SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Major Spinnage"/1) | (@(roleclean,performerclean) "Major Spinnage")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 365 matches on Performance Comments, 22 matches on Event Comments, 8 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The King's Company. The date of the premiere is not known, but a licensing date of 28 March 1678 suggests a first performance not later than February 1678. One song, One night while all the village slept, with music by Louis Grabu and words by Sir Car Scroop, is in Choice Ayres and Songs, The Third Book, 1681. Downes (Roscius Anglicanus, p. 17): Major Mohun...[in] Mithridates, &c. An Eminent Poet seeing him Act this last, vented suddenly this Saying: Oh Mohun, Mohun! Thou little Man of Mettle, if I should write a 100 Plays, I'd Write a Part for thy Mouth; in short, in all his Parts, he was most Accurate and Correct. [Downes, p. 12, gives an identical cast except for omissions.] Princess Anne apparently played Ziphares and Frances Apsley played Semandra in a production of this drama, probably at St James's Palace or at Sir Allen Apsley's house in St James's Square, between January 1677@8 and August 1679. See Benjamin Bathurst, Letters of Two Queens (London, 1924), p. 61

Performances

Mainpiece Title: Mithridates, King Of Pontus

Event Comment: Evelyn, Diary: I carried my Lord Clarendon through the Citty amidst all the Squibbs & barbarous bacchanalia of the Lord-Majors shew

Performances

Mainpiece Title: London's Royal Triumph For The City's Loyal Magistrate In An Exact Description Of Several Scenes And Pageants, Adorned With Many Magnificent Representations

Event Comment: Evelyn, Diary: was a Triumphant shew of the Lord Major, both by land & water with much solemnity, when yet his power was so deminish'd, by the losse of their former charter

Performances

Mainpiece Title: London's Yearly Jubilee : Performed On Friday October Xxix

Event Comment: The United Company. The date of the premiere is not known, but the Gentleman's Journal, January 1691@2, suggests that it was first given in December 1691, although the tendency of this journal to be dated one month and appear in the next month makes the interpretation of its information difficult: We have had a new Comedy this last Month, call'd The Wives Execuse; or Cuckolds make themselves: It was written by Mr Southern, who made that call'd Sir Anthony Love, which you and all the Town lik'd so well. I will send you The Wives Excuse, as soon as it comes out in Print, which will be very speedily: And tho' the Town hath not been so kind to this last, as to the former, I do not doubt but you will own that it will bear a Reading; which some that meet with a better Fate too often do not; some that must be granted to be good Judges commend the Purity of its Language (pp. 51-52). Henry Purcell composed the music for this work. One song, Corinna I excuse thy face, the words (according to the Edition of 1692) by Tho. Cheek, the music by Henry Purcell, but without the singer's name, is in The Banquet of Musick, The Sixth and Last Book, 1692 (licensed 17 Feb. 1691@2). Say, cruel Amoret, sung by Mountfort; Hang this whining way, sung by Mrs Butler; and Ingrateful lover, the words by Major General Sackville, are in Joyful Cuckoldom, ca. 1695. See also Purcell, Works, Purcell Society, XXI (1917), xxvi-xxix

Performances

Mainpiece Title: The Wives' Excuse; Or, Cuckolds Make Themselves

Event Comment: For the Entertainment of Don Bartolome Bernalte Maruso, Major and Alcalde of Rota, and his Nephew Don Juan Bernalte de los Cavellos, who come to England in the Fleet from Vigo

Performances

Mainpiece Title: The Indian Emperor; Or, The Conquest Of Mexico By The Spaniards

Afterpiece Title: Acis and Galatea

Dance: L'Abbe, Mrs Elford

Event Comment: [Written by Shakespear. With new Scenes and Cloaths. At the Desire of several Persons of Distinction the Pit and Boxes will be put together at 3s. Boxes on the Stage 4s. Gallery 1s. [The Prologue is in The Comedian, No. VII, October 1732, with a long essay on the major theatres of the present season.] Daily Advertiser, 4 Oct.: A very splendid and crowded Audience...testify'd their Approbation both of the Decorations and Performance. The principal Embellishments are as follows: On a large Oval over the Pit is represented the Figure of His Majesty, attended by Peace, Liberty, and Justice, trampling Tyranny and Oppression under his Feet; round it are the Heads of Shakespear, Dryden, Congreve, and Betterton. On the Coving on the Left Hand is painted the Scene of Cato pointing at the dead Body of his Son Marcus; in the Middle, that of Julius Caesar stabb'd in the Senate-House; and on the Right, that of Marc Anthony and Octavia, where the Children are introduc'd in All for Love. On the Sounding-Board over the Stage is an handsome Piece of Painting of Apollo and the Nine Muses. [See also Daily Post, 4 Oct. and Gentleman's Magazine, II (October 1732), 1028.

Performances

Mainpiece Title: King Henry Iv; With The Humours Of Sir John Falstaff

Event Comment: Benefit Major John Triquet (late of Spittal-Fields) under Misfortune

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Virgin Unmask'd

Performances

Mainpiece Title: Othello

Afterpiece Title: The Lying Valet

Performance Comment: As17470210; but Kitty-Miss Moreau (General Advertiser), Miss Major (Daily Advertiser).

