SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "MMr Harris James"/1) | (@(roleclean,performerclean) "MMr Harris James")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2149 matches on Author, 1195 matches on Performance Comments, 515 matches on Event Comments, 97 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: MMr Sowdon Play'd Ch; (Cross). Mainpiece: Not acted these 2 years. [See 15 Nov. 1743]. Receipts: #80 (Cross); #91 13s. (Powel)

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Performance Comment: Clodio-Woodward; Don Choleric-Yates; Carlos-Sowdon, 1st appearance there; Antonio-Arthur; Charino-Taswell; Don Duart-Berry; Governor-Winstone; Don Manuel-Usher; Sancho-James; Monsieur-Blakes; Jaques-Vaughan; Lawyer-Bransby; Honoria-Miss Pitt; Angelina-Mrs Elmy; Elvira-Mrs Mills; Louisa-Mrs Pritchard.
Cast
Role: Sancho Actor: James

Afterpiece Title: The Devil to Pay

Music: I: Overture to Rodelinda on Flute-the Child; III: Music-the Child

Dance: V: Savoyards, as17480920

Event Comment: MMr Foote play'd Buck & Miss Macklin Lucinda, --went off tol: ye Girl was lik'd-she sung in ye Character Aly Croky--fine, --& danc'd a Minuet--well (Cross). [Foote was engaged as an actor for a certain number of nights and made his 1st appearance on this evening-he spoke a Prologue written by Garrick which was encored every night Genest, IV, 380). The Prologue was printed in the Public Advertiser on 29 Oct. suggesting the many sources of laughter on stage as they appealed to various parts of the House, pointing fun at Foote, and closing with his mock, humble statement: @"Many my passions are, tho' one my view@They all concenter--in the pleasing you.'@ It also contained information about a specialty performer on the Cello, Monsieur Cervetti, and his reception by the upper galleries: @"...In like extremes your laughing humour shows@Have ye not roar'd from Pit to upper Rows@And all the jest was, What? a Fiddler's nose..."@ The person here meant is M Cervetti, who has been a standing joke with the upper gallery for a long time past, on account of the length of his nose: but as I am inform'd, that no feature of his Mind is out of proportion, unless it be that his good qualities are extraordinary, I take this opportunity to mention that it is cruel to render him uneasy in the Business, in which he is eminent, and by which he must gain his livlihood." See identical comment in Gray's Inn Journal, 27 Oct. A puff for Miss Macklin appeared in Gray's Inn Journal, 20 Oct.] Receipts: #190 [Cross)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Manly-Havard; Trusty-Mrs Bennet; Sir Francis Wronghead-Yates; Mrs Motherly-Mrs Cross; Lord Townly-Ross; Moody-Burton; Squire Richard-Vernon; Myrtilla-Mrs Hippisley; Lady Grace-Mrs Mills; Miss Jenny-Mrs Minors; Lady Wronghead-Mrs James; Basset-Blakes; Lady Townly-Mrs Pritchard.
Cast
Role: Lady Wronghead Actor: Mrs James

Afterpiece Title: The Englishman in Paris

Event Comment: Benefit for Barrington Fox. Tickets deliver'd by Thompson and Master Harris will be taken. Charges #67 4s. 6d. were borne by Barrington and Fox, who faced a deficit of #16 4s. 9d. apiece. It was cover'd by income from tickets. Thompson and Master Harris rec'd their tickets gratis (Account Book). @Tickets Box Pit Gallery Value@Barrington 69 92 50 #36 1s.@Fox 93 194 61 #58 9s.@Thompson 0 24 94 #13 @Mas. Harris 114 61 52 #42 17s.@ Receipts: #34 15s. (Account Book)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Citizen

Dance: IV: A Dance-Mas. Harris, Miss Mathews (her 2nd appearance that stage)

Performance Comment: Harris, Miss Mathews (her 2nd appearance that stage).

Monologue: Interlude. End: True Blue. As 2 May, but Principal Parts-Mrs _Baker, Mrs Mattocks

Event Comment: Benefit for Mahon. Tickets deliver'd for Lionel and Clarissa, an Opera and Master Harris will be taken. Charges: 1!2 House charge plus 1!2 Receipts: #62 18s. 3d. Deficit to Mahon #1 6s. 9d. covered by #37 15s. from tickets (Box 77; Pit 66; Gallery 86). Mas. Harris Disposed of #40 19s. worth of tickets (Box 97; Pit 68; Gallery 65) from which he receiv'd 1!2 value. Receipts: #61 11s. 6d. (Account Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Upholsterer

