SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "MMr Love"/1) | (@(roleclean,performerclean) "MMr Love")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2769 matches on Performance Title, 988 matches on Performance Comments, 422 matches on Event Comments, 99 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Clandestine Marriage

Cast
Role: Sterling Actor: Love
Role: Lovewell Actor: Cautherley

Afterpiece Title: The Hermit

Related Works
Related Work: The Hermit; or, Harlequin at Rhodes Author(s): James Love

Performances

Mainpiece Title: The Way To Keep Him

Cast
Role: Lovemore Actor: Holland
Role: Mrs Lovemore Actor: Mrs Palmer, 1st time

Afterpiece Title: The Hermit

Related Works
Related Work: The Hermit; or, Harlequin at Rhodes Author(s): James Love

Dance: End: The Medley, as17680416

Entertainment: End: Mr King for that night only will entertain the Audience with a Picture of the Playhouse, or Bucks Have at Ye All-Mr King

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Hermit; or, Harlequin at Rhodes

Related Works
Related Work: The Hermit; or, Harlequin at Rhodes Author(s): James Love

Dance: I: The Wake, as17680929

Entertainment: End of Opera: King (for that night only) will present the Audience with a Comic Paraphrase-King on Shakespeare's The Seven Ages

Performances

Mainpiece Title: False Delicacy

Afterpiece Title: The Hermit

Related Works
Related Work: The Hermit; or, Harlequin at Rhodes Author(s): James Love

Dance: II: The Wake, as17680929; IV: Hearts of Oak, as17681013

Performances

Mainpiece Title: The Tempest

Cast
Role: Caliban Actor: Love

Afterpiece Title: The Hermit

Related Works
Related Work: The Hermit; or, Harlequin at Rhodes Author(s): James Love

Song: End: The Albion Song-Vernon

Performances

Mainpiece Title: Medley

Performance Comment: Valentine, Jeremy in Love for Love, Riot, Arabella in The Wife's Relief, The Humours of Hob in Country Wake, Ben, Prue in Love for Love, Sir Sampson, Angelica, Foresight in Love for Love, The Gravediggers in Hamlet, Prologue, Epilogue-Tony Aston.

Song:

Music: A fine forced Wind@Instrument-an Anonymous Person

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Hercules and Omphale

Performance Comment: Morning Chronicle, 19 Nov., notes that the Principal parts-Incledon, Quick, Munden, Fawcett, Mrs Martyr, Mrs Mountain; Part I. The Piece commences with a View of Omphale's Palace; Omphale, Queen of Lydia, seated on her Throne, surrounded by Virgins--The Princes of Dacia and Mycoene send Ambassadors, each demanding her hand in marriage--then follows the Magnificent Entry of the Two Princes; Dacians: Dacian Soldiers bearing Spears, Trophies of Armour, Egyptians bearing Presents, Musician, Dacian Officers with Trophies, The Prince of Dacia borne in a Triumphal Car drawn by War-Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber (a monster with three heads) who had desolated the adjacent country, hearing the sound of horns, lays in wait for his prey--the rival Princes are seen passing thro' the trees--Omphale and her train appear returning from the Chace--The Princes retire and plan to seize her-Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force; nearly va quished he prays to Jupiter, when a Storm arises, thunder, lightning, hail, fire, and massey stones are seen to descend--Hercules gains the Mouth of the Cavern, and thus defends himself from the Storm and his Assailants--Screams are heard within the Cavern--the Prince of Dacia bearing off Omphale, the Prince of Mycoene forces her from him, and after slaying the Prince of Dacia, escapes with his conquest--the Tempest ceases--Hercules and Cacus come from the Cave, a Combat ensues, in which Hercules vanquishes the Robber--He then pursues the Prince of Mycoene, and is informed by Iolaus, that Omphale is shut up in the city of Mycoene--Catapultas, Battering Rams, are prepared, and the Scene changes to The Town and Fortifications of Mycoene. Hercules at the head of his Army summons it to surrender--the Prince brings Omphale on the Battlements bound in Chains-The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Cast
Role: the Prince brings Omphale on the Battlements bound Actor: The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Role: She implores him to inspire the breast of Hercules Actor: Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Afterpiece Title: A Peep behind the Curtain; or, The New Rehearsal

