SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Macklin and Wife"/1) | (@(roleclean,performerclean) "Macklin and Wife")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 2317 matches on Performance Title, 1418 matches on Performance Comments, 569 matches on Event Comments, 206 matches on Author, and 0 matches on Roles/Actors.
Event Comment: James Brydges, Diary: About 6: I went to ye Playhouse, and let my Lady Lucy Bright & my Wife out & came with them home (Huntington MS St 26)

Performances

Event Comment: James Brydges, Diary: I went to Mr Roberts's, who had a consort of musick, Mr Frank Roberts Mr Banister, la Riche Mr Shore, &c. I staid here till towards eleven, & then home with Lady Lucy Bright & my Wife (Huntington MS St 26)

Performances

Mainpiece Title: Concert

Event Comment: Rich's Company. The date of the first production is not known, but A Comparison between the Two Stages (1702) (pp. 21-23) implies that this work preceded Rinaldo and Armida (performed at lif probably in November 1698). The Island Princess was not published until 1699 (the Masque being advertised in the Post Boy, 7-9 Feb. 1698@9, and the Opera in the Flying Post, 7-9 March 1698@9). A Comparison between the Two Stages (1702), pp. 21-22: Sullen: The old House have a Bawble offer'd 'em, made out of Fletcher's Island Princess, sometime after alter'd by Mr Tate, and now erected into an Opera by Motteux: The Actors labour at this like so many Galley Slaves at an Oar, they call in the Fiddle, the Voice, the Painter, and the Carpenter to help 'em; and what neither the Poet nor the Player cou'd do, the Mechanick must do for him:...but as I was saying-the Opera now possesses the Stage, and after a hard struggle, at length it prevail'd, and something more than Charges came in every Night: The Quality, who are always Lovers of good Musick, flock hither, and by almost a total revolt from the other House, give this new Life, and set it in some eminency above the New; this was a sad mortification to the old Stagers in Lincolns-Inn-fields. For a poem, The Confederates; or the first Happy Day of the Island Princess, see Poem on Affairs of State, 1703, II, 248-50

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Performance Comment: The performers are listed in Add. MSS. 15, 318, and in a printed version, The Four Seasons; or, Love in every Age (1699). These two sources are essentially similar, but as they occasionally supplement each other, the following is a composite of the two sources: Prologue-Mr Powell; The Epilogue-Penkethman, Mrs Rogers; Prologue to The Four Seasons-Mr Leveridge; Armusia-Powell; Ruidias-Mills; Piniero-Thomas; King of Tidero-Evans; Governor or Tyrant-Johnson; King of Bokam-Bullock; Prince of Syana-Mrs Kent; Quisara-Mrs Rogers; Panura-Mrs Wilkins; Act II: A Masque The Music by Daniel Purcel. The Words fitted to the Notes by the Author-Leveridge, Freeman, Pate, Miss Campion, Magnus's Boy, Miss Lindsey; Act III: A Song set by Daniel Purcell-; Act IV: A Dialogue between a Clown and his Wife set by Leveridge-Pate, Leveridge; An Incantation set by Mr D. Purcell-Bowen, Freeman, Pate; The Enthusiastick Song Set by Mr Leveridge-Mr Leveridge; Act V: The Four Seasons Set by Mr Jeremy Clarke-Leveridge, Freeman, Miss Campion, Magnus's Boy, Miss Lindsey, Pate, Crossfield.

Performances

Mainpiece Title: Fryar Bacon; Or, The Country Justice : With The Humours Of tolfree The Miller, And His Son ralph

Performance Comment: A playbill: At Parker's and Doggett's Booth near Hosier-Lane End, in Smithfield, during the Time of Bartholomew-Fair, will be presented a New Droll, called, Fryar Bacon; or, The Country Justice: With the Humours of Tolfree the Miller, and his Son Ralph, Acted by Mr Doggett. With Variety of Scenes, Machines, Songs and Dances. Vivat Rex. (See William VanLennep, Some Early English Playbills, Harvard Library Bulletin, VIII (1954), opposite page 237.) The London Spy, August 1699, describes a visit to Bartholomew Fair, including an account of Doggett's droll and another, Dwarf Comedy, Sir-nam'd a Droll' called The Devil of a Wife. In the Post Man, 15-17 Aug. 1699, is an advance notice of rope dancing and a booth run by Barnes and Appleby between the Crown Tavern and the Hospital Gate, next to Miller's Droll Booth.
Event Comment: Betterton's Company. Flying Post, 2-4 July 1700: At the Request, and for the Entertainment of several Persons of Quality, at the New Theatre in Lincolns-Inn-Fields, to Morrow, being Friday, the 5th of this instant July, will be acted, The Comical History of Don Quixote, both Parts being made into one by the Author. With a new Entry by the little Boy, being his last time of Dancing before he goes to France: Also Mrs Elford's new Entry, never performed but once; and Miss Evan's Jigg and Irish Dance: With several new Comical Dances, compos'd and perform'd by Monsieur L'Sac and others. Together with a new Pastoral Dialogue, by Mr George and Mrs Haynes; and variety of other Singing. It being for the Benefit of a Gentleman in great distress; and for the Relief of his Wife and Three Children. Downes, Roscius Anglicanus, p. 45: Don Quixote, both Parts made into one, by Mr Durfey, Mrs Bracegirdle Acting, and her excellent Singing in't; the Play in general being well Perform'd tis little Inferior to any of the preceding Comedies

