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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "MMr Larpent"/1) | (@(roleclean,performerclean) "MMr Larpent")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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644 results for: Keyword - MMr Larpent
We found 479 matches on Event Comments, 255 matches on Performance Comments, 3 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

501
16 April 1787 @ Covent Garden

Event Comment: Benefit for Quick. 3rd piece [1st time; F 1, author unknown. Not in Larpent MS; not published]: Altered from [the same by] Farquhar. Public Advertiser, 6 Apr.: Tickets to be had of Quick, No. 99, High Holbourn. Receipts: #324 1s. (156.4; 2.17; tickets: 165.0)

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: Annette and Lubin

Afterpiece Title: The Stage Coach; or, Inn in an Uproar

Entertainment: Monologue Before: Mother Shipton's Review of the Audience (Written By D. Garrick, Esq., with Alterations and Additions) (for that night only)-Quick

502
17 April 1787 @ King's Theatre

Performances

Mainpiece Title: Virginia

Performance Comment: See17870322but Principal Parts-Rubinelli, Mengozzi, Balelli, Cremonini, Sga Schinotti, Sga Benini. Larpent MS 731 lists the parts: Icilius, Lucius Virginius, Appius Claudius, Publius, Tullia, Virginia.
Cast
Role: Principal Parts Actor: Rubinelli, Mengozzi, Balelli, Cremonini, Sga Schinotti, Sga Benini. Larpent MS 731 lists the parts: Icilius, Lucius Virginius, Appius Claudius, Publius, Tullia, Virginia.

Dance: End I: Divertissement, as17870116; End Opera: La Jardiniere, as17870322

503
24 April 1787 @ Covent Garden

Event Comment: Benefit for Mrs Martyr. 2nd piece [1st time; O 1, by John Wolcot. Larpent MS 770; not published]: Being a Translation from the French Opera of that name [Nina; ou, La Folle par Amour, by Benoit Joseph Marsollier des Vivetieres], now performing at Paris with universal applause. With the original Music [by Nicolas Dalayrac, adapted by William Shield and William Thomas Parke. Two other versions of this opera, both unacted, were published this year: one anonymous, and one by George Monck Berkeley]. Receipts: #300 8s. 6d. (150.0.0; 2.18.0; tickets: 147.10.6)

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: Nina

Afterpiece Title: The Intriguing Chambermaid

Song: Between acts 1st piece: an entire new song, The Nymph's Refusal-Mrs Martyr

504
01 May 1787 @ Covent Garden

Event Comment: Benefit for Mrs Wells. Afterpiece [1st time; F 2, by Edward Topham. Larpent MS 772; not published; synopsis of plot in Public Advertiser, 3 May. Prologue by George Monck Berkeley (European Magazine, June 1787, p. 411)]. Public Advertiser, 24 Apr.: Tickets to be had of Mrs Wells, No. 417, Strand. Receipts: #257 3s. 6d. (160.4.6; 5.7.0; tickets: 91.12.0)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Bonds without Judgement; or, The Loves of Bengal

Dance: As17870217

505
16 May 1787 @ Drury Lane Theatre

Event Comment: Benefit for R. Palmer and Staunton. 2nd piece [1st time; INT 1, by Charles Stuart. Larpent MS 777; not published]. Receipts: #283 3s. 6d. (44.4.0; 16.6.6; 1.11.0; tickets: 221.2.0) (charge: #109 13s. 9d.)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: Box-Lobby Loungers

Afterpiece Title: Too Civil by Half

506
07 July 1787 @ Haymarket Theatre

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Larpent MS 779; not published; synopsis of plot in Universal Magazine, Aug. 1787, p. 100. Prologue by the author; Epilogue by George Colman elder (European Magazine, July 1787, pp. 63-64). In 1789 altered as The School for Widows]

Performances

Mainpiece Title: The Country Attorney

Afterpiece Title: Harvest Home

507
17 August 1787 @ Haymarket Theatre

Event Comment: Benefit for Miss Farren. Afterpiece [1st time; MF 2, "taken from the French" (see Songs), by @@ Robinson. Larpent MS 783; not published. Music selected by John Edwin, ynger (Town and Country Magazine, Sept. 1787, p. 414). Author of Prologue unknown]

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Test of Love

Dance: In II: a Masquerade Dance-Byrn, the two Simonets, young D'Egville, Miss DeCamp

