SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "MMr Larpent"/1) | (@(roleclean,performerclean) "MMr Larpent")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 479 matches on Event Comments, 255 matches on Performance Comments, 3 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Belshazzar

Performance Comment: Parts were Belshazzar, Daniel, Cyrus, Gobryas (An Assyrian Noble revolted to Cyrus), Nitocris (Mother to Belshazzar), Arioch (Babylonian Lord), Chorus of Babylonians, Jews, Medes, Persians (Larpent MS).

Afterpiece Title: Concerto on Organ

Event Comment: Benefit for Woodward. Afterpiece: A New farce written by Mr Woodward-for his Benefit, The farce was a kind of dispute among ye Actors, & went off, as it was a Benefit, without Interruption, but I believe will not be play'd agen, ye Epil: was a parody upon Shakespear's Stage of Life, & was Lik'd (Cross). No Part of Pit will be rail'd into the Boxes. Ladies send servants by three. Tickets to be had of Woodward at Clarendon's Warehouse, and of Hobson at the stage door. Last time of performing the mainpiece this season. [Larpent MS 92, indicates the afterpiece as a criticism from the actors' view of the way they are handled by audiences, and of their own damnation of a play presented to them. All works up to the Epilogue: @'All the town's a farce-he says and swears,@And all the men and women merely players...'@ which is severe upon politicians, doctors, statesmen and connoisseurs. The characters appear under their own names, Cross, Clive, etc.] Receipts: #300 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: A Lick at the Town

Performances

Mainpiece Title: Jeptha

Performance Comment: Jeptha-Beard tenor; Storage-Signora Galli Mezzosoprano; Iphis-Signora Frasi soprano; Hamor-Brent alto; Zebul-Wass bass; Angel-the Boy (Deutsch, Handel, p. 719); Chorus of Israelites- (Larpent MS).

Performances

Mainpiece Title: Samson

Performance Comment: Parts-Samson-; Manoa-; Micah-; Israelite Officer-; Chorus of Israelites-; Dalila-; Harapha-; Chorus of Philistine Women and Priests of Dagon- (Larpent MS).

Performances

Mainpiece Title: Judas Macchabaeus

Performance Comment: Parts were Judas-; Israelite Man-; Israelite Woman-; Chorus-; Simon, Brother to Judas-; Messenger-; Eupolemus, Jewish Ambassador to Rome- (Larpent MS).
Event Comment: Benefit for Macklin. Afterpiece: A New Dramtic Satire in two acts. N.B. As several of the Town have prejudged the Pit the Boxes and Galleries acting their own parts themselves for their diversion, to be of the same species of the Lick at the Town last year; and that it can mean only the ordinary Approbation or Disapprobation of the Audience, Signor Pasquin thinks it incumbent on himself to assure to Publick that all those conjectures are groundless; And farther, he assures them that the Pit, &c. acting their parts has no other meaning than the common literal sense; and that the Audience are really interwoven in the piece; and are to be bona fide part of the Dramatis Personae; and he makes no doubt but that he shall make them perform their parts to a numerous and polite audience, and with universal Applause. But he begs that those Ladies and Gentlemen who intend to perform in the Pit and Galleries will be at the Theatre betimes, for particular reasons; and those who are to act in the Boxes are requested to send their servants to keep their places by three o'clock. Signor Pasquin has received the letters sent by the Town and the Village, and they may depend upon having Places kept for them upon the Stage. The Hiss concerning the Robin Hood Society will be complied with (General Advertiser). [The parts were: Pasquin, Marforio, Sir Eternal Grinn, Sir Conjecture Positive, Sir Roger Ringwood, Bob Smart, Soloman Common Sense; Count Hunt Bubble, Sir John Ketch, hic and Hac (Scribblers), Hydra, Lady Lucy Loveit, Miss Diana Singlelife, Miss Brilliant, Miss Bashfull (Larpent MS 96).

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Covent Garden Theatre; or, Pasquin turn'd Drawcansir, Censor of Great Britain

Dance: GGrand Comic Ballet, as17511216

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: The Choice of Hercules

Performance Comment: Virtue-; Pleasure-; Hercules-; Chorus of Attendants on Virtue-; Chorus of Attendants on Pleasure- (Larpent MS).

Performances

Mainpiece Title: Jephtha

Performance Comment: Jephtha-; Zebul-(his Brother); Storage-(His Wife); Iphis-(His Daughter); Hamor-(In love with Iphis); Chorus of Israelites-(Larpent MS).

Performances

Mainpiece Title: Samson

Performance Comment: Parts were: Samson-; Manoa-; Micah-; Chorus of Israelites-; Israelite Officer-; Dalila-; Harapha-; Chorus of Philistine Woman and Priests of Dagon- (Larpent MS).
Event Comment: Printed books of the opera will be sold at the theatre. Published this day at 1s. Lo Studente A La Moda, dramma comicogiocoso, as it is acted at the Theatre Royal in Covent Garden. With an English Translation. Sold by H. Woodfall...Where may be had Gli Amanti Gelosi, with an English translation. [Opera in there acts in Italian and French. Larpent MS 103. Altered from A. Polomba La Violante. Music by G. B. Pergolesi. Rich applied to the Duke of Grafton (9 Jan.) for license to perform it.

