SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Marquis Cattaneo"/1) | (@(roleclean,performerclean) "Marquis Cattaneo")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 184 matches on Performance Comments, 14 matches on Event Comments, 3 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Battle Of Hexham

Performance Comment: As17970630 but Corporal-Davenport; Gregory Gubbins-Wathen; Duke of Somerset-_; Prince of Wales-_; Drummer-_; Fifer-_; Marquis of Montague-_; Egbert-_; Villagers-_.

Afterpiece Title: The Honest Thieves

Dance: End: Hornpipe-Sga Bossi DelCaro

Music: After Dancing: a favourite concerto by Dussek upon the Grand Piano Forte-Miss Gaudry (1st appearance in public)

Song: End I afterpiece: a favourite song by Webbe-Master Sincock

Entertainment: In the course of the Evening: a Variety of Imitations-Caulfield

Performances

Mainpiece Title: The Child Of Nature

Performance Comment: Duke Murcia-King; Marquis Almanza-Wroughton; Count Valentia-Russell; Peasant-Aickin; Marchioness Merida (1st time)-Miss Biggs; Amanthis-Mrs Jordan.
Cast
Role: Marquis Almanza Actor: Wroughton

Afterpiece Title: The Critic

Afterpiece Title: The Shipwreck

Song: End II 1st piece: I never lov'd any dear Mary but you-Dignum (composed by Hook); End 1st piece: The Fight off Camperdown-Dignum; End I 2nd piece: The Town and Country-Dignum (composed [i.e. words] by Capt. Morris); End 2nd piece: an Answer to the above, Country and Town-Dignum

Performances

Mainpiece Title: The Farmer

Afterpiece Title: The Child of Nature

Performance Comment: Alberto (by permission of the Drury Lane Proprietors)-Aickin; Marquis Almanza-Wilkinson (1st appearance on this stage); Count Valentia-Clarke; Seville-Hull; Granada-Evans; Peasant-Thompson; Servant-Abbot; Duke Murcia-Meredith (1st appearance on this stage); Amanthis-Mrs Jordan (of Drury Lane, who has liberally consented to come forward in behalf of the Charity; by the kind Permission of the Proprietor of that Theatre); Marchioness Merida-Mrs Litchfield.
Cast
Role: Marquis Almanza Actor: Wilkinson

Dance: End 1st piece: Peggy's Love- in which, by permission of the Proprietor of the Opera House, who has generously allowed Principal Dancers and Whole Corps de Ballet to appear, the following Ladies and Gentlemen will exert their well known Abilities:Laborie, Didelot, Mme Laborie, Mme Hilligsberg; End 2nd piece: La Vengeance d'Amour, in which the Pas de Quatre de Panurge-Laborie, Didelot, Mme Laborie, Mme Hilligsberg

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: The Battle of Hexham; or, Days of Old

Performance Comment: Gondibert-Barrymore; Barton-Aickin; La Varenne-C. Kemble; Marquis of Montague-Caulfield; Egbert-Palmer Jun.; Duke of Somerset-Lyons; Prince of Wales-Master Chatterley; Fool-R. Palmer; Corporal-Davenport; Drummer-Trueman; Fifer-Waldron Jun.; Robbers-Bannister, Davies, Abbot, Ledger; Gregory Gubbins-Fawcett; Adeline-Mrs Harlowe; Villagers-Mrs Bland, Mrs Edward, Miss Menage; Queen Margaret-Miss DeCamp.

Afterpiece Title: Blue Devils

Performances

Mainpiece Title: The Child Of Nature

Performance Comment: Duke Murcia-Suett; Marquis Almanza-Powell (1st appearance in that character); Count Valentia-Russell; Peasant-Aickin; Marchioness Merida-Miss Biggs; Amanthis-Mrs Jordan.
Cast
Role: Marquis Almanza Actor: Powell

