Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "MMrs Love"/1) | (@(roleclean,performerclean) "MMrs Love")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
3957 results for: Keyword - MMrs Love
We found 2768 matches on Performance Title, 988 matches on Performance Comments, 389 matches on Event Comments, 99 matches on Author, and 0 matches on Roles/Actors.

2901
08 March 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: First Love

Afterpiece Title: Blue Beard

2902
26 April 1798 @ King's Theatre

Performances

Mainpiece Title: Elfrida

Dance: End I: Peggy's Love composed by Didelot [with music by Bossi]-; Pas de Trois-Laborie, Mme Laborie, Mme Hilligsberg; End Opera: La Vengeance de l'Amour, as17980421

2903
28 April 1798 @ King's Theatre

Performances

Mainpiece Title: Il Matrimonio Segreto

Dance: End I: Peggy's Love, as17980426; End Opera: La Vengeance de l'Amour, as17980421

2904
01 May 1798 @ King's Theatre

Performances

Mainpiece Title: Il Matrimonio Segreto

Afterpiece Title: Il Capriccio Drammatico

Dance: End 1st piece: Peggy's Love, as17980428; End 2nd piece: La Vengeance de l'Amour, as17980324

2905
08 May 1798 @ King's Theatre

Performances

Mainpiece Title: Elfrida

Dance: End I: Peggy's Love, as17980428; End Opera: Constante et Alcidonis, as17980206

2906
19 May 1798 @ King's Theatre

Performances

Mainpiece Title: Elfrida

Dance: End I: Peggy's Love, as17980428; End Opera: Elisa, as17980515

2907
25 May 1798 @ Covent Garden

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Reformed in Time

Song: In course of Evening: The Bells of Aberdovy-Townsend; accompanied on the harp-Weippert; The Mid Watch-Incledon; The Beggar, in character,-Townsend; The Pledge of Love, as17980515; a favorite Comic Song-Fawcett

Entertainment: Imitations.An Exhibition of Theatrical Portraits-Townsend

2908
30 May 1798 @ Covent Garden

Event Comment: Benefit for Hull, Mrs Litchfield & Waddy. 1st piece [1st time; C 5, by Thomas Hull. Larpent MS 1215; not published]: Altered from [The Bashful Lover, by] Massinger. [In it the playbill assigns Hortensio to Pope, but he was ill, and in his "stead Johnston read the part of Hortensio" (European Magazine, June 1798, p. 396). Prologue by John Taylor Poems (I, 60).] Morning Herald, 29 May: Tickets to be had of Hull, Duke's Court, Dean's-yard, Westminster; of Mrs Litchfield, James-street, Covent-Garden; of Waddy, No. 214, opposite Southampton-street, High Holborn. Receipts: #261 2s. 6d. (53.9.6; 4.16.6; tickets: 202.16.6; of which Hull took #72 7s.; Mrs Litchfield #60 17s., Waddy #69 12s. 6d.)

Performances

Mainpiece Title: Disinterested Love

Afterpiece Title: Starboard Watch

Performance Comment: The Sailor's Carousal; or, Saturday Night at Sea As17980528, but added: The Medley of Lovers-Munden; Jack at the Windlass-_; Farewell to Old England dear Mary adieu-_.
Cast
Role: The Medley of Lovers Actor: Munden

Afterpiece Title: The Highland Reel

Cast
Role: Lovelace Actor: Claremont.

