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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mary de la Riviere Manley"/1) | (@(roleclean,performerclean) "Mary de la Riviere Manley")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3917 results for: Keyword - Mary de la Riviere Manley
We found 2956 matches on Performance Title, 908 matches on Performance Comments, 400 matches on Event Comments, 187 matches on Author, and 0 matches on Roles/Actors.

1651
20 February 1790 @ Haymarket Theatre

Performances

Mainpiece Title: I Due Castellani Burlati

Dance: End I: La Bergere des Alpes, as17900206; End Opera: Les Mariages Flamands, as17900213

1652
25 May 1790 @ Haymarket Theatre

Performances

Mainpiece Title: L'usurpator Innocente

Dance: End I: Les Mariages Flamands, as17900213, but Mlle Ferrere; End Opera: +La Bergere des Alpes, as17900107, but Mlle Ferrere, Mlle _Dorival

1653
03 June 1790 @ Haymarket Theatre

Performances

Mainpiece Title: Il Barbiere Di Siviglia; Or, The Spanish Barber

Dance: End I: La Bergere des Alpes, as17900525; End Opera: Divertisement, as17900529

1654
06 July 1790 @ Covent Garden

Performances

Mainpiece Title: Andromaca

Dance: End I: Divertisement, as17900515 at hay; End Opera: La Bergere des Alpes, as17900107 at hay; after which: the Potpourri (as performed at Ranelagh)-Labourie, Mlle Hilligsberg

1655
17 July 1790 @ Covent Garden

Performances

Mainpiece Title: L'usurpator Innocente

Dance: End I: Divertisement, as17900515 at hay; End Opera: La Bergere des Alpes, as17900107 at hay; after which a variety of new Dances-

1656
11 January 1794 @ King's Theatre

Performances

Mainpiece Title: Il Matrimonio Segreto

Dance: End of Act I a new Divertisement, composed by Noverre [performers not listed]; End of Act II a new Pantomimic Ballet, composed by Noverre, Adelaide; ou, La Bergere des Alpes, by Aumer, Gentili, Mme Del Caro, Mlle Hilligsberg, Mme M. L. Hilligsberg Sen

1657
16 January 1798 @ King's Theatre

Performances

Mainpiece Title: Nina

Dance: End I: La Chasse d'Amour, as17980102; End Opera: Le Triomphe de Themis, as17971226

1658
28 April 1798 @ King's Theatre

Performances

Mainpiece Title: Il Matrimonio Segreto

Dance: End I: Peggy's Love, as17980426; End Opera: La Vengeance de l'Amour, as17980421

1659
01 May 1798 @ King's Theatre

Performances

Mainpiece Title: Il Matrimonio Segreto

Afterpiece Title: Il Capriccio Drammatico

Dance: End 1st piece: Peggy's Love, as17980428; End 2nd piece: La Vengeance de l'Amour, as17980324

1660
03 July 1798 @ King's Theatre

Performances

Mainpiece Title: Elfrida

Dance: End I: La Vengeance de l'Amour, as17980421

Ballet: End Opera: Le Deserteur. As17980614

1661
28 May 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Mock Doctor

Dance: I: Minuet, a new Ragadoon-De Vallois, Madam De Vallois; II: French Peasant-; III: Pierrot and Pierroress-De Vallois and Madam De Vallois; IV: Pastoral-De Vallois and Madam De Vallois; V: Wooden Shoe Dance-De Vallois, Bowford, Pawlet

1662
21 February 1788 @ King's Theatre

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: a New Dance-; in which will be introduced a Pas de Bernois-Didelot, Mlle Coulon; Pas de Trois-Coulon, the two Miss Simonets; Pas de Deux-Henry, Miss Harvey; a Pas Seul-Chevalier; Pas Seul-Mlle Coulon; the favorite Pas de Russe (composed by Gardel)-Vestris, Mlle Hilligsberg; Hornpipe-Chevalier; Pas de Cinq-the principal Dancers; Pas de Sept-the principal Dancers; conclude with: General Dance-all the Performers

