SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Master Clement"/1) | (@(roleclean,performerclean) "Master Clement")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1330 matches on Performance Comments, 1030 matches on Performance Title, 436 matches on Event Comments, 8 matches on Roles/Actors, and 0 matches on Author.
Event Comment: No Money to be returned. Books of the Performance to be had at the Theatre. Places for the Boxes to be taken of Fosbrook, at the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened a 5:30. To begin at 6:30 [same throughout oratorio season]. [Master Clement was from the Imperial Opera House, Vienna.

Performances

Mainpiece Title: A Grand Selection 0 From The Works Of Handel

Afterpiece Title: Grand Selection 2

Performance Comment: Part II Ye sons of Israel-Chorus (Joshua); Tear such as tender Fathers shed-Bellamy (Deborah); O had I Jubal's Lyre-Miss Broadhurst (Joshua); There beneath a lowly shade-Dignum (Alexander Balus); Concerto Violin-Master Clement (1st appearance at this theatre); +Fallen is the Foe-Chorus (Judas Maccabaeus); Why does the God of Israel sleep?-Spence (Samson); O Liberty!-Miss Cecilia Davies (Judas Maccabaeus); accompanied violoncello-Mason; The many rend the skies-Chorus (Alexander's Feast).

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: A New Kind Of Concert

Performance Comment: PART I A New Divertisement-Mlle Dorival, Mlle St.Amand, Mlle Provert, other Dancers; [to introduce the Animated Pictures-; [A new Hunting Song, Chorusses (composed by Philidor)-Albertarelli; A Hunting Symphony by Haydn-; [some favourite Airs with Variations on the Piano Forte-Master Hummel; Italian Song-Sga Sestini; Concerto on the Violin-Master Clement; [at the Harpsichord [the new Song [by Haydn (composed for his Benefit) [see17910512]-Davide; A Divertisement-all the Principal Dancers; [with the charming Pas de Deux-Vestris? Jun, Mlle Hilligsberg; the Pas Russe-Vestris? Jun, Mlle Hilligsberg; [PART II A Comic Duetto-Albertarelli, Sga Sestini; A new Overture [in the Tragic Style, with an entire new Cantata (both composed by Federici,)-Davide; Catches and Glees-the best English Singers; Orpheus and Eurydice-[see17910331.see17910331.

Performances

Mainpiece Title: Redemption, Selected From The Great And Favourite Works Of handel That Were Performed In westminster-abbey And At The pantheon [on 26 And 27 May 1784] 0; Messiah; Grand Selection 0

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Music: End: concerto on the hautboy-W. Parke; End II: concerto violin-Master Clement

Performance Comment: Parke; End II: concerto violin-Master Clement.

Performances

Mainpiece Title: Israel In Egypt; Messiah; Grand Selection 0

Afterpiece Title: A New Selection

Performance Comment: Concerto on the violin-Master Clement; Gentle Airs Melodious Strains-Miss Broadhurst (Athalia); Let me wander not unseen, Or let the merry Bells-Dignum; And young and old-Chorus; Sweet bird that shun'st-Miss Hagley; accompanied on the violin-Shaw (L'Allegro); Pleasure my former ways resigning-Spence (Time and Truth); Solo on the violoncello-Mason; From rosy Bowers-Mrs Crouch (Purcell); Ah! d'ascolta gia parmi-Miss Davies (Martin y Soler); Awake Eolian Lyre-Reinhold (Dr Arnold); Gird on thy Sword-Chorus (Saul).
Event Comment: The King's Company. Pepys, Diary: To the Theatre to The French Dancing Master, and there with much pleasure gazed upon her (Lady Castlemaine); but it troubles us to see her look dejectedly and slighted by People already. The play pleased us [Pepys and Mrs Pepys] very well; but Lacy's part, the Dancing Master, the best in the world

Performances

Mainpiece Title: The French Dancing Master

Performance Comment: [For authorship, see16610311@2.] Dancing Master-Lacy.
Cast
Role: Dancing Master Actor: Lacy.
Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118. See also The Variety, in Bentley, Jacobean and Caroline Stage, III, 149-51; and James Shirley's The Ball; or, French Dancing Master, in Bentley, V, 1079. See also 10 Nov. 1661