Entertainment: Monologue.Preceding 1st piece: a new Occasional Prologue-Holman

2909
11 June 1798 @ Covent Garden

Performances

Mainpiece Title: The Farmer

Afterpiece Title: The Child of Nature

Dance: End 1st piece: Peggy's Love- in which, by permission of the Proprietor of the Opera House, who has generously allowed Principal Dancers and Whole Corps de Ballet to appear, the following Ladies and Gentlemen will exert their well known Abilities:Laborie, Didelot, Mme Laborie, Mme Hilligsberg; End 2nd piece: La Vengeance d'Amour, in which the Pas de Quatre de Panurge-Laborie, Didelot, Mme Laborie, Mme Hilligsberg

2910
14 June 1798 @ King's Theatre

Performances

Mainpiece Title: Elfrida

Dance: End I: Peggy's Love, as17980428

Ballet: End Opera: Le Deserteur. composed by Gallet; Morning Chronicle, 18 June: Henry-Didelot; Louisa-Mme Laborie; Jenny-Mme Hilligsberg; Skirmish-Laborie

2911
16 June 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: First Love

Afterpiece Title: The Prize

2912
26 June 1798 @ King's Theatre

Performances

Mainpiece Title: Il Barbiere Di Siviglia

Dance: End I: Peggy's Love, as17980428; End Opera: Elisa- , as17980515, in which Mme Rose , who is greatly recovered from her late illness, will, at her own desire, resume her situation

2913
10 July 1798 @ King's Theatre

Performances

Mainpiece Title: Il Matrimonio Segreto

Afterpiece Title: Il Capriccio Drammatico

Dance: End 1st piece: Peggy's Love, as17980428; End 2nd piece: Ariadne et Bacchus, as17971216

2914
06 December 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: A Word For Nature

Afterpiece Title: The Shipwreck

Ballet: End: The Scotch Ghost; or, Little Fanny's Love. Jamie-Dubois; Glaude-Grimaldi; Saundy-Master Chatterley; Donald-Whitmell; The Lady of Dunblain-Mlle Parisot; Elpsa-Mrs Brooker; Fanny (with Hornpipe)-Sga Bossi DelCaro; Villagers-Roffey, Garman, Wells, Gauron, Goodman, Johnston, Bisan, Ms Brigg, Ms Byrne, Ms Daniels, Ms Vining, Ms Luciet, Ms Riches, Ms Drake

2915
08 December 1798 @ King's Theatre

Performances

Mainpiece Title: Medonte

Dance: End I: Peggy's Love-Didelot, Laborie, Mme Rose, Mme Laborie, Mlle J. Hilligsberg, Mme Hilligsberg; End Opera: Ariadne et Bacchus- [Performers not listed]

2916
11 December 1798 @ King's Theatre

Performances

Mainpiece Title: Medonte

Dance: I: Peggy's Love- [see17981208]; End Opera: Ariadne et Bacchus, as17981208

2917
15 January 1799 @ King's Theatre

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: Peggy's Love, as17981211; End Opera: Elisa, as17981226

2918
29 January 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: End I: Peggy's Love, as17981211; End Opera: Les Deux Jumelles; ou, La Meprise-["The pas de deux of Didelot and Rose was particulary admired, and Madames Laborie and Hilligsberg, who appeared as the Twin Sisters, were most happily successful" (Morning Chronicle, 30 Jan.)]

2919
29 June 1799 @ King's Theatre

Performances

Mainpiece Title: I Due Svizzeri

Afterpiece Title: La Serva Padrona

Dance: End: Peggy's Love, as17981211; End 2nd piece: Telemaque, as17990330

2920
02 December 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: The Will

Afterpiece Title: Blue Beard

Ballet: End: The Scotch Ghost; or, Little Fanny's Love. Jamie-Gheri (1st appearance); Glaude-Grimaldi; Saundy-Master Chatterley; Donald-Whitmell; Elpsa-Mrs Brooker; Fanny (with a Hornpipe)-Sga Bossi DelCaro

2921
21 January 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: The Stranger

Afterpiece Title: The Ring or Love Me for Myself

Music: As17991127

Dance: As17991127

2922
24 May 1800 @ Covent Garden

Performances

Mainpiece Title: Ramah Droog

Afterpiece Title: The Ghost

Afterpiece Title: The Poor Soldier

Song: In course of Evening: Love thou maddening Power-Mrs Trevor; Old Towler-Incledon

2923
26 November 1723 @ Dog Tavern

Performances

Mainpiece Title: Medley

Performance Comment: Valentine, Jeremy in Love for Love, Riot, Arabella in The Wife's Relief, The Humours of Hob in Country Wake, Ben, Prue in Love for Love, Sir Sampson, Angelica, Foresight in Love for Love, The Gravediggers in Hamlet, Prologue, Epilogue-Tony Aston.