Song: II: a favorite song, Gli affetti mici , composed by Paisiello,-Sga Sestini; violin obligato accompaniment-Cramer

Ballet: End Opera: L'Amour et Psiche. As17880129

1663
26 February 1788 @ King's Theatre

Performances

Mainpiece Title: Il Re Teodoro In Venezia

Dance: End Opera: Les Offrandes a l'Amour, as17871208; End I: New Dance, as17880221; Pas de Bernois, as17880221; Pas de Trois, as17880221; Pas de Deux, as17880221; Pas Seul, as17880221; Pas de Russe, as17880221; Pas de Cinq, as17880221; Pas de Sept, as17880221; General Dance, as17880221; omitted: Pas Seul by Chevalier, Hornpipe

1664
23 February 1788 @ King's Theatre

Performances

Mainpiece Title: Gli Schiavi Per Amore

Song: As17880221

Dance: End Opera: Les Offrandes a l'Amour, as17871208; End I: New Dance, as17880221; Pas de Bernois, as17880221; Pas de Trois, as17880221; a Pas Seul, as17880221; Pas Seul, as17880221; Pas de Russe, as17880221; Pas de Cinq, as17880221; General Dance, as17880221; Pas de Sept, as17880221

1665
07 March 1741 @ Drury Lane Theatre

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The King and the Miller of Mansfield

Dance: II: La Tambourine-Mlle Chateauneuf; III: La Tambourin Matelote-Maltere, Mlle Maltere; IV: La Provencale-Mlle Chateauneuf; V: Grand Serious Ballet-Maltere, Mlle Maltere

1666
30 April 1741 @ Drury Lane Theatre

Performances

Mainpiece Title: The Merchant Of Venice

Dance: I: La Tambourin Matelote-Maltere, Mlle Maltere; II: La Provencale-Mlle Chateauneuf; III: Muilment; IV: La Tambourine-Mlle Chateauneuf; V: Les Masons & Les Sabotiers-Signora Fausan, Muilment, Desse

1667
13 February 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I Le Tuteur Trompe, as17830111, with two Pas de Deux, in a stile entirely new, called Pas de Lapons; or, Laplanders' Dance, by Slingsby and Mlle Theodore; End of Act II a new Pastoral Ballet by the principal Dancers, with a variety of Pas Seuls and a Pas de Deux by Slingsby and Mlle Theodore, and to conclude with a Grand Allemande by Lepicq, Mme Rossi, Slingsby, Mlle Theodore

1668
May 1703 @ May Fair

Performances

Mainpiece Title: Entertainments

Dance: That Variety of Rope/danceing and Tumbling-; as far exceeds all that has ever yet been publickly seen; where the Lady Mary, who has given such great Satisfaction to the highest Nobility of the Kingdom, will outdo whatever she has perform'd before

1669
22 November 1704 @ Drury Lane Theatre

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scotland

1670
10 December 1713 @ Drury Lane Theatre

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary, Queen Of Scotland

1671
18 November 1714 @ Drury Lane Theatre

Performances

Mainpiece Title: The Albian Queens; With The Death Of Mary Queen Of Scotland

1672
13 January 1721 @ Haymarket Theatre

Performances

Mainpiece Title: Arlequin Larron, Prevost & Juge; Ou, Les Epouvantes De Scaramouche

Afterpiece Title: Le Mary Retrouve

Dance:

1673
02 March 1723 @ Drury Lane Theatre

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary, Queen Of Scotland

1674
28 April 1730 @ Drury Lane Theatre

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Contrivances

Music: Solo on the Violin-Charke

Song: A New Cantata-Carey; and an old Scotch Ballad called Mary Scot-Miss Raftor

Dance: A new dance-Master Tench being the first Time of his Performance on the Stage

1675
07 January 1736 @ Covent Garden

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scotland

Afterpiece Title: Apollo and Daphne

Dance: II: Serious Dance by Mlle D'Hervigni. IV: French Paesans by Lalauze and Mlle D'Hervigni