SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "MMrs Odell"/1) | (@(roleclean,performerclean) "MMrs Odell")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 84 matches on Event Comments, 6 matches on Author, 2 matches on Performance Comments, 1 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit Odell, formerly Proprietor of GF. N.B. Mr Odell humbly begs his Friends will pardon the many unavoidable delays [of his benefit]

Performances

Mainpiece Title: The Fatal Extravagance

Afterpiece Title: The Temple Rake

Dance:

Event Comment: DDaily Journal, 31 Dec.: Whereas a Cracker was thrown with an evil Intention into the New Theatre in Goodman's-Fields on Tuesday last...This is to certify, that Peace Officers are constantly attending to prevent all kinds of Disorders, and that whoever shall discover the Offender or Offenders above-mentioned, shall receive five Guineas reward from me the Master of the said House. December 31, 1729. Thomas Odell

Performances

Mainpiece Title: The Constant Couple

Dance: As17291220

Song: Mrs Mountfort, Miss Thornowets

Event Comment: Benefit R. Williams. Mainpiece: Not Acted these Twenty Years. On this day the Lord Mayor and the Court of Aldermen of the City presented a petition to the King seeking the suppression of the theatre in Goodman's Fields. Thomas Odell, Master of the Theatre, also appeared before His Majesty and sought royal leave to continue acting.--See Grub St. Journal, 7 May, for a summary of the events, but see also Weekly Journal or British Gazetteer and London Journal, 2 May

Performances

Mainpiece Title: The Man's Bewitch'd; Or, The Devil To Do About Her

Afterpiece Title: Harlequin Turn'd Dancing-Master

Dance: TThe White Joke (new)-Eaton

Event Comment: UUniversal Spectator, 27 June: Thomas Odell, Esq. Master of the New Theatre in Goodman's Fields, hath been at Windsor to obtain Leave to bring his Company of Comedians down thither to perform Plays during the Court's Stay at Windsor; and we hear that he hath succeeded therein

Performances

Event Comment: Benefit Mrs Morgan. Daily Post, 20 May: Mrs Morgan being disappointed in her first Benefit, Mr Odell and the Company have indulg'd her so far as to revive...Sophonisba...for her Benefit

Performances

Mainpiece Title: Sophonisba

Afterpiece Title: The Cobler of Preston

Event Comment: Benefit Miss Odell. At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: Tunbridge Walks; Or, The Yeoman Of Kent

Afterpiece Title: Damon and Phillida

Dance: Eaton, Miss Sandham

Event Comment: Benefit Mr Odell, formerly Master of Goodman's Fields Theatre. Mainpiece: Written by the late Mr Addison

Performances

Mainpiece Title: As 10 May, But Decius-boman

Afterpiece Title: An Old Man Taught Wisdom

Music: Select Pieces

Dance: I: English Maggot by Villeneuve and Mrs Walter. II: Drunken Peasant by Le Brun. In: Black and White Joak by Nivelon and Miss Mann. V: Amorous Swain, as17350327

Song: IV: As17350603

Event Comment: Benefit Mrs Odell

Performances

Mainpiece Title: The Unnatural Parents

Event Comment: Benefit Mr Odell, Formerly Proprietor of [GF]. Afterpiece: Written by Mr Carey

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Honest Yorkshireman

Dance: II: Richmond Maggot by Le Sac and Mrs Woodward. IV: Scot's Dance by Mrs Bullock

Song: V: In Italian by Mrs Chambers

Event Comment: By a Company of Comedians under the Direction of Mr Odell. At Common Prices. 6 P.M

Performances

Mainpiece Title: The Spanish Fryar

Dance: II: Grand Ballet by Castiglione and others. IV: Dance of Moors by Castiglione and others. V: A new Comic Dance called A Cortegiano by Castiglione

Event Comment: Benefit Odell, formerly Proprietor of Goodman's Playhouse. [Daily Advertiser has benefit postponed to 10 June, but probably not given then; see 30 Aug.]