Performances

Mainpiece Title: The Comical History Of Don Quixote

Performance Comment: But presumably Mrs Bracegirdle acted Marcelia . See also May 1694, and below.
Event Comment: Benefit Miss Evans and Miss Mountfort. At the Desire of several Persons of Quality. [In Cowper MS, III, 79, James Cragg enclosed in a letter to Thomas Coke "Three small playing cards having on the back of each 'June 26th The Amorous Widow or the Wanton Wife. The Box. For the Benefitt of Miss Mountfort and Miss Evans."

Performances

Mainpiece Title: The Amorous Widow

Dance: A New Dance by Four Scaramouches to Faranoll's Ground never perform'd but once-; A Scotch and Irish Dance-Miss Evans; Firbank, Firbank's Scholar

Event Comment: Lady Wentworth, writing on 10 Dec., said: Yesterday I had lyke to have been ketched in a trap, your Brother Wentworth had almost parswaded me to have gon last night to hear the fyne muisick, the famous Etallion sing att the rehersall of the Operer, which he assured me it was soe dark none could see me. Indeed musick was the greatist temtation I could have, but I was afraid he deceaved me, soe Betty only went with his wife and him; and I rejoysed I did not, for thear was a vast deal of company and good light--but the Dutchis of Molbery had got the Etallian to sing and he sent an excuse, but the Dutchis of Shrosberry made him com, brought him in her coach but Mrs Taufs huft and would not sing because he had first put it ofe; though she was thear yet she would not, but went away. I wish the house would al joyne to humble her and not receav her again. This man out dus Sefashoe, they say that has hard both (Wentworth, p. 66)

Performances

Mainpiece Title: Pyrrhus And Demetrius

Event Comment: Benefit Pack. At the Desire of several Ladies of Quality. Written by the Author of the Relapse and Provok'd Wife

Performances

Mainpiece Title: The Mistake

Event Comment: Benefit Miss Santlow. At the Desire of several Ladies of Quality. Note, Tickets given out for The Country Wife will be taken

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Dance: Dutch Skipper-Miss Santlow

Event Comment: He gives his humble Duty to the Quality and Service to his Friends and Acquaintances, hoping they will grace his first Night, at 6 p.m. 1s. N.B. All this is perform'd by Mr Anthony Aston, his Wife and Son of 10 Years only, and will continue Nightly, Bills being stuck up of the whole Entertainment, which varies each Night

Performances

Mainpiece Title: Tony Aston's Medley

Entertainment: 1: A new Prologue-; 2: Riot and Arabella-; 3: Woodcock Squib and Hillaria-; 4: Serjeant Kite and Mob-; 5: Ben and Miss Prue-; 6: Fondlewife and Laetitia-; 7: Teague-; 8: Jerry Blackacre and Widow-; 9: Drunken Man-; 10: A new Epilogue-; With Dances, new Comical Songs-

Event Comment: Mainpiece: Written by Shakespear, and since revis'd with several Alterations. A new comedy, The Artful Wife, announced for this day, is deferred to 3 Dec

Performances

Mainpiece Title: Cimbeline

Afterpiece Title: The Jealous Doctor

Song: Ray

Dance: As17171022

Event Comment: Not Acted these Thirty Years. Written by the late Mr Wycherley, Author of the Plain Dealer, and the Country Wife

Performances

Mainpiece Title: Love In A Wood; Or, St

Event Comment: Written by the late Mr Wycherley, Author of the Plain Dealer and the Country Wife

Performances

Mainpiece Title: Love In A Wood

Event Comment: Benefit Coe. Receipts: money #12 9s.; tickets #71 3s. [The illness of C. Bullock caused the play to be changed from The Provoked Wife.

Performances

Mainpiece Title: The Committee

Dance: As17210221

Event Comment: Benefit Egleton and his Wife. At Penkethman's Great Booth near Bird-Cage Alley. At 6 p.m

Performances

Mainpiece Title: The Blind Beggar Of Bednal Green

Afterpiece Title: Hob

Entertainment: Tumbling-

Performances

Mainpiece Title: Medley

Performance Comment: Valentine, Jeremy in Love for Love, Riot, Arabella in The Wife's Relief, The Humours of Hob in Country Wake, Ben, Prue in Love for Love, Sir Sampson, Angelica, Foresight in Love for Love, The Gravediggers in Hamlet, Prologue, Epilogue-Tony Aston.

