Trott 17 3 6 #5 6s. #2 13s.@Sharratt - 21 15 #4 13s. #2 6s. 6d.@Whatley - 9 35 #4 17s. #2 8s. 6d.@Doe 2 27 41 #8 13s. #4 6s. 6d.@Mrs Paddick 5 14 18 #5 3s. #2 11s. 6d.@Claridge 7 27 29 #8 14s. #4 7s.@Curteen 30 28 60 #17 14s. #8 17s.@Total 233 682 576 #218 3s. #109 1s. 6d.

Event Comment: Mainpiece: Not acted these 16 years. [See 19 April 1751.] New Scenes, Machines, Decorations &c. The Characters dress'd in The Habits of the times. This Masque is very well got up with New Scenes & Decorations particularly a Representation of the Grand Naval Review design'd by Mons DeLoutherberg & vastly well Executed had great Applause the piece is very dull (Hopkins Diary). [Macmillan's note from Kemble differs slightly in wording.] Paid five day's salary at #86 13s. 10d. per diem, #433 9s. 2d.; Miss Younge 6 days not on the list #1; Mr Courtney 3 days not on list 7s. 6d.; Mr J. French on Act #10 (Treasurer's Book). The Songs, Chorusses, &c. in the Masque (in the order they are now performed) to be had at the Theatre. The Music by Dr Arne and other masters (playbill). Receipts: #158 12s. (Treasurer's Book)

Event Comment: The proprietors of the Opera House think it is their duty to lay before the Nobility and Gentry to whose patronage they are highly endebted a list of the engagements made for the ensuing season. [No attention or expense spared to make the operas brilliant. Gordon spent two months in Italy, and made two trips to Paris to select the best singers and dancers.] The ill health of Sg Carabaldi having prevented his setting out in time and made it impossible for him to be here at the opening of the theatre. Sg Scheroli, the Tenor who has played the first Buffo with the greatest reputation in Italy, has kindly undertaken to play the part until his arrival. Company: Serious Opera-Millico, Mrs Davies, Scheroli (Tenor), Sga Galli, Sga Lodi. Comic Opera-Carabaldi, Scheroli, Sga Marchetti, Sga Galli, Fochetti, Sga Lodi, Sga Gardi. Poet-Sg Badini. Master of the Dances-Petro. Principal Dancers-Fierville, Pico, Vicenzo Lorenzo, Bocchini, Mariottini, Sga Mimi Faviere, Sga Mazzoni, Sga Nina Faviere, Colomba (from Milan), Mr Canter. Book-Boxkeeper-Yates. [Requests nobility and subscribers to pay up their subscriptions.

Event Comment: Afterpiece: A New Pantomime (never performed). The Music entirely new, by Fisher, New Scenes, Machines, Dresses, and Decorations. Books of the Songs, Chorusses, &c. to be had at the Theatre. Nothing under FULL PRICE will be taken. [The note about full prices and availability of books of songs, &c. accompanies each subsequent bill for Sylphs this season. The Westminster Magazine (Jan. 1774) fears the afterpiece may have been composed by Woodward. The reviewer recounts the story in some detail, likes the paintings and scenery, but states categorically: "We do not hesitate to pronounce it the worst Harlequin entertainment we remember to have seen...The music too is very insipid and pilfered from other masters."] Receipts: #237 3s. 2d. (Account Book)

Event Comment: Sunday 30 Jan-Saturday last died James Love, Comedian, Master of Edinburg Theatre, late of Drury Lane. Was educated at Westminster School and went from there to Cambridge (Winston MS 10). Rec'd stopages #19 19s. 6d.; Paid salary list #529 2s.; Mr King's extra salary #3. Receipts: #183 19s. 6d. (Treasurer's Book)

Event Comment: Mr Daigueville, late Ballet-Master, and First Dancer, at Drury Lane Playhouse begs leave to acquaint the Nobility and Gentry, that he continues to teach the Minuet, Louvre, Cotillions, Allemande, Minuet Dauphine, Country Dances, &c. at his house in King-Square Court, Dean St. Soho. Receipts: #251 14s. (Treasurer's Book)

Event Comment: Benefit for Reddish. Music for Mainpiece composed by an eminent Master. Authorship Henry Jones, Reddish, and Dr Hiffernan (Biographia Dramatica). Rec'd Stopages #2 12s. 6d. Paid 4 days salary list #348 14s. 8d.; Mr King's extra salary #2; Mr Garrick on Acct #50; Mr Costain on note #2 2s. (Treasurer's Book). Receipts: #247 1s. 6d. Charges: #72 10s. Profit: #174 10s. 6d. (Treasurer's Book)

Event Comment: Benefit for Fishar (ballet master). Charges #66 3s. 6d. Profit to Fishar #49 2s. 6d., plus #115 6s. from tickets (Box 156; Pit 155; Gallery 169). Paid Whitefield for cloaths of the pages #21 17s. 6d.; Paid Mr Capell for a suit of men's cloaths #5 5s. Receipts: #115 6s. (Account Book)

Event Comment: Benefit for Grimaldi, Ballet-Master, and Hurst. Receipts: #241 15s. 6d. Charges #74 14s. Profits to Grimaldi and Hurst: #177 1s. 6d. (Treasurer's Book)

Event Comment: [See Epilogue to the Rival Candidates at dl 1 Feb. 1775, wherein Weston comments on his Dog Dragon, "But should his master's sing-song melt your soul @ He'll be as soft as-Signior Rossignol: @ Will with harmonious howlings swell each note, @ And bark sweet music,--only from his throat."

