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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Madam Bracegirdle"/1) | (@(roleclean,performerclean) "Madam Bracegirdle")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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216 results for: Keyword - Madam Bracegirdle
We found 168 matches on Performance Comments, 41 matches on Event Comments, 25 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

176
05 December 1706 @ Queen's Theatre

Performances

Mainpiece Title: She Wou'd If She Cou'd

Performance Comment: Sir Oliver-Norris; Sir Joslin-Underhill; Courtal-Wilks; Freeman-Mills; Lady Cockwood-Mrs Barry; Gatty-Mrs Bracegirdle; Mrs Sentry-Mrs Lee.
Cast
Role: Gatty Actor: Mrs Bracegirdle

177
06 December 1706 @ Queen's Theatre

Performances

Mainpiece Title: The Ambitious Stepmother

Performance Comment: Artaxerxes-Verbruggen; Artaban-Booth; Memnon-Betterton; Artemisa-Mrs Barry; Armestris-Mrs Bracegirdle.
Cast
Role: Armestris Actor: Mrs Bracegirdle.

178
10 December 1706 @ Queen's Theatre

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Performance Comment: King-Keen; Hamlet-Betterton; Horatio-Verbruggen; Laertes-Booth; Ophelia-Mrs Bracegirdle.
Cast
Role: Ophelia Actor: Mrs Bracegirdle.

179
11 December 1706 @ Queen's Theatre

Performances

Mainpiece Title: The Confederacy

Performance Comment: Gripe-Bowen; Trap-Norris; Dick-Booth; Brass-Pack; Clarissa-Mrs Barry; Araminta-Mrs Porter; Corinna-Mrs Bradshaw; Flippanta-Mrs Bracegirdle; Mrs Amlet-Mrs Willis.
Cast
Role: Flippanta Actor: Mrs Bracegirdle

180
16 December 1706 @ Queen's Theatre

Performances

Mainpiece Title: Almyna; Or, The Arabian Vow

Performance Comment: Actors' names only listed, but edition of 1707 lists: Caliph Almanzor-Betterton; Abdalla-Wilks; Grand Vizier-Keen; Alhador-Bowman; Morat-Corey; Almyna-Mrs Barry; Zoradia-Mrs Bracegirdle; Prologue-Cibber; Epilogue-Betterton.
Cast
Role: Zoradia Actor: Mrs Bracegirdle

181
30 December 1706 @ Queen's Theatre

Performances

Mainpiece Title: The Rival Queens

Performance Comment: Alexander-Verbruggen; Clytus-Booth; Hephestion-Bowman; Cassander-Husband; Statira-Mrs Bracegirdle; Roxana-Mrs Barry; Parisatis-Mrs Porter.
Cast
Role: Statira Actor: Mrs Bracegirdle

182
14 January 1707 @ Queen's Theatre

Performances

Mainpiece Title: Julius Caesar

Performance Comment: Julius Caesar-Booth; Octavius Caesar-Mills; Antony-Wilks; Brutus-Betterton; Cassius-Verbruggen; Caska-Keen; Ligarius-Boman; Decius Brutus-Husband; Cinna-Bowen; Plebeians-Johnson, Bullock, Norris, Cross; Calphurnia-Mrs Barry; Portia-Mrs Bracegirdle; With a new Prologue-.
Cast
Role: Portia Actor: Mrs Bracegirdle

183
20 January 1707 @ Queen's Theatre

Performances

Mainpiece Title: The Rover

Performance Comment: Rover-Verbruggen; Belvile-Husband; Frederick-Bowman; Blunt-Underhill; Angleica-Mrs Barry; Helena-Mrs Bracegirdle; Florinda-Mrs Bowman; Moretta-Mrs Lee.
Cast
Role: Helena Actor: Mrs Bracegirdle

184
28 January 1707 @ Queen's Theatre

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello-Betterton; Iago-Verbruggen; Cassio-Booth; Desdemona-Mrs Bracegirdle.
Cast
Role: Desdemona Actor: Mrs Bracegirdle.