Performance Comment: Parts by King, Vernon, Dodd, Love, Aickin, J. Palmer, Johnston, Hartry, Fox, Packer, Moody, Bannister, Parsons, Kear, Strange, Mrs Bradshaw, Mrs Arne, Mrs Love, Miss Pope, Mrs Clive; With a Prologue-; Address to the Town by the way of Epilogue-; Glib-King; Sir Toby Fuz-Love; Sir Macaroni Virtue-Dodd; Wilson-J. Palmer; Mervin-Aickin; Patent-Packer; Hopkins the Prompter-Bannister; Saunders the Carpenter-Moody; Johnston the housekeeper-Johnston; Lady Fuz-Mrs Clive; Miss Fuz-Miss Pope; Sweepers-Mrs Bradshaw, Mrs Love; Characters in the Burletta: Orpheus-Vernon; Old Shepherd-Dodd; Shepherd Chorus-Parsons, Hartry; Rhodope-Mrs Arne (Genest, V, 158).
Cast
Role: Sir Toby Fuz Actor: Love
Role: Sweepers Actor: Mrs Bradshaw, Mrs Love

Performances

Mainpiece Title: Medley

Performance Comment: Teague, Careless in The Committee, The Gravediggers in Hamlet, Sir Sampson, Angelica, Foresight in Love for Love, Jeremy, Valentine, Mrs Frail in Love for Love, Humours of Hob in The Country Wake, Prologue, Epilogue-.

Entertainment: The Ever-New Drunken Man-

Performances

Mainpiece Title: Medley

Performance Comment: Tony Aston; Shylock, Antonio in The Jew of Venice, Ben, Miss Prue in Love for Love, The Humours of Hob in The Country Wake, Barnaby Brittle, Wife in The Wanton Wife, Scrub in The Stratagem, Valentine, Jeremy, Frail in Love for Love-Tony Aston.

Entertainment: Songs-; Drunken Man-

Event Comment: 1 At the Desire of several Gentlemen and Ladies. [Love for Love had been announced on 1 Nov. for today.] Love for Love by Desire deferr'd 'till further notice [see 6 Nov.]. We shall perform every Night but Saturdays

Performances

Mainpiece Title: 1 Henry Iv

Dance: 1 As17461027

Performances

Mainpiece Title: The School For Rakes

Afterpiece Title: The Jubilee

Performance Comment: Parts-King, Moody, Parsons, Ackman, Hurst, Waldron, Castle, Wheeler, W. Palmer, Wright, Keen, Hartry, Mesink, Clough, Booth, J. Burton, Mas. Cape, Mrs Bradshaw, Mrs Lowe. The Vocal Parts-Vernon, Dibdin, Bannister, Champnes, Fawcett, Kear, Miss Radley, Mrs Baddeley; The Dances-Dagueville, Mrs King, Sga Vidini, Miss Rogers; In which will be introduced The Pageant as it was intended for Stratford-Upon-Avon; Ralph-King; Irishman-Moody; Ballad Singer-Vernon; Ostler-Parsons; Country Girls-Mrs Baddeley, Miss Radley; Margery Jervis-Mrs Love; Female Ballad Singer-Dibdin; Prologue-King; Characters in the pageant: Benedict-Garrick; Beatrice-Miss Pope; Touchstone-King; Richard III-Holland; Romeo-Brereton; Hamlet-Cautherly; Falstaff-Love; Lear-Reddish; Antony-Aikin; Portia-Mrs W. Barry; Apollo-Vernon; Tragic Muse-Mrs Barry; Comic Muse-Mrs Abington; Also: Hurst, Wheeler, Castle, Waldron, Wright, Keen, Clough, Hartry, Messink, Booth, J. Burton, Master Cape, Mrs Bradshaw, Mrs Love; Dancing-; Singing- New Dresses, Scenes; Music by Dibdin (Genest, V, 256, and Winston MS 10). See Three Plays by David Garrick, Elisabeth P. Stein (New York, 1926). Music by Dibdin (Genest, V, 256, and Winston MS 10). See Three Plays by David Garrick, Elisabeth P. Stein (New York, 1926).
Cast
Role: Margery Jervis Actor: Mrs Love
Role: Falstaff Actor: Love