Performances

Mainpiece Title: The French Dancing Master

Performance Comment: [The Variety? by William Cavendish, Duke of Newcastle.] Dancing Master-Lacy?. See16620521.
Cast
Role: Dancing Master Actor: Lacy?. See16620521.
Event Comment: The Duke's Company. Downes (p. 30): This Comedy in general was very well Perform'd. Pepys, Diary: I alone to the Duke of York's house, to see the new play, called The Man is the Master, where the house was, it being not above one o'clock, very full. But my wife and Deb. being there before, with Mrs Pierce and Corbet and Betty Turner, whom my Wife carried with her, they made me room; and there I sat, it costing me 8s. upon them in oranges, at 6d. apiece. By and by the King come; and we sat just under him, so that I durst not turn my back all the play. The play is a translation out of French, and the plot Spanish, but not anything extraordinary at all in it, though translated by Sir W. Davenant, and so I found the King and his company did think meanly of it, though there was here and there something Pretty: but the most of the mirth was sorry, poor stuffe, of eating of sack posset and slabbering themselves, and mirth fit for clownes; the prologue but poor, and the epilogue little in it but the extraordinariness of it, it being sung by Harris and another in the form of a ballet

Performances

Mainpiece Title: The Man's The Master

Performance Comment: Edition of 1669: Prologue-; Epilogue in a Ballad-Two; [Downes (Roscius Anglicanus, p. 30): Master-Harris; The Man-Underhill; Singing the Epilogue [like two Street Ballad-Singers-Mr Harris, Mr Sandford. [According to the Catalogue of the MS Music, Christ Church, John Bannister set a song for this play.]According to the Catalogue of the MS Music, Christ Church, John Bannister set a song for this play.]
Cast
Role: Master Actor: Harris
Event Comment: For the Benefit of the Editor of Shakespear. For the Entertainment of the Grand Master, and the Antient and Honourable Society of the Free and Accepted Masons. N.B. By Appointment of the Grand Master, the Brethren are desir'd to meet at the Castle Tavern, Drury-Lane, cloath'd; thence to go in Procession, as usual, to the Play

Performances

Mainpiece Title: Henry Iv, Part Ii

Dance: I: Irish Trot by Young Master Oates. II: A new Comic Dance by Master Oates and Miss Oates Jr. V: Grand Dance of Momus, as17340426

Performance Comment: II: A new Comic Dance by Master Oates and Miss Oates Jr. V: Grand Dance of Momus, as17340426.

Song: The usual Songs, adapted to the Subject of Masonry. II: The Enter'd Prentice's Song. IV: On, On, my dear Brethren. V: Let Matrimony be now my Theme

Performances

Mainpiece Title: A Grand Selection 0 From The Works Of Handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: Acis And Galatea 0; Grand Selection 0

Afterpiece Title: Acis and Galatea 1

Afterpiece Title: Acis and Galatea 2

Afterpiece Title: PART III

Music: As17910323

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Damon and Phillida

Dance: Master J. Granier, Master J. Granier's Sister

Performance Comment: Granier, Master J. Granier's Sister.
Event Comment: [Query: Is Master Jonno the little Swiss?] Paid 1!2 year's Window Tax #3 14s. 9d.; and 1!2 year's Land tax #45 16s.; Paid Mrs Rogers for wax & Brick dust 4s. 8d. (Treasurer's Book). Receipts: #130 (Cross); #122 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Provok'd Husband

Song: Master Mattocks

Ballet: SSavoyard Travellers. As17491109, but Children Savoyards-Little Swiss, Master _Jonno

Performance Comment: As17491109, but Children Savoyards-Little Swiss, Master _Jonno.

