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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mary Martin"/1) | (@(roleclean,performerclean) "Mary Martin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 562 matches on Performance Comments, 243 matches on Event Comments, 114 matches on Performance Title, 49 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Hull and Macready. 1st piece: In Act I a Grand Banquet. With the Procession [in Act IV] from the Abbey at the Coronation of Anne Bullen . To conclude with the Ceremonial of a Royal Christening. [In 2nd piece the scenes, as listed on 10 May, are indicated.] Morning Herald, 20 May: Tickets to be had of Hull, No. 7, Duke's-court, Westminster; Diary, 21 May: of Macready, No. 3, Mary-street, Charles-street, Tottenham-Court-Road. Receipts: #282 14s

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: The Sailor's Festival

Afterpiece Title: The Follies of A Day

Song: III: a song-Mrs Clendining

Performances

Mainpiece Title: Othello

Afterpiece Title: THE SAILOR'S FESTIVAL

Performance Comment: As17940425, but in SCENE 1: Dear Mary Adieu by Incledon (1st time) in place of Sally in our Alie, .

Afterpiece Title: HARTFORD BRIDGE

Dance: In 3rd piece The Lucky Escape, as17930916

Event Comment: By Permission of the Lord Chamberlain. Benefit for Wilkinson. Mainpiece [T 3, by John Penn, 1st acted at Richmond, Feb. 1796. Prologue by the author (see text)]: A New Historical Play in 3 Acts (with songs [by John Wall Callcott]). Morning Herald, 11 Apr.: This Day is published The Battle of Eddington, as acted at the Haymarket and at Richmond (1s. 6d.). Tickets to be had of Wilkinson, No. 14, Mary-le-bone-street, Golden-square. The Doors to be opened at 5:30. To begin at 6:30

Performances

Mainpiece Title: The Battle Of Eddington; Or, British Liberty

Afterpiece Title: Who's the Dupe

Entertainment: Monologue.End: Collins's Ode on the Passions-Wilkinson

Event Comment: [Mainpiece in place of Mary Queen of Scots, advertised on playbill of 27 Dec.] Receipts: #210 16s. (163.12; 44.13; 2.11)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Robinson Crusoe

Performances

Mainpiece Title: A Divertisement

Performance Comment: As17990327but Let Bards elate-_; Of the ancients its speaking-_; I went to Sea-_; Abergavenny is fine-_; The moment Aurora-_; Dear Mary adieu-_; The Midnight Watch-_; Poor Orra come from distant shore-_; A sailor's life's a life of woe-_; Sure an't the World a Masquerade-_.

Afterpiece Title: The Birth Day

Cast
Role: Dear Mary adieu Actor: Incledon

Afterpiece Title: Raymond and Agnes

Cast
Role: Dear Mary adieu Actor: Incledon

Performances

Mainpiece Title: Sighs

Afterpiece Title: Tars at Torbay; or, Sailors on Saturday Night

Performance Comment: Tack and Half Tack (1st time)-Fawcett; Nongtongpaw-Johnstone; Around the Old Oak right Jolly and Gay-Suett, Bannister, Wathen; Ben and Mary-Trueman; Midst of the Sea-Fawcett; Ye Gentlemen of England-Johnstone, Linton, Suett; Rule Britannia-Fawcett, Johnstone, Suett, Bannister, Wathen, Trueman, Davies, Story, Linton, Brown, Caulfield Jun., Aylmer, Dibble, Willoughby, Little, Kenrick.
Cast
Role: Ben and Mary Actor: Trueman

Afterpiece Title: The Castle of Sorrento

Song: End 1st piece: Crazy Jane (composed by Miss Abrahams [recte Abrams])-Mrs Bland

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage," p. 18: Love in a Tubb. Downes, Roscius Anglicanus, p. 32: [After Sir Martin Marall] Next was Acted Love in a Tub, it was perform'd 2 Days together to a full Audience

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. There is no certainty that this is the premiere. A song, A heart in love's empire, with music by Robert Smith, and another, Let's drink dear friends, set by Thomas? Farmer, are in Choice Songs and Ayres, The First Book, 1673. The Dedication in the edition of 1672 is to Prince Rupert and states: tho' of thirty times it has been acted, you seldom fail'd to honour it with your presence. Downes (Roscius Anglicanus, p. 32): The next new Comedy [at dg] was the Mamamouchi, or the Citizen turn'd Gentleman, Wrote by Mr Ravenscroft [cast as in edition of 1672 except French Tutor and Singing Master, by Mr Haines: (He having Affronted Mr Hart, he gave him a Discharge and then came into our House)]; This Comedy was look[ed] upon by the Criticks for a Foolish Play; yet it continu'd Acting 9 Days with a full House; upon the Sixth the House being very full: The Poet added 2 more Lines to his Epilogue, viz. @The Criticks came to Hiss, and Dam this Play,@Yet spite of themselves they can't keep away.@ However, Mr Nokes in performing the Mamomouchi pleas'd the King and Court, next Sir Martin, above all Plays