508
15 December 1787 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Elizabeth Inchbald. Larpent MS 789; not published. Prologue by Henry Sampson Woodfall Jun. (London Chronicle, 17 Dec.); Epilogue by Frederick Pilon (Public Advertiser, 19 Dec.)]. [Miss Blower had 1st appeared at dl, 27 Apr. 1782, and thereafter in Dublin.] Receipts: #180 7s. 6d. (169.19.0; 10.8.6)

Performances

Mainpiece Title: All On A Summer's Day

Afterpiece Title: Miss in her Teens

509
26 December 1787 @ Covent Garden

Event Comment: Afterpiece [1st time; P 2(?), by Ralph Wewitzer. Not in Larpent MS; not published; synopsis of action in Public Advertiser, 28 Dec.]: With new Music, Scenery, Dresses, Machinery, and Decorations. The Music composed by Walter? Clagget. The Scenes designed and executed by Richards, Carver, Hodgins and others. Nothing under Full Price will be taken. Receipts: #192 2s. (188.12; 3.10)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Dumb Cake; or, The Regions of Fancy

Dance: [not listed on playbill]. "A dance based on a print entitled The Long Minuet (by H. W. Bunbury) was well attempted" (World, 27 Dec.)

510
14 April 1788 @ Drury Lane Theatre

Event Comment: Benefit for Baddeley. 3rd piece [1st time; F 2 (?), author unknown. Public Advertiser, 16 Apr. has synopsis of plot; assigns Toby Todman-Larpent MS; not published. This piece has reference to a prize-fight, on which thousands of pounds were said to have been wagered, which took place at Odiham, Hants, on 9 Jan.]. Public Advertiser, 25 Mar.: Tickets to be had of $Baddeley">R. Palmer; Billy Dibley-$Bannister Jun.; and lists, unassigned: Mr Stockfield, Sir William Matchem, Mr Harland, Lucetta. Not in Larpent MS; not published. This piece has reference to a prize-fight, on which thousands of pounds were said to have been wagered, which took place at Odiham, Hants, on 9 Jan.]. Public Advertiser, 25 Mar.: Tickets to be had of $Baddeley, No. 10, New Store-street, Bedford-square. Receipts: #323 11s. [107.6.0; 10.2.6; 0.13.6; tickets: 205.9.0) (charge: #109 4s. 2ds.)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: (End of Act I of mainpiece) Jewish Education

Afterpiece Title: 'Tis an Ill Wind Blows Nobody Good; or, The Road to Odiham

Dance: End: a Minuet-Master D'Egville, Miss Blanchet

511
21 April 1788 @ Drury Lane Theatre

Event Comment: Benefit for Bannister Jun. [Author of Prologue to 1st piece unknown. 2nd piece: By permission of G. Colman, Esq. [owner of the copyright]. 3rd piece [1st time; F 2 (?)]: Altered from Woman's a Riddle [by Christopher Bullock; alterer unknown. Not in Larpent MS; not published]. Public Advertiser, 2 Apr.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho. Receipts: #286 11s. (145.16; 14.5; 1.12; tickets: 124.18) (charge: #106 1s. 5d.)

Performances

Mainpiece Title: Transformation; Or, The Manager An Actor In Spite Of Himself

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Invisible Mistress

Entertainment: Monologue. End 2nd piece: A Touch of the Times; or, A Ramble through London-Bannister Jun

512
13 December 1788 @ Covent Garden

Event Comment: Mainpiece [1st time; CO 3, by Richard Bentley. Beginning with 4 Feb. 1789 reduced to an afterpiece of 2 acts. Not in Larpent MS; not published; synopsis of plot in Public Advertiser, 15 Dec.]: With entire new Dresses, Scenery, and Decorations. The Music partly selected from the works of Haydn, Purcell, Pleyel, Anfossi, Cimarosa, Gretry, Giordani, Sacchini [the score (Longman and Broderip [1788]) adds: Irwich]; and partly composed by Shield. With a Grand Overture by Salieri. Books of the Songs to be had at the Theatre. Receipts: #245 3s. 6d. (238.6.6; 6.17.0)

Performances

Mainpiece Title: The Prophet

Afterpiece Title: Duke and No Duke

Dance: End: a New Dance, as17881107, but Mrs _Ratchford

513
24 February 1789 @ Covent Garden

Event Comment: Afterpiece [1st time; MF 2, by William Walter; music by William Crouch. Larpent MS 814; not published]: Books of the Songs to be had at the Theatre. Receipts: #230 15s. (223.6; 7.9)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Hide and Seek

Song: As17881101

514
31 March 1789 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Look before You Leap

Afterpiece Title: Such Things Have Been

Performance Comment: Characters-Ryder, Bernard, Fearon, Macready, Rock, Booth, Mrs Webb, Miss Wewitzer, Miss Fontenelle. [Larpent MS 818 lists the parts: Mr Traffick, Sir Patrick Prospect, Clack, Tom Prospect, Pat Conelly, Jew Pedlar, Servant, Fanny Traffick, Mrs Traffick, Biddy, Orange Girl.]Larpent MS 818 lists the parts: Mr Traffick, Sir Patrick Prospect, Clack, Tom Prospect, Pat Conelly, Jew Pedlar, Servant, Fanny Traffick, Mrs Traffick, Biddy, Orange Girl.]

