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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "MMr Larpent"/1) | (@(roleclean,performerclean) "MMr Larpent")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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644 results for: Keyword - MMr Larpent
We found 479 matches on Event Comments, 255 matches on Performance Comments, 3 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

101
20 March 1747 @ Covent Garden

Event Comment: MMr Handell's Oratorio of Joseph. 3rd night, [i.e., of oratorios] (Account Books, Egerton 2268)

Performances

Mainpiece Title: Joseph And His Brethren

102
28 April 1747 @ Haymarket Theatre

Event Comment: MMr Foote thinks it his Duty to return Thanks to his Friends for the great Honour they did him Yesterday, and begs the Favour of their Company this Day at Twelve o'Clock on the same Occasion. It is desir'd by several Persons of Quality, that (to prevent confusion at going out) the Ladies and Gentlemen would pay for their Chocolate going in. [Repeated 29, 30 April.] [See Daily Advertiser on 30 April for Ed. Pinchbeck's objections against Foote's program.

Performances

Mainpiece Title: Diversions Of The Morning

103
08 October 1747 @ Drury Lane Theatre

Event Comment: MMr Garrick being disabled by illness from speaking the Prologue when it was demanded, hopes this publication will be consider'd as a proof of his desire to compensate the disappointment (Daily Advertiser). Receipts: #120 (Cross); #113 0s. 6d. (Powel)

Performances

Mainpiece Title: Albumazar

104
29 October 1747 @ Drury Lane Theatre

Event Comment: MMr Shuter taken (Cross). Receipts: #90 (Cross); #85 6s. 6d. (Powel)

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: The Anatomist

Song: Lowe, Sullivan

Dance: Cooke

105
14 November 1747 @ Drury Lane Theatre

Event Comment: MMr Lee Play'd Bastard (Cross). Mainpiece: By Desire. Receipts: #180 (Cross); #174 9s. 6d. (Powel)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Devil to Pay

106
22 September 1748 @ Drury Lane Theatre

Event Comment: MMr Sowdon Play'd Ch; (Cross). Mainpiece: Not acted these 2 years. [See 15 Nov. 1743]. Receipts: #80 (Cross); #91 13s. (Powel)

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: The Devil to Pay

Music: I: Overture to Rodelinda on Flute-the Child; III: Music-the Child

Dance: V: Savoyards, as17480920

107
11 February 1749 @ Haymarket Theatre

Event Comment: MMr Foote is so exceedingly Hoarse, that the Benefit intended this evening at the Haymarket must be deferr'd till some day next week

Performances

Mainpiece Title: None

108
23 October 1749 @ Covent Garden

Event Comment: MMr and Mrs Dyer are arriv'd from the theatre in Dublin; and in a few days he will appear in the part of Tom in the Conscious Lovers at the Theatre Royal in Covent Garden. Receipts: #55 8s

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Hob

109
23 December 1749 @ Covent Garden

Performances

Mainpiece Title: Lady Jane Gray

Afterpiece Title: Perseus and Andromeda

110
10 January 1750 @ Drury Lane Theatre

Event Comment: MMr Neale (a good Actor) Dy'd--buried at Brumpton (Cross). Gave a Xmas Box to Princess Amelia's servts #1 1s. (Treasurer's Book). Receipts: #140 (Cross); #127 15s. (Treasurer's Book)

Performances

Mainpiece Title: Edward The Black Prince

111
07 February 1750 @ Drury Lane Theatre

Event Comment: MMr Rich's Entertainment call'd ye fair came out this Night at Cov. Garden (Cross). Paid Mr Kynaston 4 renter's shares 100 nights #46 13s. 4d.; Blandford (Tallow Chandler) #19 6s. 5d.; Wax and Brick dust 3s. 11d. (Treasurer's Book). Receipts: #80 (Cross); #97 18s. (Treasurer's Book)

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: The Devil to Pay

112
16 April 1750 @ Drury Lane Theatre

Event Comment: MMr Wm. Mills dy'd (Cross). Receipts: #50 (Cross); #55 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: A Duke and no Duke

Dance: HHornpipe-Mathews

Ballet: SSavoyard Travellers. As17491110, but Principal Savoyards-Mrs _Addison

113
08 September 1750 @ Drury Lane Theatre

Event Comment: MMr Barry flew from his articles & engag'd with Rich; Mrs Cibber (who did not play last season) is also engag'd there--Y: King went to Ireland--Macklin and Wife came from thence to Mr Rich (Cross). Passage open'd from Russel St. into the boxes where Ladies and Gentlemen may be set down from their coaches, and there is likewise a better accommodation made for Chairs to come up to the House, and be kept in waiting, at the end of the Passage from Bridges St. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Hobson at the stage door of the Theatre. [The notice about the Passage was continued through 20 Sept. The notice about prices was customary throughout the season. Neither will be repeated further here.] Receipts: #110 (Cross)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Virgin Unmask'd

114
15 December 1750 @ Drury Lane Theatre

Event Comment: MMr Beard hoarse, Mr Garrick made Apology--but he sung very well--a little noise (Cross). Receipts: #160 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Robin Hood

115
17 December 1750 @ Drury Lane Theatre

Event Comment: MMr Beard ill (Cross). Robin Hood Defer'd. Love's Last Shift deferr'd till Wednesday next. The Comedy of All's Well that Ends Well (written by Shakespear); and the Comedy of Every Man in his Humour (written by Ben Johnson) are now reviving at the Theatre Royal in Drury Lane (General Advertiser). Receipts: #60 (Cross)