Performances

Mainpiece Title: The Citizen Turned Gentleman

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216: Sr Martin Marall K & Q. See also Nicoll, Restoration Drama, p. 348. It is possible that this performance was at court

Performances

Mainpiece Title: The Feign'd Innocence

Event Comment: The United Company. Newdigate newsletters, 20 Jan. 1682@3: Yesterday was acted at the Theatre Royall the first of a new play Entituled the City Politiques the novelty of wch drew a Confluence of Spectators under both Qualifications of Whigg and Tory to hear and behold a Ld Mayor Sheriffs & some Aldermen with their wives in yr usuall formalityes buffoond & Reviled a great Lawyer with his young Lady Jeared and Intreagued Dr Oates pfectly represented berogued & beslaved the papist plott Egregiously Rediculed the Irish Testemonyes Contradictiorily disproved & befoold the Whiggs totally vanquished & undon Law & property men oreruld & there wanted nothing of Artifice in behaviour and discourse to render all those obnoxious & dispised in fine such a medly of occurences intervened that twas a question whether more of Loyalty designe or Rhetorique prvailed but there were mighty clappings among the poeple of both partyes in Expressing either their sattisfaction or displeasure (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately Printed, have 20 Jan. 1682@3 as Luttrell's date of acquisition (Huntington Library) and are reprinted in Wiley's Rare Prologues and Epilogues, pp. 166-69. John Dennis, To Mr --- In which are some Passages of the Life of Mr John Crown, Author of Sir Courtly Nice, June 23, 1719: About that time he writ The City Politicks, on purpose to Satyrize and expose the Whigs; a Comedy so agreeable, that it deserv'd to be writ in a much better Cause: But after he had writ he met with very great Difficulties in the getting it acted. Bennet Lord Arlington, who was then Lord Chamberlain of the King's Houshold, and who had secretly espous'd the Whigs, who were at that time powerful in Parliament, in order to support himself against the Favour and Power of the Lord Treasurer Danby, who was his declared Enemy, us'd all his Authority to suppress it. One While it was prohibited on the account of its being Dangerous, another while it was laid aside on the pretence of its being Falt and Insipid; till Mr Crown at last was forc'd to have Recourse to the king himself, and to engage him to give his absolute Command to the Lord Chamberlain for the acting of it; which Command the King was Pleas'd to give in his own Person (I, 49-50). Morrice Entry Book, Vol.1 1682@3: Mr Crowne [was cudgled on Wednesday last in St Martin's Lane and] hee that beat him said hee did it at the suite of the Earle of Rochester some time since deceased who greatly abused in the play for his penetency &c. (p. 353. I owe this note to the courtesy of Professor David M. Vieth of the University of Kansas and Professor G. H. Jones of Kansas State University)

Performances

Mainpiece Title: The City Politiques

Event Comment: Benefit Martin and Cartwright; [in Daily Courant, 13 May, Cartwright is gallery doorkeeper]

Performances

Mainpiece Title: The Busie Body

Event Comment: Benefit Giles and Martin. At the Desire of several Ladies of Quality. Receipts: #69 6s

Performances

Mainpiece Title: The Recruiting Officer

Song: 'Tis Sultry Weather Pretty Maid-Cook, Mrs Thurmond

Dance: Entry-Thurmond Jr; French Peasant-Thurmond Jr, Mrs Cross; Miller's Dance-Spiller, Mrs Spiller, F. Leigh

Event Comment: Advertised in Daily Post, 2 Feb., but not later, as a benefit for Mrs Martin

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Humours of Harlequin

Performances

Mainpiece Title: The Provok'd Husband

Cast
Role: Mrs Motherly Actor: Mrs Martin

Afterpiece Title: A School for Women

Performance Comment: Parts by Hippisley, Mullart, Hale, Neale, Aston, James, Miss Norsa, Mrs Martin .