Song: End 3rd piece: Paddy's Ramble from Dublin to Londonwritten and to be sung-Ryder

Entertainment: Monologue. In course of Entertainments: Bucks have at Ye All-Ryder

515
04 April 1789 @ Covent Garden

Event Comment: Benefit for Lewis. 2nd piece [1st time; C 3, by John O'Keeffe. Not in Larpent MS; not published. This is an unusual instance of the playbill containing, on the 1st night of a new play, the full cast]: Taken from Mrs Centlivre's Gamester. Receipts: #345 13s. (256.2.6; 4.3.6; tickets: 85.7.0)

Performances

Mainpiece Title: Marian

Afterpiece Title: The Pharo Table

Afterpiece Title: The Highland Reel

Song: In 1st piece: Sweet Bird, as17890126

516
05 May 1789 @ Drury Lane Theatre

Event Comment: Benefit for Baddeley. 3rd piece [1st time; INT I, probably by Robert Baddeley. Not in Larpent MS; not published]: Taken from [The Lame Lover, by] the late Samuel Foote, Esq. Public Advertiser, 2 May: Tickets to be had of Baddeley, No. 10, New Store-street, Bedford-square. Receipts: #297 16s. (74.14; 8.12; 0.19; tickets: 213.11) (charge: #117 16s. 4d.)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: (End of Act II) Jewish Education

Afterpiece Title: A Lesson for Lawyers

Afterpiece Title: Rosina

Entertainment: Monologue. As17890430

517
22 May 1789 @ Covent Garden

Event Comment: Benefit for Mr and Mrs Bernard. 2nd piece [1st time in London; M. INT 2, by John Bernard, 1st acted at Bath, 18 Apr. 1786. Music by William Boyton. Larpent MS 732; not published]: By Permission of the Bath Managers [William Keasberry and William Wyatt Dimond]. Receipts: #189 15s. (76.9; 1.16; tickets: 111.10)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The British Sailor; or, The Fourth of June

Afterpiece Title: The Quaker

Entertainment: Monologue End 2nd piece: Ned Shuter's Observations in a Post Haste Journey to Paris-Bernard

518
02 June 1789 @ Covent Garden

Event Comment: Benefit for Mrs Mountain. Afterpiece [1st time in London; M. INT 2, by Walley Chamberlain Oulton, 1st acted at Crow Street Theatre, Dublin, 12 Mar. 1789, Larpent MS 835; not published]: The Music by Tommaso? Giordani. Receipts: #213 17s. (80.0.6; 6.3.6; tickets: 127.13.0)

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: Perseverance; or, The Third Time the Best

Entertainment: Monologue. End: As17890514

519
22 June 1789 @ Haymarket Theatre

Event Comment: 3rd piece [1st time; F 2, author unknown, based on Der Postzug; oder, Die nobeln Passionen, by Cornelius Hermann von Ayrenhoff. Larpent MS 834; not published. Prologue by George Colman elder (Public Advertiser, 19 June)]

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Peeping Tom

Afterpiece Title: The Swop

520
10 August 1789 @ Haymarket Theatre

Event Comment: Benefit for Bannister Jun. 2nd piece [1st time; C 3, by Thomas Bellamy; on 24 Aug. and thereafter reduced to 2 acts. MS: Larpent MS 841; not published]. Public Advertiser, 4 Aug.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho

Performances

Mainpiece Title: The Catch Club [i

Afterpiece Title: The Comet; or, How to Come at Her

Afterpiece Title: The Son-in-Law

Afterpiece Title: The Benevolent Planters

Dance: As17890805

Entertainment: Monologue As17890617

521
22 December 1789 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; F 2 (?), by John Philip Kemble. Not in Larpent MS; not published]: Taken from Woman's Revenge [by Christopher Bullock]. Kemble Mem.: Trick upon Trick is taken from Bullock's Match in Newgate [i.e. the 2nd title of Woman's Revenge]...my handy-work. Receipts: #200 16s. (172.9.0; 27.11.6; 0.10.6; ticket not come in: 0.5.0)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: Trick upon Trick