185
04 February 1707 @ Queen's Theatre

Performances

Mainpiece Title: Marriage A La Mode; Or, The Comical Lovers

Performance Comment: Palamede-Wilks; Celadon-Cibber; Rhodophil-Booth; Melantha-Mrs Bracegirdle; Florimel-Mrs Oldfield; Doralice-Mrs Porter; With a new Prologue-.
Cast
Role: Melantha Actor: Mrs Bracegirdle

186
18 February 1707 @ Queen's Theatre

Performances

Mainpiece Title: The History And Fall Of Caius Marius

Performance Comment: Marius Sr-Betterton; Marius Jr-Wilks; Granius-Booth; Metellus-Boman; Cinna-Keen; Sylla-Husband; Sulpitius-Johnson; Lavinia-Mrs Bracegirdle; Nurse-Bullock; Citizens-Cibber, Norris, Cross, Trout.
Cast
Role: Lavinia Actor: Mrs Bracegirdle

187
02 February 1663 @ Middle Temple

Event Comment: The Duke's Company, the receipts for #20 being signed by Richard Baddeley (A Calendar of the Middle Temple Records, ed. Hopwood, p. 170). W. J. Lawrence (Review of English Studies, IX (1933), 221) suggests The Adventures of Five Hours as a possibility. Pepys, Diary: I met Madam Turner...she and her daughter having been at the play to-day at the Temple, it being a revelling time with them

Performances

Mainpiece Title: An Unidentified Play

188
15 August 1667 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. It is not certain this is the first performance, but it may well have been. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. Pepys, Diary: Sir W. Pen and I to the Duke's house, where a new play. The King and Court there: the house full, and an act begun. And so went to the King's. Downes (p. 28): Sir Martin Marral, The Duke of New-Castle, giving Mr Dryden a bare translation of it, out of a Comedy of the Famous French Poet Monseur Moleire: He adapted the Part purposely for the Mouth of Mr Nokes, and curiously Polishing the whole....All the Parts being very Just and Exactly perform'd, specially Sir Martin and his Man, Mr Smith, and several others since have come very near him, but none Equall'd, nor yet Mr Nokes in Sir Martin: This Comedy was Crown'd with an Excellent Entry. In the Last Act at the Mask, by Mr Priest and Madam Davies; This, and Love in a Tub, got the Company more Money than any preceding Comedy

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

189
16 September 1667 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary: [After stopping at Bridges Street] against our wills, went all to see Tu Quoque again, where there is pretty store of company, and going with a prejudice the play appeared better to us. Here we saw Madam Morland, who is grown mighty fat, but is very comely. But one of the best parts of our sport was a mighty Pretty lady that sat behind us, that did laugh so heartily and constantly, that it did me good to hear her

Performances

Mainpiece Title: Tu Quoque

190
04 February 1668 @ Whitehall or St. James's

Event Comment: This performance was recorded by Count Dona of Sweden (Seaton, Literary Relationships, pp. 337-38). Evelyn, Diary: This Evening I saw the Trajedie of Horace (written by the virtuous Mrs Philips) acted before their Majesties: 'twixt each act a Masque & Antique: daunced: The excessive galantry of the Ladies was infinite, Those especially on that...Castlemaine esteemed at 40,000 pounds & more: & far out shining the Queene &c. BM Add. Mss. 36916, folio 62: This night there is a play Acted at court by the Dutchess of Monmouth Countess of Castlemain and others. The Countess is adorned with Jewells to the Value of #200,000 the Crowne Jewells being taken from the Tower for her. There are none but the Nobility admitted to see it. The play is Madam Phillips translation of Corneiles Horace, finished by Sr John Denham

Performances

Mainpiece Title: Horace

191
22 May 1677 @ Whitehall or St. James's

Event Comment: L. C. 5@142, p. 38 (see also Nicoll, Restoration Drama, p. 355): Order to Mr Staggins, Master of his Majesty's Musick, and in his absence to Mr Lock, who officiates for him:--That all His Majesty's musitians doe attend to practise in the theatre at Whitehall at such tymes as Madam Le Roch and Mr Paisible shall appoint for ye practiceing of such musick as is to be in ye French comedy to be acted before His Matie [the 29 May]

Performances

192
05 August 1710 @ Greenwich

Event Comment: Benefit Penkethman, Note, The Subscribers are desir'd not to bring their Tickets this Day, his Friends having promis'd to make this a Jubilee Day to him, and fill the House at the full Price, Mr Penkethman being at a greater Charge than ordinary. For the Entertainment of Madam la Signiora Fount, Signiora, Espagnola, Native d'Barcellone di cale Quallificatta, who will, in a particular Manner, hounour Mr Penkethman...by appearing in her own Country Habit. The Boxes opened to the Pit at 2s. 6d. At five o'clock, by reason of thelength of the Entertainments, and that the Gentry may return to London before 'tis Dark

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Dance: Whimsical Dance between a Miller, his Wife, and a Town Miss-; Chest Dance, after the Italian Manner, between Scaramouch, Punchanello, Coachman, and Cookmaid-; French Peasant and his Wife-; Ladder Dance-a famous Master; Scaramouch-LeSac; Dance by a Flemming in Wooden Shoes-; Dance by a Switzer-; Night Scene of Scaramouch, Harlequin, Cooper, Wife, and others-