Song:

Music: A fine forced Wind@Instrument-an Anonymous Person

Event Comment: Benefit Chetwood. By Their Royal Highnesses' Command. N.B. Tickets given out for The Merry Wives of Windsor will be taken at this Play. [See Daily Post, 3 Aug., for Penkethman's celebration at Richmond on 1 Aug., the anniversary of the Hanoverian succession to the throne, and British Journal, 8 Aug., for an account of William Marshall, of lif, as an anti-Hanoverian demonstrator on 1 Aug.

Performances

Mainpiece Title: Duke And No Duke

Afterpiece Title: The Stage Coach

Dance: Drunken Man-Harper

Song:

Event Comment: Benefit Leveridge. At the particular Desire of several Persons of Quality. Tickets for The Provok'd Wife taken. Receipts: money #52 4s.; tickets #86 18s

Performances

Mainpiece Title: The Drummer

Afterpiece Title: Venus and Adonis

Song: Mrs Chambers; The Play of Love-Leveridge

Event Comment: Receipts: 76 17s. [The Country Wife intended, but deferred by illness of Mrs Berriman.] Probable attendance: boxes, 79 paid and 13 orders; stage, 10 paid; pit, 208 paid and 22 orders; slips, 18 paid and 2 orders; first gallery, 155 paid and 12 orders; second gallery, 88 paid

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Apollo and Daphne; or, The Burgo-Master Trick'd

Cast
Role: Bacchants Actor: Mrs Ogden, Mrs Anderson
Event Comment: The Fifty-Sixth Night. Tickets for A Bold Stroke for a Wife taken. Receipts: #87 8s. Probable attendance: boxes, 120 Paid and 11 orders; stage, 7 paid; pit, 211 paid and 15 orders; slips, 17 paid and 1 order; first gallery, 163 paid and 25 orders; second gallery, 9 paid and 2 orders. [Rich's Register also lists #10 18s. in tickets for Mrs Chianova.

Performances

Mainpiece Title: The Beggar's Opera

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Cheats of Harlequin; or, The Farmer Outwitted

Performance Comment: Farmer-Rainton; Harlequin-Surel; Pierot (Farmer's Man)-Roger; Colombine (Farmer's Wife)-Mrs Walter.

Dance: new Turkish Dance-Burney, Mrs Walter; A new Pierrot Dance-Burney, Rainton

Event Comment: Benefit Mrs Stevens. Second Piece: a New Pantonimical Something. Third Piece: The Practice of a new Serious Scene to be Introduc'd. Shewing the various and hazardous Adventures he met with to get his Wife Joan; particularly, his last memorable Battle and Victory over a great and monstrous Pig, by which she was to be devour'd chain'd to a Rock. 7 p.m

Performances

Mainpiece Title: The Author's Farce

Afterpiece Title: Monstrum Horrendum; or, The Practice of a Modern Comic Entertainment

Performance Comment: Harlequin-Mons Quelqu'n, being the first Time of his Appearing and the last he will appear on any Stage; Colombine-Miss Price.

Afterpiece Title: Punchanello's Encounter with the Pig

Dance: DDutch Skipper-Davenport, Miss Price

Event Comment: Benefit Peploe, Little, Lee. By particular Desire of some Foreign Ministers. Tickets for Castles and Munro taken

Performances

Mainpiece Title: Cato

Afterpiece Title: The Intriguing Chambermaid

Cast
Role: Bluff Actor: Macklin, but see17340121

Dance: Pierrots. Dutchman and his Wife. Scotch Dance. English Maggot. Revellers

Performance Comment: Dutchman and his Wife. Scotch Dance. English Maggot. Revellers .

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Devil to Pay

Dance: I.: Pierrots by Fisher Tench and Davenport. II: Dutchman and his Wife by Le Brun and Mrs Walter. III: Scot's Dance by Mr and Mrs Davenport. IV: English Maggot by S. Lally and Mrs Walter. V: Revellers by Essex, Miss Latour, &c

Performance Comment: : Pierrots by Fisher Tench and Davenport. II: Dutchman and his Wife by Le Brun and Mrs Walter. III: Scot's Dance by Mr and Mrs Davenport. IV: English Maggot by S. Lally and Mrs Walter. V: Revellers by Essex, Miss Latour, &c .
Event Comment: Benefit Wrexham, Secretary, and Pit-Office-Keeper. Mainpiece: Written by the late Mr Congreve

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Devil to Pay

Dance: I: Pierrots by Fisher Tench and Davenport. II: Dutchman and his Wife by Le Brun and Mrs Walter. III: Scot's Dance by Mr and Mrs Davenport. IV: English Maggot by S. Lally and Mrs Walter, V: Revellers by Essex, Miss Latour, &c

Performance Comment: II: Dutchman and his Wife by Le Brun and Mrs Walter. III: Scot's Dance by Mr and Mrs Davenport. IV: English Maggot by S. Lally and Mrs Walter, V: Revellers by Essex, Miss Latour, &c .