SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Master Cooke"/1) | (@(roleclean,performerclean) "Master Cooke")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1513 matches on Performance Comments, 1256 matches on Performance Title, 461 matches on Event Comments, 7 matches on Author, and 1 matches on Roles/Actors.

Performances

Mainpiece Title: The Revenge

Afterpiece Title: The Embarkation

Performance Comment: Characters by Holland, Dignum, Palmer, Sparks, Surmont, Wewitzer, Cory, Master Tokely, Trueman, Suett, Bannister Jun., Miss DeCamp, Mrs Bland. Cast from Monthly Visitor, Oct. 1799, p. 178: Capt. Beverly-Holland; Midshipman-Dignum; O'Splash-Palmer; Sawney-Sparks; Mushroom-Surmont; Hokensoken-Wewitzer; Dutchman-Cory; Child-Master Tokely; Soldier-Trueman; Ramrod-Suett; Juniper-Bannister Jun.; Eliza-Miss DeCamp; Mary-Mrs Bland.
Cast
Role: Child Actor: Master Tokely
Event Comment: This performance was attended by Jacques Thierry and Will Schellinks, who stated: Judged to be their best play (Seaton, Literary Relationships, pp. 334-36). This performance may have been the premiere. The Duke's Company. BM Add. Mss. 34217, in Hotson (Commonwealth and Restoration Stage, p. 247): @Then came the Knight agen with his Lawe@Against Lovers the worst that ever you sawe@In dressing of which he playnely did shew it@Hee was a far better Cooke then a Poet@And only he the Art of it had@Of two good Playes to make one bad.

Performances

Mainpiece Title: The Law Against Lovers

Event Comment: Pepys, Diary: Discoursed most about plays and the Opera, where, among other vanities, Captain Cooke had the arrogance to say that he was fain to direct Sir W. Davenant in the breaking of his verses into such and such lengths, according as would be fit for musick, and how he used to swear at Davenant, and command him that way, when W. Davenant would be angry, and find fault with this or that note--but a vain coxcomb I perceive he is, though he sings and composes so well. But what I wondered at, Dr Clerke did say that Sir W. Davenant is no good judge of a dramatick poem, finding fault with his choice of Henry the 5th, and others, for the stage, when I do think, and he confesses, The Siege of Rhodes as good as ever was writ

Performances

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there saw Philaster; where it is pretty to see how I could remember almost all along, ever since I was a boy, Arethusa, the part which I was to have acted at Sir Robert Cooke's; and it was very pleasant to me, but more to think what a ridiculous thing it would have been for me to have acted a beautiful woman

Performances

Mainpiece Title: Philaster Or Love Lies A Bleeding

Event Comment: John Dryden to Jacob Tonson, ca. August 1684: I desire to know whether the Dukes house are makeing cloaths & putting things in a readiness for the singing opera [The Tempest?], to be playd immediately after Michaelmasse: for the Actors in the two plays, which are to be acted of mine, this winter [All for Love and The Conquest of Granada], I had spoken with Mr Betterton by chance at the Coffee house the afternoon before I came away: & I believe that the persons were all agreed on, to be just the same you mentioned. Only Octavia was to be Mrs Buttler, in case Mrs Cooke were not on the Stage. And I know not whether Mrs Percivall who is a Comedian, will do so well for Benzayda (Letters of John Dryden, ed. Ward, pp. 23-24)

Performances

Event Comment: Rich's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 9-12 May 1696, suggests that it was first acted not later than April 1696. It may, however, have been first performed sometime earlier, for two songs for it were set by Henry Purcell, who had died in November 1695. See Purcell's Works, Purcell Society, XXI (1917), vi-vii. A Comparison Between the Two Stages (1702), p. 18: Pausanias, or Lover of his Country, Damn'd, tho writ by a person of Quality, and protected by Southern. One song, My dearest, my fairest, is a dialogue between Mr Cooke and Mrs Hodgson

Performances

Mainpiece Title: Pausanius The Betrayer Of His Country

Event Comment: To the Publick: Ladies and Gentleman, The Play of Othello, with Dancing by Cooke, Picq, Delamain, and Les Damoiselles Anne and Janneton Auretti, &c., being to be acted for my benefit on Monday next, at the Theatre Royal in Covent Garden; and having accidentally heard that a certain person being possess'd of a great quantity of my tickets, has some thoughts of getting them up to a considerable premium, I out of meer Friendship, not at all with regard to my own interest (if you'll believe me) do privately and secretly, in this public manner, advise you, to send away to my house, the corner of Bow St. near the said theatre, where I will oblige you with what number of tickets you please, at Par, to within an Hour of the Play's beginning. I am, Ladies and Gentlemen, Your most obedient and humble servant, Tho. Chapman

