SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "MMrs Horton"/1) | (@(roleclean,performerclean) "MMrs Horton")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 836 matches on Performance Comments, 108 matches on Event Comments, 1 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Performance Comment: Carlos-Delane; Duart-Ryan; Antonio-Dunstall; Charino-Collins; Governor-Sparks; Manuel-Ridout; Choleric-Arthur; Monsieur-Bencraft; Sancho-Cushing; Angelina-Mrs Barrington; Honoria-Miss Haughton; Louisa-Mrs Horton; Elvira-Mrs Vincent; Clodio-Dyer.
Cast
Role: Louisa Actor: Mrs Horton

Afterpiece Title: Perseus and Andromeda

Performances

Mainpiece Title: Lady Jane Gray

Performance Comment: Lady Jane-Mrs Woffington; Dudley-Ryan; Northumberland-Sparks; Pembroke-Delane; Suffolk-Ridout; Sussex-Anderson; Dutchess of Suffolk-Mrs Horton; Gardiner-Quin.

Afterpiece Title: Perseus and Andromeda

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Performance Comment: Essex-Lee; Burleigh-Sparks; Southampton-Ridout; Raleigh-Anderson; Rutland-Mrs Vincent; Nottingham-Mrs Ridout; Queen Elizabeth-Mrs Horton.
Cast
Role: Queen Elizabeth Actor: Mrs Horton.

Afterpiece Title: Perseus and Andromeda

Performances

Mainpiece Title: The Non Juror

Performance Comment: Non Juror-Sparks; Sir John Woodvil-Ridout; Col. Woodvil-Dyer; Heartly-Lee; Charles-Lacey; Lady Woodvil-Mrs Horton; Maria-Mrs Woffington.
Cast
Role: Lady Woodvil Actor: Mrs Horton

Afterpiece Title: Perseus and Andromeda

Performances

Mainpiece Title: King Henry V

Performance Comment: Henry-Delane; Exeter-Ridout; Canterbury-Sparks; English Soldier-Bransby; France-Gibson; Dauphin-Lee; Constable-Bridgewater; Burgundy-Lacey; Queen of France-Mrs Horton; Katherine-Mrs Barrington; Hostess-Mrs Bambridge; Fluellen-Arthur; Pistol-Dyer; Chorus (after the manner of the Ancients)-Ryan.
Cast
Role: Queen of France Actor: Mrs Horton

Afterpiece Title: Perseus and Andromeda

Performances

Mainpiece Title: Theodosius; Or, The Force Of Love

Performance Comment: Theodosius-Ryan; Varanes-Delane; Marcian-Sparkes; Leontine-Bridgwater; Atticus-Marten; Aranthes-Ridout; Lucius-Anderson; Pulcheria-Mrs Horton; Athenais-Miss Bellamy.
Cast
Role: Pulcheria Actor: Mrs Horton

Afterpiece Title: Perseus and Andromeda

Dance: As17500201

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Performance Comment: Hardy-Delane; Camply-Lee; Lord Brumpton-Gibson; Trusty-Bridgwater; Cabinet-Anderson; Puzzle-Marten; Tom-Collins; Page-Miss Mullart; Sable-Arthur; Bumkin-Barrington; Swagger-Dunstall; Ragg-Bennet; Tatter-Bencraft; Clump-Atkins; Kate Matchlock-Stoppelaer; Trim-Dyer; Lady Harriet-Mrs Vincent; Lady Charlotte-Mrs Barrington; Mrs Fardingale-Mrs Dunstall; Mlle D'epingle-Miss Morrison; Lady Brumpton-Mrs Horton.
Cast
Role: Lady Brumpton Actor: Mrs Horton.

Afterpiece Title: The Fair

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Lee; Escalus-Bransby; Capulet-Sparks; Paris-Anderson; Benvolio-Gibson; Tibalt-Lacey; Friar Lawrence-Ridout; Montagu-Bridgwater; Old Capulet-Redman; Gregory-Arthur; Sampson-Collins; Balthasar-Cushing; Abram-Dunstall; Mercutio-Dyer; Lady Capulet-Mrs Horton; Nurse-Mrs Dunstall; Juliet-Miss Bellamy; Masquerade Dance-Jossett, Jardin.
Cast
Role: Lady Capulet Actor: Mrs Horton

Afterpiece Title: The Fair

Performances

Mainpiece Title: Virtue Betrayed; Or, Anna Bullen

Performance Comment: King Henry-Quin; Wolsey-Ryan; Piercy-Delane; Rochford-Ridout; Northumberland-Sparks; Lady Diana Talbot-Mrs Vincent; Lady Elizabeth Blunt-Mrs Horton; Young Princess Elizabeth-Miss Mullart; Anna Bullen-Mrs Woffington.