Performances

Mainpiece Title: A Grand Selection

Afterpiece Title: ACIS AND GALATEA

Performance Comment: PART I. O the pleasures of the plains by Chorus. For us the Zephyr blows by Mrs Crouch. Ye verdant plains and Hush ye prttty warbling Choir by Miss Leak. Where shall I seek: by Kelly. Stay, Shepherd, stay and Shtpberd, what art thou pursuing? by Mrs Bland. Lo! here my love and Love in her eyes by Kelly. O, didst thou know the pains and As when the Dove by Mrs Crouch. Happy we by Mrs Bland, Dignum and Chorus. PART II. Wretched lovers by Chorus. I rage, I melt, I burn and O, ruddier than the cherry by Meredith. Whither, fairest by Meredith and Mrs Rland. Cease to beauty to be suing by Meredith. Would you gain the tender by Master Welsh. His hideous Love and Love sounds the alarm by Kelly. Consider, fond Shepherd by Miss Leak. Cease, O cease by Mrs Crouch. The [flocks shall leave] by Kelly, Meredith, Mrs Crouch. Help, Galatea! by Kelly. Mourn all ye Muses by Chorus. Must I my Acis by Miss Leak. Cure, Galatea by Chorus. 'Tis done, thus I exert and Heart, the seat by Mrs Crouch. Galatea, dry thy tears by Chorus .

Music: End of Part I of oratorio concerto on violin by Giornovichi

Event Comment: The King's Company. Pepys, Diary: Sir W. Pen, my wife and I to the Theatre, and there saw The Country Captain, the first time it hath been acted this twenty-five years, a play of my Lord Newcastle's, but so silly a play as in all my life I never saw, and the first that ever I was weary of in my life. Herbert (Dramatic Records, p. 118) lists Love's Mistress for this date for Vere St., but the item is out of the normal order of the entries. To move it to 26 Oct. 1662 would place it on a Sunday. The play had been given previously (2 March 1661, 11 March 1661, 25 March 1661) by both the Duke's Company and King's Company. Possibly Herbert entered it on the wrong day. On Herbert's list, following Love's Mistress, are two plays, The Contented Collinell [Brenoralt] and Love at First Sight, each listed without a date. The former, under the title Brenoralt, had been acted at Vere St. on 23 July 1661; the second was soon to be acted there on 29 Nov. 1661

Performances

Mainpiece Title: The Country Captain

Event Comment: In L. C. 5@12, p. 212, is a list of plays formerly acted at Blackfriars and now allowed (ca. 12 Jan. 1668@9) to the King's Company: Everyman in his Humour. Everyman out of his Humour. Cyntheas Revells. Sejanus. The ffox. The Silent Weoman. The Alchymist. Catilin. Bartholomew ffayre. Staple of Newes. The Devills an Asse. Magnitick Lady [The Humours Reconciled]. Tale of a Tubb. New Inn [or The Light of Heart]. Beggers Bush [by John Fletcher, with Philip Massinger?]. Bonduca. Custome of ye Country. The Captaine. The Chances. The Coxcombe. The Double Marriage. The ffrench Lawyer. The ffalse One. The fayre Mayd of ye Inn. The Humorous Leivt. The Island Princes. The Knights of Malta. Nathan Field. The Loyall Subject. The Lawes of Candye. Loves Progresse [The Lover's Progress; or, The Wandering Lovers. The Winters Tale. King John. Richard the Second. Loues Cure [or The Martial Maid]. Loues Pilgrimage. The Noble Gentlemen. The Nice Valour [or, The Passionate Madman]. The Prophetesse. The Marshall Mayd [see Love's Cure]. The Pilgrim. The Queene of Corinth. The Spanish Curate. The Sea Voyage. Valentinian. The Weomans Prize [or, The Tamer Tamed]. A Wife for a Moneth. The Wyd Goose-Chase. The Elder Brother. The ffaythfull Shepherdesse. A King & noe King. The Maydes Tragedie. Phylaster. Rollo Duke of Normandy [or, The Bloody Brother]. The Scornefull Lady. Thiery & Theodorat. Rule a Wife. The Gentlemen of Verona. The Merry Wives of Windsor. The Comoedy of Errors. Loves Labour Lost. Midsomer Nights Dreame. The Merchant of Venice. As you like it. The Tameing of ye Shrew. Alls well yt ends well. Henry ye fourth. The Second part Henry IV. The Royall Slaue

