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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mad Auguste"/1) | (@(roleclean,performerclean) "Mad Auguste")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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534 results for: Keyword - Mad Auguste
We found 303 matches on Performance Title, 179 matches on Performance Comments, 79 matches on Event Comments, 7 matches on Roles/Actors, and 0 matches on Author.

501
11 November 1783 @ Covent Garden

Event Comment: [Afterpiece in place of The Rival Knights and The Country Mad-Cap, both announced on playbill of 10 Nov.] Receipts: #178 13s. 6d. (175/3/0; 3/10/6)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Lord Mayor's Day

502
01 April 1786 @ Covent Garden

Event Comment: Benefit for Mrs Bannister. Afterpiece [1st time; MF 2, by Leonard Macnally, based on A Mad World, My Masters, by Thomas Middleton. MS: Larpent 729; not published. Introduction by the author (Town and Country Magazine, June 1786, p. 328]. Books of the Songs to be had at the Theatre [composer unknown]. Morning Herald, 11 Mar.: Tickets to be had of Mrs Bannister, No. 29, Bow-street, Covent Garden. Receipts: #273 4s. 6d. (180/6/0; 7/9/6; tickets: 85/9/0) (charge: #105)

Performances

Mainpiece Title: The Follies Of A Day

Afterpiece Title: The April Fool; or, The Follies of a Night

Song: In the course of the evening Sweet Echo (from Comus) by Mrs Bannister

503
21 May 1787 @ Covent Garden

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: The Winter's Tale

Afterpiece Title: The Cantabs

Song: II 2nd piece: Come come my good Shepherds-Mrs Martyr; In course Evening: Four@and@Twenty Fidlers-Edwin

Monologue: Vaudeville End 2nd Piece: A Scene in a Masque Ball , with an Illumination. Huntress-Mrs Martyr; Tantivy the welkin resounds-Mrs Martyr; Mad Tom-Darley; song-Johnstone; Highland Lad and Lass-Mrs Kennedy, Mrs Martyr; Say bonny Lass will you carry a Wallet?-Mrs Kennedy, Mrs Martyr; To conclude with a Grand Dance-

Performance Comment: Huntress-Mrs Martyr; Tantivy the welkin resounds-Mrs Martyr; Mad Tom-Darley; song-Johnstone; Highland Lad and Lass-Mrs Kennedy, Mrs Martyr; Say bonny Lass will you carry a Wallet?-Mrs Kennedy, Mrs Martyr; To conclude with a Grand Dance-.
Cast
Role: Mad Tom Actor: Darley

504
07 August 1787 @ Haymarket Theatre

Performances

Mainpiece Title: Transformation

Afterpiece Title: The Spanish Barber

Afterpiece Title: English Readings

Dance: End: a Pas de Deux Provencale-the two Miss Simonets

Entertainment: In the course of the Evening's Entertainments various Imitations-Bannister Jun

Ballet: End 3rd piece: a grand dance, never performed, Gli Schiavi per Amore. Bastiano Amazzagatta-young D'Egville; Mons. Perruque-young Giorgi; Don Berticco-George D'Egville; Mad. Neri-Miss Blanchet; Glinda-Miss DeCamp

Performance Comment: Bastiano Amazzagatta-young D'Egville; Mons. Perruque-young Giorgi; Don Berticco-George D'Egville; Mad. Neri-Miss Blanchet; Glinda-Miss DeCamp.

505
10 August 1787 @ Haymarket Theatre

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: Midas

Song: End I: a new song by Master King In vain do idle vi'lets blow (Public Advertiser 14 Aug.)-Miss George; End: Mad Bess (for that night only)-Miss George

Performance Comment: )-Miss George; End: Mad Bess (for that night only)-Miss George.
Cast
Role: Mad Bess Actor: Miss George.