Performances

Mainpiece Title: Redemption 0; Messiah; Grand Selection 0

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Music: End I: concerto on the bassoon-Parkinson; End II: concerto violin-Master Clement

Performances

Mainpiece Title: The Messiah

Song: End I: Da forte morir sapro-Miss Davies (Sarti)

Music: End II: concerto violin-Master Clement

Performances

Mainpiece Title: Redemption 0; Grand Selection 0

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Song: End II: Da forte morir sapro-Miss Davies (Sarti)

Music: End I: concerto violin-Master Clement

Event Comment: A Tragedy for Warm Weather. Written after the manner of the Worst, as well as the Best of the English Poets, containing amongst a Variety of Particulars, curious, entertaining, and pathetic, the Rebellion of the Journeymen Taylors on the Score of Wages, etc. Neville MS Diary: Half past Six went to ye Haymarket Theatre but could not get into ye Pit or first Gallery, so stood on ye last row of the shilling Gallery, tho' I could see little, to see how ye Taylors, a new tragedy for warm weather, would go off, being the first night of its performance. 3rd Act hiss'd-ye Gods in ye shilling Gallery called for ye Builder's Prologue-hissed off ye part of ye Old Maid twice and Davies who came to make an excuse. The Gentlemen, many of whom were there, cried No Prologue" but to no purpose. At last Foote said if he knew their demands he would be ready to comply with them. The noise ceasing, after some time he was told the Builder's Prologue was desired. He said he had done all in his power to get the performers, having seen them. After some time he came and informed them he had got the performers together, and if the House would be pleased to accept of ye Prologue in our dresses as we are you shall have it." This was followed by great clapping which shows the Genius of our English mobility ever generous after victory. Left ye House after ye Farce began. [Flints were journeymen tailors who refused to comply with the masters' terms and the regulations of the magistrate, in contradistinction to those who submitted and were in derision stiled Dungs. The term dates from 1764-OED. An extract from the Occasional Prologue (the Builder's Prologue) in prose on the opening of the Theatre Royal in the Haymarket, by Foote published in the London Magazine July 1767, p. 351. Foote, Scaffold, and Prompter are the three participants. Foote tells Scaffold he will be paid by the audience. Scaffold notes that the audience must in that case be pleased at all times. Foote promises no long processions [will] crowd my narrow scenes." He assumes that any of the reforms he plans will but echo the public voice. The Prompter then calls the actors on.

Performances

Mainpiece Title: The Taylors

Performance Comment: Master Taylors: Francisco-Foote; Campbello-Bannister; Regniades-Castle; Pearcy-Gardner; Higgleston-Newton; Flints: Abrahamides (Chief Flint)-Shuter; Bernardo Bernardo-Davis; Isaacos-Palmer; Jackiades-Weston; Bartholomeau-Smith; Humphreymingos-Loveman; Dungs: Zacharides-Thompson; Phillippominos-Keen; Timotheus-Pynn; Taylors Ladies-Mrs Jeffries, Mrs Burden, Mrs Gardner; Attendants to the Ladies-Mrs Denton, Mrs Kirby, Mrs Palmer; New Prologue-Foote.

Afterpiece Title: The Old Maid

Event Comment: DDaily Advertiser, 19 Feb. Yesterday died of an Astmatick Disorder, at his Chambers in Clement's Inn, Mr Benjamin Griffin, a celebrated Comedian, belonging to Drury-Lane Theatre

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Fortune Tellers

Dance: I: Drunken Peasant-Master Ferg; In II: Pierots-Lalauze, Pelling; III: La Matelote-Mlle Chateauneuf; IV: Le Gout de Anglois-Master Matthews, Miss Wright

Ballet: A Voyage to the Land of Cytherea. As17400115

Event Comment: Benefit for Sedgwick. Mainpiece: With additions from Dryden. The Musick by Purcell and Arne, and the new Airs and Chorusses by the late Linley Jun. Morning Chronicle, 2 May: Tickets to be had of Sedgwick, No. 18, Clement's-inn. Receipts: #390 8s. 6d. (97.13.6; 56.4.6; odd and after-money: 2.13;0; tickets: 233.17.6) (charge: #217 2s.)