Performances

Mainpiece Title: Lo Studente A La Moda

Dance: Entertainment-[unspecified]

Performances

Mainpiece Title: Artaserse

Performance Comment: Artaxerxes-Passerini; Arbaces-Serafini; Mandana-Signora Visconti; Artabanes-Albuzio; Semira-Signora Frasi; Megabyses-Ranieri (Larpent MS).
Event Comment: Comic Opera in Italian and French, 3 Acts (Larpent MS 107). Subtitle, O Sia, Il Finto Femmina. La Musica e del Sig Leonardo Leo, Maestro di Capella Napolitano (Edition of 1752, Amsterdam). [Rich had applied for license to Duke of Grafton 8 Feb.] This day at Noon will be publish'd at 1s. L'Amor Costante, Dramma Comico, pe Musica, as it is acted at Covent Garden. With an English translation. Sold by H. Woodfall

Performances

Mainpiece Title: L'amour Costante

Dance: [Unspecified.]

Performances

Mainpiece Title: Judas Macchabaeus

Performance Comment: Parts were: Judas-; Israelite Man-; Israelite Woman-; Chorus-; Simon (Brother to Judas)-; Messenger-; Eupolemus (Jewish Ambassador to Rome)- (Larpent MS).

Performances

Mainpiece Title: Samson

Performance Comment: Parts were: Samson-; Manoa-; Micah-; Israelite Officer-; Chorus of Israelites-; Dalila-; Harapha-; Chorus of Philistine Women and Priests of Dagon- (Larpent MS).
Event Comment: Benefit for Mr Pritchard--pretty well (Cross). Tickets at Pritchard's Warehouse. The only time this play and farce will be performed this season. Afterpiece: Taken from Sir Charles Sedley. [The Larpent MS 112 indicates additional parts in The Grumbler: Lovemore-$Jefferson; Capt. Bellmount-$Ackman; Sir John Rightou'd-?; +Rigant-$Marr; Shallow-$Vaughan; Victoria-$Mrs Simson; Sersnet-Miss ?; +Footboy-?; The MS contains prompt notes also.] Receipts: #160 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Grumbler

Dance: II: Masquerade Dance-

Event Comment: Benefit for Vanneschi, manager of Operas (Larpent MS)

Performances

Mainpiece Title: Attilio Regolo

Performances

Mainpiece Title: L'arcadia In Brenta

Performance Comment: The printed version 1755 (Larpent MS 114) as acted as Covent Garden gives the following: Fabrizio Fabroni-Sg Francesco Baratti; Giacinto-Gaetano Guadagni; Rosana-Sga Ninetta de Rossennaw; Mlle Lindora-Sga Anna Castelli; Conte Bellezza-Gaetano Quilici; Laura-Sga Eugenia Mellini; Foresto-Christiano Tedeschini Koerbitz.

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: The Choice of Hercules

Performance Comment: Parts were: Virtue-; Pleasure-; Hercules-; Chorus of attendants on Virtue-; Chorus of Attendants on Pleasure- (Larpent MS).

Performances

Mainpiece Title: Samson

Performance Comment: Parts were: Samson-; Manoa-; Micah-; Israelite Officer-; Chorus of Israelites-; Dalila-; Harapha-; Chorus of Philistine Women and Priests of Dagon-[(Larpent MS).].(Larpent MS).].

Performances

Mainpiece Title: Judas Macchabaeus

Performance Comment: Parts were: Judas-; Israelite Man-; Israelite Woman-; Chorus-; Simon- (Brother to Judas); Messenger-; Eupolemus (Jewish Ambassador to Rome)- (Larpent MS).

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Irishman in London

Performance Comment: The Larpent MS 120 lists parts: Capt. O'Blunder-; Mons Ragoo-; Tradewell-; Schemewell-; Cheatwell-; Dr Hellebore-; Dr Fillgrave-; Serj Wisacre-; Keeper-; Mob-; Lucinda-; Betty-.

Song: Lowe

Dance: As17541203

Event Comment: A new Tragedy by ye Author of Barbarossa (Dr Brown) Great Applause (Cross). [Larpent MS 124 suggests Dunelm had been intended for Walker to act.] Receipts: #190 (Cross)

Performances

Mainpiece Title: Athelstan A New Tragedy

Performances

Mainpiece Title: Judas Macchabaeus

Performance Comment: Judas-; Israelite Man-; Israelite Woman-; Chorus-; Simon-(Brother to Judas); Messenger-; Eupolemus (Jewish Ambassador to Rome)-. [Larpent MS.]Larpent MS.]

Performances

Mainpiece Title: Jeptha

Performance Comment: Parts were Jeptha-; Zebul (his Brother)-; Storage (his Wife)-; Iphis (his Daughter)-; Hamor (in love with Iphis)-; Chorus of Israelites-. (Larpent MS).
Event Comment: Benefit for Yates. Being positively the last time of performing the mainpiece this season. Afterpiece: Never acted before. Sad Farce (Cross). [Afterpiece sent to the Licenser under the title The Kept Mistress; or, The Mock Orators. Larpent MS 125 lists the parts: Harry, Belton, Hempton, Miss Belladue, her Maid; Old Ringworm, Widow Lovephrase, Servant; Lady Whiffle; Old Belladue, First Lady, Second Lady, First Orator, Second Orator, Third Orator, Doorkeeper; Press Gang (Mr Grapling Chart, Mr Anchorstock). The concluding sailor's Song most patriotic: "Our Navy see, spread o'er the Seas..."]. Receipts: #220 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Mock Orators

Dance: NNew Comic Dance-