Song: Brett, Mr Hallam, Mrs Hallam

Dance: Master Morgan, Miss Baker

Event Comment: This night the Riot was very Great, the Gentlemen came with Sticks, & tho' the play went on quiet 'till the last Act, we had there a great Stop, notwithstanding we ended it, & then the rout went on, ye Boxes drove many out of the Pit, & broken heads were plenty on both Sides; the dance began,--was Stop'd--& so again & again--while this was doing numbers were assembl'd in the Passages of the pit, broke down & were getting into the Cellar, but were repuls'd by our Scene men &c.--heavy blows on both sides--Justice Fielding--& Welch came with Constables & a Guard; but without effect, tho' the Justices stood upon ye Stage--I thought ye proclamation must have been read--after ye battle in the Passages numbers went & broke Garrick's Windows in Southhampton Street, --part of ye Guard went to protect it-Garrick was oblig'd to give up the Dancers-& ye Audience disperc'd (Cross). This day publish'd at 1s. The Country Coquet; or, Miss in her Breeches, a Ballad Opera, as it may be acted at Drury Lane. @Men, some to business, some to pleasure take@But every woman is at heart a Rake.@ Pope By a Young Lady. Printed for and sold for J. Major, in Three-Tun Court, leading from the Ship in Ivy Lane into Newgate Market. Receipts: #200 (Cross)

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Chinese Festival

Event Comment: Afterpiece: With Alterations, not performed for 2 years [see 25 Nov. 1756]. Antony and Cleopatra deferred till Tuesday to give major performers a necessary respite (Winston MS 8). Receipts: #150 (Cross); #145 0s. 6d. (Winston MS 8)

Performances

Mainpiece Title: Aesop

Afterpiece Title: Fortunatus

Performances

Mainpiece Title: He Whimsical Battle Of The Greybeards; Or, The Humourous History Of A Covent Garden Adventure; Containing The Ridiculous Behaviour Of shela O'flannegan The First Irish Woman Introduced At Any Fair, The Odd Resentment Of col

Performance Comment: Crackcrown and his whimsical Duel with the purblind Major Blinko, the Marriage of Sawney MacGregor, a Scotch Footman, and Shela O'Flannegan; with the fortunate conclusion by a Methodist Cobbler; The whole to conclude with a congratulatory poem; by way of Epithalamium, on the auspicious nuptials of our Illustrious Patriot King, and the Illustrious Princess Charlotte of Mecklenberg-Strelitz-.

Dance: CComic Dance-Signora Florentina, a capital performer from the Opera House at Turin

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Mayor of Garratt

Performance Comment: Principal parts-Wilkinson, Kennedy, Johnson, Weston, Hayes, Davis, Castle, Jackson, Murden, Quin, Death, Mrs Daily, Mrs Osborne, Foote; Major Sturgeon, Matthew Mug-Foote; Jerry Sneak-Weston; Sir Jacob Jollop-Hayes; Primer-Wilkinson; Heeltap-Johnson; Bruin-Davis; Mrs Sneak-Mrs Daily; Mrs Bruin-Mrs Osborne (Genest, V, 34).

Dance: II: Rogier, Miss Capitani; III: Double Hornpipe-Rogier, Miss Capitani

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakly-Reddish; Charles-Cautherly; Lord Trinket-Dodd; Sir Harry Beagle-Palmer; Williams-Wrighten; Russett-Bransby; Major Oakly, first time-Hurst; O'Cutter-Moody; Tom-Ackman; Paris-Baddeley; Lady Freelove-Mrs Hopkins; Harriet, first time-Miss Jarratt; Toilet-Mrs Millidge; Mrs Oakly-Miss Pope; With a New Occasional Epilogue-Miss Pope.

Afterpiece Title: Like Master Like Man

Dance: End: New Dance, as17730327 Quadrille, as17730327

Event Comment: Mainpiece [1st time; C 5, by Miles Peter Andrews and Frederick Reynolds; based on Le Dissipateur; ou, L'Honnete Friponne, by Philippe Nericault, dit Destouches. Prologue by the Duke of Leeds; Epilogue by Miles Peter Andrews (see text)]: With new Scenes, Dresses and Decorations. The Scenery designed and executed by Greenwood. Gazetteer, 18 Nov.: At the rehearsal of the new comedy on Tuesday the Duke of Leeds, Major Scott, Mr Angerstein [the banker] and Mr Boswell were in the boxes. Mr Boswell said an epigrammatic thought had struck him...and he brought the following Impromptu into life: Andrews, your play is safe enough; For noble Leeds endures it; Boswell and Scott are pledged to puff, And Angerstein ensures it. World, 13 Dec. 1790: To-morrow will be published Better Late than Never (1s. 6d.). Receipts: #240 14s. (206.7; 32.6; 2.1)

Performances

Mainpiece Title: Better Late Than Never

Afterpiece Title: Don Juan

Dance: As17901026