SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Macklin and Wife"/1) | (@(roleclean,performerclean) "Macklin and Wife")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2317 matches on Performance Title, 1418 matches on Performance Comments, 569 matches on Event Comments, 206 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Not performed for 12 years. [See 5 Nov. 1746.] Mossop, Palmer, Miss Macklin, Mrs Davies, Miss Pritchard played parts for first time. Receipts: #100 (Cross).; #114 10s (Winston MS 8)

Performances

Mainpiece Title: The Twin Rivals

Performance Comment: Elder Wou'dbe-Mossop; Young Wou'dbe-Pamer; Trueman-Havard; Richmore-Davies; Fairbank-Burton; Balderdash-Philips; Clearaccount-Bransby; Mrs Clearaccount-Mrs Cross; Teague-Yates; Subtleman-Blakes; Mrs Midnight-Mrs Macklin; Constance-Mrs Davies; Aurelia-Mrs Pritchard.
Cast
Role: Mrs Midnight Actor: Mrs Macklin

Afterpiece Title: Queen Mab

Dance: II: The Millers, as17581012

Event Comment: [T+Theatrical Monitor, Nov. VII, appeared this day, again critical of The Oxonian in Town, of the dances, and of Mrs Mattocks's performance, "She raises herself by strut, rage, and storm."] At 5 went into the Pit. Powell does Othello very well, better than he did last season. Iago by Macklin (first time there in 12 years) who is reckon'd capital in that character....Clarke is a good Cassio. Mattocks appeared in his usual character Apollo. I like him better than DuBellamy who did it during his illness (Neville MS Diary). Receipts: #205 1s. (Account Book)

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello-Powell; Iago-Macklin, 1st time in 12 years; Roderigo-Dyer; Duke-Morris; Brabantio-Gibson; Lodovico-Gardner; Cassio-Clarke; Montano-Davis; Gratiano-Mozeen; Emilia-Mrs Ward; Desdemona-Mrs Yates.

Afterpiece Title: Midas

Dance: End: The Dutch Milkmaid, as17671114

Event Comment: [The 1st appearance note seems to apply only to Miss Macklin and Mrs Melmoth.] The Characters dressed in the Habits of the Times

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Lee; King Henry-Hull; Richmond-Clinch; Buckingham-Booth; Stanley-Fearon; Catesby-Davis; Ratcliff-Chaplin; Oxford-Baker; Prince Edward-Miss Besford; Duke of York-Mas. Jones; Tressel-Young; Dunchess of York-Mrs Hull; Lady Ann-Miss Macklin; Queen-Mrs Melmoth, being their first appearance in those characters.
Cast
Role: Lady Ann Actor: Miss Macklin

Afterpiece Title: Daphne and Amintor

Event Comment: The Duke's Company. Pepys, Diary: To the Opera, and there saw Romeo and Juliet, the first time it was ever acted; but it is a play of itself the worst that ever I heard in my life, and the worst acted that ever I saw these people do, and I am resolved to go no more to see the first time of acting, for they were all of them out more or less. Downes (p. 22): Note, There being a Fight and Scuffle in this Play, between the House of Capulet, and House of Paris; Mrs Holden Acting his Wife, enter'd in a Hurry, Crying, O my Dear Count! She Inadvertently left out, O, in the pronuntiation of the Word Count! giving it a Vehement Accent, put the House into such a Laughter, that London Bridge at low-water was silence to it. This Tragedy of Romeo and Juliet, was made some time after into a Tragi-comedy, by Mr James Howard, he preserving Romeo and Juliet alive; so that when the Tragedy was Reviv'd again, twas Play'd Alternately, Tragical one Day, and Tragicomical another; for several Days together. [No specific notices are known which would indicate when Howard's version appeared.

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Downes (Roscius Anglicanus, p. 22): Romeo-Harris; Mercutio-Betterton; Paris-Price; Fryar-Richards; Sampson-Sandford; Gregory-Underhill; Juliet-Mrs Saunderson; Count Paris' Wife-Mrs Holden. Spencer (Shakespeare Improved, p. 73) thinks that James Nokes acted the Nurse.
Event Comment: Benefit Mons Clauigney, who acts the Part of the Burgaway Gentilhomme, and his Wife the little Actress

Performances

Mainpiece Title: De Le Colle Des Femmes

Performance Comment: The two greatest Parts-Clauigney, Clauigney's Wife.
Cast
Role: The two greatest Parts Actor: Clauigney, Clauigney's Wife.