Performances

Event Comment: Prologue written by Macklin: (Cooke, Memoirs of Charles Macklin, pp. 150-51.) From scheming, pelting, famine, and despair, Behold to grace restored an exil'd Play'r: Your Sanction yet his fortune must compleat, And give him privilege to laugh and eat. No revolution plots are mine again; You see, thank Heaven, the quietest of men. I pray that all domestic feuds might cease; And beggar'd by the war, solicit peace; When urg'd by wrongs, and prompted to rebel; I sought for freedom, and for freedom fell; What could support me in the sevenfold dame? I was no Shadrak and no angel came. Once warn'd, I meddle not with state affairs; But play my part, retire and say my pray'rs. Let nobler spirits plan the vast design, Our green-room swarms with longer heads than mine; I take no part-no private jars foment, But hasten from disputes I can't prevent; Attack no rival brother's fame, or ease; And raise no struggle, but who most shall please. United in oursdlves, by you approv'd. Tis ours to make the slightest muse belov'd; So may the stage again its use impart, And ripen Virtue, as it warms the heart. May discord, with her horrid trump, retreat, Nor drive the frighted Beauty from her seat; May no contending parties strive for sway, But judgmemt govern, and the stage obey

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Devil to Pay

Dance: III: Leonardi, Sga Bettini; IV: Grand Dance, as17441217

Event Comment: Benefit Cooke. Tickets may be had at his Lodgings, at Mr Clarke's, an Upholsterer, James St., Covent Garden. At the particular Desire of several ladies of quality. Part of Pit rail'd into Boxes where servants will be allowed to keep Places

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Dragon of Wantley

Dance: Salomon, Cook, Sga Padouana, Muilment, Salomon's Son, the Mechels

Event Comment: Benefit for a Tradesman under Confinement. [This benefit had first been advertised on Monday 11 Nov. Tickets were to be had at seven Coffee Houses, at Mr Watkins' Optician, at Charing Cross, Mrs Crokett's, Harberdasher at the Seven Stars, Ludgate St., and at the stage door. On the day of the benefit one Philantropos contributed a letter in support of it which was printed in the first column of the General Advertiser. The Tradesman was a bookseller who was "the immediate instrument of ushering into the world some of the most valuable books that have been publish'd for these 30 years." But he had paid more attention to the advancement of letters than "to the lucrative views that attend the trade in general," so, in the eyes of Philantropos deserved the support of the town at this benefit.] The death of Mr Cooke mentioned in the Papers is a mistake, he being in a fair way of recovery (General Advertiser)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Lottery

Event Comment: Benefit for Scrase, Ackman, Sturt and Mrs Cooke. Receipts: #180 (Cross)

Performances

Mainpiece Title: King Richard Iii

Cast
Role: Edward V Actor: Master Simson

Afterpiece Title: The Toyshop

Song: I: Miss Young

Dance: AA Comic Dance-

Event Comment: [T+Theatrical Monitor, No VI appeared this day with a blast, in the form of an occasional Epilogue, at the morals, language and plan of the Oxonian in Town. This was the first performance of Macklin's afterpiece in London. It had been played in Dublin. "Its curious idiom, half-brogue, and half Cockney, puzzled the audience, as did its highly topical Irish allusions. With his usual candor, Macklin observed: 'I believe the audience are right. (The play was withdrawn after this single performance.) There's a geography in humor as well as in morals, which I had not previously considered--'" Cooke, Macklin, p. 270. According to Kirkman, in his curtain speech Macklin "courageously admitted: 'Ladies and Gentlemen, I am very sensible tha there are several passages in this play which deserve to be probated and I assure you that they shall never offend your ears again!' As soon as Mr Macklin had finished this address, the audience testified their approbation of his determination, by loud and reiterated plaudits" (Kirkman, Memoirs of the Life of Macklin, II, 3). See Also Charles Macklin: An Actor's Life by William W. Appleton (Cambridge, Mass., 1960), p. 141.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Irish Fine Lady

Dance: End: The Dutch Milkmaid, as17671114

Event Comment: [N.B. Comment in Theatrical Review, 12 Nov., which damns each portrayal save those of the Barrys, and heaps scorn on the afterpiece.] Paid Dr Nares & Mr Cooke's Boys in the Garter 12 nights (11th inst. inclusive) #36; Paid Mr Weston's note to Rd. Rice #4 10s. 9d. (Treasurer's Book). Receipts: #141 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Institution of the Garter

Event Comment: March 3 [or 23] Garrick is remov'd from Southampton St. to the Adelphi (Winston MS 10). Paid Dr Nares and Mr Cooke's 8 Boys in the Garter (8 nights) #24; Mr Bibb (sword cutler) #2 9s.; Mr Dibdin's draft on the managers, #50 (Treasurer's Book). Receipts: #181 15s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Witches

Event Comment: By Desire. House (Hopkins Diary). Last time performing Mainpiece this season. Rec'd from Mr Clutterbuck #150; Stopages #7 17s. 10d.; Paid salary list #494 18s. 6d.; Mrs Abington's cloaths acct #2; Mr S. French #1 10s.; Dr Nares & Mrs Cooke's boys 3 nights (13th inst incl.) #6 (Treasurer's Book). Receipts: #64 14s. (Treasurer's Book)