Dance: III: Hornpipe-Mas. Harris; End: The Lamplighters, as17681101

Performance Comment: Harris; End: The Lamplighters, as17681101.
Event Comment: Benefit for Aldridge. Tickets deliver'd by Mas. Harris will be taken. Charges #64 15s. 6d. Profit to Aldridge #31 4s. plus #131 19s. from tickets (Box 284; Pit 269; Gallery 206) (Account Book). Receipts: #95 19s. 6d

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Man and Wife

Dance: I: New Dance, as17730206; II: A New Comic Dance-Mas. Harris (Scholar to Aldridge), Miss Mathews; End Opera: (By particular desire) will be reviv'd The Whim-Aldridge, Sg Manesiere; End II of Farce: A New Dance-Mas. Langrish (Scholar to Aldridge) his first appearance, Miss Besford

Performance Comment: Harris (Scholar to Aldridge), Miss Mathews; End Opera: (By particular desire) will be reviv'd The Whim-Aldridge, Sg Manesiere; End II of Farce: A New Dance-Mas. Langrish (Scholar to Aldridge) his first appearance, Miss Besford.
Event Comment: Mainpiece: Not acted these 6 years [acted 18 Sept. 1778. Miss Scrase (see 19 Sept.) had become Mrs James Bates on 23 Sept.]. Receipts: #195 13s. 6d. (193/3/6; 2/10/0)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Impostor

Afterpiece Title: The Flitch of Bacon

Dance: End of mainpiece Damon and Musidora by Harris and Miss Besford

Event Comment: Benefit for Harris, ballet master and principal dancer. Public Advertiser, 15 May: Tickets to be had of Harris at his house, No. 43, Wells-street, Cavendish-Square. Receipts: #179 4s. 6d. (42/14/6; tickets: 136/10/0) (charge: #105)

Performances

Mainpiece Title: A Bold Stroke For A Husband

Afterpiece Title: The Flitch of Bacon

Dance: End of Act III of mainpiece a New Divertissement (composed by Harris) in which the Minuet de la Cour and a new Pas de Deux by Harris and Mme Bithmere; End of Act IV a new Pantomime Ballet (composed by Harris) The Charms of a Camp; or, The Female Volunteer by Harris, Byrn, Mrs Ratchford, Mrs Davenett, Mrs Goodwin, &c.; End of mainpiece, The Rival Nymphs, as17840318but Mrs Ratchford in place of Miss Matthews

Event Comment: Benefit for Harris, ballet-master and Principal Dancer, and Trew. Mainpiece: With the Triumphal Entry of Alexander into Babylon. Receipts: #286 18s. 6d. (97/15/6; tickets: 189/3/0) (charge: #105)

Performances

Mainpiece Title: Alexander The Great

Related Works
Related Work: Alexander the Great; or, The Conquest of Persia Author(s): James D'Egville

Afterpiece Title: The Golden Pippin

Dance: End of Act III of mainpiece Diversion a-la-Mode, as17821211, in which The Devonshire Minuet, as17821129, and variety of new Quadrilles, composed by Harris; End of Act iv, as17820925; End of mainpiece new Dance, composed by Harris, The Rival Nymphs, by Byrne, Ratchford, Harris, Mrs Ratchford, Miss Byrne, Miss Matthews

Related Works
Related Work: The Giant Defeated; or, The Reward of Valour Author(s): James Byrne
Related Work: Nootka Sound; or Britain Prepar'd Author(s): James Byrne
Related Work: The Provocation! Author(s): James Byrne
Related Work: Oscar and Malvina; or, The Hall of Fingal Author(s): James Byrne
Related Work: The Governor; or, The Creolian Insurrection Author(s): James Byrne
Related Work: The Shipwreck; or, French Ingratitude Author(s): James Byrne
Related Work: The Fall of Martinico; or, Britannia Triumphant Author(s): James Byrne
Related Work: Hercules and Omphale Author(s): James Byrne
Related Work: The Tythe Pig Author(s): James Byrne
Related Work: The Mistakes Author(s): Joseph Harris
Related Work: The City Bride; or, The Merry Cuckold Author(s): Joseph Harris
Related Work: Love's a Lottery, and a Woman the Prize: With a New Masque, call'd Love and Riches Reconcil'd Author(s): Joseph Harris
Related Work: King and No King Author(s): Thomas Harris
Related Work: The Spring Author(s): James Harris

Song: As17821227, but Mrs Bannister [i.e. formerly Miss Harper (see17830129)]; omitted: Bannister