Afterpiece Title: Arlequin Protee

Event Comment: At the Desire of several Persons of Quality. Afterpiece: a Grotesque Entertainment. With new Scenes and Habits. Daily Post, 17 Nov.: We hear the following new Pieces are writ into Parts and are to be play'd at [dl] with all convenient Expedition, viz, The Perjur'd Love; or, The Broken Heart, a Tragedy; The Provident Wife; or, The Doctor's the Disease, a Comedy; and the Tragedy of Brutus

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Country Revels

Event Comment: [Mainpiece in place of A BOLD STROKE FOR A WIFE, advertised on playbill of 23 Dec.] Afterpiece [1st time; P 1, author unknown. MS: Larpent 1001; not published]: Partly new and partly compiled. The Music by Dr Arnold. Books of the Songs [T. Cadell, 1793) to be had at the Theatre

Performances

Mainpiece Title: The Tempest

Cast
Role: Anthonio Actor: Bland
Role: Ferdinand Actor: Barrymore
Role: Ariel Actor: Mrs Bland
Role: Hippolito Actor: Mrs GoodallMiranda-Mrs Powell
Role: Mrs GoodallMiranda Actor: Mrs Powell

Afterpiece Title: HARLEQUIN PEASANT; or, A Pantomime Rehearsed

Performance Comment: Emigrant Marquis-Wewitzer; Dr Fingallin-Benson; Townly-Caulfield; Harlequin Peasant (with songs)-Dignum; Harlequin Mime-Waldron Jun.; Pantaloon-Maddocks; Lover-Bland; Lover's Servant-Evans; Stage-Coachman-Jones; Beadle-Freeman; Constable-Hawkins; Fury-Keyes; Watchmen-Aberdein, Potts; Lawyer-Lyons; Blacksmith-Knights; Ass-Driver Comerford; Passengers-Cooke, Stageldoir, Chippendale, &c.; Peasant-Children-Master Menage, Master Chatterley, Miss Menage; Pierrot-Delpini//Genius of Gratitude (with songs)-Mrs Stuart; Pantaloon's Wife-Mrs Heard; Maid-Mrs Haskey; Marquis's Maid-Miss Tidswell; Actress-Mrs Jones; Coach Passengers-Mrs Hale, Mrs Gaudry, &c.; Colombine (with songs)-Miss De Camp. [Larpent MS also lists the following characters: Old Norval, Young Norval, Call Boy, Waggoner, Genius//Peasant's Mother.] hathi.Larpent MS also lists the following characters: Old Norval, Young Norval, Call Boy, Waggoner, Genius//Peasant's Mother.] hathi.
Cast
Role: Lover Actor: Bland
Role: Pantaloon's Wife Actor: Mrs Heard

Song: Masque as17931119, but Neptune-Caulfield. Vocal Parts omitted

Event Comment: [Mainpiece in place of The Merry Wives of Windsor, advertised on playbill of 10 Feb.] Afterpiece [1st time; BALL. P 1 (?), by John Cartwright Cross. Airs (T. Woodfall, 1798)]: The Scenery, Machinery, Dresses and Decorations entirely new. The Music by Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, and Blackmore. The Machinery by Cresswell, Sloper, Goostree, &c. The Dresses by Dick, Mrs Egan, &c. Receipts: #294 0s. 6d. (270.16.6; 23.4.0)

Performances

Mainpiece Title: The Busy Body

Performance Comment: As17971004, but Sir Francis Gripe-Quick; Miranda-Miss Betterton.
Cast
Role: Miranda Actor: Miss Betterton.

Afterpiece Title: Joan of Arc; or, The Maid of Orleans

Performance Comment: Ballet Characters. English: Young Talbot-Bologna Jun.; General Talbot-Bologna; Herald-Helme; Officers-Blurton, Wilde, Abbot, L? Bologna; [French: Alenson-Farley; Charles (King of France)-Simpson [in Airs: Claremont (see17980214)]; Cardinal-Powel; Abbot-Thompson; Nobles and Officers-Dyke, Lee, Curties; Joan of Arc-Mrs Parker; [Infernals: Lucifer-Follett; Demons-Goostree, Parsloe, Letteney, Goodwin, Wilkins; [Vocal Characters. British Officer-Incledon; Edwin (the Page) [in Airs: Aerial Spirit, disguised as...(see17980226)]-Miss Sims; French and English Officers and Choristers-Linton, Street, Gray; Minstrel-Mrs Clendining; Female Choristers-Mrs Henley, Mrs Follett, Mrs Watts, Miss D'Evelyn, Mrs Gilbert, Mrs Norton, Mrs Masters, Mrs Castelle, Mrs Lloyd, Miss Walcup, Mrs Ward, Mrs Iliff, Mrs Bologna, Miss Leserve; Blanche-Mrs Mountain; Grand Historical Pageant-. [The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: WIVES IN PLENTY

Afterpiece Title: THE DEAF LOVER

Cast
Role: Young Random Actor: Barrymore
Role: Old Random Actor: Aickin
Role: Sir Rowland Actor: Barrymore
Role: Josephine Actor: Mrs Bland.

