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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Master Clinton"/1) | (@(roleclean,performerclean) "Master Clinton")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2444 results for: Keyword - Master Clinton
We found 1281 matches on Performance Comments, 1030 matches on Performance Title, 408 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

51
12 June 1799 @ Covent Garden

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Jew and the Doctor

Song: End II: Hope told a flattering tale-Mrs Ferguson; accompanied on the Pedal Harp-Weippert

Music: End I: Grand Sonata on the Piano Forte, as17990515; End IV: Lesson of Nicolai, as17990515

Entertainment: Monologues Before: [Collins' Ode on the Passions-Master Parker; End III: The Birth Day Ode [by Henry James Pye, 1st performed at St. James's Palace, 4 June, the birthday of George III]-Master Parker; End: Imitations-Mrs Sumbel (late $Mrs Wells)

Performance Comment: James's Palace, 4 June, the birthday of George III]-Master Parker; End: Imitations-Mrs Sumbel (late $Mrs Wells).
Cast
Role: the birthday of George III] Actor: Master Parker

52
03 April 1668 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary: My Lord Brouncker and I to the Duke of the York's playhouse, and there saw the latter part of The Master and the Man

Performances

Mainpiece Title: The Man's The Master

53
07 May 1668 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary: I carried [Mercer and Mrs Turner] to the Duke of York's house, and there saw The Man's the Master, which proves, upon my seeing it again, a very good play

Performances

Mainpiece Title: The Man's The Master

54
06 February 1672 @ Dorset Garden Theatre

Event Comment: The Duke's Company. There is no indication as to whether this is the premiere. This performance is on the L. C. lists at Harvard. See VanLennep, Plays on the English Stage, p. 19. Downes (Roscius Anglicanus, p. 32): The third new Play Acted there [dg] was the Gentleman Dancing-Master, Wrote by Mr Witcherly, it lasted but 6 Days, being like't but indifferently, it was laid by to make Room for other new ones. A song, with music by John Bannister, for this play is in Choice Songs and Ayres, The First Book, 1673

Performances

Mainpiece Title: The Gentleman Dancing Master

55
09 August 1673 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This play is on the L. C. list, 5@141, p. 216. See also Nicoll, Restoration Drama, p. 348. The date on the list seems to be "3," but as this is a Sunday, it is more likely "9." This performance may well be the one to which Downes (Roscius Anglicanus, p. 31) refers: Note, Mr Cademan in this Play [The Man's the Master], not long after our Company began in Dorset-Garden; his Part being to Fight with Mr Harris, was Unfortunately, with a sharp Foil pierc'd near the Eye, which so Maim'd both the Hand and his Speech, that he can make little use of either; for which Mischance, he has receiv'd a Pension ever since 1673, being 35 Years a goe. [For a discussion of this accident, see William VanLennep, Henry Harris, Actor, Friend of Pepys, Studies in English Theatre History (London, 1952), p. 16, and the entry under 20 Aug. 1673.

Performances

Mainpiece Title: The Man's The Master

56
04 April 1704 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Cautious Coxcomb

Music: Together with 3 several New Entertainments of Musick perform'd in Consort upon Hautboys Flutes and German Horns-7 young Men lately brought over by their Master the famous Godfrede Pepusch, Musician in Ordinary to his Majesty the King of Prussia. The Composition being made entirely new for that pupose by his Brother, that Eminent Master Mr John Christopher Pepusch

Performance Comment: The Composition being made entirely new for that pupose by his Brother, that Eminent Master Mr John Christopher Pepusch.

57
21 May 1712 @ Mr Mayor's

Event Comment: Benefit Morphy. Tickets 5s. N.B. Several of the best Masters of the Opera doing Mr Morphy the favour to perform in his Consort, it will begin exactly at five, and end in time for Persons of Quality to go there

Performances

Mainpiece Title: Concert

Music: The best Masters; in which several Entertainments on the Silver string'd Harp on which he has had the Honour to play before the present Emperor and the King of Portugal-Mr Morphy

58
16 April 1730 @ Goodman's Fields

Event Comment: Benefit T. Burny, Dancing-Master

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Harlequin Turn'd Dancing-Master

Music: Between the Acts: Select Pieces-

Song: Miss Thornowets; particularly See From the Silent Groves-Miss Thornowets

Dance: PPierrots, Flag Dance-Burny, Dukes, others

59
28 April 1730 @ Goodman's Fields

Event Comment: Benefit R. Williams. Mainpiece: Not Acted these Twenty Years. On this day the Lord Mayor and the Court of Aldermen of the City presented a petition to the King seeking the suppression of the theatre in Goodman's Fields. Thomas Odell, Master of the Theatre, also appeared before His Majesty and sought royal leave to continue acting.--See Grub St. Journal, 7 May, for a summary of the events, but see also Weekly Journal or British Gazetteer and London Journal, 2 May

Performances

Mainpiece Title: The Man's Bewitch'd; Or, The Devil To Do About Her

Afterpiece Title: Harlequin Turn'd Dancing-Master

Dance: TThe White Joke (new)-Eaton

60
05 January 1734 @ Haymarket Theatre

Performances

Mainpiece Title: The Silent Woman

Afterpiece Title: The Devil to Pay

Music: As17331220

Dance: Grand Dance in Momus, as17331231

Song: II: Per le parte del Tormento by Miss Arne and Master Arne. IV: Consolati O Bella sung by Miss Arne, Master Arne, and Miss Jones

Performance Comment: IV: Consolati O Bella sung by Miss Arne, Master Arne, and Miss Jones .