506
03 June 1788 @ Covent Garden

Event Comment: Benefit for Gardner, Rock, Besford & Mrs Watts. The Caledonian Wedding [a dance, advertised on playbill of 2 June] cannot be performed on Account of the Indisposition of a Principal Performer. [3rd piece in place of The Country Mad-Cap, advertised on playbill of 2 June.] Receipts: #177 6d. (48.1.6; 7.16.0; tickets: 121.7.0)

Performances

Mainpiece Title: The Follies Of A Day

Afterpiece Title: Linco's Travels

Afterpiece Title: Tom Thumb

Song: End II 1st piece: The Soldier tir'd of War's Alarms (for this Night only)-Master Braham

Entertainment: Monologue End III 1st piece: A Description of the Tombs in Westminster Abbey-Edwin

507
17 March 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: A Grand Selection From The Works Of handel 0

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Atalanta)-; Sin not O King against the youth-Miss Romanzini [Saul]; Bless the true Church and save the King-Gore, Chorus Athalia]; [Funeral Scene from Samson: Glorious Hero may thy Grave-Reinhold; The virgins too-Sga Storace; Bring the laurels bring the bays-Chorus of Virgins; May every Hero fall like thee-Sga Storace; Bring the laurels bring the bays-Full Chorus; Dead March (Saul)-; My faith and truth-Mrs Crouch [Samson]; Mad Bess-Sga Storace (composed by Purcell; 1st time and for that night only); Gird on thy sword-Chorus [Saul].Saul].
Cast
Role: Mad Bess Actor: Sga Storace

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

508
01 April 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: Acis And Galatea 0; Grand Selection 0

Afterpiece Title: Acis and Galatea 1

Afterpiece Title: Acis and Galatea 2

Afterpiece Title: PART III

Performance Comment: A Grand Selection. Tyrants would in impious throngs-Mrs Crouch; Tyrants ye in vain conspire-Chorus (Athalia); Sin not O King-Miss Broadhurst (Saul); Thrice happy the Monarch-Bellamy [Alexander Balus]; What's sweeter than the new blown rose-Miss Hagley, Dignum (Joseph); Shake the dome and pierce the Sky-Chorus (Solomon); Mad Bess-Mrs Crouch (Purcell); I sing the produce of the vine, 'Tis mighty wine inspires us-Reinhold (Ottone); The Trumpet's loud clangor-Kelly, Chorus (Dryden's Ode); Da forte morir sapro-Miss Davies (Sarti); I'll proclaim the wondrous story-Spence, a Young Lady (1st appearance) (Esther); Worthy is the Lamb-Grand Chorus (The Messiah).
Cast
Role: Mad Bess Actor: Mrs Crouch

Music: As17910323

509
20 October 1791 @ Covent Garden

Event Comment: Afterpiece [1st time; BALL. P 1, by James Byrne. MS of Songs only: Larpent MS 919; synopsis of action in Universal Magazine, Oct. 1791, p. 308]: Taken from Ossian. With new Music, Airs, Chorusses, new Scenery, Dresses, and Decorations. The Ballet composed by Byrne. The new Music composed, and the Ancient Scots Music selected and adapted by Shield. The Overture by Reeve. The Scenery by Richards, Hodgins, Pugh, &c. &c. The Dresses by Dick. Books of the Songs, &c. to be had at the Theatre. [For Harp and Pipes see 24 Oct.] Account-Book, 22 Nov.: Paid Byrne for Oscar & Malvina #50; 8 Dec.: Paid Mad. St.Amand expenses from Paris to London #14 6s. 8d. Receipts: #182 16s. 6d. (177.13.6; 5.3.0)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Oscar and Malvina; or, The Hall of Fingal

Song: II: song-Incledon

510
31 December 1791 @ Pantheon, Oxford Street

Event Comment: "On 31st Dec. I was with Pleyel in the Pantheon Theatre. They gave La Pastorella Nobile by Guglielmi. Mad. Casentini played the leading role and Lazarini? the primo huomo; the thin Calvesi had l'ultima parte. The opera did not please. Neither did the ballet, even though the great Hilligsburg [sic] danced" (Haydn, 266)

Performances

Mainpiece Title: La Pastorella Nobile

Dance: End I: La Fontaine d'Amour, as17911217; End Opera: La Fete Villageoise-(composed by D'Auberval [with music by Mazzinghi])DeLaChapelle (his 1st appearance). [For other performers see hay, 14 Feb. 1792.

