SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "MMr Larpent"/1) | (@(roleclean,performerclean) "MMr Larpent")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 479 matches on Event Comments, 255 matches on Performance Comments, 3 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Judith

Performance Comment: Ozias-; Charmis-; Holofernes-; Judith-; Abia-; Chorus of Israelites-; Chorus of Assyrians-(Larpent MS 187).

Music: A Concerto on the Organ-

Performances

Mainpiece Title: Samson

Performance Comment: Samson-; Manoa-; Micah-; Israelite Officer-; Chorus of Israelites-; Dalila-; Harapha-; Chorus of Philistines-; Women and Priests of Dagon-(Larpent MS 38).

Music: As17610206

Performances

Mainpiece Title: Rebecca

Performance Comment: Abraham's Servant-; Isaac-; Laban-; Bethuel-; Abraham-; Rebecca-; Chorus of Canaanitish Men-; Chorus of Chaldean Women-(Larpent MS 186).

Music: As17610206

Event Comment: The afterpiece at the desire of several persons of quality. A New drama in 2 acts of a particular species. Part of Pit made into Amphitheatre on Stage. Benefit for Mrs Clive. [Angry dispute in the magazines between Shuter and Mrs Clive, since her benefit fell on his night at cg. The Larpent MS lists characters for the afterpiece: Iphicrates-Austin; Dromio-King; Euphrosine-Mrs Clive?; Cleanthe-; Philo-Bransby (MacMillan).

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Afterpiece Title: The Island of Slaves

Dance: TThe Cow@Keepers-Grimaldi, Miss Dawson

Event Comment: Benefit for Shuter. Mainpiece: Not acted in 20 years. Receipts: #171 15s. 6d. plus #112 17s. from tickets (Box 272; Pit 299). Paid Hughes and Batten for 4 1!2 yds muslin for sleeves for women dancers 18s. 9d. (Account Book). [Shuter's Interlude is Larpent MS 188, a verse monologue with songs, giving the geneology of Bucks from Nimrod's heirs-hunters who now seek ladies in Boxes rather than foxes. A patriotic song on successes at Minden, Quebec, Cape Breton, &c. ending]: @We wish as we ought that Great Britain may thrive@That freedom and friendship may faction survive@On sea and on shore, as we have may we shine@And this year sixty-one equal fam'd forty-nine.@ Charges: #63 (Account Book)

Performances

Mainpiece Title: The Wife's Relief; Or, The Husband's Cure

Afterpiece Title: The Cheats of Scapin

Dance: II: (By Desire) Hornpipe-Poitier Jr

Entertainment: End: A Comic Lecture; or, Tea a-la-Mode, in the manner of Foote-Wilkinson; The Cries of London-Shuter; End Afterpiece: the Origin, Nature, and Progress of the Order of British Bucks-Mr Shuter; with the whimsical behaviour of Choice Spirits, and Mons Thurot's Trip to Carrickfergus-

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Taste

Performance Comment: Lady Pentweazle-Foote; New Characters-Foote, King, Packer, Baddeley, Burton, Philips, Ackman, Three Performers who never appeared on any stage (pasteboard figures) (Genest, IV, 611). Parts listed in Larpent MS 194 are; Townly-; Manly-; Carmine-; Fustian-; Project-; Prompter-; Alderman Pentweazle-; Caleb-; Servant to Townly-; Boy to Carmine-.
Event Comment: Benefit for the Widow of the late Ryan. Receipts: #40 19s. plus #177 10s. from tickets (Box 438; Pit 280; Gallery 260) (Account Book). [The Prologue is Larpent MS 193, wherein Ryan is praised for his Hamlet and Archer. Apparently Widow Ryan came on stage weeping her gratitude]: @In duty bound by me she now appears@To say her thanks in tributary tears,@For favors manifold bestow'd tonight...@ Charges: #64 6d. (Account Book)

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Thomasand Sally

Dance: Granier, Mrs Granier

Event Comment: Farce in two acts never performed before. Full prices. [See advertisement to Reed's 1761 edition where he accuses Foote of taking the character of Mrs Cole in the Minor from Mrs Snarewell.] A new farce wrote by one Reed, a ropemaker, brought out by Mr Foote--went off tolerable--hissed a little at the end (Hopkins MS Notes). [See advertisement for the Universal Register Office General Advertiser 18 Oct. 1750: This Office being much approv'd and encouraged especially by Ladies and Gentlemen in the Country, we have daily enquiries by those who are just come to town, and many letters from those in the country to procure houses and lodgings, both furnished and unfurnished, for single Gentlemen, Ladies, and Families for the winter; and also boarding houses as well in French Families as in English Families." Announces its books open to any who wish to register there. The afterpiece met with trouble from the Licenser. Larpent MS 189 and 196, indicate the exceptionable passages to be those using profanity, and those of Mrs Snarewell's capable of double entendre, principally about the comfort she received from Mr Watchlight who was called twice out of bed to pray-"so ernest in his ejaculations, &c."