61
25 April 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: The Stratagem

Dance: I: Irish Trot by Master Oates. II: La Follette s'cest ravisee by Nivelon and Miss Mann. III: A new Comic Dance by Master Oates and Miss Oates Jr. IV: English Maggot by S. Lally and Mrs Walter. V: Revellers

Performance Comment: II: La Follette s'cest ravisee by Nivelon and Miss Mann. III: A new Comic Dance by Master Oates and Miss Oates Jr. IV: English Maggot by S. Lally and Mrs Walter. V: Revellers .

62
23 May 1734 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The School Boy

Dance: Irish Trot by Master Oates. A comic Peasant Dance by Master Oates and Miss Oates Jr. Pierrot by Topham and Mrs Davenport. Scotch Dance by Mr and Mrs Davenport

Performance Comment: A comic Peasant Dance by Master Oates and Miss Oates Jr. Pierrot by Topham and Mrs Davenport. Scotch Dance by Mr and Mrs Davenport .

63
09 October 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Mock Doctor

Dance: II: Peasant by Master Oates and Miss Oates Jr. III: Dutchman and his Wife by Le Brun and Mrs Walter. IV: Irish Trot by Master Oates. V: Revellers, as17340910

Performance Comment: III: Dutchman and his Wife by Le Brun and Mrs Walter. IV: Irish Trot by Master Oates. V: Revellers, as17340910.

64
01 April 1735 @ Swan Tavern

Event Comment: Benefit Charles, Master of the French-Horn. 6:30 P.M. 3s

Performances

Mainpiece Title: Concert

Music: By the best Masters. Mr Charles will perform several new Pieces on the French Horn and Clarinet

65
13 May 1735 @ Drury Lane Theatre

Event Comment: Benefit Oates. For the Entertainment of the Grand Master, and the rest of the Brethren belonging to the Ancient and Honourable Society of Free and Accepted Masons. Written by Shakespear

Performances

Mainpiece Title: The Merry Wives Of Windsor

Music: II: A Concerto of Vivaldi's called The Cuckow, attempted on the Violin by Master Oates

Dance: III: A new Peasant Dance by Master Oates and Miss Oates Jr. IV: English Maggot by Villeneuve and Mrs Walter. V: Amorous Swain, as17350327

Song: The Songs in Masonry as usual. I: Come let us prepare. III: on, on, my Dear Brethren. IV: Let Masonry be now my Theme

66
21 August 1735 @ Haymarket Theatre

Performances

Mainpiece Title: The Twin Rivals

Afterpiece Title: The Honest Yorkshireman

Cast
Role: Slango Actor: Master Green

Music: A New Medley Overture, never yet performed, composed by Arne. A new Set of Act Tunes, never yet performed, composed by Arne

Song: Was ever Nymph like Rosamond, sung by Master Osborne, a Scholar of Carey. Se l'Arco, a French Horn Song out of the Opera of Admetus, sung by Master Osborne

Performance Comment: Se l'Arco, a French Horn Song out of the Opera of Admetus, sung by Master Osborne .

67
24 October 1735 @ Haymarket Theatre

Event Comment: Benefit Master Oates. Written by Mr Farquhar. Boxes 5s. Pit 3s. Gallery 2s. 6 P.M

Performances

Mainpiece Title: Love And A Bottle

Music: By Desire, a Concerto of Vivaldi's The Cuckow, attempted on the Violin by Master Oates

Dance: II: Scottish Dance. rv: Irish Trot. V: French Peasant Dance. All by Master and Miss Oates

Performance Comment: rv: Irish Trot. V: French Peasant Dance. All by Master and Miss Oates .

68
02 April 1737 @ Lincoln's Inn Fields

Event Comment: Benefit Mrs Hamilton, Two Masters Hamilton. At the particular Desire of several Ladies of Quality. [Tickets at Hamilton's Lodgings, at Mrs Corey's , in Hemlock Court, Corey Street.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Honest Yorkshireman

Performance Comment: See17370331 but By Captain Gulliver's Company of Lilliputians: Gaylove-Master W. Hamilton; Squire Sapscull-Master J. Hamilton; Arabella-Miss Norris; Combrush-Miss Roberts.
Cast
Role: Gaylove Actor: Master W. Hamilton
Role: Squire Sapscull Actor: Master J. Hamilton

Song: II: A Dialogue composed by Purcell-the Masters Hamilton; IV: Singing in Italian -Mrs Chambers

Dance: III: Dutchman and Frow-Vallois, Mrs Bullock; V: Scot's Dance-Haughton, Mlle Roland; End Afterpiece: French Peasant-Master Oates, Miss Oates

69
01 May 1738 @ Covent Garden

Event Comment: Benefit Oates. For the Entertainment of the Grand Master and the rest of the Brethren belonging to the...Masons. [Tickets at Oates', King's Arms Tavern, Great Wild Street.