Event Comment: Benefit for Mrs Lampe, Mrs Jones, Redman, and Harris. Doors open at half past 5. To Begin at half past 6. Charges #65 3s. Deficit Mrs Lampe & Mrs Jones at 1 1!2, #8 16s. 7 1!2d.; to Redman at 1, #5 17s. 9d., to Harris at 1 1!2, #8 16s. 7 1!2d., cover'd by income from tickets: Mrs Lampe and Mrs Jones combined #66 3s. (Box 144; Pit 135; Gallery 99); Redman #24 9s. (Box 27; Pit 68; Gallery 75); To Harris, #50 10s. (Box 141; Pit 71; Gallery 46). Receipts: #41 12s. (Account Book)

Performances

Mainpiece Title: Love In A Village

Cast
Role: Rosetta Actor: Miss Jameson

Afterpiece Title: Cross Purposes

Cast
Role: Robin Actor: Harris.

Dance: I: A New Double Hornpipe-Harris, Miss Besford; II: The Pilgrim, as17740416 End Opera: The Recruits, as17740217, but Miss _Twist, Miss Besford

Event Comment: Benefit for Dumay, Harris & Holloway. Receipts: #296 11s. (48.12; tickets: 247.19) (charge: #105)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Flitch of Bacon

Dance: IV: Minuet de la Cour en Quatre-Holloway, Holland, Miss Francis, Miss Matthews; a Minuet-Harris, Miss Younge; End IV: a new Pastoral Dance-Harris, Miss Matthews

Ballet: End: St. David's Day. As17810501

Monologue: End II: The Humours of New-Market; with the Poney Races. Jockeys-Harris, Holland, Ratchford, Holloway; Ladies-Miss Besford, Miss Francis, Miss Matthews

Performance Comment: Jockeys-Harris, Holland, Ratchford, Holloway; Ladies-Miss Besford, Miss Francis, Miss Matthews.
Event Comment: Benefit for Dumay, Merrifield, Harris, and Holloway

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: Cross Purposes

Dance: III: Minuets and Cotillions-Dumay, Miss Armstrong, Merrifield, Miss Ross, Harris, Miss Mathews, Mr and Mrs Holloway; End: The Humours of the New@Market Races, as17760503 [and for Minuets and Cotillions, see17750526]

Related Works
Related Work: The Mistakes Author(s): Joseph Harris
Related Work: The City Bride; or, The Merry Cuckold Author(s): Joseph Harris
Related Work: Love's a Lottery, and a Woman the Prize: With a New Masque, call'd Love and Riches Reconcil'd Author(s): Joseph Harris
Related Work: King and No King Author(s): Thomas Harris
Related Work: The Spring Author(s): James Harris
Event Comment: Benefit for Dumay, Holloway & Harris. Tickets delivered for Know Your Own Mind will be taken. Public Advertiser, 9 May: Tickets to be had of Dumay, Sand-hill, Lamb's Conduit Fields, behind the Foundling Hospital; of Holloway, Great Maddox-street, Hanover-square; of Harris, No. 12, Duke's-court, Bow-street, Covent Garden. Receipts: #251 15s. (56.11; tickets: 195.4) (charge: #105)

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: Poor Vulcan

Dance: End II: New Dance-; in which the Minuet de la Cour, Gavot-Harris, Miss Valois; End IV: Le Minuet a Quatre-Dumay, Holloway, Miss Matthews, Miss Ross; with a variety of new Quadrilles-

Ballet: End: The Sailors' Revels at Portsmouth. As17780502

Event Comment: Benefit for Dumay, Harris & Holloway. [For Wright see 13 May. Mrs Sutton was from dl.] Public Advertiser, 7 May: Tickets to be had of Dumay, Sand-hill, behind the Foundling Hospital; of Harris, No. 42, Wells-street, Cavendish-square; of Holloway, Newington Butts

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Liverpool Prize

Dance: End II: Minuet-Dumay, Miss Dagueville; and the Minuet de la Cour-Holloway, Miss Besford; End I afterpiece: New Dance-Harris, Mrs Sutton (1st appearance on that stage); with a New Allemande-

Ballet: End: The Humours of Newmarket. As17790503, but Jockeys-Holloway; Ladies-Miss +Besford

Performances

Mainpiece Title: The Discovery

Afterpiece Title: St

Related Works
Related Work: The Students; or, The Humours of St. Andrews Author(s): James Stewart
Related Work: Cape St. Vincent; or, British Valour Triumphant Author(s): James Cobb

Dance: End of mainpiece a new Dance, Diversion a-la-Mode, by Harris, Burn [i.e. Byrne], Miss Matthews, in which The Devonshire Minuet by Harris and Miss Matthews