511
07 March 1792 @ Covent Garden

Performances

Mainpiece Title: Alexander's Feast 0; Redemption 0; L'allegro Ed Il Pensieroso 0

Afterpiece Title: Alexander's Feast 1

Afterpiece Title: Alexander's Feast 2

Afterpiece Title: Grand Miscellaneous Act

Performance Comment: Overture-(Berenice, Handel); The Mansion of Peace-Harrison (Webbe); Mad Bess-Mrs Billington (Purcell); The mighty power-Chorus (Athalia, Handel); Se constanta per timore-Mrs Second (Caruso); Together let us range-Mrs Billington, Harrison (Boyce); Shall I in Mamre's-Bartleman (Joshua, Handel); Bravura song-Mrs Billington (Sacchini); Gloria Patri-Chorus.
Cast
Role: Mad Bess Actor: Mrs Billington

512
20 February 1793 @ Covent Garden

Performances

Mainpiece Title: Alexander's Feast; Grand Selection 0

Afterpiece Title: A Grand Miscellaneous Act

Performance Comment: Overture-(Ariadne); Captivity (supposed to be sung by the unfortunate Maria Antoinette, Queen of France, during her confinement in the Tower of the Temple) [composed by Storace]-Mrs Crouch; Jehovah crowned-Incledon; He comes-Chorus (Esther); Mad Bess (composed by Purcell)-Mme Mara; Disdainful of danger-Incledon, Kelly, Reynolds (Judas Maccabaeus); He layeth the beams-Bartleman (Ezio); But bright Cecilia, As from the power-Mme Mara; The dead shall live-Chorus (Dryden's Ode); God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).
Cast
Role: Mad Bess Actor: Mme Mara

Music: End II oratorio: concerto on the violin-Mme Gautherot

513
27 February 1793 @ Haymarket Theatre

Performances

Mainpiece Title: A Grand Selection 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: As17930215, but Mad Bess-Miss Poole; Non piu andrai-_; Concerto on the violin-_; The prince unable-_.
Cast
Role: Mad Bess Actor: Miss Poole

514
06 March 1793 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Music

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Ye sons of Israel-Chorus (Joshua); The Captive King-Incledon, Chorus (The Words by Dr Wolcot); Honor and arms-Reynolds (Samson); See the conquering hero comes-Chorus (Judas Maccabaeus); Together let us range-Mrs Crouch, Kelly (Solomon, by Boyce); Then round about-Chorus (Samson); Mad Bess-Mme Mara (Purcell); Gird on thy sword-Grand Chorus (Saul); God save Great our King, To Arms, Britons strike home-Chorus (Purcell).
Cast
Role: Mad Bess Actor: Mme Mara

Song: In Part III: Captivity-Mrs Crouch [, as17930220

Music: End Part I: concerto on the violoncello-C. Ashley

515
13 March 1793 @ Haymarket Theatre

Performances

Mainpiece Title: Grand Selection 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Fourth Hautboy Concerto-; The Maid of the Rock-Master Welsh; Mad Bess-Miss Poole; Italian Air-Morelli; O'er hill and valley-Mrs Harrison (Harrison); Every day will I give thanks-Harrison [Chandos Anthems]; Then undaunted Briton-Dignum.
Cast
Role: Mad Bess Actor: Miss Poole

Afterpiece Title: Grand Selection 3

516
20 March 1793 @ Covent Garden

Event Comment: [The playbill lists Mrs Clendining as singing As when the dove, but "An apology was made for the absence of Mrs Clendining...Master Pring was allowed to sing her song" (Public Advertiser, 21 Mar.).