193
15 January 1723 @ King's Theatre

Event Comment: Admission as 7 Nov. M De Fabrice to Count Flemming, 15 Jan. (in Deutsch, Handel, p. 147): Today is the second performance and there is such a run on it that tickets are already being sold at 2 and 3 guineas which are ordinarily half a guinea. London Journal, 19 Jan.: Last Tuesday being the second Time of Madam Cotzoni's Performance, we hear that Opera Tickets sold that Day and the preceding, at 4 Guineas each

Performances

Mainpiece Title: Otho

194
07 December 1726 @ King's Theatre

Performances

Mainpiece Title: Le Furbarie Per Vendetta; Or, Bridghella's Revenge Contrariated By Argentina: With Harlequin's Transformation, Viz

Performance Comment: a Physician, Master of Musick, Madam Patasia, or Lady Pancake, Swaggerer, Giant, and Grand Bashaw; Together with his Comical Egress and Regress to and from the Tower.

195
24 April 1735 @ Covent Garden

Event Comment: Benefit Mlle Salle. By Command of His Royal Highness the Prince of Wales. Tickets to be had at Madam Salle's Lodgings at Mr Belleur, Jeweller, opposite the Red-Lion, Brownlow-street, DL

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Dance: I: Pigmalion by Lally, Mlle Salle &c. II: Fawns by Lally, Mlle Grognet, Miss Rogers, Mrs De l'Orme. III: By Denoyer and Mlle Salle. IV: By Mlle Grognet, Miss Rogers, Mrs De l'Orme. V: Minuet by Denoyer and Mlle Salle

196
28 October 1751 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Merlin's Cave; or, Harlequin Skeleton

Performance Comment: Chasseur Royal-Lowe; Merlin-Howard; Diana-Miss Davis; Aerial Spirits-Cooke, Villeneuve, Desse, Christian, Gardner; Madam Cointrie, Mrs Villeneuve, Mrs Gondou, Miss Batchelor; Jupiter in the character of Harlequin-Miles; Mercury-Vincent; Doctor-Bencraft; Colombine-Miss Haughton; Pierrot-Lalauze.

197
25 April 1752 @ Covent Garden

Event Comment: Benefit for Legge, Desse and Mrs Chambers. Tickets deliver'd out by Madam Petite will be taken

Performances

Mainpiece Title: The Refusal

Afterpiece Title: The Contrivances

Dance: GGrand Comic Ballet, as17511216

Song: II: Old Chiron-Lowe, Legge; III: Honour and Arms-Legge; IV: If Love's a Sweet Passion-Mrs Chambers

198
01 May 1753 @ Covent Garden

Event Comment: Benefit for Grandchamps, Stoppelaer, Madam Camargo. Tickets deliver'd out by Paddick, Holtom, Gardiner, and Miss Morrison will be taken

Performances

Mainpiece Title: The Refusal

Afterpiece Title: The Lover His Own Rival

Dance: I: (By Desire) Two Pierrots-Settree, Gardner; II: A Peasant-Gardner; III: A New Dance-Mad Camargo; V: Minuet, Louvre-Grandchamps, Mad Camargo

199
04 May 1754 @ Covent Garden

Event Comment: Benefit for Holtom, Miss Cockayne, Crudge (Housekeeper), Miss Young, and others. Tickets deliver'd for Jervais, Mrs Gwinn, and Madam Huette will be taken

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Double Disappointment

Dance: MMinuet, Louvre-Settree, Mlle Huette; Italian Peasants-Granier, Mlle Camargo

200
08 May 1760 @ Covent Garden

Event Comment: Benefit for Cresswick, Desse, Miss Sledge, and Madam Jansolin. Receipts: #32 2s. in cash. Charges #64 5s. Deficit to each #7 14s. 6d., covered by income from tickets: @Tickets Cresswick Box 45@Pit 89@Gallery 31@Value #27 14s.@Tickets Desse Box 157@Pit 54@Gallery 70@Value #19 12s.@Tickets Jansoleene Box 58@Pit 179@Gallery 125@Value #53 17s.@Total Box 278@Pit 486@Gallery 381@Value #180 10s. and money #32 2s.

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Lethe

Dance: I: The Drunken Peasant-Miles; Clown-Bennet; II: The Threshers, as17591005; III: The Dutch Skipper-Poitier; End: The Lamp Lighters, as17600318