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: The Intriguing Chambermaid

Dance: II, V: Country Amusements, as17501102; Pigmalion, as17501102; IV: Comic Dance, as17501117

116
21 December 1750 @ Drury Lane Theatre

Event Comment: MMr Griffith had #25 of Tickets (Cross). Tickets deliver'd out for this play will be taken. Afterpiece: By Desire. Receipts: #60 (Cross)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Anatomist

Dance: III: Country Amusements-; V: Pigmalion, as17501102

117
13 September 1751 @ Drury Lane Theatre

Event Comment: MMr Mossop from the theatre in Dublin is engag'd at the Theatre Royal in Drury Lane, and will perform there the latter end of this week. Receipts: #80 (Cross)

Performances

Mainpiece Title: Love's Last Shift; Or, The Fool In Fashion

Afterpiece Title: The Lying Valet

Song: Master Mattocks

118
03 October 1751 @ Drury Lane Theatre

Event Comment: MMr Ross from Ireland play'd Y. Bevil & was receiv'd with great applause (Cross). Person engaging; voice musical; countenance expressive; judgment correct in general, but he lacks a certain easiness of carriage, and gracefulness of deportment...appeared better his second night than his first (Inspector No 184, in Daily Advertiser and Literary Gazette). Receipts: #100 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Chaplet

Dance: II: Mattocks

119
12 October 1751 @ Drury Lane Theatre

Event Comment: MMr Harris James dy'd at 8 in ye Morn (Cross). Mainpiece: Acted there but once these 20 years. Receipts: #120 (Cross)

Performances

Mainpiece Title: The Revenge

Afterpiece Title: The Chaplet

120
26 October 1751 @ Covent Garden

Event Comment: MMr Barry is greatly improv'd since last year in the character of Hastings , as he is indeed in every part in which I have seen him this winter. Mrs Cibber performed as she always does, to the admiration of her audience, and in my opinion she shewed a particular and new exertion of her art and abilities on those two nights. Great as I had declared my expectations for Miss Macklin, she surpassed them; particularly on the second night. On the former, indeed, in the first and in part of the second act, her embarrassment was insuperable, and I cannot sufficiently admire and applaud the Candour of the Audience on that distressed Occasion! In my judgment, never were two parts better adapted to the persons and powers of the performers, than those of Alicia and Jane Shore to Mrs Cibber and Miss Macklin (Inspector No 207, in Daily Advertiser and Literary Gazette, 30 Oct.)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Lottery

Dance: As17511021

121
04 November 1751 @ Drury Lane Theatre

Event Comment: MMr Mossop did Bajazet -Oh (Cross). [Inspector No 211, in Daily Advertiser and Literary Gazette commented on the magnificent performance of Garrick and Miss Bellamy in King Lear the preceding Saturday.] Receipts: #120 (Cross)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Lottery

Song: IV: O Gentle Sleep-Beard

122
05 November 1751 @ Drury Lane Theatre

Event Comment: MMr Ross, belonging to Drury Lane, is recover'd from his late illness, and will appear this week in the character of Lord Townly in the Provok'd Husband. Receipts: #120 (Cross)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Anatomist

Ballet: Grand Entertainment (not performed these 3 years) call'd The Savoyard Travellers. First Savoyards-Mathews, Mad Auretti; Second Savoyard-Sg Piettero, Mad Janeton Auretti; Peasants-Harvey, Sg Piettero; Savoyard Children-the Little Swiss, Miss Poplin. With Proper Decorations

123
26 November 1751 @ Drury Lane Theatre

Event Comment: MMr Garrick did Richard (Cross). This day is publish'd, Dedicated to the Right Honorable John, Earl of Orrery, Sejanus a Tragedy, as it was intended for the stage, with a Preface; wherein the Manager's reasons for refusing it are set forth. By Mr Gentleman. Printed for R. Manby and H. S. Cox on Ludgate Hill. [Garrick turned it down and Gentleman accepted his judgment without animosity.] Receipts: #210 (Cross)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Shepherd's Lottery

124
20 February 1752 @ Drury Lane Theatre

Event Comment: MMr Francis has successfully avoided the common fault of a buskin'd expression, and left the plain language of nature to be supported by the dignity of the sentiment: He has I think, not above one or two similies, and scarce one unnecessary or purely ornamental epithet. In this he has judiciously imitated the simplicity of the antients, and of our Milton's Samson Agonistes, as he has also done in the contrivance of the fable, by preserving the unities...'Twould be idle in me to observe that this play is a true tragedy, tho' nobody dies in it, as it has so large a share in exciting the only objects, terror and pity. There is one excellency, which I cannot help pointing out, as it is almost universally overlook'd by all dramatic writers: I mean the MORAL without which there is no perfect drama. (Have at you All; Or The Drury Lane Journal, 20 Feb. 1752). Receipts: #170 (Cross)

Performances

Mainpiece Title: Eugenia

125
08 December 1752 @ Drury Lane Theatre

Event Comment: MMr Woodward said--I have been getting you (to Bayes) a fine parcel of Monsters, & they have knock'd me down & taken 'em from me--(thinking of the late Dispute) a little hissing &c. but it went off--Great Applause all thro'. Receipts: #220 (Cross)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Devil to Pay

Dance: Concluding: Devisse, Mad Auguste