Performances

Mainpiece Title: A Grand Selection 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Overture from Berenice-; The Captive King-Incledon, Chorus; Dead is the dream, Adieu thou partner-Incledon; Go injur'd King-Chorus; Captivity-Mrs Crouch; Jehovah crown'd-Incledon; He comes-Chorus [Esther]; Have mercy upon me-Mrs Crouch, Kelly, Bartleman (Pergolesi); Together let us range-Kelly, Mrs Crouch (Boyce); Mad Bess-Mrs Crouch (Purcell); Gloria Patri-; God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).
Cast
Role: Mad Bess Actor: Mrs Crouch

Music: End Part II: a trio for violin viola and violoncello-G. and R. and C. Ashley

517
22 March 1793 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0

Afterpiece Title: Grand Selection 1

Cast
Role: Mad Bess Actor: Mme Mara

Afterpiece Title: Grand Selection 2

Cast
Role: Mad Bess Actor: Mme Mara

Afterpiece Title: Grand Selection 3

Performance Comment: Second Oboe Concerto-; The trumpet's loud clangour-Kelly, Chorus [Dryden's Ode]; Mad Bess-Mrs Crouch; Arm arm ye brave-Bartleman; We come-Chorus [Judas Maccabaeus]; The Captive King-Incledon; Dead is the dream, Adieu my partner-Incledon; Go injur'd King-Chorus; Captivity-Mrs Crouch; God save Great George our King, To Arms, Britons strike home-Chorus (Purcell); Hallelujah! for the Lord God omnipotent [The Messiah]-Chorus.
Cast
Role: Mad Bess Actor: Mrs Crouch

Music: End Part I: Sixth concerto of Geminiani on the violin-G. Ashley

518
09 October 1793 @ Covent Garden

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Holman; Ghost-Farren; Horatio-Harley; Laertes-Middleton; King-Powel; Polonius-Munden; Ostrick-Bernard; Rosencraus-Macready; Guildenstern-Davies; Player King-Thompson; Marcellus-Evatt; Grave@Diggers-Quick, Rees; Ophelia-Miss Poole (1st appearance on any stage); Mad Bess-Miss Poole; Player Queen-Mrs Platt; Queen-Mrs Pope.
Cast
Role: Mad Bess Actor: Miss Poole

Afterpiece Title: Three Weeks after Marriage

Song: In V: a Dirge set to music by Shield, the words from Shakespeare; Vocal Parts-Mrs Martyr, Mrs Mountain, Mrs Clendining, Miss Hopkins, Miss Stuart, Miss Barnett, Mrs Watts, Mrs Follett, Mrs Lloyd, Mrs Masters, Miss Paye, Mrs Blurton, Mrs Castelle, Miss Leserve, Williamson, Linton, Street, Gray

519
16 October 1793 @ Covent Garden

Performances

Mainpiece Title: Hamlet

Performance Comment: As17931009, Mad Bess-_.
Cast
Role: Mad Bess Actor: Miss Poole

Afterpiece Title: The Prisoner at Large

Song: As17931009

520
12 March 1794 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Overture (OCCASIONAL ORATORIO). Shall I in Mamre's fertile; For all these mercies (JOSHUA). Ye Men of Gaza (SAMSON). O filial Piety; No, cruel Father (SAUL). When his loud voice (JEPHTHA). Lord, what is man (SEMELE). Total Eclipse; O first created beam (SAMSON). O worse than death; Angels ever bright (THEODORA). Fixed in his Everlasting seat (SAMSON). PART II. Eleventh Grand Concerto. As when the Dove (ACIS AND GALATEA). Tyrants would (ATHALIA). O sleep (SEMELE). O had I Jubal's lyre (JOSHUA). It must be so; Pour forth no more; No more to Ammon's (JEPHTHA). Lord remember David (SOSARME). O God who in thy Heeav'nly band (JOSEPH). PART III. Ye sons of Israel (JOSHUA). Honor and Arms (SAMSON). See the conq'ring Hero comes (JUDAS MACCABAEUS). Why does the God of Israel sleep (SAMSON). What passion, accompanied on the violoncello by C. Ashley (DRYDEN'S ODE). Then round about the starry throne (SAMSON). Mad Bess by Mme Mara (Purcell). Gird on thy sword (SAUL). To conclude with God save Great George our King and Rule Britannia .

