SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "MMr Ross"/1) | (@(roleclean,performerclean) "MMr Ross")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 479 matches on Performance Comments, 162 matches on Event Comments, 28 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. No Persons to be admitted behind the scenes, nor any money returned after the Curtain is Drawn up. Places for the boxes to be had (only) of Mr Sarjant at the Stage Door. The Doors to be opened at Five o'clock. To begin exactly at Six o'clock. Vivant Rex & Regina! [Customary note for each bill. Only significant changes will be further noted. The company was weakened by the loss of Woodward (see 23 Oct.) who accompanied Foote to Edinburgh, and of Mrs Bellamy who was not engaged. Miss Catley, however, returned from Ireland after an absence of 9 years. And Ross returned after four years.

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Chaplet

Dance: The Dutch Milkmaid-Mas. Burton, Miss Besford. [See17691111.

Event Comment: Mainpiece: A Tragedy [by Hugh Kelly] never perform'd. The performance of Mrs Yates alone could have counteracted, for nine nights, its natural tendency towards damnation....A gentleman being asked, after one of the representations of this play, if he did not hiss it, replied "How could I? A Man can't hiss and yawn at the same time." (Biographia Dramatica.) [The advertisement to the 1771 edition thanks Mrs Yates, Bensley, Wroughton, "for their great good nature in undertaking their respective characters at the short notice of a week, when Mr Ross unexpectedly returned the part of Anselmo, which had been in his possession above a fortnight." This circumstance, continues the advertisement oblig'd Mr Bensley, cast for Palermo to undertake Mr Savigny's part, orginally Granville, Savigny taking Anselmo, and Wroughton Palermo." The play was brought on anonymously to avoid political repercussions associated with the name of the author.

Performances

Mainpiece Title: Clementina

Afterpiece Title: Thomasand Sally

Event Comment: [The first payroll of the season was met this night. It includes 91 actors, actresses and dancers, plus 36 named servants to the theatre and 4 groups (women dressers, charwomen, guards, and barbers). The pay period covered was for 3 days. It came to #168 2s. 6d. The highest paid actor for this period was Ross at #8 5s.; the highest paid actress, Mrs Yates at #8 6s. 6d.; the highest paid dancer, Fichar at #3. The lowest paid in each category were: actors: C. Smith and Hollingsworth at 7s. 6d. apiece; actresses, 11 who receiv'd 10s. each (Mrs Ferguson, Evans, White, Allen, Cockayne, &c.); Dancers: 11 who receiv'd 15s. apiece (male) and 2 (female) who receiv'd 12s. 6d. apiece. The highest paid servant listed was Stables at 15s., and the lowest the charwomen.

Performances

Mainpiece Title: None

Event Comment: Mrs Hunt Rosetta pretty well receiv'd (Hopkins Diary). Afterpiece: By Desire. Paid Half a year's water, to Midsummer last #2 19s. 6d.; Paid Mr Roberts (shoemaker) #5 3s.; Mrs Ross for women's cloaths #12 12s. (Treasurer's Book). Receipts: #195 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Mayor of Garratt

Dance: II: The Sailors Revels-Atkins

Event Comment: By Command of their Majesties. Performed as an Oratorio, though only a Serenata. Words by Gay...set to music by Mr Handel for that princely nobleman the Duke of Chandos...This being too short for a whole evening's entertainment, Mr Dryden's celebrated Ode, also set by Handel, was performed after the Serenata. End of Part I Concerto on French Horn, by Ponta. End of Part II, Solo on Violincello-Janson (Theatrical Review, 18 March). Ross and Mossop engag'd for Haymarket for tragedy, also Bannister; Aickin, Baddeley, Parsons, Dibdin, Mrs Baddeley, Evans, Miss Miller, Miss Ambrose &c. (Winston MS 10). [For Summer season?]

Performances

Mainpiece Title: Acis And Galatea, With Dryden's Ode

Music: End Part I: Concerto on French Horn-Ponta; End Act II: Concerto on Violincello-Janson

Event Comment: G[arrick] This Night was advertis'd for Mr Barry's Benefit but he being ill his Benefit was deferr'd (Hopkins Diary). Garrick is removed from Southampton St. to Adelphi Terrace (Winston MS 10). This day is publish'd Theatrical Biography; or, Memoirs of the principal performers of the three Theatres Royal. Drury Lane: Garrick, Barry, Reddish, Aickin, King, Moody, Dodd, Love, Vernon, Parsons, Baddeley, Mrs Barry, Mrs Abington, Miss Younger, Miss Hayward, Mrs Baddeley, Miss Pope, Mrs Egerton, Mrs W. Barry and Mrs Jefferson. Covent Garden: Ross, Smith, Savigny, Woodward, Yates, Shuter, Bensley, Dyer, Mattocks, Clark, Mrs Yates, Mrs Mattocks, Miss Macklin, Mrs Bulkley, Mrs Green, and Mrs Thompson. Haymarket: Foote, Weston, Aikin, Didier, Davies, Mrs Gardner, Mrs Jewell, and Mrs Didier. Together with critical and impartial remarks on their respective professional merits. Printed for S. Bladon. Receipts: #265 18s. (Treasurer's Book)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Lyar