Performance Comment: e. Byrne], Miss Matthews, in which The Devonshire Minuet by Harris and Miss Matthews .
Related Works
Related Work: The Mistakes Author(s): Joseph Harris
Related Work: The City Bride; or, The Merry Cuckold Author(s): Joseph Harris
Related Work: Love's a Lottery, and a Woman the Prize: With a New Masque, call'd Love and Riches Reconcil'd Author(s): Joseph Harris
Related Work: King and No King Author(s): Thomas Harris
Related Work: The Spring Author(s): James Harris
Event Comment: Mainpiece: Never acted at this Theatre. By Beaumont and Fletcher, with Alterations [by Thomas Harris (Boaden, Kemble, I, 378)]. Public Advertiser, 15 Jan.: The alterations consisted of many curtailments, the last scene of Act IV being entirely omitted. [Prologue by Henry Sampson Woodfall Jun. (European Magazine, Dec. 1787, p. 503; Feb. 1788, p. 105).] Receipts: #150 2s. (146.18; 3.4)

Performances

Mainpiece Title: King And No King

Related Works
Related Work: King and No King Author(s): Thomas Harris

Afterpiece Title: The Dumb Cake

Song: II: a Grand Chorus-Johnstone, Davies, Darley, Cubitt, Blurton, Janson, Bonville, Mrs Martyr, Mrs Mountain, Mrs Morton, Miss Stuart, Mrs Watts, Mrs Byrne, Miss Rowson, Miss Francis, Miss Paye, Miss Blower, Mrs Kennedy

Event Comment: [Dedication signed by John James Heidegger.] By Subscription. Never Perform'd before. Colman's Opera Register: Monr John James Heidegger managed both this & ye former Opera for ye Singers & ye Subscription was for Six Nights paying 10 Guin for 3 Tickets each Night, they not to give out above 400 Tickets a Night

Performances

Mainpiece Title: Ernelinda

Related Works
Related Work: Ernelinda Author(s): John James Heidegger
Event Comment: [Dedication by John James Heidegger.] By Subscription. Stage Boxes 15s. Gallery 5s. Colman's Opera Register: By subscription for six times at ye usuall rate of 10 Guin for 3 Tickets

Performances

Mainpiece Title: Arminius

Related Works
Related Work: Arminius Author(s): John James Heidegger
Event Comment: 2nd piece [1st time; T 3, by Henry James Pye. Authors of Prologue and Epilogue unknown]: With new Scenes, Dresses and Decorations. Morning Chronicle, IO June 1794: This day is published THE SIEGE OF MEAUX (1s. 6d.). Receipts: #125 9s. (117/2; 8/7)

Performances

Mainpiece Title: The Death Of Captain Cook

Afterpiece Title: THE SIEGE OF MEAUX

Related Works
Related Work: The Siege of Meaux Author(s): Henry James Pye

Afterpiece Title: NETLEY ABBEY

Event Comment: [1st piece in place of THE FLITCH OF BACON, advertised on playbill of 25 July.] 3rd piece [1st time; CO 2, by Samuel James Arnold]: The new musick, with a Scottish Medley Overture, by Dr Arnold. New Scenery by Rooker. New Dresses and Decorations. Morning Chronicle, 28 Aug. 1794: This Day is published AULD ROBIN GRAY (1s)

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: THE VILLAGE LAWYER

Afterpiece Title: AULD ROBIN GRAY

Related Works
Related Work: Auld Robin Gray Author(s): Samuel James Arnold
Event Comment: 3rd piece [1st time: MF 2, by Samuel James Arnold. Larpent MS 1176; not published; synopsis of plot in Morning Herald, 27 June]: The Musick, with an Hibernian Medley Overture, by Dr Arnold. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: The Purse; Or, Benevolent Tar