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Witches

Event Comment: Paid Dr Nares 4 boys, 10 Oct. #1 10s.; Mr Cooke 6 boys 5 nights (5th inst incl.) #10 10s.; Mr J. French on acct #12 (Treasurer's Book). Receipts: #199 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Devil to Pay

Dance: V: Comic Dance, as17720922

Event Comment: Paid Mr Cooke's 8 Boys in Alfred, 7 nights (18th incl.) #19 10s. Receipts: #103 14s. (Treasurer's Book)

Performances

Mainpiece Title: Albumazar

Event Comment: Benefit for Widow Bowers, Percy, Wood and Robinson. Tickets delivered for The Orphan and by Mr Hodges will be taken. Paid Mr Davies on Note #30; Mr Clinch for 5 days at beginning of season not on list #2 1s. 8d.; Mr Cooke's 4 boys 11th inst. #1 10s. (Treasurer's Book). Receipts: #256 12s. 6d. Charges: #84. Profits to Widow Bowers and beneficiaries: #172 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: High Life below Stairs

Event Comment: By Command of their Majesties. 2nd night (Treasurer's Book). Paid Tabor & Pipes 3 nights (this incl.) #1 11s. 6d.; Mr Cooke's 4 boys, 5 Oct., #1 10s. Receipts: #245 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: The Mayor of Garratt

Event Comment: [These performances were held in a temporary booth erected following the destruction of the theatre by fire (see 26 June). In August King Lear, with Everard as Lear and Cooke as Edgar, was acted here three times [Edward Cape Everard, Memoirs of an Unfortunate Son of Thespis [Edinburgh, 1018], p.78). Everard states that the booth was kept open for about six weeks, but no further records of what was acted have survived.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Old Maid

Event Comment: Mainpiece: Altered from [The Scornful Lady, by] Beaumont and Fletcher [1st time; c 5, by William Cooke; incidental music by Michael Arne. Prologue by the alterer. Epilogue by George Colman, the elder (see text)]. Public Advertiser, 27 Jan. 1783: Wednesday Morning [29 Jan.] will be published The Capricious Lady (price not listed). "The costume of James's reign was strictly attended to in the dresses of the characters; and I remember the enjoyment of Mrs Abington, in a high ruff and a rich silver silk edged with black velvet" (Boaden, Siddom, I, 371). Receipts: #228 4s. 6d. (218/10/6; 9/14/0)

Performances

Mainpiece Title: The Capricious Lady

Related Works
Related Work: The Capricious Lady Author(s): William Cooke

Afterpiece Title: Rosina

Dance: As17820927

Performances

Mainpiece Title: The Patriot

Afterpiece Title: The Reprisal or The Tars of Old England

Performance Comment: Characters by Cross, Schultz, Cooke, Parker, Morgan, Gardin, Mills, Burden, Liddel, Barfield; Miss Hemet, &c. Cast not known .

Performances

Mainpiece Title: The Midnight Hour

Afterpiece Title: The Comedy of Errors

Dance: As17910507

Song: End: Black Eyed Susan-Incledon

Monologue: After Dancing: a Selection of Poetry and Music descriptive of a day. Part I: Morning. Tantivy the welkin resounds (composed by Hook)-Mrs Martyr; PART II: Noon. Thou soft flowing Avon (from Garrick's Ode to Shakespeare)-Incledon; PART III: Evening. Pastoral Duet-Williamson, Mrs Mountain; PART IV: Night. The Soldier's Festival, as 16 May How sleep the brave (composed by Dr Cooke)-Incledon, Williamson, Davies, a Young Gentleman; introductory Chorus-Hull; How stands the Glass around-Incledon; How merrily we live that Soldiers be-Bannister, Incledon, Johnstone; To arms! Britons strike home-Bannister, Incledon, Follett, Blurton, Lee, Letteney, Reeve, Rees

Performance Comment: Part I: Morning. Tantivy the welkin resounds (composed by Hook)-Mrs Martyr; PART II: Noon. Thou soft flowing Avon (from Garrick's Ode to Shakespeare)-Incledon; PART III: Evening. Pastoral Duet-Williamson, Mrs Mountain; PART IV: Night. The Soldier's Festival, as 16 May How sleep the brave (composed by Dr Cooke)-Incledon, Williamson, Davies, a Young Gentleman; introductory Chorus-Hull; How stands the Glass around-Incledon; How merrily we live that Soldiers be-Bannister, Incledon, Johnstone; To arms! Britons strike home-Bannister, Incledon, Follett, Blurton, Lee, Letteney, Reeve, Rees.

Performances

Mainpiece Title: At Hay The Recruiting Officer

Afterpiece Title: The Mariners

Performance Comment: As17930510, but Cooke_.

Performances

Mainpiece Title: Ways And Means

Afterpiece Title: THE PRIZE

Afterpiece Title: THE CHILDREN IN THE WOOD

Performance Comment: As17931001, but omitted: Suett, Benson, Caulfield, Waldron Jun., Lyons, Cooke .
Cast
Role: Boy Actor: Master Menage