Dance: V: The Sailors Revels, as17711008

Event Comment: [Maria Macklin in a MS letter to her father this date (See dl 1 Feb. 73) complains that Elfrida alone drew houses at cg this season, and that even that play failed to fill the galleries; that Colman was difficult to see; that Younger carried on all the business of the theatre, everyone kowtowing to him: "Savigny has been discharged from the theatre; Ross has been laid up all the winter with the Gout, and has lately played Lear to a thin house. The Town is big with expectation of Foote's Puppet Show."] Receipts: #166 6s

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Harlequin Sorcerer

Event Comment: Benefit for Miss Macklin. Each piece for only time this season. [But see 24 May.] Part of Pit will be laid in Boxes. Mainpiece: By Particular Desire. Charges #64 10s. Profit to Miss Macklin #87 10s. 6d., plus #131 from 524 Box and Pit tickets sold at Box prices (Account Book). [The payroll this night is the highest for the season, #613 11s., due largely to the fact that Ross appears on it for what seems to be a whole season's pay in one sum: #255 15s.] Receipts: #152 6s

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love-a-La-Mode

Dance: II: Minuet-Fishar, Miss Macklin; IV: The Bird Catchers, as17721207; End: A Double Hornpipe, as17730218

Event Comment: Receipts: #200 7s. 6d. (Account Book). Mainpiece: With New Dresses and Decorations. [The first of a series of five performances (the last, Merchant of Venice, 18 Nov.) which got Macklin dismissed from the theatre until 1775, when his lawsuit against six persons whom he claimed formed a conspiracy to hiss him from the stage and ruin his livlihood was concluded favorably for him. His performance of Macbeth was favorably treated but with certain misgivings in the Morning Chronicle (25 Oct.), but he was mercilessly criticized in the London Evening Post and St James Chronicle: "In Act II, Sc. i, Shakespeare has made Macbeth murder Duncan; Now Mr Macklin, being determined to copy from no man, reversed this incident, and in the very first act, scene the second, murdered Macbeth." The favorable review (Morning Chronicle) thought he did well in first and last acts, but gave way to stage rant and "vehemence of energetic expression" wanting any variation in tone in between. It also pointed out a certain faulty memory of his lines. His novel stage effects came in for a paragraph of comment: The alterations in the jeux de theatre respecting the representation of this tragedy do Mr Macklin great credit. His change of the scenery is peculiarly characteristical. The Quadrangle of Macbeth's castle, and the door which is supposed to lead to Duncan's apartment (both of which are entirely new) are additions of consequence to the exhibition of the play. The door also through which Macbeth comes to the Weird Sisters, in the 4th act, is a better and more probable entrance than through the common stage portal. The dresses are new, elegant, and of a sort hitherto unknown to a London audience, but exceedingly proper. The Banquet was superbly set out, and it must be confessed that the managers seem to have spared neither cost nor assiduity to ornament and add to the effect of the representation." A favorable letter from a correspondent to the London Evening Post adds: "I must observe, Mr Printer, that from the graceful and characteristic manner in which Macbeth was introduced by the martial music and military procession, from the manner of M. Macklin's acting, from his judicious alteration of the dresses, the disposition of the scene where the King is killed, the cave of the witches in the 4th act, from the improvement of Mrs Hartley's thinking in Lady Macbeth and from her manner of speaking, which seemed plainly to be the effects of some intelligence she had received from Mr Macklin...I thought Mr Macklin deserv'd great praise." See the newspaper comments all gathered and reprinted in an Apology for the Conduct of Charles Macklin, (London, 1773). See also note to 30 Oct. See also London Chronicle, Oct. 23-26 (cf. Odell, I, 453). The Westminster Magazine suggests the performance was pitiable. "Macklin knew what he ought to do, but could not do it." The Scenemen's pay this week was about double the normal cost. (Account Book).] Verse Squibs from St James Chronicle (Oct. 1773) against Macklin: @Macbeth@"Eight Kings appear and pass over in order, and Banquo the last"@Old Quin, ere Fate suppressed his lab'ring breath@In studied accents grumbled out Macbeth:--@Next Garrick came, whose utt'rance truth impressed,@While ev'ry look the tyrant's guilt confess'd:--@Then the cold Sheridan half froze the part,@Yet what he lost by nature sav'd by art.@Tall Barry now advanc'd toward Birnam Woodv@Nor ill performed the scenes--he understood--@Grave Mossop next to Foris shaped his march@His words were minute guns, his action starch.@Rough Holland too--but pass his errors o'er@Nor blame the actor when the man's no more.@Then heavy Ross, assay'd the tragic frown,@But beef and pudding kept all meaning down:--@Next careless Smith, try'd on the Murd'rer's mask,@While o'er his tongue light tripp'd the hurried task:--@Hard Macklin, late, guilt's feelings strove to speak,@While sweats infernal drench'd his iron cheek;@Like Fielding's Kings [in Tom Thumb] his fancy'd triumphs past,@And all be boasts is, that he falls the last.@ Also from St James Chronicle:@The Witches, while living deluded Macbeth@And the Devil laid hold of his soul after death;@But to punish the Tyrant this would not content him,@So Macklin he sent on the stage to present him.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Thomasand Sally