Afterpiece Title: The Stage Coach

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scots

Performance Comment: Queen Elizabeth-Mrs Horton; Norfolk-Ryan; Davison-Ridout; Morton-Bridgwater; Cecil-Arthur; Gifford-Gibson; Dowglass-Mrs Vincent; Mary, Queen of Scots-Mrs Woffington, 1st time.
Cast
Role: Queen Elizabeth Actor: Mrs Horton

Afterpiece Title: The Maid of the Mill; or, The Country Revels

Afterpiece Title: Judgment of Paris

Performances

Mainpiece Title: The Town Before You

Performance Comment: Characters-Lewis, Quick, Holman, Pope, Munden, Fawcett, Bernard, Hull, Powel, Miss Wallis, Mrs Mattocks, Mrs Martyr, Miss Chapman, Miss Hopkins, Mrs Platt, Mrs Pope. Cast from text (T. N. Longman, 1795), and London Chronicle, 9 Dec.: Tippy-Lewis; Sir Robert Floyer-Quick; Conway-Holman; Asgill-Pope; Humphrey-Munden; Fancourt-Fawcett; Acid-Bernard; Perkins-Hull; Sir Simon Asgill-Powel; Slopseller-Thompson; Buckram-Williamson; Holdfast-Cross; Sir Robert's Servant-Simmons; Georgina-Miss Wallis; Mrs Fancourt-Mrs Mattocks; Jenny-Mrs Martyr; Lady Charlotte-Miss Chapman; Lady Elizabeth-Miss Hopkins; Mrs Clement-Mrs Platt; Lady Horatia Horton-Mrs Pope; Mrs Bullrush-Miss Stuart; Lady Horatia's Servant-Miss Leserve; Prologue-Mrs Mattocks; Epilogue-Miss Wallis.
Cast
Role: Lady Horatia Horton Actor: Mrs Pope

Afterpiece Title: Netley Abbey

Performances

Mainpiece Title: The Telegraph

Performance Comment: ; or, A New Way of Knowing Things. Characters by Quick, Powel, Haymes, Rock, Farley, Thompson, Abbot, Davenport, Fawcett, Miss Hopkins, Miss Stuart, Mrs Davenport. [Cast from text (J. Downes, 1795): Sir Peter Curious-Quick; Deputy Feedwell-Powel; Major O'Donelly-Haymes; Cook-Rock; Drama-Farley; Coachman-Thompson; Servant-Abbot; Butler-Davenport; Fertile-Fawcett; Gardener-Wilde; Hostler-Horton [recte Burton]; Footman-Blurton; Emily-Miss Hopkins; Edging-Miss Stuart; Lady Curious-Mrs Davenport; Housekeeper-Mrs Platt; Maid-Miss Leserve.
Cast
Role: Hostler Actor: Horton

Afterpiece Title: The Comedy of Errors

Afterpiece Title: The Miser

Afterpiece Title: The Devil to Pay

Song: III 2nd piece: song in character-Mrs Clendining

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Cibber; Henry VI-Wilks; Buckingham-Mills; Queen-Mrs Porter. Edition of 1718 adds: Prince Edward-$Norris Jr; Duke of York-$Miss Lindar; Richmond-$Ryan; Norfolk-$Boman Sr; Ratcliff-$Oates; Catesby-$Diggs; Tressel-$W. Wilks; Oxford-$Boman Jr; Lieutenant-$Quin; Blunt-$Wright; Lord Mayor-$Miller; Tyrrel-$Weller; Forrest-$Wilson; Dighton-$Higginson; Lady Anne-$Mrs Horton; Duchess of York-$Mrs Baker.
Cast
Role: Lady Anne Actor: Mrs Horton
Event Comment: Benefit Mrs Horton

Performances

Mainpiece Title: Love Makes A Man

Dance: Shaw, Topham, Mrs Santlow, Mrs Bicknell, Miss Lindar

Event Comment: Benefit Mrs Horton. Mainpiece: Written by Shakespear

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Loves of Mars and Venus

Event Comment: DDaily Advertiser, 30 May: We hear that Mr Cibber, Jun. one of the present Directors of his Majesty's Company of Comedians together with Mr Mills, Sen Mr Johnson, Mr Miller, Mr Harper, Mr Griffin, Mr Mills, jun. Mr Shepard, Mr Hallam, jun. Mrs Horton, Mrs Heron, Mrs Butler, and others of the Company, waited Yesterday on his Grace the Duke of Grafton...to deliver...an humble Petition, and they met with gracious Reception

Performances

Mainpiece Title: The Tempest

Performances

Mainpiece Title: Henry Iv, Part Ii

Performance Comment: As17340418 but Humphrey and Justice omitted. Prologue by Cibber. Epilogue by Mrs Horton .