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Lover His Own Rival

Event Comment: Benefit a Gentleman who has wrote for the Stage. [Since The Prodigal did not achieve a three-night run, Cibber may be giving Odell a benefit tonight.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The King and Miller of Mansfield

Music: Selected Pieces of Music-

Event Comment: Receipts: #200 7s. 6d. (Account Book). Mainpiece: With New Dresses and Decorations. [The first of a series of five performances (the last, Merchant of Venice, 18 Nov.) which got Macklin dismissed from the theatre until 1775, when his lawsuit against six persons whom he claimed formed a conspiracy to hiss him from the stage and ruin his livlihood was concluded favorably for him. His performance of Macbeth was favorably treated but with certain misgivings in the Morning Chronicle (25 Oct.), but he was mercilessly criticized in the London Evening Post and St James Chronicle: "In Act II, Sc. i, Shakespeare has made Macbeth murder Duncan; Now Mr Macklin, being determined to copy from no man, reversed this incident, and in the very first act, scene the second, murdered Macbeth." The favorable review (Morning Chronicle) thought he did well in first and last acts, but gave way to stage rant and "vehemence of energetic expression" wanting any variation in tone in between. It also pointed out a certain faulty memory of his lines. His novel stage effects came in for a paragraph of comment: The alterations in the jeux de theatre respecting the representation of this tragedy do Mr Macklin great credit. His change of the scenery is peculiarly characteristical. The Quadrangle of Macbeth's castle, and the door which is supposed to lead to Duncan's apartment (both of which are entirely new) are additions of consequence to the exhibition of the play. The door also through which Macbeth comes to the Weird Sisters, in the 4th act, is a better and more probable entrance than through the common stage portal. The dresses are new, elegant, and of a sort hitherto unknown to a London audience, but exceedingly proper. The Banquet was superbly set out, and it must be confessed that the managers seem to have spared neither cost nor assiduity to ornament and add to the effect of the representation." A favorable letter from a correspondent to the London Evening Post adds: "I must observe, Mr Printer, that from the graceful and characteristic manner in which Macbeth was introduced by the martial music and military procession, from the manner of M. Macklin's acting, from his judicious alteration of the dresses, the disposition of the scene where the King is killed, the cave of the witches in the 4th act, from the improvement of Mrs Hartley's thinking in Lady Macbeth and from her manner of speaking, which seemed plainly to be the effects of some intelligence she had received from Mr Macklin...I thought Mr Macklin deserv'd great praise." See the newspaper comments all gathered and reprinted in an Apology for the Conduct of Charles Macklin, (London, 1773). See also note to 30 Oct. See also London Chronicle, Oct. 23-26 (cf. Odell, I, 453). The Westminster Magazine suggests the performance was pitiable. "Macklin knew what he ought to do, but could not do it." The Scenemen's pay this week was about double the normal cost. (Account Book).] Verse Squibs from St James Chronicle (Oct. 1773) against Macklin: @Macbeth@"Eight Kings appear and pass over in order, and Banquo the last"@Old Quin, ere Fate suppressed his lab'ring breath@In studied accents grumbled out Macbeth:--@Next Garrick came, whose utt'rance truth impressed,@While ev'ry look the tyrant's guilt confess'd:--@Then the cold Sheridan half froze the part,@Yet what he lost by nature sav'd by art.@Tall Barry now advanc'd toward Birnam Woodv@Nor ill performed the scenes--he understood--@Grave Mossop next to Foris shaped his march@His words were minute guns, his action starch.@Rough Holland too--but pass his errors o'er@Nor blame the actor when the man's no more.@Then heavy Ross, assay'd the tragic frown,@But beef and pudding kept all meaning down:--@Next careless Smith, try'd on the Murd'rer's mask,@While o'er his tongue light tripp'd the hurried task:--@Hard Macklin, late, guilt's feelings strove to speak,@While sweats infernal drench'd his iron cheek;@Like Fielding's Kings [in Tom Thumb] his fancy'd triumphs past,@And all be boasts is, that he falls the last.@ Also from St James Chronicle:@The Witches, while living deluded Macbeth@And the Devil laid hold of his soul after death;@But to punish the Tyrant this would not content him,@So Macklin he sent on the stage to present him.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Thomasand Sally

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: Catherine and Petruchio

Afterpiece Title: Tell Truth and Shame the Devil

Performance Comment: Principal Characters-H. Johnston, Murray, Johnson, Mrs Litchfield. [Probable cast: Tom Holton-H. Johnston; +Whitely-Murray; +Semblance-Johnson (see George C. D. Odell, Annals of the New York Stage, 1927, I, 429); Susan-Mrs Litchfield. Text $T. and J. Swords, New York, 1797) lists the American cast.]

Song: End: Mad Tom-Betts (1st appearance on the stage); Young William-Incledon; The Golden Days-Munden; The Tight Little Island-Townsend; The Wind blew fresh and fair-Townsend

Music: End I 1st piece: Concerto Clarionet-Orsato (of the Theatre Royal Venice; 1st appearance in this Metropolis); a duetto solo by means of the Pression and Repercussion of the Air-Orsato This his curious Discovery has received the greatest Applause in most of the Courts