Afterpiece Title: The Wedding Day

Afterpiece Title: Feudal Times

Performances

Mainpiece Title: The Castle Of Montval

Performance Comment: Characters by Kemble, Aickin, Holland, C. Kemble, Barrymore, Packer, Fisher, Mrs Siddons, Mrs Powell, Miss Heard. [Cast from text (R. Phillips, 1799), and European Magazine, May 1799, p. 328: Old Count-Kemble; Count of Colmar-Aickin; Count of Montval-Holland; Marquis of Vaublane-C. Kemble; Lapont-Barrymore; Blaise-Packer; Ambrose-Fisher; Countess of Montval-Mrs Siddons; Matilda-Mrs Powell; Teresa-Miss Heard; Prologue-Powell; Epilogue-Mrs Powell. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Blue-Beard

Performances

Mainpiece Title: The Lie Of The Day; Or, A Party At Hampton Court

Afterpiece Title: Lock and Key

Afterpiece Title: The Midnight Hour

Performance Comment: General-Munden; Nicholas-Fawcett; Sebastian-Farley; Matthias-Emery; Ambrose-Thompson; Marquis-Betterton; Flora-Mrs Mattocks; Cecily-Mrs Davenport; Julia-Miss Chapman.
Cast
Role: Marquis Actor: Betterton

Song: End II: The Death of Admiral Benbow-Incledon; End: a song-Townsend; End I 2nd piece: The Snug Little Island-Townsend; End 2nd piece: Old Towler-Incledon

Entertainment: Monologue Alexander's Feast-Mrs Litchfield

Performances

Mainpiece Title: The Battle Of Hexham; Or, Days Of Old

Performance Comment: Gondibert-Barrymore; Barton-Aickin; La Varenne-Clarke; Marquis of Montague-Caulfield; Egbert-Abbot; Duke of Somerset-Lyons; Prince of Wales-Master Chatterley; Fool-Palmer; Corporal-Wathen; Drummer-Trueman; Fifer-Chippendale; Robbers-Bannister, Davies, Abbot, Ledger; Gregory Gubbins-Fawcett; Adeline-Mrs Harlowe; Villagers-Mrs Bland, Mrs Edward, Miss Menage; Queen Margaret-Miss Chapman (1st apperance in that character).

Afterpiece Title: The Castle of Sorrento

Performances

Mainpiece Title: The Child Of Nature

Performance Comment: Alberto-Murray; Count Valentia-Betterton; Marquis Almanza-Whitfield; Duke Mercia-Davenport; Seville-Whitmore; Granada-Atkins; Marchioness Merida-Mrs Maddocks; Amanthis-Miss Murray.
Cast
Role: Marquis Almanza Actor: Whitfield

Afterpiece Title: The Dramatist

Afterpiece Title: The Mouth of the Nile

Dance: In 1st piece: Hornpipe-Cuerton; End 2nd piece: The Minuet de la Cour, a Favorite Scotch Pas Deux-Klanert, Mrs Watts

Performances

Mainpiece Title: The Child Of Nature

Performance Comment: Duke Murcia-King; Marquis Almanza-Powell; Count Valentia-Palmer; Granada-Fisher; Seville-Evans; Peasant-Archer; Marchioness Merida (1st time)-Miss Campbell; Amanthis-Mrs Jordan.
Cast
Role: Marquis Almanza Actor: Powell

Afterpiece Title: High Life below Stairs

Afterpiece Title: Rosina

Ballet: In 2nd piece: The Scotch Ghost. As17991202, but Glaude-Fisher

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 215. See also Nicoll, Restoration Drama, p. 345. Marquis of Worcester to the Marchioness, 8 June 1675: I sate up last night at the play in Court--which was to entertaine the Prince of Newbough--till one of the clock in the morning (HMC, 12th Report, Appendix, Beaufort MSS., IX, 65)

Performances

Mainpiece Title: The Island Princess

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359: The Rivall Queene. See also Nicoll, Restoration Drama, p. 346. That this is the premiere is indicated by a letter from the Marquis of Worcester to the Marchioness, 17 March 1676@7: Sir Charles Sedley's Cleopatra has been acted often, and to-day a new play of the death of Alexander, but I have not been to see either, living a mighty drudging life (HMC, 12th Report, Appendix, Beaufort MSS., IX, 66). Downes (Roscius Anglicanus, p. 11), has a cast which agrees (except for omissions) with that in the edition of 1677. Downes adds (p. 16): [Hart in] Alexander, towards the latter End of his Acting; if he Acted in any one of these but once in a Fortnight, the House was fill'd as at a New Play, especially Alexander, he Acting that with such Grandeur and Agreeable Majesty, That one of the Court was pleas'd to Honour him with this Commendation; That Hart might Teach any King on Earth how to Comport himself