521
14 March 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940312but added: Mrs Bland. Leader as17940312ART I. God save the King (CORONATION ANTHEMS). He layeth the beams. O had I Jubal's Lyre (JOSHUA). Let me wander (L'ALLEGRO). Gird on thy sword (SAUL). Deeper and deeper; Waft her Angels (JEPHTHA). Let the bright Seraphim, accompanied on the trumpet by Hyde (SAMSON). For unto us (THE MESSIAH). PART II. Ye sons of Israel (JOSHUA). Why do the Nations (THE MESSIAH). What tho' I trace (SOLOMON). Welcome! Welcome! (SAUL). Mad Bess (Purcell). Concerto on the violin by Giornovichi. Pleasure my former ways (TIME AND TRUTH). O magnify the Lord. Tears such as (DEBORAH). Hallelujah for the Lord (THE MESSIAH). PART III. Lord, remember David. Heart the seat of soft delight (ACIS AND GALATEA). He gave them hailstones (ISRAEL IN EGYPT). Why does the God of Israel sleep [SAMSON]. See the conquering Hero (JUDAS MACCABAEUS). Angels ever bright and fair (THEODORA). Sing ye to the Lord; The Horse and his Rider (ISRAEL IN EGYPT) .

522
26 March 1794 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Overture (BERENICE). Come ever smiling (JUDAS MACCABAEUS). Tears such as tender (DEBORAH). For unto us a child (THE MESSIAH). Grateful hearts (NABAL). Sweep the strings; Music spread thy Voice (SOLOMON). Every day will I ([CHANDOS] ANTHEMS). For joys so vast; Happy they (JEPHTHA). From the censer (SOLOMO). PART II. Fourth Organ Concerto. Together let us range ([SOLOMON] by Boyce). The trumpet's loud; The double beat (DRYDEN'S ODE). He was eyes [SIROE]. He led tbrm thro' (ISRAEL IN EGYPT). Ye sons of Israel [JOSHUA]. Weep, Israel, weep; Go, baffled coward (SAMSON). For the Lord (THE MESSIAH). PART III. Fifth Grand Concerto. O liberty (JUDAS MACCABAEUS). Let the bright; Awake the trumpets (SAMSON). O beauteous Queen (ESTHER). Mad Bess by Mme Mara (Purcell). How willing (SAMSON). But bright Cecilia; As from; The dead shall live (DRYDEN'S ODE). To conclude with God save Great George our King and Rule Britannia .

Music: End of Part II concerto on the organ by J. Ashley

523
04 March 1795 @ Covent Garden

Performances

Mainpiece Title: L'allegro Ed Il Pensieroso; Grand Selection 0

Afterpiece Title: A Grand Miscellaneous Act

Performance Comment: Overture and March- (Scipio); Jehovah crown'd-; He comes-Chorus; Tune your harps- (Esther); Around let acclamations ring- (Athalia); Pious orgies- (Judas Maccabaeus); The trumpet's loud clangour- (Dryden's Ode); Mad Bess-Miss Parke (Purcell); Fix'd in his everlasting seat-Full chorus (Samson).
Cast
Role: Mad Bess Actor: Miss Parke

Music: End Part II: 3rd concerto of Giardini on the violin-G. Ashley

524
18 March 1795 @ Covent Garden

Performances

Mainpiece Title: Acis And Galatea; Messiah

Afterpiece Title: A Grand Miscellaneous Act

Performance Comment: 4th concerto of Avison-; O gentle maid-Mrs Hindmarsh; Around let acclamations ring-Chorus; Reviving Judah-Burdon; Bless the true church-Chorus (Athalia); Softly rise-Kelly (Solomon, by Boyce); Mad Bess-Miss Parke (Purcell); Kings shall be thy nursing fathers-Chorus (Coronation? Anthems).
Cast
Role: Mad Bess Actor: Miss Parke

525
26 February 1796 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Introduction and Chorus-; Ye sons of Israel-byChorus (Joshua); Tears such as tender-Bartleman [Deborah]; O let eternal honors-Miss Parke; From mighty Kings-Miss Parke (Judas Maccabaeus); Softly rise-Nield; accompanied on the bassoon-Parkinson; Ye southern breezes-Chorus (Solomon, by Boyce); Mad Bess-Mme Mara (composed by Purcell); The horse and his rider-Double Chorus (Israel in Egypt).
Cast
Role: Mad Bess Actor: Mme Mara

Music: As17960219