Song: 2nd piece: To conclude with a Musical Medley by Bannister Jun. and Sga Storace

Performance Comment: and Sga Storace .

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: WIVES IN PLENTY

Cast
Role: Young Random Actor: Barrymore
Role: Old Random Actor: Aickin
Role: Sir Rowland Actor: Barrymore
Role: Josephine Actor: Mrs Bland.

Afterpiece Title: THE CHILDREN IN THE WOOD

Cast
Role: Sir Rowland Actor: Barrymore
Role: Josephine Actor: Mrs Bland.

Song: As17931123

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: WIVES IN PLENTY

Cast
Role: Young Random Actor: Barrymore
Role: Old Random Actor: Aickin
Role: Sir Rowland Actor: Barrymore
Role: Josephine Actor: Mrs Bland.

Afterpiece Title: THE CHILDREN IN THE WOOD

Cast
Role: Sir Rowland Actor: Barrymore
Role: Josephine Actor: Mrs Bland.

Song: As17931123

Performances

Mainpiece Title: All In Good Humour

Performance Comment: Squire Hairbrain-Benson; Chagrin-Maddocks; Bellamy-Caulfield; Robin-Wewitzer; Crop-Bland//Mrs Chagrin-Mrs Booth; Sophia-Miss Heard; Dorothy-Miss De Camp .

Afterpiece Title: WIVES IN PLENTY

Cast
Role: Young Random Actor: Barrymore
Role: Old Random Actor: Aickin
Role: Sir Rowland Actor: Barrymore
Role: Josephine Actor: Mrs Bland.

Afterpiece Title: THE CHILDREN IN THE WOOD

Cast
Role: Sir Rowland Actor: Barrymore
Role: Josephine Actor: Mrs Bland.

Song: As17931123

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Bantry Bay

Afterpiece Title: The Poor Sailor

Cast
Role: Little Bob Actor: Young Standen

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Bantry Bay

Afterpiece Title: The Midnight Hour

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Event Comment: [2nd and 3rd pieces in place of Raymond and Agnes, advertised on playbill of 11 Mar.] Receipts: #207 0s. 6d. (198.16.0; 8.4.6)

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Bantry Bay

Afterpiece Title: The Romp

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Bantry Bay

Afterpiece Title: The Poor Sailor

Cast
Role: Little Bob Actor: Young Standen
Event Comment: Afterpiece [1st time; BALL. P 2]: Composed by Charles? Farley; Founded chiefly on a principal Episode ["The History of Don Raymond," Vol. I, chaps. III, IV] in the Romance of The Monk [by Matthew Gregory Lewis]. With entire new Music, Scenes, Dresses, and Decorations. The Music by Reeve. The Scenery designed by Phillips, and executed by him, the assistance of Hollogan, Blackmore, Thorne, Byrn, &c. The Machinery by Cresswell and Sloper. The Dresses and Decorations by Dick, Goostree and Mrs Egan. Books of the Songs and Chorusses [T. N. Longman, 1797] to be had at the Theatre. Receipts: #377 17s. (364.3.6; 13.13.6)

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Performance Comment: Principal Characters-Lewis, Quick, Holman, Munden, Simmons, Waddy, Thompson, Hawtin, Mrs Mattocks, Miss Chapman, Miss Wallis. [And see17970304 .And see17970304 .