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Event Comment: The Marquis of Worcester to the Marchioness, 12 Nov. 1681: the King went to a play in the afternoon, a thing he does very seldom, and I not much oftener (HMC, 12th Report, Appendix, Beaufort MSS., IX, 87)

Performances

Event Comment: On this date, L. C. 5@16, p. 101 (Nicoll, Restoration Drama, p. 10n) Nathaniel Lee's The Duke of Guise was banned. John Drummond to Marquis and Duke of Queensberry, 16 July 1682: Ther is a play hear to be acted that maks a great business, for the Duke of Munmuth has complained of it, and they say that notwithstanding it is to be acted sometime nixt weik. They call it the Duke of Guise, but in the play the true story is cheinged to the plott time hear (HMC, Buccleuch-Queensberry MSS., 1903, II 108). Newsletter, 29 July 1682: A play by Mr Dryden, termed the Duke of Guise, wherein the Duke of Monmouth was vilified and great interest being make for the acting thereof, but coming to His Majesty's knowledge is forbid, for though His Majesty be displeased with the Duke yet he will not suffer others to abuse him (HMC, 15th Report, Part VII, 1898, p. 108). Newdigate newsletters, 29 July 1682: A play having been made [by] Mr Dryden termed ye Duke of Guise supposed to Levell att the villifying the Duke of Monmouth & many other protestants & great Interest made for the Acting thereof but bringing to the knowledge of his Matie the same was forbidd for though his Maties pleasure is to be dissatisfyed and angry with the Duke of Monmouth, yet hee is not willing that others should abuse him out of a naturall affection for him (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81)

Performances

Event Comment: On this date the Czar of Muscovy attended an opera, but the title is not given. Lady Newton, Lyme Letter, 1660-1760, p. 209: On Saturday last the Czar of Muscovy, attended by the Marquis of Carmarthen, and some of his Bayers, was at the King's Playhouse in Drury Lane, and saw 3 acts of the Opera. Luttrell, A Brief Relation, IV, 343, 12 Feb. 1697@8: This evening the czar was at the playhouse in Drury Lane to see an opera

Performances

Performances

Mainpiece Title: The Campaigners; Or, The Pleasant Adventures At Brussels

Performance Comment: Edition of 1698: Prince Landevile-Evans; Don Leon-Sympson; The Sieur Bondevelt-Johnson; Col. Darange-Mills; Kinglove-Thomas; Min Heer Tomas-Penkethman; Marqui Bertran-Cibber; Van Scopen-Fairbank; Mascarillo-Bullock; Angellica-Mrs Knight; Madam la Marquise-Mrs Verbruggen; Anniky-Mrs Powel; Gusset-Mrs Kent; Fardell-Mrs Lynsey; Prologue-Mr Pinkethman in a Cloak, with a Poetical Wreath on; Epilogue-Mr Cibber (Acting the Fr. Marquis).
Event Comment: By Command of His Royal Highness. [Prince of Wales, Lord Malpas, Marquis of Caernarvan present.

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Devil to Pay

Dance:

Event Comment: Afterpiece: By Desire. There is a new passage from the Marquis Buildings, Russel Court, to the Pit. Proper care is taken to keep the House Cool. Paid Supernumaries 13s. 6d.; Drum 5s.; a Lampmen #1 5s.; Carpenter's Bill #5 19s. 2d.; Taylor's Bill #3 1d. (Drury Lane Treasurer's Book). [These were constant weekly bills throughout the season amounting to total sums as follows, and will not hereafter be itemized further]: @Item Nightly or Weekly Average Season Total@Supers and Drum #2 5s. Nightly Supers #382; Drum #47 10s.@Lampmen #2 6s. Weekly #84 2s.@Carpenters #2 Weekly #74@Taylors #7 Weekly #259@ Receipts. #195 6s