Event Comment: Benefit for Mrs Woodman, late of Covent Garden, left a Widow with five Children. By Permission of the Lord Chamberlain. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. To begin at 6:00 p.m. [Public Advertiser, 21 Feb., contained a long letter concerning the small attendance on this occasion: "One of the finest Female Singers this Country has for many years produced is now, through a Series of Misfortunes as unavoidable as unforeseen, in a State of Wretchedness scarcely credible. [Her husband, a schoolteacher, died.] Alas! she had five helpless innocent to drink of the same bitter Cup, to harrow up all the Heartstrings of a Mother, and to tear her Soul unavailingly for that Support, of which she herself was depriv'd by the Death of their Father. [The expenses of the benefit performance exceeded the receipts of the house.] Calamity became heaped upon Calamity, and she is now weeping in a Prison, over her unhappy little ones, for a Sum not exceeding #50." Appeal is made for gifts to relieve her. On 23 May, Mrs Woodman released from prison, gave a Benefit Concert at the Crown and Anchor Tavern, concluding with an Occasional Musical Address to the Town called The Grateful Acknowledgment, written and the music compiled from a most eminent Master by Adam Smith, sung by Mrs Woodman.

Event Comment: Benefit for Lany, Ballet Master to the Opera

Event Comment: A New Serenata by the most eminent Masters

Event Comment: Benefit for Daguville (ballet master) and Helme (principal dancer). The Englishman in Paris deferr'd on account of Woodward's Indisposition

Event Comment: A New Comic Opera. Music By Gazaniga, a Neopolitan Master. Benefit for Signora Sestini

Event Comment: Benefit for Dagueville (ballet master) and Sga Vidini. Doors open half past 5. To begin a half past 6 o'clock

Event Comment: Paid Mountford [master carpenter] for Scene Men #15 19s. 3d. Receipts: #276 3s. 6d. (275.14.6; 0.9.0)

Event Comment: A new Serious Opera. The Music by several eminent Masters; under the Direction of Giardini [who also composed the overture (see 14 Dec.)]. With magnificent new Scenes, Dresses and Decorations, both for the Opera and Dances. Tickets will be delivered at the Office in Union-court, Haymarket, at Half a Guinea each. 1st Gallery 5s. 2nd Gallery 3s. By Their Majesties' Command, No Person can be admitted behind the Scenes. The Doors to be opened at 6:00. To begin exactly at 7:00 [same throughout season]. Care will be taken that no Inconvenience shall arise from the Pavement not being compleated in the Haymarket, the Commisioners having promised to leave the Way safe for Carriages. The Nobility and Gentry will be so obliging to give Orders to take up and set down with their Horses Heads towards Pall-mall. The Door in Market Lane for Chairs only. Public Advertiser, 21 Sept.: Subscriptions are received by Messrs Hoare, in Fleet-street, and by Johnson at the Office in Union-court, Hay-market

Event Comment: Opera: The Music by several eminent Masters [Giordani, Traetta, Hasse, Vento]; under the Direction of Giardini

Event Comment: Some of the Audience having objected to the Omission of a Scene on Friday night, that Scene will be restored this Evening. [Public Advertiser, 18 Oct., specifies the scene as that of Diana Trapes in Act III, the exclusion of whom "breaks a principal Link in the Chain of the Plot."] Paid Guard [master carpenter] for Scene-men #19 15s. Receipts: #287 16s. (286.8; 1.8)

Event Comment: A new Serious Opera [1st time; SER 3, by Pietro Metastasio; a pasticcio]. The Music by Bertoni and other eminent Masters [Myslivecek, Monza, Sarti]. 'Pacchierotti, who on this night made his 1st appearance in London, was] conscious that the chief delight of singing, and his own supreme excellence, lay in touching expression, and exquisite pathos...As an actor, with many disadvantages of person, for he was tall and awkward in his figure, and his features were plain, he was nevertheless forcible and impressive: for he felt warmly, had excellent judgment, and was an enthusiast in his profession. His recitative was inimitably fine, so that even those who did not understand the language could not fail to comprehend, from his countenance, voice, and action, every sentiment he expressed" (Mount-Edgcumbe, pp.24-25)