Song:

Music: A fine forced Wind@Instrument-an Anonymous Person

2924
17 November 1794 @ Covent Garden

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Hercules and Omphale

Performance Comment: Morning Chronicle, 19 Nov., notes that the Principal parts-Incledon, Quick, Munden, Fawcett, Mrs Martyr, Mrs Mountain; Part I. The Piece commences with a View of Omphale's Palace; Omphale, Queen of Lydia, seated on her Throne, surrounded by Virgins--The Princes of Dacia and Mycoene send Ambassadors, each demanding her hand in marriage--then follows the Magnificent Entry of the Two Princes; Dacians: Dacian Soldiers bearing Spears, Trophies of Armour, Egyptians bearing Presents, Musician, Dacian Officers with Trophies, The Prince of Dacia borne in a Triumphal Car drawn by War-Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber (a monster with three heads) who had desolated the adjacent country, hearing the sound of horns, lays in wait for his prey--the rival Princes are seen passing thro' the trees--Omphale and her train appear returning from the Chace--The Princes retire and plan to seize her-Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force; nearly va quished he prays to Jupiter, when a Storm arises, thunder, lightning, hail, fire, and massey stones are seen to descend--Hercules gains the Mouth of the Cavern, and thus defends himself from the Storm and his Assailants--Screams are heard within the Cavern--the Prince of Dacia bearing off Omphale, the Prince of Mycoene forces her from him, and after slaying the Prince of Dacia, escapes with his conquest--the Tempest ceases--Hercules and Cacus come from the Cave, a Combat ensues, in which Hercules vanquishes the Robber--He then pursues the Prince of Mycoene, and is informed by Iolaus, that Omphale is shut up in the city of Mycoene--Catapultas, Battering Rams, are prepared, and the Scene changes to The Town and Fortifications of Mycoene. Hercules at the head of his Army summons it to surrender--the Prince brings Omphale on the Battlements bound in Chains-The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Cast
Role: the Prince brings Omphale on the Battlements bound Actor: The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Role: She implores him to inspire the breast of Hercules Actor: Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.

2925
23 October 1767 @ Drury Lane Theatre

Performances

Mainpiece Title: The London Merchant Or The History Of George Barnwell

Afterpiece Title: A Peep behind the Curtain or The New Rehearsal

Performance Comment: Parts by King, Vernon, Dodd, Love, Aickin, J. Palmer, Johnston, Hartry, Fox, Packer, Moody, Bannister, Parsons, Kear, Strange, Mrs Bradshaw, Mrs Arne, Mrs Love, Miss Pope, Mrs Clive; With a Prologue-; Address to the Town by the way of Epilogue-; Glib-King; Sir Toby Fuz-Love; Sir Macaroni Virtue-Dodd; Wilson-J. Palmer; Mervin-Aickin; Patent-Packer; Hopkins the Prompter-Bannister; Saunders the Carpenter-Moody; Johnston the housekeeper-Johnston; Lady Fuz-Mrs Clive; Miss Fuz-Miss Pope; Sweepers-Mrs Bradshaw, Mrs Love; Characters in the Burletta: Orpheus-Vernon; Old Shepherd-Dodd; Shepherd Chorus-Parsons, Hartry; Rhodope-Mrs Arne (Genest, V, 158).
Cast
Role: Sir Toby Fuz Actor: Love
Role: Sweepers Actor: Mrs Bradshaw, Mrs Love