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Orpheus and Eurydice

Performance Comment: As17751013, but Dances-Miss Ross; concluding Scene described as a Representation of +Ranelagh Gardens on the night of the Regatta-.
Cast
Role: Dances Actor: Miss Ross

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Commissary

Dance: End Opera: A New Comic Dance (Never Performed)-Dagueville, Sga Vidini, Mas. Holland, Harris, Miss Mathews, Miss Ross, etc

Performance Comment: Holland, Harris, Miss Mathews, Miss Ross, etc.

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Miss in Her Teens

Dance: End Opera: a New Comic Dance call'd La Soiree A@la@mode-Dagueville, Sga Vidini, Mas. Holland, Harris, Miss Ross, a girl only 5 years old, scholar to Dagueville

Performance Comment: Holland, Harris, Miss Ross, a girl only 5 years old, scholar to Dagueville.
Event Comment: By Permission of the Lord Chamberlain. Benefit for Digges. Mainpiece: Never acted here. [Barry had acted King Lear at this theatre on 15 July 1767, and Ross on 18 June 1770.] Afterpiece: Altered into 3 acts

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Gentle Shepherd

Music: Afterpiece: With the Scots Musick incidental to the Piece-

Performances

Mainpiece Title: Douglas

Afterpiece Title: A Musical Olio

Performance Comment: SCENE I. A Chamber. A favourite Song (composed by Dr Arnold)-Miss Leak; SCENE II. The Sea Shore. Ye Gentlemen of England (composed by Callcott)-Sedgwick, Dignum, Mrs Bland; SCENE III. A Village. A new Song (composed by Ross)-Master Welsh.

Afterpiece Title: The Pannel

Event Comment: Tickets delivered for this Evening [Account-Book: by Stokes, Massingham, Massingham Jun., Gray, Cole, Hough, Tice, Calkin, Ross, Thompson, Fosbrook, Faux, Gillis, Waters, Perry, Chumbley, Powell, Appleby, Chatterley, Roffey, Henderson, Phillips, Master Gregson, Mrs Scott] will be admitted. Receipts: #623 14s. 6d. (64.11.6; 26.2.0; 9.19.6; tickets: 523.1.6)

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Adopted Child

Event Comment: [Account-Book: Tickets delivered by Appleby, Bennett, Calkin, Chumbley, Caton, Cawston, Dale Jun.; Fosbrook (door-keeper), Gray, Faux, Humphries, Hough, Massingham Sen., Massingham Jun., Pilsbury, Perry, Powell, Ross, Thompson, Tice, Waterer will be admitted.] The Last Time of the Company's Performing this Season. Receipts: #106 16s. (59.1.0; 28.6.6; 11.18.6; tickets: none listed; odd money: 7.10.0)

Performances

Mainpiece Title: Mahmoud

Afterpiece Title: The Deaf Lover

Event Comment: Tickets delivered for this Evening [by Bennett, Calkin, Chumbley, Caton, Cawston, Fosbrook, Faux, Massingham, Maddocks, Perry, Purser, Ross, Sherwood, Stevens, Tice, Waterer (Account-Book)] will be admitted. Receipts: #315 1s. (19.9; 23.7; 1.5; tickets: 271.0)

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Prize

Event Comment: Account-Book: Tickets delivered by Calkin, Edmonds, Gorman, Gooding, Humphries, Henderson, Jacobs, Marks, Massingham Jun., Perry, Ross, Scott, Waterer will be admitted. Receipts: #40 7s. (18.11.0; 19.11.6; 2.4.6; tickets: none listed)

Performances

Mainpiece Title: First Love

Afterpiece Title: The Prize

Event Comment: Mainpiece: In IV a Masquerade Scene. [Account-Book: Tickets delivered by Bentley, Bynam, Dale, Edmonds, Faux, Fisher, Gregson, Gaurion, Kent, Munday, Ross, Robson, Robinson, Smith, Sherwood, Stevens, Townsend, Webb, Whitmell, Wyber, Wells, Wyatt, Waterer, Mrs Byrne will be admitted.] Receipts: #31 14s. (8.11.0; 13.16.6; 0.7.0; odd money: 8.19.6; tickets: none listed)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Virgin Unmask'd

Event Comment: Account-Book: Tickets delivered by Appleby, Briggs, Benson, Byrne, Bynam, Dale, Doyle, Edmonds, Faux, Garbutt, Gregson, Gauron, Henderson, Kent, Powell, Perry, Rhodes, Ross, Robson, Robinson, Smith, Sherwood, Stevens, Townsend, Williams, Whitmell, Wyler will be admitted. Receipts: #49 7s. (25.17; 20.3; 3.7; tickets: none listed)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: Of Age To-morrow

Ballet: End: The Scotch Ghost. As18000612