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Afterpiece Title: Bon Ton

Song: Mainpiece: Vocal Parts-Dignum, Danby, Brown, Mrs Bland, Miss Menage, Master Heather, Miss Jackson; End II: Jerry Sneak in his Glory-Roberts; End IV: The Town Crier-Suett; End: As burns the charger (from Robin Hood)-Sedgwick; End I afterpiece: At the peaceful Midnight Hour (from The Castle of Andalusia)-Sedgwick

Opera: V: Masque of Neptune and Amphitrite. Neptune-Caulfield; Amphitrite-Miss Wentworth

Event Comment: Tickets delivered by Dagueville (ballet-master), Cushing, Simpkinson, Master Jackson, J. Bates and Mrs Ackman for Tuesday the 25th instant will be admitted this Night. Brunsdon's outstanding Tickets for Cymbeline will also be received

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The Liverpool Prize

Dance: End I: La Chasse de Diane-Dagueville's Pupils, Master Holland, Master Dagueville, Miss Dagueville, Miss Armstrong, with a new Minuet and Gavot; End IV: The Embarkment for Cytherea=, as17781125, but Master _Dagueville, Master _Holland, Langrish, Miss +Ross; End I afterpiece: +The Burgomaster, as17790216

Song: As17790127

Event Comment: Benefit for Master Welsh. Morning Herald, 18 May: Tickets to be had of Master Welsh, No. 9, Margaret-street, Westminster. Receipts: #355 9s. 6d. (72.13.6; 58.13.0; 4.12.0; tickets: 219.11.0) (charge: free)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Prisoner

Performance Comment: As17961203, but Juliana-Master Chatterley; Chorus of Soldiers-_Evans, _Welsh, _Atkins, _Burrows, _Meyers, _Caulfield Jun., _Denman, _Fisher, _Tett, _Aylmer, _Dibble, _Gallot, _Potts.
Cast
Role: Juliana Actor: Master Chatterley

Song: End IV: Listen to the Voice of Love-Master Welsh

Music: End: A Lilliputian Performance-; consisting of a Quintetto for First Violin-Master Pinto, aged 11 years; Second Violin-Master Sharp, aged 11; Violoncello-Master Ware, aged 10; Piano Forte-Miss Hoffman, aged 9; Voice-Master Welsh. The Musick composed expressly for the Occasion by Dr Arnold

Event Comment: Benefit Master Ferg and Miss Wright,the Lilliputian Burgomaster and Colombine. As 27 Nov. 1738

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Devil to Pay

Music: Second Musick:A Concertoby Henry Burgess Jr-; The Overture: The First Concerto of Signor Corelli-; Preamble on the Kettle Drums-Master Ferg

Dance: I: Punches-Master Ferg, Miss Wright; II: By Desire, French Peasants-Poitier, Mlle Roland; III: Pierots-Master Ferg, Miss Wright; IV: Wooden Shoe Dance-Master Ferg; V: A new dance-Miss Wright

Song: a G Grand Chorus-, out of Alexander's Feast, for Trumpets, French-Horns, Kettle-Drums

Event Comment: Benefit for Master Mattocks and Mlle L'Contri. Paid Salary List #296 10s. 6d.; Mrs Hobson a bill 3s. (Treasurer's Book). [The George Garrick Treasurer's Book breaks off at this point. It records for 165 nights, a total income of #17,296 9s. as against a total outlay of #12,055 14s. 5d. Cross, who jots down receipts in round figures, and is almost always high, indicates the income from the 164th to the 174th and last night to be #1,446, but since all except one night (11 May) were benefits, the theatre probably received only about #800 (At #63 per benefit). Total income for this season is estimated to be, therefore, #18,096 9s. It is difficult to estimate end of season expenditures. At least #789 10s. 6d. went out in the three final pay days of the season and probably another #500 went out in bills before the books were closed at Midsummer. From this it appears that the profits to the managers that year came to about #4,600.] This day is Publish'd The Actor at 3s. In One Volume (dedicated to the Managers of the British Theatre. A treatise on the art of playing, interspersed with theatrical anecdotes, critical remarks on plays and occasional observations on audiences Printed for R. Griffiths (General Advertiser). Receipts: #120 (Cross). [Income missing from Treasurer's Book.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Lethe