Performances

Event Comment: The United Company. The date of the premiere is not known, but as the play was licensed to be published, 21 May 1688, it was probably first acted early in April 1688, perhaps in late March. In 1688, also was separately printed New Songs Sung in The Fool's Preferment: In I, I sigh'd and pin'd and There's nothing so fatal as Woman, the music composed by Henry Purcell. In III, Fled is my love, the music composed by Henry Purcell, and sung by Mountfort. 'Tis death alone and I'le mount to yon blue coelum, the music composed by Henry Purcell. In IV, I'le sail upon the Dog-star, and A Dialogue by Jockey and Jenny, Jenny, gin you can love, the composer not stated. In V, If thou wilt give me back my love, composed by Henry Purcell and sung by Mountfort. See also Purcell's Works, The Purcell Society, XX (1916), iv-vi. When this play was revived at Drury Lane on 16 July 1703, the bill was headed: Not Acted these Fifteen Years

Performances

Mainpiece Title: A Fool's Preferment; Or, The Three Dukes Of Dunstable

Event Comment: The United Company. This performance is indicated in the Newdigate newsletters, 11 Jan. 1693@4: On Tuesday the Prince of Baden dyned with ye D of Linster and yesterday his Highness saw the new Opera called Diaclessia acted at the Ks play house (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59). There is, however, some uncertainty about this performance. In the first place, Dioclesian was not a new play, although new songs frequently appeared in it. In the second place, Dryden's new play, Love Triumphant, was ready for its premiere about this time, and the compiler of the Newdigate newsletters might have been mistaken in identifying the play. Yet the certain performance of The Double Dealer on 13 Jan. 1693@4 would be an awkward interruption of the initial run of Love Triumphant if it were the new play the Newdigate newsletters refer to. It seems likely, then, that Love Triumphant did not make its first appearance until mid-January. In Thesaurus Musicus, 1694, is a new song in The Prophetess, Act III, When first I saw the bright Aurelia's eyes, set by Henry Purcell and sung by Mrs Ayliff. It is also in Joyful Cuckoldom 1695. In the latter compilation are three other songs for this play: Since from my dear, sung by Mrs Hudson "in the Prophetess, as it is newly reviv'd," set by Henry Purcell; Let monarchs fight, the words by Thomas Betterton, the music by Henry Purcell, and sung by Freeman; Let ye soldiers, the words by Thomas Betterton, set by Henry Purcell, and sung by Freeman

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

Performances

Mainpiece Title: Semele

Performance Comment: Jupiter-; Cadmus- (King of Thebes); Athamas- (Prince of Boeotia, in love with Semele); Somnus-; Apollo-; Cupid-; Juno-; Iris-; Semele- (Daughter of Cadmus); Ino-; Chorus of Priests and Augurs-; Chorus of Loves and Zephyrs-; Chorus of Nymphs and Swains-; Attendants- (Larpent MS 43).
Cast
Role: Chorus of Loves and Zephyrs Actor:

Music: As17620226

Performances

Mainpiece Title: Elvira

Performance Comment: Principal parts by: Garrick, Holland, Love, Packer, Burton, Ackman, Castle, Fox, Mrs Pritchard, Miss Bride, Mrs Cibber, Prologue and Epilogue. Don Alonzo-Garrick; Don Pedro-Holland; Don Alvarez-Love; Don Roderigo-Packer; Elvira-Mrs Cibber; Queen-Mrs Pritchard; Almayda-Miss Bride; Ambassador (?)-Burton; Ramirez-Ackman; Mendozo-Castle; Courtier-Fox; Prologue-Holland; Epilogue (writ by Garrick)-Mrs Cibber (Edition of 1763).
Cast
Role: Don Alvarez Actor: Love

Afterpiece Title: The Male Coquette

Performances

Mainpiece Title: A Midsummer Night's Dream

Performance Comment: Characters-Vernon, Bransby, W. Palmer, Burton, Parsons, Hopkins, Yates, Love, Baddeley, Ackman, Clough, Mrs Vincent, Miss Young. Fairies-Miss Rogers, Miss Ford, Miss Wright, Mas. Cape, Mas. Raworth. Theseus-Bransby; Egeus-Burton; Lysander-Vernon; Demetrius-W. Palmer; Quince-Love; Bottom-Yates; Flute-Baddeley; Starveling-Parsons; Hippolita-Mrs Hopkins; Hermia-Miss Young; Helena-Mrs Vincent; Snout-Ackman; Snug-Clough; Oberon-Miss Rogers; Titania-Miss Ford; Puck-Mas. Cape; Fairies-Miss Wright, Mas. Raworth; (Edition of 1763) Characters-Hopkins; In Act V, a Fairy Dance-Mas. Clinton, Miss Street, Miss Rogers, Miss Ford, others; Overture, Airs- by the most eminent English Masters.