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Daphne and Amintor

Event Comment: Paid half year's rent to the Marquis of Tavistock, due Michelmas last #150 4s. 7d.; Paid George Garrick for use of the managers #21; Paid Mr Barry on his note #30 Mr (Fauxhall acct) #1 1s. Rec'd stopages #3 7s. (Treasurer's Book). Receipts: #259 13s. (Treasurer's Book)

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: A Fairy Tale

Performances

Mainpiece Title: The Spendthrift; Or, The Female Conspiracy

Performance Comment: Principal Characters by Reilly, Dutton, Moss, Horwell, Lloyd, Mendez, Swords; Miss Villiers, Miss Blaney, Miss Wood, Miss Carne, Mrs Read, Mrs Hyam. [Text, in The Comic Theatre, Vol. I (Dryden Leach, 1762), lists the parts: Cleon, Moneylove, The Baron, Count Raveline, The Marquis, Justice Florid, Picquet, Pasquin; Julia, Belinda, Arsinoe, Araminta, Belisa, Finesse.] Occasional Prologue spoken by Davis and a Lady in the character of Taste. New Epilogue .

Afterpiece Title: The Romp

Song: End of Acts II and in of mainpiece two favourite airs by Mrs Cox (1st appearance.)

Monologue: 1781 11 12 End of Act IV of mainpiece Shuter's Post Haste Observations on his Journey to Paris by Dutton

Event Comment: [Extra night] By Authority of the Most Noble for Marquis of Salisbury, Lord Chamberlain of his Majesty's Household. Benefit for Waldron, prompter. Tickets to be had of Waldron, No. 4, Cross-court, Bow-street, Covent Garden

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Mock Doctor

Dance: End 2nd piece: Pas Russe, as17960907

Entertainment: MonologueEnd: Collins's Ode on the Passions-Palmer

Event Comment: [Extra night] By Authority of the Most Noble the Marquis of Salisbury, Lord Chamberlain of his Majesty's Household. Benefit for R. Palmer. 1st piece: Not acted these 2 years [not acted since 16 Sept. 1791]. Tickets to be had of R. Palmer, No. 28, Eaton-street, Pimlico

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Jew

Afterpiece Title: The Follies of a Day

Performances

Mainpiece Title: The Force Of Ridicule

Performance Comment: Characters-Palmer, Barrymore, Suett, R. Palmer, C. Kemble; Bannister Jun., Evans, Miss Farren, Miss DeCamp, Miss Mellon; [Larpent MS lists the parts: Lord Dorville, Lord Melford, Lord Annandale, Marquis, Sir Frederick, Humphrey, Lady Dorville, Lady Annhe, Tiffany.] Prologue-Palmer; Epilogue-Miss Farren.

Afterpiece Title: Richard Coeur de Lion

Dance: As17961019

Event Comment: By Permission of the Most Noble the Marquis of Salisbury [the Lord Chamberlain]. Benefit for Wilkinson. 1st piece: Compress'd into 4 acts. The Doors to be opened at 5:30. To begin at 6:30 precisely. Tickets to be had of Wilkinson, No. 16, Lisle Street, Leicester Square

Performances

Mainpiece Title: The Jew

Afterpiece Title: A Naval Interlude

Afterpiece Title: The Mayor of Garratt

Afterpiece Title: The Ghost

Song: 2nd piece: With Songs-

Event Comment: [Extra night] By Authority of the Most Noble the Marquis of Salisbury, Lord Chamberlain of his Majesty's Household. Benefit for Waldron, prompter. [Amarath the Fourth was "A musical tale," 1st acted at the Royalty, 27 Nov. 1797.] 3rd piece [1st time; P 1, author unknown]: Got up under the direction of Delpini. Tickets to be had of Waldron, No. 4, Cross-court, Bow-street, Covent-garden.

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Sultan; or, A Peep into the Seraglio

Afterpiece Title: The Giant and Dwarf; or, Columbine Captive

Entertainment: Vaudeville. A Pasticcio, consisting of: From Shades of Night[, composed by Storace for Mahmoud,-D'Arcy; [The first Strophe, Epode, and Antistrophe of Gray's Bard-a Young Gentleman [, aged 10 years [unidentified]; Cheap Experience [; or, Cheats of London, composed by Dibdin,-Waldron Jun