Performances

Mainpiece Title: The Way Of The World

Song: nd the added Songs in Masonry as usual,% I: Come let us prepare-Mr Oates; III: On on my dear Brethren-Mr Oates; IV: Let Masonry be now my Theme-Mr Oates; V: Ye Brethren of the Ancient Craft-Mr Oates

Dance: I: Serious Dance-Villeneuve, Miss Oates; III: Peasant Dance-Master and Miss Oates; IV: Je ne scai quoi-Tench, Villeneuve, Miss Oates; V: Grecian Sailors-Glover

Music: II: Solo on the Violin-Master Oates

70
16 May 1738 @ Drury Lane Theatre

Event Comment: Benefit Mrs Hamilton and the two Masters Hamilton. Tickets at Hamilton's Lodgings, at Mr Strawberry's in Russel-Court

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Dragon of Wantley

Performance Comment: Perform'd by the Lilliputians: More-Master W. Hamilton; Gubbins-Master J. Hamilton; Margerinia-Miss Edward, the first time of her appearance on any stage; Mauxalinda-Miss Cole; Dragon-Master Ferg.
Cast
Role: More Actor: Master W. Hamilton
Role: Gubbins Actor: Master J. Hamilton
Role: Dragon Actor: Master Ferg.

Dance: I: Punch-Master Ferg; III: Polonese-Haughton, Mrs Walter

Song: IV: Beard

71
16 January 1739 @ Covent Garden

Event Comment: Benefit Cooke, Dancing-Master. At the particular Desire of several Ladies of Quality

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The What D'ye Call It

Dance: Glover, Richardson, Villeneuve, Dupre, DelaGarde, Miss Oates,also by Master Cooke, who never performed on any Stage before

72
14 May 1740 @ Drury Lane Theatre

Event Comment: Benefit Ridout, Raftor, Miss Bennet. By Particular Desire. [Tickets for Reed and Master Ferg taken also.

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Intriguing Chambermaid

Dance: I: Two Pierots-Lalauze, Liviez; II: Muilment; III: La Provencale-Mlle Chateauneuf; IV: Drunken Peasant-Master Ferg

Song: V: The Life of a Belle (taken from Lethe)-Mrs Clive (by particular Desire)

Music: End Afterpiece: Preamble on the Kettle Drums-Master Ferg; accompanied by Trumpets-

73
15 May 1740 @ Drury Lane Theatre

Event Comment: Benefit Master Cooke. At the Desire of several Persons of Quality. Part of the Stage will be formed into Side-Boxes. [Tickets at Cooke's House, Blue Flower-pot in Devonshire Street, near Red-Lyon Square. Tickets for Tully also taken.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Devil to Pay

Dance: I: Two Pierots-Lalauze, Liviez; II: Maggot-Cooke, Mrs Walter; III: Le Tambourine-Mlle Chateauneuf; IV: Muilment; V: The Louvre, with a Minuet-Master Cook, Mrs Walter

74
12 May 1741 @ Covent Garden

Event Comment: Benefit Stoppelaer, Mines, Master Ferg, Miss Morrison. Receipts: #110 (Rylands MS.)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Damon and Phillida

Dance: II: Drunken Peasant-Master Ferg; III: Muzette-Miss Morrison; IV: Matelotes-Mechell, Mlle Mechell

Music: V: Preamble on the Kettle Drums-Master Ferg

Song: End Afterpiece: Arra my Judy (by Desire)-Stoppelaer

75
22 April 1742 @ Goodman's Fields

Event Comment: Benefit Beckham, the Prompter. Tickets at Beckham's Toy Shop, in Cornhill; George's Coffeehouse, Temple Bar, Tom's Coffeehouse, Russel St., Covent Garden; Dodsley's Bookseller, at Tulley's Head; and at Gloucester Tavern, Pall Mall. Tickets deliver'd out by Mrs Steel, Mrs E. Hippisley, the two Masters Granier, and Mr Ravenscroft, will be taken...Servants will be allow'd to keep Places upon the Stage, which (for the better Accommodation of the Ladies) will be enclos'd, and form'd into an Amphitheatre

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The School Boy

Song: Concert Air from Alexander's Feast: War he sung is Toil and Trouble-Mrs Bishop; III: Can Love be controul'd by Advice-Miss Medina

Music: V: Preamble on the Kettle Drums-Jo. Woodbridge; who never perform'd on that Stage before ending with Handel's celebrated Water Musick-; And to conclude: the Concert, the Coronation Anthem Long Live the King (never perform'd there before) by Mr Handel-an Additional Band

Dance: I: David apShenkin; II: Welsh Buffoon, as17420406 IV: Two Millers and Courtezan, as17420315 End I Afterpiece: New Scots Dance-Master and Miss Granier