Performances

Mainpiece Title: The Jealous Wife

Cast
Role: Lady Freelove Actor: Mrs Clive

Afterpiece Title: The Fairy Tale

Performance Comment: Characters by Yates, Baddeley, Clough, Love, Parsons, Ackman. Fairies-Miss Ford, Miss Wright, Mas. Raworth, Miss Rogers, Mas. Cape; To conclude with a Fairy Dance-Mas. Clinton, Miss Street, Miss Rogers, Miss Ford; Bottom-Yates; Quince-Love; Flute-Baddeley; Starveling-Parsons; Snug-Clough; Snout-Ackman (deduced from text).
Cast
Role: Quince Actor: Love

Dance: TThe Italian Gardiners, as17631119

Performances

Mainpiece Title: Cymbeline

Cast
Role: Cymbeline Actor: Love

Afterpiece Title: The Stage Coach

Performance Comment: Nicodemus Somebody-Weston; Macahone-Moody; Jolt-Love; Fetch-Baddeley; Micher-Parsons; Basil-Packer; Landlord-Watkins; Ostler-Clough; Dolly-Mrs Smith; Isabella-Mrs Hippisley; To conclude with Sir Callaghan O'Brallaghan's favorite song in Love a@la@Mode-Moody; who also introduces into his character of Macahone his whimsical Description of a Man@o@War-Moody.
Cast
Role: Jolt Actor: Love

Dance: IV: A Dutch Dance-Aldridge; End: Hippisley's Drunken Man-Weston

Performances

Mainpiece Title: The Provoked Husband

Performance Comment: Manly-Packer; Basset-King; John Moody-Love; Lord Townly-Powell; Lady Wronghead-Mrs Love; Sir Francis-Yates; Squire Richard-Mas. Burton; Miss Jenny-Miss Pope; Lady Grace-Miss Plym; Mrs Motherly-Mrs Cross; Trusty-Mrs Bennet; Myrtilla-Mrs Lee; Lady Townly-Mrs Lessingham.
Cast
Role: John Moody Actor: Love
Role: Lady Wronghead Actor: Mrs Love

Afterpiece Title: Daphne and Amintor

Performances

Mainpiece Title: The Plain Dealer

Performance Comment: Parts-Holland, Yates, King, Palmer, Love, Parsons, Baddeley, Moody, Strange, Keen, Mrs Yates, Miss Pope, Miss Plym, Mrs Hippisley, Mrs Clive. Manly-Holland; Jerry Blackacre-Yates; Freeman-Palmer; Novel-King; Lord Plausible-Parsons; Major Oldfox-Love; Vernish-Lee; Councilor Quillit-Baddeley; Oakum-Moody; Fidelia-Mrs Yates; Widow-Mrs Clive; Olivia-Miss Pope; Eliza-Miss Plym; Lettice-Mrs Hippisley; Boy-Mas. Burton; Servants-Strange, Keen (Genest, V, 89).

Afterpiece Title: The Virgin Unmasked

Performance Comment: Coupee-King; Quaver-Dodd; Blister-Love; Goodall-Parsons; Thomas-Strange; Lucy-Mrs Abington.
Cast
Role: Blister Actor: Love

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: Parts by: Holland, Powell, Yates; King, Palmer, Love, Lee, Baddeley, Aickin, Strange, Miss Pope, Mrs Palmer, Mrs Abington, Miss Plym, Mrs Clive. Lord Ogleby-King; Sterling-Yates; Lovewell-Powell; Sir John Melvil-Holland; Canton-Baddeley; Brush-Palmer; Serjeant Flower-Love; Traverse-Lee; Trueman-Aikin; Mrs Heidelberg-Mrs Clive; Miss Sterling-Miss Pope; Fanny-Mrs Palmer; Chambermaid-Miss Plym; Betty-Mrs Abington; Crochet in the Epilogue-Mrs Abington; Strange; Prologue-Havard; Epilogue-Several; Trusty-Miss Mills (Winston MS 9).
Cast
Role: Lovewell Actor: Powell
Role: Serjeant Flower Actor: Love