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Register Office

Event Comment: Benefit for West, Cape, Mortimer, Roberts, Tomlinson. Tickets deliver'd for This Night will be taken. [The Occasional Epilogue is Larpent MS 197, wherein Tomlinson as the habitual stage mute finally speaks, after having acted in dumb show Prelate, Senator, Page, Soldier, Clown, and Lord, thanks the audience and expresses his desire to please.

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Double Disappointment

Song: II: Fawcett

Entertainment: II: An Occasional Epilogue (1st time)-Tomlinson

Performances

Mainpiece Title: Samson

Performance Comment: Samson-; Manoa-; Micah-; Israelite Officer-; Chorus of Israelites-; Dalila-; Harapha-; Chorus of Philistine Women-; Priests of Dagon- (Larpent MS 38).

Music: CConcerto on Organ-Stanley; Solo on the Violin-Giardini

Performances

Mainpiece Title: Judas Macchabaeus

Performance Comment: Judas-; Israelite Man-; Israelite Woman-; Chorus-; Simon-(Brother to Judas); Messenger-; Eupolemus-(Jewish Ambassador to Rome) (Larpent MS 65).

Performances

Mainpiece Title: Samson

Performance Comment: Samson-; Manoa-; Micah-; Israelite Officer-; Chorus of Israelites-; Dalila-; Harapha-; Chorus of Philistine Women-; Priests of Dagon- (Larpent MS 38).

Music: As17620305

Performances

Mainpiece Title: Semele

Performance Comment: Jupiter-; Cadmus- (King of Thebes); Athamas- (Prince of Boeotia, in love with Semele); Somnus-; Apollo-; Cupid-; Juno-; Iris-; Semele- (Daughter of Cadmus); Ino-; Chorus of Priests and Augurs-; Chorus of Loves and Zephyrs-; Chorus of Nymphs and Swains-; Attendants- (Larpent MS 43).

Music: As17620226

Performances

Mainpiece Title: Judith

Performance Comment: Ozias-; Charmis-; Holofernes-; Judith-; Abia-; Chorus of Israelites-; Chorus of Assyrians-(Larpent MS 187).

Music: "W"With Concertos"

Event Comment: Benefit for several: Master Cape, C. Roberts, West, Tomlinson, Mortimer. Tickets deliver'd for This Night will be taken. [Tomlinson's Epilogue in Larpent MS 213.] The mute speaks again, and mimics tragedians and comedians [See 20 May.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The King and the Miller

Dance: II: Hornpipe-Master Cape (Scholar to Walker); IV: Hearts of Oak, as17620421

Song: III: If o'er the Cruel Tyrant Love, as17620513

Entertainment: New Sketch of his own picture drawn from the life by way of Epilogue-Mr Tomlinson, his second time of attempting to speak on the Stage

Event Comment: [T+The Occasional Prologue is Larpent MS 214 wherein Woodward crosses the stage sneakingly, "Behold the Prodigal return'd quite tame..." and apologizes for his recent venture in Ireland.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Contrivances

Performances

Mainpiece Title: Judas Macchabaeus

Performance Comment: Parts were: Judas-; Israelite Man-; Israelite Woman-; Simon (Brother to Judas)-; Messenger-; Eupolemus (Jewish ambassador to Rome)- (Larpent MS 65).

Music: As17630218

Event Comment: Benefit for Woodward. [Both pieces advertised as for the last time this season.] Afterpiece: By particular Desire. N.B. That the Cabin may be convenient, and in regard that he would not be too popular, and too generally visited, the Captain will have No Building upon the stage. [See 13 April 1763. The Prologue is Larpent MS 221, wherein Woodward requests smiles of approval as he takes off himself.

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Apprentice

Dance: II: The Garland, or the +Milk-Maid's Holiday-Miss Poitier; [see17590421] [in which will be introduced a Hornpipe; End: The Jealous Woodcutter, as17621023

Event Comment: Benefit for Smith. Mainpiece: For last time this Season. Part of Pit rail'd into Boxes. No Building on Stage. Tickets sold at the doors will not be admitted (playbill). [See 6 April 1763. Smith's Skit is Larpent MS 222, in which each of the seven ages is acted out and accompanied with generalized comment.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Citizen

Entertainment: After: The Humours of the Age Imitation of Shakespeare's Stages-Smith

