SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Macklin\'s"/1) | (@(roleclean,performerclean) "Macklin\'s")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4114 matches on Roles/Actors, 1027 matches on Performance Comments, 207 matches on Author, 178 matches on Event Comments, and 26 matches on Performance Title.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: End of Act III of mainpiece Leap Year, as17851010; End of Act IV The Piping Pedlar, as17851112

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: End III: The Piping Pedlar, as17861002

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: Rosina

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: End IV: As17871129

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: The Dumb Cake

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: End IV: As17881001

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: The Farmer

Event Comment: Receipts: #200 7s. 6d. (Account Book). Mainpiece: With New Dresses and Decorations. [The first of a series of five performances (the last, Merchant of Venice, 18 Nov.) which got Macklin dismissed from the theatre until 1775, when his lawsuit against six persons whom he claimed formed a conspiracy to hiss him from the stage and ruin his livlihood was concluded favorably for him. His performance of Macbeth was favorably treated but with certain misgivings in the Morning Chronicle (25 Oct.), but he was mercilessly criticized in the London Evening Post and St James Chronicle: "In Act II, Sc. i, Shakespeare has made Macbeth murder Duncan; Now Mr Macklin, being determined to copy from no man, reversed this incident, and in the very first act, scene the second, murdered Macbeth." The favorable review (Morning Chronicle) thought he did well in first and last acts, but gave way to stage rant and "vehemence of energetic expression" wanting any variation in tone in between. It also pointed out a certain faulty memory of his lines. His novel stage effects came in for a paragraph of comment: The alterations in the jeux de theatre respecting the representation of this tragedy do Mr Macklin great credit. His change of the scenery is peculiarly characteristical. The Quadrangle of Macbeth's castle, and the door which is supposed to lead to Duncan's apartment (both of which are entirely new) are additions of consequence to the exhibition of the play. The door also through which Macbeth comes to the Weird Sisters, in the 4th act, is a better and more probable entrance than through the common stage portal. The dresses are new, elegant, and of a sort hitherto unknown to a London audience, but exceedingly proper. The Banquet was superbly set out, and it must be confessed that the managers seem to have spared neither cost nor assiduity to ornament and add to the effect of the representation." A favorable letter from a correspondent to the London Evening Post adds: "I must observe, Mr Printer, that from the graceful and characteristic manner in which Macbeth was introduced by the martial music and military procession, from the manner of M. Macklin's acting, from his judicious alteration of the dresses, the disposition of the scene where the King is killed, the cave of the witches in the 4th act, from the improvement of Mrs Hartley's thinking in Lady Macbeth and from her manner of speaking, which seemed plainly to be the effects of some intelligence she had received from Mr Macklin...I thought Mr Macklin deserv'd great praise." See the newspaper comments all gathered and reprinted in an Apology for the Conduct of Charles Macklin, (London, 1773). See also note to 30 Oct. See also London Chronicle, Oct. 23-26 (cf. Odell, I, 453). The Westminster Magazine suggests the performance was pitiable. "Macklin knew what he ought to do, but could not do it." The Scenemen's pay this week was about double the normal cost. (Account Book).] Verse Squibs from St James Chronicle (Oct. 1773) against Macklin: @Macbeth@"Eight Kings appear and pass over in order, and Banquo the last"@Old Quin, ere Fate suppressed his lab'ring breath@In studied accents grumbled out Macbeth:--@Next Garrick came, whose utt'rance truth impressed,@While ev'ry look the tyrant's guilt confess'd:--@Then the cold Sheridan half froze the part,@Yet what he lost by nature sav'd by art.@Tall Barry now advanc'd toward Birnam Woodv@Nor ill performed the scenes--he understood--@Grave Mossop next to Foris shaped his march@His words were minute guns, his action starch.@Rough Holland too--but pass his errors o'er@Nor blame the actor when the man's no more.@Then heavy Ross, assay'd the tragic frown,@But beef and pudding kept all meaning down:--@Next careless Smith, try'd on the Murd'rer's mask,@While o'er his tongue light tripp'd the hurried task:--@Hard Macklin, late, guilt's feelings strove to speak,@While sweats infernal drench'd his iron cheek;@Like Fielding's Kings [in Tom Thumb] his fancy'd triumphs past,@And all be boasts is, that he falls the last.@ Also from St James Chronicle:@The Witches, while living deluded Macbeth@And the Devil laid hold of his soul after death;@But to punish the Tyrant this would not content him,@So Macklin he sent on the stage to present him.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Thomasand Sally

