SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mary Mure"/1) | (@(roleclean,performerclean) "Mary Mure")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 191 matches on Performance Comments, 106 matches on Event Comments, 68 matches on Performance Title, 29 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The Lord Mayor's Show. By Elkanah Settle. See Celia Fennes, Through England on a Side Saddle in the Time of William and Mary (1888), pp. 242 ff, for an account of a Lord Mayor's show in the late seventeenth century

Performances

Mainpiece Title: The Triumphs Of London

Event Comment: Queen Mary died on this day. The theatres were closed until after Easter

Performances

Event Comment: The date of the premiere is not known, but the fact that the opera was advertized in the Post Man, 14-16 Jan. 1696@7, suggests that it was first acted not later than December 1696. As the title page indicates, the work had been intended for presentation before the Court, but the death of Queen Mary prevented its appearance at Court. A Comparison Between the Two Stages (1702), p. 19: Sullen: But to go on, Cynthia and Endymion. Ramble: What a Pox is that? I never heard on't. Sullen: I believe not; 'tis one of Durfey's Toys. Ramble: Durfey's? what again? 'twas just now we parted with him. Sullen: Ay but Sir, you must know this is an Opera--and as he tells us in the Title-page, design'd t be perform'd at court before the late Queen--there's for you; Durfey in his Altitudes--but notwithstanding the vain and conceited Title-page, 'tis good for nothing within: He's the very Antipodes to all the Poets, Antient and Modern: Other Poets treat the Deities civilly, but Mr Durfey makes the Gods Bullies, and Jilts of the chastest Goddesses. Ramble: So, I suppose that was mawl'd, notwithstanding the Honour which he says the Queen intended it. Sullen: 'Twas well for Durfey her late Majesty never saw it; Gad if she had, People wou'd ha' said, it had first been the cause of her Illness, and then of her Death; for 'tis a mortifying Piece o' my Word; Yes, yes,--it was Damn'd

Performances

Mainpiece Title: Cinthia And Endimion; Or, The Loves Of The Deities

Performances

Mainpiece Title: Rope Dancing

Entertainment: The most famous Rope/dancers; in Europe; As1st Dance with and without a Pole-2 young Maidens , lately arriv'd from France, to admiration; 2. Dance with 2 Children at his Feet, Dance with Boots and Spurs The Famous-M Barnes of whose performances this Kingdom is so sensible. 3.; Dancing-Mrs Finley; distinguished by the Name of Lady Mary for her incomparable Dancing, has much improved herself since the last Fair; You will likewise be entertained with such variety of Tumbling-Mr Finley andCo as never was in the Fair before

Performance Comment: Dance with 2 Children at his Feet, Dance with Boots and Spurs The Famous-M Barnes of whose performances this Kingdom is so sensible. 3.; Dancing-Mrs Finley; distinguished by the Name of Lady Mary for her incomparable Dancing, has much improved herself since the last Fair; You will likewise be entertained with such variety of Tumbling-Mr Finley andCo as never was in the Fair before.
Event Comment: [By Mary de la Riviere Manley.] Never Acted before. And by Reason of the Extraordinary Charge for Habits, Boxes 5s., Pit 3s., First Gallery 2s., Upper Gallery 1s. Preface: Almyna was admirably Acted, and advantagiously dress'd: The first was owing to Mr Betterton's unwearied care...the second to Mr Swiny...for venturing...to make so great an Expence...both justly condemn'd for playing it at so ill-fated a Time, viz. The immediate Week before Christmas between Devotion and Camilla

Performances

Mainpiece Title: Almyna; Or, The Arabian Vow

Event Comment: By His Royal Highness's Command. [For the Princess' attendance at this play, see Diary of Mary Countess Cowper, pp. 46-47.

Performances

Mainpiece Title: The Amorous Widow

Dance:

Event Comment: Benefit Johnson. The Diary of Mary Countess Cowper, pp. 103-4; She [Mrs Clayton] and Lady W. Powlett, and I went to the Play together, for the Benefit of Johnson, who is the best Comedian this Day upon the Stage, and I believe as true and good a Player as ever was in any Age, for the Parts that he plays

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Song: As17151028

Dance: Dupre, Boval, Dupre Jr, Prince, Birkhead, Mrs Santlow, Mrs Bicknell; particularly The Original Dance of Linkmen-

Event Comment: [By Mrs Mary Manley.] Never Acted before

Performances

Mainpiece Title: Lucius, The First Christian King Of Britain

Related Works
Related Work: Lucius, The First Christian King of England Author(s): Mary Manley
Event Comment: At the particular Desire of several Ladies of Quality. The Diary of Mary Countess Cowper, p. 153: At Night at the French Play with the Duchess of Shrewsbury. Everybody took Notice of the Scene of the Drawing-room

Performances

Mainpiece Title: La Fille Capitaine

Afterpiece Title: Arlequin Galerien; ou, Le Port de Mer

Entertainment: Dancing-D'Angeville, Mlle Deschaliers, others; And several New Performances-the Tumblers; Particularly the Extraordinary Tumbling, call'd Le Saut de la Panche-Mr Debroc , who with Links in his Hands will run up to the Top of a Board 16 Foot high, and with a most surprising Activity will tumble from thence

