SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mary Pix"/1) | (@(roleclean,performerclean) "Mary Pix")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 189 matches on Performance Comments, 106 matches on Event Comments, 68 matches on Performance Title, 29 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Illumination

Afterpiece Title: The Albion Queens; or, The Death of Mary Queen of Scots

Performance Comment: Duke of Norfolk-Wroughton; Davison-L'Estrange; Morton-Fearon; Gifford-Thompson; Cecil-Hull; Queen Elizabeth-Mrs Jackson; Douglas-Mrs Bulkley; Mary Queen of Scots-Mrs Hartley (Their 1st appearance in those characters).

Afterpiece Title: The Farmer's Return from London

Afterpiece Title: Comus

Performances

Mainpiece Title: At Hay Mary Queen Of Scots

Performance Comment: Duke of Norfolk-Kemble; Sir William Cecil-Aickin; Lord Herries-Barrymore; Davison-Packer; E. of Shrewsbury-Benson; E. of Huntingdon-Phillimore; Sir Amias Paulet-Fawcett; Beton-Whitfield; Nawe-Alfred; Lieutenant-Maddocks; Queen Mary-Mrs Siddons; Queen Elizabeth-Mrs Ward; Lady Douglas-Mrs Powell; Lady Scroop-Miss Tidswell.
Cast
Role: Queen Mary Actor: Mrs Siddons

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scots

Performance Comment: Queen Elizabeth-Mrs Horton; Norfolk-Ryan; Davison-Ridout; Morton-Bridgwater; Cecil-Arthur; Gifford-Gibson; Dowglass-Mrs Vincent; Mary, Queen of Scots-Mrs Woffington, 1st time.

Afterpiece Title: The Maid of the Mill; or, The Country Revels

Afterpiece Title: Judgment of Paris

Event Comment: The United Company. The date of the first production is not known, but Part II seems to have followed rather closely upon Part I. The Gentleman's Journal, June 1694 (which apparently appeared in mid-June) states: The first Part of Mr Durfey's Don Quixote was so well received, that we have had a second Part of that Comical History acted lately, which doubtless must be thought as entertaining as the first; since in this hot season it could bring such a numerous audience (p. 170). The Songs were advertised in the London Gazette, 5 July 1694, and Part II advertised in the same periodical 19-23 July 1694. The songs as listed in the separately printed Songs are as follows: Genius of England, the music by Henry Purcell, sung by Freeman and Mrs Cibber. I burn, I burn, the music by John Eccles, sung by Mrs Bracegirdle. Since times are so bad, the music by Henry Purcell, sung by Reading and Mrs Ayliff. Damon, let a friend, the music by Pack, sung by Mrs Hudson. Ye nymphs and sylvan gods, the music by John Eccles sung by Mrs Ayliff. If you will love me, composer and singer not named. In addition, Thesaurus Musicus, 1695, published Lads and lasses, blithe and gay, the music by Henry Purcell, sung by Mrs Hudson. Purcell also wrote the music for other songs for which the singer is not known. Preface, edition of 1694: The good success, which both the Parts of Don Quixote have had, either from their Natural Merit, or the Indulgence of my Friends, or both, ought sufficiently to satisfie me, that I have no reason to value tne little Malice of some weak Heads, that make it their business to be simply Criticizing....I think I have given some additional Diversion in the Continuance of the character of Marcella, which is wholly new in this Part, and my own Invention, the design finishing with more pleasure to the Audience by punishing that coy Creature by an extravagant Passion here, that was so inexorable and cruel in the first Part, and ending with a Song so incomparably well sung, and acted by Mrs Bracegirdle, that the most envious do allow, as well as the most ingenious affirm, that 'tis the best of that kind ever done before....I deserve some acknowledgment for drawing that Character of Mary the Buxom, which was intirely my own,...by making the Character humorous, and the extraordinary well acting of Mrs Verbruggen, it is by the best Judges allowed a Masterpiece of humour