Performance Comment: As17500425 but Fine Gentleman-King; Mercury-Master Mattocks; Tattoo-_ .
Cast
Role: Mercury Actor: Master Mattocks

Song: I: The Highland Lad (set by Master Arne)-Master Mattocks; III: Singing-Master Mattocks

Dance: II: La Sabotiere-Master Maltere, Miss Foulcade; IV: Les Fantasies de la Dance-Mlle DelaContri; End: Minuet-Mathews, Mlle Contri

Event Comment: Benefit for Master Welsh. [2nd piece in place of The Sultan, advertised on playbill of 10 May. Medley is identified in MS list in Kemble playbills of new performers for this season.] "A riot took place this evening, occasioned by the performance of Skirmish by a new actor. This person, wanting every quality requisite for the stage, performed so very much to the dissatisfaction of the audience, that the piece was mutilated in such a manner that for some time it was insisted on that the whole should be repeated more perfectly and by another actor. This being impossible, some mischief was threatened, but after a short time the disturbance ceased" (European Magazine, June 1796, p. 396). Morning Herald, 30 Apr.: Tickets to be had of Master Welsh, No. 9, St. Margaret-street, Westminster. Receipts: #292 4s. (84.11.6; 47.15.6; 12.14.0; tickets: 146.19.6; odd money: 0.3.6). (charge: free)

Performances

Mainpiece Title: The Smugglers

Cast
Role: Edward Actor: Master Welsh

Afterpiece Title: The Virgin Unmask'd

Afterpiece Title: The Deserter

Song: End: the favourite duett from Sampson, My Faith and Truth-Miss Leak, Master Welsh; End 2nd piece: Listen to the Voice of Love (composed by Hook)-Master Welsh

Performances

Mainpiece Title: Antigona

Dance: End I: a new Ballet in one act, Flore et Zephire-Didelot, Gentili, Fialon, Lahante, Hamoir, Giani, Roffey, Simpson, Master Menage, Mme Rose, Mme Hilligsberg, Mme Bossi, Mlle Parisot, Mme Vidi, Mlle Cabanel [Cast from Beaumont (see below): Cleonise-Mme Hilligsberg; +Flore-Mme Rose; +Bergeres-Mlle Parisot, Mme Bossi; +Zephire-Didelot; +L'Amour-Master Menage; +Un Petit Amour-Miss Hill.]; End Opera: [a new grand Dramatic Ballet in 3 acts, in the +Scotch style, L'Heureux Naufrage [; or, Les Sorcieres Ecossoises; Principal Performers in both dances-Didelot, Gentili, Fialon, Lahante, Hamoir, Giani, Roffey, Simpson, Master Menage, Mme Rose, Mme Hilligsberg, Mme Bossi, Mlle Parisot, Mme Vidi, Mlle Cabanel

Performance Comment: ]; End Opera: [a new grand Dramatic Ballet in 3 acts, in the +Scotch style
, L'Heureux Naufrage [; or, Les Sorcieres Ecossoises; Principal Performers in both dances-Didelot, Gentili, Fialon, Lahante, Hamoir, Giani, Roffey, Simpson, Master Menage, Mme Rose, Mme Hilligsberg, Mme Bossi, Mlle Parisot, Mme Vidi, Mlle Cabanel.
Event Comment: At the Academy of Vocal and Instrumental Musick, Mr Gates, Master of the Children of the Chapel Royal being Director for the Night

Performances

Mainpiece Title: Concert

Music: A Madrigal for 5 Voices by Abbot Stefani, late President of the Academy-; A Piece of Vocal and Instrumental Musick by Sig Faux, Chapel Master to the Emperor-; A Madrigal for 5 Voices by Sig Antonio Lotti, Chapel Master to the Doge of Venice-; Mr Handell's Great Te Deum, J`bilate-