Dance: TThe Jealous Woodcutter, as17621023

Event Comment: Benefit for Mrs Clive. Mainpiece: By Particular Desire.Afterpiece: Never perform'd before. Ladies and Servants by 3 o'clock. Part of Pit laid into boxes; No Building on Stage. [See Theatrical Review; or, Annals of the Drama, 1763, 1 April, pp. 142-46, for critique of the Sketch of a Fine Lady's Return from a Rout. Rather damns the writing and the performance on all counts, Moody's part being so bad, to save his face he commenced Hibernian in his dialogue" to amuse the ears of his audience. The parts are listed in Larpent MS 220: Sir Gregory Jenkings, Mr Nettle (a Lawyer), 1st Clerk, 2nd Clerk, Porter, Footmen, Lady Jenkings, Nancy Jenkings, Fanny Jenkings, Jane (Lady's Maid).

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: Sketch of a Fine Lady's Return from a Rout

Song: End of Farce: A Mimic Comic Italian Song from the Opera of Il Filosopho di Campagna-Mrs Clive

Dance: End of Play: The Cow@Keepers, as17630315

Event Comment: Benefit for Miss Catley and Hull. Afterpiece: By Desire, but for last time this season. No Building on Stage (playbill). [The Briton" song is Larpent MS 203, high praise of George III, as a truly British king.] Such as please to send for tickets shall have the words of the Ode gratis

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: Thomasand Sally

Song: I: A New Ode, call'd A Briton the Son of a Briton- set to music by Bates. Vocal parts: Mattocks, Miss Catley; in IV: Nymphs and Shepherds-Miss Catley

Dance: A New Comic Dance, as17630224

Event Comment: Characters in Mainpiece New Dress'd in the Habits of the Times. Afterpiece: With Alterations and Additions. [See Larpent MS 227. Codicil not listed in alterations.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Upholsterer

Dance: TThe Knife Grinders, as17631012

Event Comment: This night a new Occasional Interlude call'd Hymen was introduc'd between the Acts; but not put in the Bills (Hopkins). [For cast, see 21 Jan.] An occasional Interlude on the Marriage of Princess Augusta to Prince of Brunswick call'd Hymen (Cross Diary). This night a new occasional Interlude called Hymen, but not in the bills. Hymen was written by Mr Allen (Hopkins Diary-MacMillan). [The Larpent MS 217 lists four characters and a Chorus: Hymen, Cupid, Venus, Mars, Chorus. The words of the Songs by Cupid, Hymen and Venus were published in the Public Advertiser, 23 Jan.] Receipts: #122 5s. (MacMillan)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Rites of Hecate

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: False Concord

Performance Comment: Principal characters-Woodward, Shuter, Dunstall, R. Smith, Mas. Morgan, Cushing, Mrs Pitt, Miss Hallam, Miss Elliot; With a Prologue [to the Farce-Woodward. [Larpent MS 236 lists the parts: Sudley; Raymond; Lord Lavender; Trimmer; Master Edward; Jasper; Footboy; Mrs Sudley; Miss Sudley; Miss Johnson; Servants.]Larpent MS 236 lists the parts: Sudley; Raymond; Lord Lavender; Trimmer; Master Edward; Jasper; Footboy; Mrs Sudley; Miss Sudley; Miss Johnson; Servants.]

Dance: II: A New Grand Ballet-Gallini, Miss Wilford, Sga Manesiere; End: A Grand Dance, call'd Hymen's Triumph-Gallini, Duquesney, Master Rogers, Miss Valois, Miss Wilford, Sga Manesiere

Event Comment: Benefit for Love. Mr Love Hiss'd in the Scotchman. Dumont by Mr Powell (Hopkins). Characters Dress'd in Habits of Times. Mr Love was hissed very much in the Scotchman, and the Farce hissed at the end (Hopkins Diary-MacMillan). No building on stage. On Saturday Othello with a New Burletta call'd Music A-La-Mode, or Bayes in Chromatics For the Benefit of Vernon. [The principal characters were to have been played by King, Vernon, Packer, Fox, Mrs Mrs Dorman, and Miss Young (Public Advertiser, 13 April). But it was deferred at the last minute and seems never to have been performed. Larpent MS 237 lists the parts: Dr Crochet, Player-Packer; Squire, Justice; Damon; Daphne, Chorus of Shepherds and Nymphs. $J. P. Kemble thought it a burlesque at the expense of Dr Arne (professor of nonharmonic music). The Player wants in it to banish all but four plays (Tamerlane, London Cuckolds, George Barnwell, and Twelfth Night) and fill stage performance with music.] Receipts: #208 14s. 6d. (MacMillan); charges: #64 4s. [Profit to Love: #144 10s. 6d.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Register Office

Dance: End: The Irish Lilt, as17630922; End I Farce: Hornpipe-Miss Baker