Performances

Mainpiece Title: The Comical History Of Don Quixote, Part Ii

Performance Comment: Edition of 1694: Prologue-Mr Powel; Epilogue-Sancho, Mary the Buxome; Duke Richardo-Cibber; Cardenio-Bowman; Ambrosio-Verbruggen; Don Quixot-Boen; Manuel-Powel; Pedro Rezio-Freeman; Bernardo-Trefuse; Diego-Harris; Page to the Duke-Lee; Sancho Pancha-Underhil; Dutchess-Mrs Knight; Luscinda-Mrs Bowman; Dulcinea del Toboso-Lee; Marcella-Mrs Bracegirdle; Don Rodriguez-Mrs Kent; Teresa Pancha-Mrs Lee; Mary-Mrs Verbruggen.
Cast
Role: Epilogue Actor: Sancho, Mary the Buxome
Role: Mary Actor: Mrs Verbruggen.
Event Comment: [The Duke's Company. For Harris' role, see Pepys, 11 May 1668. For Angel as Stephano, see An Elegy Upon...Mr Edward Angell, reprinted in A Little Ark, pp. 38-39: @Who shall play Stephano now? your Tempest's gone@To raise new Storms i' th' hearts of every one.@ For Underhill as Trincalo, note his nickname of Prince Trincalo. (For Mary Davis as Ariel and Mrs Long as Hypolito, see J. H. Wilson, All the King's Ladies, pp. 140, 166.) Downes (Roscius Anglicanus, p. 33): The Tempest...Acted in Lincolns-Inn-Fields...alter'd by Sir William Davenant and Mr Dryden before 'twas made into an Opera. Pepys, Diary: At noon resolved with Sir W. Pen to go see The Tempest, an old play of Shakespeare's, acted, I hear, the first day; and so my wife, and girl, and W. Hewer by themselves, and Sir W. Pen and I afterwards by ourselves; and forced to sit in the side balcone over against the musique-room at the Duke's house, close by my Lady Dorset and a great many great ones. The house mighty full; the King and Court there: and the most innocent play that ever I saw; and a curious piece of musique in an echo of half sentences, the echo repeating the former half, while the man goes on the latter, which is mighty pretty. The play [has] no great wit, but yet good, above ordinary plays. Thence home with Sir W. Pen, and there all mightily pleased with the play

Performances

Mainpiece Title: The Tempest

Performance Comment: Adapted by Sir William Davenant and John Dryden. A possible cast: Ferdinand-Harris?; Stephano-Angel?; Trincalo-Underhill?; Ariel-Mary Davis?; Hypolito-Mrs Long?.
Cast
Role: Ariel Actor: Mary Davis?
Event Comment: Benefit Mrs Mary Man. At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: The London Merchant

Performance Comment: Millwood-Mrs Mary Man; George Barnwell-Edward Giles; Barnwell Sr-Phoenix; Thorowgood-Jones; Trueman-Barcock; Blunt-Wignall; Maria-Miss Palms; Lucy-Mrs Hind; With the Original Prologue-Giles; and a new Epilogue-Mrs Man.
Cast
Role: Millwood Actor: Mrs Mary Man

Song: Singing in Italian and English-

Dance:

Music: Solo on the German Flute-Gentlemen for their Diversion; End Play: Trumpet Concerto-Burk Thumoth; Lesson on the Harpsichord-; Solo on the German Flute-

Event Comment: Benefit Mrs Porter. By Their Majesties' Command. Pit and Front Boxes put together at 51. [Duke, Princesses Amelia, Caroline, Mary, and Louisa present.]

Performances

Mainpiece Title: The Albion Queens

Performance Comment: Queen Elizabeth-Mrs Porter; Queen Mary-Mrs Horton; Norfolk-Marshall; Davison-Bridgwater; Morton-Hewitt; Cecil-Roberts; Giffard-Turbutt; Douglass-Miss Hollyday .
Cast
Role: Queen Mary Actor: Mrs Horton

Dance: La Badine by Lally, Mlle Grognet, S. Lally, Le Brun, Davenport, Olbeldiston, Mrs Walter, Mrs D'Lorme, Mrs Anderson, Mrs Davenport (with new Habits)

Event Comment: At Cross and Bridges' Booth, opposite the Hospital Gate. A new Dramatick Droll...being founded on a Story in Real Life, as related in the Memoirs of the celebrated Mrs Constantia Phillips. In which will be introduc'd a New Scene of Bedlam...Interspers'd witn a Merry Interlude call'd The Jovial Tars...with the Comical Humours of Nurse Prate and Will Bowling the Jovial Tar; as also of Jack Hanspite, Nick Hatchway, and Simon Bucket, Sailors; with Mary the Chambermaid, Susan of the Dairy, Kate of the Kitchen, and Nan the Spinster. To begin each day at noon. An extraordinary band of music is provided. Prices: 1s. 6d., 1s., 6d

Performances

Mainpiece Title: The Fair Lunatick; Or, The Generous Sailor

Afterpiece Title: Modern Madness; or, A Touch of the Times

Afterpiece Title: The Jubilee Ball, a Grand Scene

Monologue: 1749 8 24 bf I+Interlude The Jovial Jack Tars, or All Well Match'd. Nurse Prate-Mrs Cross; Mary-Mrs Daniel; Jack Bridle-Cross; Will Bowling-Clough

Performance Comment: Nurse Prate-Mrs Cross; Mary-Mrs Daniel; Jack Bridle-Cross; Will Bowling-Clough.
Cast
Role: Mary Actor: Mrs Daniel