Dance: La Coquette Francoise by Lally, S. Lally, Mlle Salle. Scot's Dance, as17350315

Song: By Leveridge and Mrs Wright

Event Comment: Benefit Jonathan Martin. 6:30 P.M. 5s

Performances

Mainpiece Title: Concert

Event Comment: For the Relief of One, who had the Misfortune of losing his All, in the late Fire in Cecil-Court, St. Martin's Lane. 5s

Performances

Mainpiece Title: Concert

Event Comment: Benefit Martin. At the particular Desire of several Ladies of Quality

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Honest Yorkshireman

Song: II: Miss Jones

Dance: III: Clown-Vallois; V: Two Pierrots-Vallois, Delagarde

Event Comment: Benefit Boman, Hill, Martin. Mainpiece: Written by the late Mr Congreve

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The King and the Miller of Mansfield

Dance: I: A new dance-Miss Wright, Miss Morrison; II: Punch-Master Ferg; III: Drunken Peasant-Phillips; V: A new Sailor's Dance-Phillips

Event Comment: Benefit DeFesch. Compos'd by Mr DeFesch. With Additions and Alterations. 6 p.m. 5s. [Tickets at DeFesch's on Pav'd Stones in St. Martin's-Lane, next Door to the Golden Peruke.

Performances

Mainpiece Title: Judith

Event Comment: Benefit Dubuisson and Mlle Bonneval. Mainpiece: By command of their Royal Highnesses the Prince and Princess of Wales. Tickets of Dubuisson at his House in St. Martin's St., near Leicester Fields, and of Page at the stage door

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The School Boy

Dance: I: A New Peasant Dance-Picq, Mlle Auguste; III: A New Dance call'd the Quarrelling Lovers Reconciled-Dubuisson, Mlle Bonneval; IV: New Comic Dance, as17420419 V: A New Dance call'd Les Matelots-Dubuisson, Mlle Bonneval

Event Comment: A new English Pastoral Serenata. Set to Musick by William DeFesch. 6 p.m. 5s. At the particular Desire of several Ladies of Quality. Tickets at the Author's Lodgings, at Mrs Misaubain's, on the Pav'd Stones, in St. Martin's Lane

Performances

Mainpiece Title: Love And Friendship

Event Comment: Benefit Muilment. Tickets to be had at his lodgings, next door to Old Slaughter's Coffee House in St. Martin's Lane; and of Hobson at the Stage Door. Those Gentlemen and Ladies who intend to honour Mr Muilment with their company, are desired to send their commands to Mr Hobson as above; and to prevent Mistakes, are requested to take tickets for the places they order to be kept for 'em

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Lying Valet

Dance: I: Mrs Auguste; II: New Comic Dance-Muilment, Mrs Auguste; IV: New Serious Dance, as17440119 V: A New Comic Dance-Muilment, Mrs Auguste

Event Comment: [This Pastoral Serenata first appeared 21 March 1744 at the Crown and Anchor in the Strand, qv. At that time Beard, Savage, Mrs Clive and Miss Edwards sang in it.] By Subscription for three nights will be performed an English Pastoral Serenata, set to Music by Mr DeFesch. Pit and Boxes laid together at 5s. First Gallery 2s. 6d. Upper Gallery 1s. 6d. On the 20th of March and 3rd of April will be performed a New Oratorio call'd Joseph, also set to Music by Mr DeFesch. For the encouragement of such persons as shall please to favour Mr Defesch by subscribing one Guinea, they shall be entitled to six tickets, each of which will admit one into the boxes, or Two into the Gallery. Nobody to be admitted into the boxes without printed tickets, which will be deliver'd at the theatre. Subscriptions to be taken till the 5th of March, at Mr DeFesch's at the sign of the Angel and Trumpet, in St. Martin's Lane, at the Bedford Coffee House, Covent Garden; and at Mr Page's Stage Door-keeper. To begin at half an hour after six. This day is publish'd Papal Tyranny in the Reign of King John. [No price given, but the 1st edition lists it as 1s. 6d. Watts would have had to sell about two thousand copies to cover his investment in copyright and printing costs.

Performances

Mainpiece Title: Love And Friendship

Event Comment: Benefit Cashell. At the desire of several Persons of Quality. Ladies send their servants by four o'clock. Tickets of Cashell at Mr Elwood's, Staymaker, in Hunt's Court, St. Martin's Lane

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Mock Doctor

Dance: II: Comic Dance, as17450423 IV: Le Gondalier-Cooke

Song: Between Play and Farce: the celebrated song Ellen/a/Roon-Mrs Clive

Event Comment: A historical note about the patent for May Fair by Edward Shepherd. Daily Advertiser, 1 May: Whereas a Patent was granted by King Charles the First, and confirm'd by King James II, to the Proprietor of Great and Little Brookfield, then in the Parish of St. Martin in the Fields, now in the Parish of St. George, Hanover Square, to hold a Fair during the Space of fifteen Days, to begin the 1st Day of May next, and every May Day forever: the present Proprietor thinks it proper to apprize the Publick thereof, that it may not be thought that he attempts to do any thing but by Virtue of the said Patent, and no Ways to disturb the Publick Peace, or act in Contradiction to the Laws of the Realm. [Alluded to in 2 May news of the Daily Advertiser, as being proclaimed by Edward Shepherd.

Performances