Afterpiece Title: Raymond and Agnes; or, The Castle of Lindenbergh

Performance Comment: Principal Characters-Farley, Follett, Simmons, Simpson, Cranfield, Hawtin, Blurton, Mlle DeLaCroix (1st appearance on this stage), Mlle St.Amand, Mrs Follett, Mrs Watts, Mrs Mountain; [Probable cast (see17990413): Raymond-Farley; +Robert-Follett; +Theodore-Simmons; +Claud-Simpson; +Count of Lindenbergh-Cranfield; +Don Felix-Hawtin; +Jaques-Blurton; +Baptist-Delpini see17970320 +Maugerette-Mlle De La Croix; +Spectre of the Bleeding Nun-Mlle St.Amand; +Countess of Lindenbergh-Mrs Follett; +Annette-Miss Burnett [see17970321 +Abbess of St. Claire-Mrs Watts; +Agnes-Mrs Mountain.] [I. +A Gothic Library in the Castle of Don Felixv. Raymond, discovered at his studies, is interrupted by the entrance of Don Felix (his father), who informs him 'tis his wish he should go upon his travels; Theodore, his favorite domestic, intreats to accompany him. II. Madrid; with a View of an Hotel and a Conventv. Procession of Nuns and Friars. Chorus. Agnes, the daughter of Count Lindenbergh, discovered at the lattice. Raymond and Theodore enter, order refreshments from the Hotel, and proceed on their journey, under the guidance of Claud, one of a banditti infesting the neighbouring Forest. III. A Forest at Midnight, with a distant Hovelv. Enter Baptist (one of the Banditti) disguised as a woodman. The carriage with Raymond and Theodore is seen to break down. Claud, pointing to the Hovel, informs them they may there find shelter for the night. IV. The Inside of the Hovelv. Maugerette and her Child discovered. Raymond and Theodore are introduced by Baptist. Theodore is shewn to his room by Maugerette. Robert and Jaques (sons to Baptist) enter armed, making a servile obedience to Raymond, who is conducted to his chamber by Robert. V. The Bed-room prepared for Raymondv. Maugerette wishing to preserve the life of Raymond from the assassins, conveys a Pillow stained with blood upon his bed, thereby to inform him of his danger. She conceals herself. Raymond retires to rest, but is prevented by finding the bloody Pillow, and struck with horror, falls into a swoon. Robert enters, attempts to murder him, is prevented by Maugerette; and Raymond, at her request, retires. VI. The Lower Apartment of the Hovelv. Robert informs his father and brother of the ineffectual attempt on the life of Raymond, who is brought in by Maugerette. A knocking is heard without. Agnes (who has been also benighted in the forest) is led in by Claud, attended by Servants. Supper is prepared. Opiates are mixed with the wine. Agnes drinks, and falls into a slumber. Maugerette begs Raymond not to drink, but to put on the semblance of sleep. Baptist sends Robert and Jaques to secure the servants, who have retired; and supposing Raymond at rest, prepares to murder him. Raymond seizes him, and Baptist falls by the hand of Maugerette, who points out a secret avenue, through which she, taking her child, Raymond and Agnes escape, followed by Theodore. VII. Inside of Lindenbergh Castlev. The mother of Agnes, the late Countess, pourtrayed in the habit of a Nun. The Count discovered viewing the picture with agitation; kneels to implore forgiveness for the Murder. Agnes brought in by Raymond, is introduced to the present Countess. She becomes enamoured of him, offers him her Picture, which he rejects with scorn. VIII. The Chamber of Agnesv. Portrait of a Nun, with a wound upon her breast, a Lamp, Dagger, and a Rosary on her arm. Agnes enamoured of Raymond, enters, and prepares to draw his Portrait. Raymond entering unperceived, throws himself at her feet, and obtains a promise of her hand. He requests an explanation of the picture of the bleeding Nun. She informs him (in a Song) 'tis the resemblance of a Spectre which haunts the Castle every fifth year. The Count and Countess approach; and in anger order Raymond to quit the castle. IX. The Outside of the Castlev. Raymond, about to depart, is diverted by the sound of a Mandoline. A paper is lowered by Agnes from the Castle, containing a drawing of the Nun, with the following Scrole: "When the castle-bell tolls One. Expect me like this bleeding Nun." X. The Outside of the Castle, as beforev. Raymond descends the Wall; the Clock strikes One; the Gates fly open; the apparition of the Nun comes from the Castle. Raymond (supposing it Agnes) follows in extasy. Theodore approaching is met by Agnes in the habit of the Nun. Agitated by the apparent neglect of Raymond, they retire. XI. A Dreary Woodv. Raymond, following the spectre (still supposing it Agnes), attempts to embrace it, when suddenly vanishing, a Cloud rises from the earth bearing the following inscription: "Protect the Child of the Murder'd Agnes." XII. The Mountainsv. Robert, Jaques and Claud (the Robbers) discovered at the grave of Baptist. Theodore and Agnes enter. Agnes is seized and borne into the Cavern. XIII. A Woodv. Theodore and Maugerette meet Raymond, and inform him of Agnes being seized by the Robbers. They hasten to her rescue. XIV. Inside of the Cavernv. The three Robbers cast lots for the possession of Agnes. She becomes the prize of Robert. He attempts to seize her. She resisting, he aims a stiletto at her breast. At this instant Raymond, Theodore and Maugerette rush in. Robert falls by the dagger of Raymond, Jaques by the sword of Theodore, and Claud by a pistol from the hand of Maugerette. XV. The Castle of Don Felix. Raymond presents Agnes to his Father, who joins their hands; and the Piece concludes with aFinale and Spanish Fandango-.

Song: Afterpiece: Vocal Parts-Gray, Linton, Street, Mrs Henley, Mrs Castelle, Miss Leserve. [Not listed on playbill, but in Songs (see below).