SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mary de la Riviere Manley"/1) | (@(roleclean,performerclean) "Mary de la Riviere Manley")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2956 matches on Performance Title, 908 matches on Performance Comments, 400 matches on Event Comments, 187 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: La Contadina In Corte

Afterpiece Title: Il Soldano Generoso

Dance: As17791221 throughout

Performances

Mainpiece Title: La Schiava

Dance: End I: Il Desertore, as17791214; End II: New Pastoral Ballet, as17800215, but _Slingsby, Sg and Sga _Zuchelli; End Opera: Grand Serious Ballet, as17800208

Song: II: song-Sga Pozzi; with obligato on the flute-; End Opera: an Italian Canzonetta-Sga Bernasconi; accompanied on the guitar-Noferi, giving thanks to the Audience

Performances

Mainpiece Title: La Schiava

Dance: End I: Pastoral Ballet, as17800408; End II: New Pastoral Ballet, as17800413; End Opera: Grand Serious Ballet, as17800208

Song: As17800413, but Italian Canzonetta-_

Performances

Mainpiece Title: La Schiava

Dance: End I: New Minuet-Simonet (1st appearance this season), Mme Simonet; a Cossaque, as now danced at the Court of Versailles (the music by Gluck)-; End II: The Serenade Interrupted (composed by Simonet)-; in which a Pas de Deux-Simonet, Mlle Baccelli (the music by Noferi); End Opera: The Female Warriors- (composed by Simonet), which the Author hopes will meet with the satisfaction of the Nobility and Gentry, and the Ladies in particular, as this is intended to shew that the Fair Sex may with success improve in that kind of Exercise that seems confined only to the Men. The Ballets will be executed entirely by principal Dancers

Performances

Mainpiece Title: La Schiava

Dance: End I: Pastoral Ballet, as17800408; End II: La Bergere Coquete, as17800408; End Opera: Grand Serious Ballet, as17800208

Song: As17800418

Performances

Mainpiece Title: La Buona Figliuola

Dance: As17800516 throughout

Performances

Mainpiece Title: La Fraschetana

Dance: End I: The Fortunate Escape, as17801216; End II: Grand Serious Ballet, as17810315Pas@Solo, as17810315Pas de Deux, as17810315Grand Chaconne, as17810315End Opera: Les Amans Surpris, as17801216

Song: Act II: the favourite song in Il Barone di Torre Forte-Sga Sestini

Performances

Mainpiece Title: La Fraschetana

Dance: End I: Les Amans Surpris, as17801216

Ballet: End II: Medee et Jason. As17810329

Performances

Mainpiece Title: La Fraschetana

Dance: End I: Les Amans Surpris, as17801216

Ballet: End II: Ninette a la Cour (with Improvements). As17810327

Performances

Mainpiece Title: La Fraschetana

Dance: As17810510 throughout

Ballet: Medee et Jason. As17810510

Performances

Mainpiece Title: La Fraschetana

Dance: As17810324throughout.

Ballet: Ninette a la Cour. As17810324

Performances

Mainpiece Title: La Fraschetana

Dance: As17810510 throughout

Ballet: Medee et Jason. As17810329

Performances

Mainpiece Title: La Fraschetana

Dance: As17810501 throughout

Ballet: Medee et Jason. As17810501

Performances

Mainpiece Title: La Fraschetana

Dance: As17810501

Ballet: Medee et Jason. As17810501

Performances

Mainpiece Title: La Fraschetana

Ballet: Medee et Jason. As17810329

Dance: As17810329throughout.

Performances

Mainpiece Title: La Fraschetana

Dance: As17810501

Ballet: Medee et Jason. As17810501

Performances

Mainpiece Title: La Buona Figliuola

Dance: As17820110 throughout

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I Pastoral Dance, as17811128, to conclude with The Emperor's Cossac (composed for the Masqued Ball [held at this theatre, 24 Jan.] by Noverre) by Nivelon and Mlle Theodore; End of Act II Divertisement Dance, as17811117; End of Act III Les Petits Riens, as17811211

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I Pastoral Dance, as17811128; End of Act II a New Divertisement Dance (composed by Simonet), to conclude with a grand Chacomme [the music] by Piccinni, by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Slingsby; End of Act III Le Triomphe de l'Amour Conjugal, as17820110

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I Pastoral Dance, as17811128; End of Act II New Divertisement Dance, as17820207, but omitted: Mlle Theodore, Slingsby; End of Act III Le Triompbe de l'Amour Conjugal, as17820110

Performances

Mainpiece Title: La Contadina In Corte

Dance: End of Act I New Divertisement Dance, as17820214; End of Act II Le Triomphe de l'Amour Conjugal, as17820110

Performances

Mainpiece Title: La Contadina In Corte

Dance: As17820221 throughout

Performances

Mainpiece Title: La Contadina In Corte

Dance: End of Act I New Divertisement Dance, as17820216; End of Act II Les Amans Reunis, as17811117, but Leger in place of Slingsby; omitted: Mlle Dumont

Performances

Mainpiece Title: La Contadina In Corte

Dance: In the Masquerade Scene a Minuet by Mlle Theodore and Nivelon; End of Act I Le Triomphe de l'Amour Conjugal, as17820110; End of Act II a new Ballet (composed by Noverre), La Rosihe de Salency, by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Leger, Henry, Bournonville, Olivier, Miss Simonet, Sga Crespi

Performances

Mainpiece Title: La Contadina In Corte

Dance: As17820402 throughout