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Englishman in Paris

Performances

Mainpiece Title: The Refusal

Afterpiece Title: The Englishman in Paris

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: The School Boy

Dance: II: Sicilian Peasant, as17430310 IV: Italian Gardeners, as17421231

Song: III: Beard

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: A Will and No Will or A New Case for the Lawyers

Dance: End: Savoyards, as17471215

Performances

Mainpiece Title: Lovers Melancholy

Afterpiece Title: The Club of Fortune Hunters or The Widow Bewitchd

Dance: III: Savoyards, as17471215; V: Pastoral Dance, as17480326

Performances

Mainpiece Title: The Humours Of The Army Or The Female Officer

Afterpiece Title: Will and no Will or A Bone for Lawyers

Event Comment: Benefit Macklin. Afterpiece: With Courtiers, Maids of Honour, Daggers, Poisons, Ghosts, Pages, Guards, Rebels, Trumpets, Kettle-drums, Thunder, Lightening, &c., and other Decorations proper to tragedy. Stage to be form'd into an amphitheatre. Tickets of Bradshaw, and at Macklin's, No. 12, in Wild Court, Lincoln's Inn Fields. Receipts: #123

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Tom Thumb

Song: I: Song with French Horns-Beard; II: Was ever Nymph like Rosamond-Lowe; IV: Bumper Squire Jones (By Desire)-Beard

Dance: III: (At particular desire of several persons of quality) Le Boufon, Italian Peasants-Mechel, Mlle Mechel after the manner of the Fausans

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Devil to Pay

Dance: III: Leonardi, Sga Bettini; IV: Grand Dance, as17441217

Performances

Mainpiece Title: The She Gallant Or Once A Lover And Always A Lover

Afterpiece Title: Three Hours after Marriage

Dance: Muilment, the Mechels

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Tragedy of Tragedies or The Life and Death of Tom Thumb the Great

Performances

Mainpiece Title: Theodosius Or The Force Of Love

Afterpiece Title: Hob in the Well

Dance: As17500926

Event Comment: Benefit Macklin. As 27 Nov. 1738. Tickets at Macklin's House, No. 12, Wild-Court, lif

Performances

Mainpiece Title: The Man Of Taste Or The Guardians

Afterpiece Title: The Mock Doctor

Song: III: The Noontide Air, as17390407; IV: Oh Happy Pair-Beard

Dance: II: Hungarian Dance, as17390424 V: Ball Dance, with a Minuet-Denoyer, Mrs Walter

Event Comment: Benefit Macklin. Afterpiece: Written by the Author of Pasquin. [Tickets at Macklin's House, No. 12, in Wild Court.

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Tragedy of Tragedies or The Life and Death of Tom Thumb the Great

Dance: I: Le Tambourine-Mlle Chateauneuf; II: Muilment; IV: Ballet-Desnoyer, Mlle Chateauneuf; with music by Martini-; V: Pierrots-Lalauze, Livier

Song: English Captain (as17400325-Beard

Performances

Mainpiece Title: The Committee

Afterpiece Title: Chrononhotonthologos Emperor of Queeramania

Song: I: A Ballad-Lowe; III: Bumper Squire Jones-Beard; IV: Elin@a@Roon (By Particular Desire)-Mrs Clive

Dance: II: Le Boufon, as17420325 V: The Drunken Peasant, as17411029

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Mock Doctor

Song: Beard, Lowe

Performances

Mainpiece Title: Henry Vii Or The Popish Imposter

Performances

Mainpiece Title: Othello Moor Of Venice

Afterpiece Title: The Devil to Pay

Song: Between the acts: Lowe, Mrs Mozeen