Dance: I: Irish Trot by Young Master Oates. II: A new Comic Dance by Master Oates and Miss Oates Jr. V: Grand Dance of Momus, as17340426

Song: The usual Songs, adapted to the Subject of Masonry. II: The Enter'd Prentice's Song. IV: On, On, my dear Brethren. V: Let Matrimony be now my Theme

Performances

Mainpiece Title: The Double Deceit

Performance Comment: Parts by Ryan, Hippisley, Walker, A. Hallam, Chapman, Neale, Mrs Horton, Miss Bincks, Mrs Buchanan, Mrs Stevens, Mrs Mullart, Mrs Templer, Mrs Kilby, Mrs Martin .

Dance: Tambourine by Glover and Miss Rogers. Comic Ballet by Lalauze, Mlle d'Hervigni, &c. French Peasant by Tench and Miss Rogers. Scot's Dance by Glover, Miss Rogers, Desse, Mrs Ogden, Tench, Mlle Delorme

Event Comment: LLondon Daily Post and General Advertiser, 15 Sept.: [cg] is new painted and decorated, and will be open'd on Friday next...the Report of Mr Cibber and Mrs Horton being engag'd to another Theatre, is entirely without Foundation: That Company would have begun acting sooner, but for the finishing of a large additional Building, which is now cover'd in, whereby they will, on some Occasions, be enabled to add near 70 Feet to the Length of the Stage, which was before the longest in England, but will now exceed in Depth, any Theatre in Europe