Event Comment: [Text by N. F. Haym. Music by G. F. Handel.] By Command Pit and Boxes at half a guinea. Gallery 5s. At 6:30 p.m. When the Tickets are dispos'd of, No Persons will be admitted for Money. The Diary of Mary Countess Cowper, p. 154: At Night, Radamistus, a fine Opera of Handel's Making. The King there with his Ladies. The Prince in the Stage-box. Great Crowd. Mainwaring, Handel, pp. 98-99: If the persons who are now living, and who were present at that performance may be credited, the applause it received was almost as extravagant as his Agrippina had excited; the crowds and tumults of the house at Venice were hardly equal to those at London. In so splendid and fashionable an assembly of Ladies (to the excellence of their taste we must impute it) there was no shadow of form, or ceremony, scarce inoeed any appearance of order or regularity, politeness, or decency. Many, who had forc'd their way into the house with an impetuosity but ill-suited to their rank and sex, actually Fainted through the heat and closeness of it. Several Gentlemen were turned back, who had offered forty shillings for a seat in the gallery, after having despaired of getting any in the pit or boxes

Performances

Mainpiece Title: Radamistus

Event Comment: Benefit Francisque. By Their Royal Highness's Command. The Diary of Mary Countess Cowper, p. 172: In the Afternoon the Prince and Princess went to the French Play. A most dismal Performance. No Wonder People are Slaves who can entertain themselves with such Stuff

Performances

Mainpiece Title: Les Deux Arlequins

Afterpiece Title: La Baron de la Crasse

Dance: Dangeville

Entertainment: Tumbling=-Francisque

Event Comment: At Reynolds' Booth. The Beggar's Wedding acted until 8 p.m.; Damon and Phillida, 8 p.m. to 11 p.m.; The Humours of Harlequin added to each one. Daily Post, 25 Aug.: This Day his Royal Highness the Duke and their Royal Highnesses the Princesses Mary and Louisa intend to honour Mr Reynolds with their Presence at his Great Theatrical Booth

Performances

Mainpiece Title: The Beggar's Wedding

Afterpiece Title: Damon and Phillida

Afterpiece Title: The Humours of Harlequin

Music: With the Original Band of Musick

Event Comment: By Their Majesties' Command. Afterpiece: a new Dramatic Masque. [By Roger.] The Habits, Scenes, Machines, and the other Decorations entirely new. King, Queen, Prince of Wales, Princess Amelia and Princess Mary present

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Cephalus and Procris; With The Mistakes

Event Comment: [K$King, Queen, Duke, Princess Royal, and Princesses Amelia, Caroline, Mary, Louisa present. For an Epigram on the late Mrs Oldfield, see Grub St. Journal, 17 Dec.

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Cephalus and Procris

Performances

Mainpiece Title: Rinaldo

Event Comment: Benefit Denoyer. By Command of His Royal Highness. [Prince, Duke of Cumberland, three eldest Princesses, and Princess Mary present.

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: The Jovial Crew

Dance: II: Le Chasseur Royal-Denoyer, Mrs Booth, others; III: Comic Dance-Denoyer, Mrs Walter; IV: Minuet-Denoyer, Mrs Booth; V: Serious Dance-Denoyer

Performances

Mainpiece Title: The Careless Husband

Event Comment: At Rayner-Walker Booth. [Prince William and Princesses Mary and Louisa present, also His Excellency Ach Mahomet, Ambassador from Algiers.

Performances

Mainpiece Title: A Wife Well Manag'd; Or, Cuckoldom Prevented

Afterpiece Title: The Humours of Harlequin; or, The Life and Death of Dr Faustus

Performances

Mainpiece Title: Alexander

Event Comment: By Their Majesties' Command. Receipts: #119 0s. 6d. [Their Majesties, Duke, Princesses Amelia, Caroline, Mary, Louisa present.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Cheats; or, The Tavern Bilkers

Dance: II: Tambourine-Miss Rogers; III: New Comic Dance-Nivelon, Mrs Laguerre, Pelling, Mrs Pelling, Newhouse, Miss Latour, Delagarde, Mrs Ogden, LeSac, Miss Baston; IV: A new Scottish Dance-Glover, Mrs Laguerre, DuPre, Mrs Pelling, Delagarde, Mrs Ogden