Dance: As17891204

522
26 December 1789 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; P 2 (?), author unknown. Not in Larpent MS; not published]: Consisting of the most Approved Scenes of the following Pantomimes: The Witches, The Cauldron, The Genii, Fortunatus, Queen Mab, The Elopement, &c. The Music from Eminent Masters. The Scenes by Greenwood. [This is not the same as the pantomime of the same name acted at cg, 26 Dec. 1776.] [In mainpiece the playbill retains Barrymore as Claudio, but "Benson [was] the substitute of Barrymore in Claudio" (London Chronicle, 28 Dec.). Dubois, in the afterpiece, was from Sadler's Wells.] Receipts: #217 4s. 6d. (186.9.0; 28.16.6; 1.19.0)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Harlequin's Frolicks; or, The Power of Witchcraft

Dance: In II: As17891209; Afterpiece conclude: Grand Ballet-the young D'Egvilles, Miss Blanchet, Miss DeCamp [which was included, as here assigned, in all subsequent performances]

Song: As17891209

523
11 February 1790 @ Covent Garden

Event Comment: Benefit for King. 1st piece: Altered [by MacNamara Morgan] from The Winter's Tale. 2nd piece [1st time; C 3, by Thomas King. Not in Larpent MS; not published]: An Alteration, never yet performed, of Sir John Vanburgh's [sic] Mistake. Public Advertiser, 10 Feb.: Tickets to be had of King, at his house in Gerrard-street. Receipts: #321 2s. 6d. (249.14.0; 4.8:6; tickets: 67.0.0)

Performances

Mainpiece Title: The Sheep Shearing; Or, Florizel And Perdita

Afterpiece Title: Lovers' Quarrels

Afterpiece Title: Bon Ton

Dance: End 1st piece: Tamborine Dance, as17891021

Song: In II 1st piece: Come come my good Shepherds-; and trio, Get you hence!-

Entertainment: Monologue. After dancing: A Paraphrase of Shakespeare's Seven Ages (Written by the late George Alexander Stevens)-King

524
20 April 1790 @ Drury Lane Theatre

Event Comment: Benefit for Baddeley. 2nd piece [1st time; INT 1, probably by Robert Baddeley. Larpent MS 865; not published]. Public Advertiser, 20 Apr.: Tickets to be had of Baddeley, No. 10, New Store-street, Bedford Square. Receipts: #320 9s. 6d. (94.18.0; 16.5.0; 0.12.6; tickets: 208.14.0) (charge: #117 10s. 6d.)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: Mordecai's Beard

Afterpiece Title: The Romp

Dance: End I: As17900323

Song: End II: a new Masonic Song-Dignum

Entertainment: Monologue. End: The Picture of a Play@House; or, Bucks have at ye all-Bannister Jun

525
29 April 1790 @ Covent Garden

Event Comment: Benefit for Mrs Wells. Mainpiece [1st time; C 4, author unknown, not in Larpent MS; not published. Epilogue by Robert Merry (World, 30 Apr.). On 11 May acted as The Female Pursuit]: Taken from Moor's Gil Blas. Public Advertiser, 27 Apr.: Mrs Wells trusts the Public will have the Candour to excuse her not appearing in the Play, as the principal Woman's Character has many changes in it, and the Fatigue of going through various and numerous Imitations would render her incapable of undertaking it. Gazetteer, 9 Apr.: Tickets to be had of Mrs Wells, No. 12, Weymouth-street, Portland-place. Receipts: #301 14s. (166.2; 10.1; tickets: 125.11)

Performances

Mainpiece Title: The Female Adventure; Or, Stop Her Who Can

Afterpiece Title: Cymon

Dance: Following Imitations at end: As17891021; In afterpiece: Dances, as17900409

Entertainment: End II: Tragic Imitations [of Mrs Siddons in Belvidera's 1st scene in Venice Preserved, I.i., and of Mrs Crawford in Lady Randolph's 1st speech in Douglas]-Mrs Wells; End III: Comic and Vocal Imitations [of Mrs Abington as Widow Belmour in The Way to Keep Him, and of Mrs Martyr, Mrs Jordan, Sga Storace, Sga Sestini]-Mrs Wells; End: A Scene from Isabella [The "ring speech" in II.ii] (Above identified in World, 29 Apr.)-Mrs Wells