Performances

Event Comment: t foot of Bill]: Whenever a Pantomime or Farce shall be advertised, the advanced prices shall be returned to those who do not choose to stay; and on Thursday next will be published the Manager's reasons for his conduct in the present dispute. Winston MS.: Fleetwood, the manager, and servants driven from doors & all rushed in. Genest, IV, 137-38: A country gentleman was taken from an upper box and carried before a magistrate. This step when known by the audience occasioned much mischief. Acting the play not allowed. General Advertiser, 22 Nov.: An Address to the Public, dl Theatre 20 November. As the extraordinary disturbances which have lately happened at this theatre greatly affect the diversions of the publick, as well as the property of the manager, he thinks it incumbent on him to justify his conduct by giving a fair statement of the case....The reasons of complaint assigned, he apprehends, are the exhibition of Pantomimes, Advanced Prices, and Insults on the audience--as to the first, he submits it to be considered that however distasteful such pieces may be to the delicacy of some judgments, yet there are others to whose taste they are suited; as the playhouse may be considered as the general mart of pleasure, it is only from the variety of entertainment, the different tastes of the public can be supplied--of this the receipts of the house are a sufficient evidence, it being notorius, how necessary the addition of such pieces is towards procuring the best play a numerous audience. With regard to the advanced prices, the Manager hoped he should in some measure be justified by the great increase of the charges of the theatre which, notwithstanding any reduction that has been made, are still at least a fourth part greater than usual--but as in this point he has already submitted, he conceives it can no longer remain the subject of their displeasure, especially as by an advertisement handed about the theatre it was said that every objection would cease, when the manager consented to return the advanced prices to those, who did not choose to be tortured with entertainments. As to insults on the audience...last week upon some persons flinging the sconces and candles on the stage a quarrel arose, in the confusion of which a Gentleman was secured, but by whom the Manager knows not, nor ever gave any order, or was any acquainted with the affair till after he was discharged, for the truth of which he refers to the affidavit annexed. As to the accusation of several bruisers (as they are termed) being employed on Saturday night to insult Gentlemen, the Manager declares, that there was none but the Peace Officers, Carpenters, and Scene-men (which on account of the Entertainments are very numerous) and other servants belonging to the theatre; nor did they appear till urged by the tumult, by tearing up benches and threat'ning to come on the stage and demolish the scenes; nor could the Manager apprehend this legal precaution to prevent mischief and defend his property would ever be construed as an infringement on the liberty of an audience, especially when it is considered, what great damages he sustained some years ago on an attempt of the like nature--if any such persons appeared in the pit, the Manager presumes, they must have come in with the multitude, after his doorkeepers were drove from their posts, and the house was open to all; which was evident from several hundred persons more being present at the disturbance than were at the performance that night, who then came to a determination to prevent any performance on the Monday. After this impartial account of his conduct, the manager appeals to the judgment of the publick what foundation he has given for the outrageous disturbance on Monday night; and cannot help thinking, the real injuries he has sustained, too severe a punishment for an imaginary offence, having lost several hundred pounds already, by people being terrified from frequenting the theatre. A total exclusion is now insisted on, the Manager to resign his property, the Publick to be deprived of their diversions and the players of their subsistence; And all this after every concession, becoming one gentleman to ask, or another to make, has been submitted to. [Affidavit of Constable followed. See Genest, IV, 139-40.] The following three pamphlets came out expressing points of view concerning Fleetwood and his policy and management: I. The Disputes between the Director of d.l. and the Pit Potentates, 20 Nov. As a Letter to a Friend it tells the resolution: not to have old Pantomimes (so execrably bad that they were damn'd when new) imposed on them, unless the manager would take no more than common prices; reports how Fleetwood stocked the pit with Men of doughty valor...disguised in the habits of Gentlemen, to throw out all who protested; protests the system of casting employed whereby 2nd rate actors appeared in good parts; discusses hardship cases of certain actors (Mrs Roberts, Mrs Horton, Mrs Mills) and asks why Theophilus Cibber is not on the stage. 2. An Impartial Examen of the Present Contests, by Mr Neitherside, 1744: harks back to Fleetwood's finacial policies of the previous year, deploring his relations with the actors and with manager of cg; scourges him for miscasting his plays around one prominent actor, rather than giving a balanced performance; deplores his paying Mrs Cibber, Mrs Clive so much; revives the 1743 dispute which led to secession; dislikes the casting for 2 Nov. of Love's Last Shift; suggests better casts for many plays; scores the Licensing Act for reducing players to slavery; hopes for resumption of balanced performances. 3. Stage Policy Detected, or some Selcet Pieces of Theatrical Secret History Laid Open, in a Letter to a Certain Manager, 1744: takes apart Fleetwood's Defense, statement by statement, giving him the lie at each point. Suggests the real money from the house comes from Pit and Box, which are protesting his pantomimes; shows full attendance at Rehearsal and Macbeth with no afterpieces. Especially dislikes the hired bruisers, and the cast of the Alchemist for 6 Nov

Performances

Mainpiece Title: The Provoked Wife

Dance: Muilment

Event Comment: Benefit for Cibber. Mainpiece. Reviv'd, not acted these 4 years [see 1 March 1746]. Afterpiece: Taken from the French of Dancourt, a Ballad Opera, performed by particular desire. Tomorrow, The Jubilee, for Benefit of Mrs Horton. [Baker, Biographia Dramatica, lists the afterpiece as written by James Wilder, taken from Dancourt. Cibber had announced (General Advertiser, 27 Feb.) for his benefit The Man of Mode, with Pasquin, with Alterations. In which would be performed The Rehearsal of a Comedy call'd The Election; or, Bribes on Both Sides, by the Author of Tom Jones.

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Afterpiece Title: The Gentleman Gardiner

Dance: Mr J. Granier, J. Granier's sister

Event Comment: Benefit for Mrs Horton. Last time of the Company's performing

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The King and the Miller of Mansfield

Dance: IV: Country Amusements-; Devisse, Mlle Auretti

Event Comment: A Gratis Play. This is put for ye Benefit of Mrs Horton, an old Actress who has left ye Stage some Years, but Mr Morgan (an old Actor) is to have a third of it (Cross). No building on Stage. None behind Scenes. No money returned after Curtain is up. Receipts: #89 (Cross)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Lethe

Dance: The last New Comic Dance,The Indian Peasants, as17560515

Song: Beard

Event Comment: Account-Book: Tickets delivered by Mrs Maxwell, Miss Briggs, Miss Clarke, Mrs Horton alias Hedges will be admitted. Receipts: #129 4s. 6d. (92.12.0; 35.1.0; 1.11.6; tickets: none listed)

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: The Smugglers