Dance: TThe Medley of Jokes-; the French Peasants-Master Matthews, Mrs Annesley

Performances

Mainpiece Title: Mary Queen Of Scots

Cast
Role: Queen Mary Actor: Mrs Siddons

Afterpiece Title: The Doctor and the Apothecary

Performances

Mainpiece Title: Mary Queen Of Scots

Cast
Role: Queen Mary Actor: Mrs Siddons

Afterpiece Title: The Deserter

Performances

Mainpiece Title: Mary Queen Of Scots

Cast
Role: Queen Mary Actor: Mrs Siddons

Afterpiece Title: The Pannel

Performances

Mainpiece Title: Mary Queen Of Scots

Cast
Role: Queen Mary Actor: Mrs Siddons

Afterpiece Title: Miss in her Teens

Performances

Mainpiece Title: Mary Queen Of Scots

Cast
Role: Queen Mary Actor: Mrs Siddons

Afterpiece Title: The Minor

Performances

Mainpiece Title: Mary Queen Of Scots

Cast
Role: Queen Mary Actor: Mrs Siddons

Afterpiece Title: The Doctor and the Apothecary

Performances

Mainpiece Title: Mary Queen Of Scots

Cast
Role: Queen Mary Actor: Mrs Siddons

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: Mary Queen Of Scots

Cast
Role: Queen Mary Actor: Mrs Siddons

Afterpiece Title: The Lyar

Event Comment: Benefit for the Relief of the Widows and Orphans of the brave Men who fell in the late Glorious Actions [on 1 June 1794], under Earl Howe. The Whole Receipt of the Night to be applied to the above Fund. Under the Patronage of His Royal Highness the Prince of Wales, and His Royal Highness the Duke of Clarence. The Tickets for the Boxes at Half-a-Guinea each, are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangements of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Lauderdale, Lord Mulgrave, Lord William Russel, The Right Honourable the Lord Mayor [Paul Le Mesurier], Mr Alderman Coombe, Hon. Thos. Erskine, J. Nesbit Esq., I. B. Church Esq., W. Devaynes Esq., J. Taylor Vaughan Esq., J. J. Angerstein Esq., R. B. Sheridan Esq. Tickets and Places for the Boxes, not disposed of by the Committee, to be had of Fosbrook, at the Box-Office, Little Russel-Street. Tickets also to be had at the Bar of Lloyd's Coffee House. Afterpiece [1st time; ENT 2, by Richard Brinsley Sheridan and James Cobb; with songs written by the Duke of Leeds, the Earl of Mulgrave, Mary Robinson, Joseph Richardson, &c. In 1797 altered as CAPE ST. VINCENT. Prologue by Joseph Richardson (London Chronicle, 4 July). Epilogue by Richard Brinsley Sheridan]: The Music composed and selected by Storace [with one song each by Reeve. Linley Sen., Michael Kelly]. The Dresses, Scenery and Machinery entirely New. "This piece is a sort of continuation of No Song No Supper...hastily put together for the occasion" (European Magazine, July 1794, p. 60). "The Theatre this Evening was crowded in every Part, the receipt amounting to something better than 1300 Guineas" (Powell). Powell, 1 July: Country Girl rehearsed at 10; Glorious First at 12 and at night. 2 July: Glorious First rehearsed at 10. Receipts: #1,526 11s. (450/6/0; 41/13/0; 0/12/6; tickets in boxes: 954/0/0; tickets in pit: 80/0/0) (charge: free)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Performance Comment: Cast not listed. [Cast from text (C. Lowndes [1794]): Commodore Broadside-Palmer; Endless-Suctt; Old Cottager-Maddocks; Robin-Barrymore; William-C. Kemble; Tom Oakum-Bannister; Ben-Sedgwick; Splicem-Kelly; Boy-Master Welsh; Dick-Hollingsworth; Busy-Benson//Cottager's Wife-Mrs Booth; Mary-Miss De Camp; Susan-Miss Leak; Girl-Miss Menage; Cicely-Miss Chatterley; Margaretta-Sga Storace.] In which the Principal Performers will assist in the M usical Parts . In which the Principal Performers will assist in the M usical Parts .
Cast
Role: Mary Actor: Miss De Camp

Dance: In afterpiece the Ballets composed by James D'Egville; the Principal Dancers-D'Egville, Gentili, and also by permission of the Proprietor of the King's Theatre, Mme Del Caro, Mlle E. Hilligsberg, Mlle Hilligsberg

Performances

Mainpiece Title: The Lost Lover; Or, The Jealous Husband

Related Works
Related Work: The Lost Lover; or, The Jealous Husband Author(s): Mary Manley

Performances

Mainpiece Title: The Royal Mischief

Related Works
Related Work: The Royal Mischief Author(s): Mary Manley

Performances

Mainpiece Title: The Northern Heiress

Related Works
Related Work: The Northern Heiress: or, The Humours of York Author(s): Mary Davys

Performances

Mainpiece Title: The Northern Heiress

Related Works
Related Work: The Northern Heiress: or, The Humours of York Author(s): Mary Davys

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: Nobody

Related Works
Related Work: Nobody Author(s): Mary Robinson

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Nobody

Related Works
Related Work: Nobody Author(s): Mary Robinson

Song: As17941007

Performances

Mainpiece Title: Albion Queens

Performance Comment: Mary Queen of Scots-Mrs Horton; Queen Elizabeth-Mrs Porter (being the last time of her appearing on this stage); No others listed. No others listed.

Dance: CCharacters of Dancing, as17421025; Dutch Skipper, as17421025

Performances

Mainpiece Title: Entertainments

Dance: That Variety of Rope/danceing and Tumbling-; as far exceeds all that has ever yet been publickly seen; where the Lady Mary, who has given such great Satisfaction to the highest Nobility of the Kingdom, will outdo whatever she has perform'd before