Performances

Mainpiece Title: The Miser

Event Comment: In a letter to the Daily Post. 4 June, the Patentees of Drury Lane-Mary Wilks, John Ellys, Hester Booth, and John Highmore-stated the cast of the Patentees. The gist of their statement is: (1) They operate under a Patent commencing 1 Sept. 1732 which, by Deaths and Legal Assignments, is the property of the four, with Highmore possessing one half, at an expence of #6,000 and upwards. (2) Several of the Players have threatened to desert the service of the Patentees and have contracted with some of the Trustees (the Sharers) to secure possession of the Theatre. (3) Drury Lane is let upon lease from the Duke of Bedford, granted to Thomas Kynaston and Francis Stanhope, Trustees for the Sharers (commonly called Renters) of Drury Lane at the rent of #50 annually upon a Fine of 1,000 guineas paid for the renewal of the lease. (4) The Players, under the Patentees, have acted at Drury Lane for twenty-one years without any interruption form the Trustees upon the sole contract that the Patentees pay the Trustees #3 12s. each acting night, besides the Liberty of seeing Plays. (5) At the beginning of this Season the manager's office received a letter from a few of the Renters demanding an Advance of Rent. Highmore, being new, was concerned, and asked the managers to take care of the matter; and thereafter the signers (the Patentees) had heard of no further discontent among the Renters. (6) To defend themselves against stories of hardship or complaint by the actors, the Patentees point out that the following weekly salaries had been paid: Colley Cibber #12 12s.; Theophilus Cibber #5; Mills Sr, #1 daily for 200 days certain, and a benefit, clear of all charges; Mills Jr #3; Johnson #5; Miller #5; Harper #4; Griffin #4; Shepard #3; Hallam, for himself and his father, the latter of little or no service, #3; Mrs Heron #5; Mrs Butler #3. For these charges and others, the Patentees stand a daily expence of #49 when the theatre is open. (7) Further, the Patentees paid Cibber Jr his wife's whole salary without her being able to act the greater part of the winter, #9 weekly for the two; Mills Jr, in the same circumstances with his wife, #5 10s. weekly for the two; Miller a salary (amounting to #40) for eight weeks before he acted, and a gratuity of ten guineas; Griffin a present of ten guineas; Harper a present, amount not specified; Mrs Heron an increase form 40s. to #5 weekly, although she refused afterward to play several parts assigned her and acted but seldom

Performances

Event Comment: CCraftsman, 9 June: We hear...that the Rebel Players are not yet reduced to their Obedience, but it is thought that They will soon be obliged to surrender at Discretion. In that mean Time, the Publick waits with Impatience to see the Manifesto of their doubty Chief, Mr Theophilus Cibber, which He hath promised in the News-Papers. It is expected that, in this Manifesto, the young Captain will endeavour to prove that the King's Patent, after a solemn Adjudgment in the Court of Chancery, is of no Validity; and that picking a Gentleman's Pocket of Six Thousand Pounds is perfectly consistent with the Principles of Liberty. In the Daily Post, 11 June, Benjamin Griffin, Comedian, published his Humble Appeal to the Publick.The gist of his statement is: (1) Griffin had been under the management of Rich at Lincoln's Inn Fields, without any intention of leaving him, when, at the beginning of the season of 1721, the managers at Drury Lane sent him messages by Thurmond Sr and Shaw, seeking Griffin to treat with them. Griffin at first refused, but Steede, then the prompter of Drury Lane, prevailed upon him. Wilks immediately offered the same conditions Griffin had under Rich: #4 weekly and a benefit before 15 April, at the certain incident charge of #40. Wilks also offered him articles for three years, with a promise of an advance in salary and better terms at that time. (2) No sooner had Griffin agreed than the masters of both companies entered into a private agreement not to receive any one of the other's company, though discharged, without a private agreement to that purpose. (3) At the end of three years, under date of 12 December 1724, R. Castleman, the treasurer of Drury Lane, sent Griffin a note to the effect that the managers were willing to continue him at 10s. nightly (#3 weekly); as Griffin could not return to Rich, he had to accept the reduction in pay as well as a delay of his benefit to May and a payment of #50 for the charges. (4) He remained so until 1729, losing in salary #147 besides the #10 extra benefits. At Norris' illness and death, the managers returned him to #4 weekly but kept the charges at #50. (5) Under date of 4 June 1733, by the signatures of Mary Wilks, Hester Booth, John Highmore, and John Ellys, Griffin received a discharge from Drury Lane and full Liberty to treat with Rich or any one else. He asserts that he had no previous notice and received no reason for his discharge

Performances

Event Comment: Afterpiece: Intermix'd with Songs and Dances. [The Duke and Princesses Amelia, Mary, and Louisa present.]

Performances

Mainpiece Title: Arlequin Misantrope

Afterpiece Title: Le Carillon de Maitre Gervaise et Dame Alison

Event Comment: Mainpiece: Not Acted these Sixteen Years. Written by the late Dr Procope. Calculated for the Meridian of London. [Princesses Mary and Louisa present.]

Performances

Mainpiece Title: Arlequin Balourd; Or, Harlequin Blunderer

Afterpiece Title: Le Portrait

Dance: A new Chacone in several Characters: Harlequin Man-Cochoy Jr; Harlequin Woman-Miss Chateauneuf; Pierot Man-Roland; Pieraite-Mrs Mimie; Punch-Villeneuve; Dame Jigogne-Malter; Scaramouch Man-De Lisle; Scaramouch Woman-Mrs Le Sage Jr. The Frolick, as17341226 (latter in Daily Advertiser only)