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Irish Legacy

Related Works
Related Work: The Irish Legacy Author(s): Samuel James Arnold
Event Comment: [The King's Company. The date of the first performance is not known, but a letter--see 2 Jan. 1670@1--indicates that the first part had been acted before that date and that Part II was to be shortly staged. The point of the Prologue spoken by Ellen Gwyn seems to have derived from an incident at Dover (see Downes, Roscius Anglicanus, p. 20) in May 1670, when James Nokes attired himself in a ridiculous fashion, including "Broad wast Belts." The speakers of the Epilogue and the Prologue to the Second Part are mentioned in Sir William Haward's MS (Bodl. MS Don. b., pp. 248-49); see The Poems of John Dryden, ed. James Kinsley (Oxford, 1958), IV, 1848-49. In Part I a song Beneath a myrtle shade, with music by John Bannister, is in Choice Songs and Ayres, First Book, 1673. Another, Wherever I am, with music by Alphonso Marsh, is in the same collection, as is also How unhappy a lover am I, the music by Nicholas Staggins. Mrs John Evelyn to Mr Bohun, ca. Jan. 1670@1: Since my last to you I have seen The Siege of Grenada, a play so full of ideas that the most refined romance I ever read is not to compare with it; love is made so pure, and valour so nice, that one would image it designed for an Utopia rather than our stage. I do not quarrel with the poet, but admire one born in the decline of morality should be able to feign such exact virtue; and as poetic fiction has been instructive in former ages, I wish this the same event in ours. As to the strict law of comedy I dare not pretend to judge: some think the division of the story is not so well if it could all have been comprehended in the day's actions (The Diary and Correspondence of John Evelyn, ed. William Bray, IV, 25). According to John Evelyn--see 9 Feb. 1670@1--Robert Streeter did some of the scenes for this play. In the Preface to The Fatal Discovery, ca. February 1697@8, George Powell, in discussing revivals of Dryden's plays, stated: In relation to our reviving his Almanzor...very hard crutching up what Hart and Mohun could not prop

Performances

Mainpiece Title: The Conquest Of Granada By The Spaniards

Performance Comment: Almanzor and Almahide; or, The Conquest of Granada. The Second Part. Edition of 1672: Prologue to the First Part-Mrs Ellen Gwyn in a broad brim'd hat, and was belt; Mahomet Boabdelin-Kynaston; Prince Abdalla-Lydall; Abdelmelech-Mohun; Zulema-Harris; Abenamar-Cartwright; Selin-Wintershall; Ozmyn-Beeston; Hamet-Watson; Gomel-Powell; Almanzor-Hart; Ferdinand-Littlewood; Duke of Arcos-Bell; Almahide-Mrs Ellen Gwyn; Lyndaraxa-Mrs Marshall; Benzayda-Mrs Bowtell; Esperanza-Mrs Reeve; Halyma-Mrs Eastland; Isabella-Mrs James; Epilogue-Charles Hart?; Prologue to the Second Part of the Conquest of Granada-Michael Mohun?; Epilogue to the Second Part-.
Cast
Role: Zulema Actor: Harris
Role: Isabella Actor: Mrs James
Event Comment: The Duke's Company. Pepys, Diary: To the Opera, and there saw Romeo and Juliet, the first time it was ever acted; but it is a play of itself the worst that ever I heard in my life, and the worst acted that ever I saw these people do, and I am resolved to go no more to see the first time of acting, for they were all of them out more or less. Downes (p. 22): Note, There being a Fight and Scuffle in this Play, between the House of Capulet, and House of Paris; Mrs Holden Acting his Wife, enter'd in a Hurry, Crying, O my Dear Count! She Inadvertently left out, O, in the pronuntiation of the Word Count! giving it a Vehement Accent, put the House into such a Laughter, that London Bridge at low-water was silence to it. This Tragedy of Romeo and Juliet, was made some time after into a Tragi-comedy, by Mr James Howard, he preserving Romeo and Juliet alive; so that when the Tragedy was Reviv'd again, twas Play'd Alternately, Tragical one Day, and Tragicomical another; for several Days together. [No specific notices are known which would indicate when Howard's version appeared.

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Downes (Roscius Anglicanus, p. 22): Romeo-Harris; Mercutio-Betterton; Paris-Price; Fryar-Richards; Sampson-Sandford; Gregory-Underhill; Juliet-Mrs Saunderson; Count Paris' Wife-Mrs Holden. Spencer (Shakespeare Improved, p. 73) thinks that James Nokes acted the Nurse.
Cast
Role: Romeo Actor: Harris
Event Comment: The Duke's Company. Pepys does not indicate that this performance is the premiere, and Summers, The Playhouse of Pepys, p. 137, states, without offering his evidence, that the play first appeared on 11 Aug. 1664. The play also appears in Herbert, Dramatic Records, p. 138. If Pepys saw the premiere, the play was possibly given on 15, 16, 17, 18, 19, 20, 22, 23, 24 Aug. Pepys, Diary: Mr Creed dining with me I got him to give my wife and me a play this afternoon, lending him money to do it, which is a fallacy that I have found now once, to avoyde my vowe with, but never to be more practised I swear, and to the new play, at the Duke's house, of Henry the Fifth; a most noule play, writ by my Lord Orrery; wherein Betterton, Harris, and Ianthe's parts are most incomparably wrote and done, and the whole play the most full of height and raptures of wit and sense, that ever I heard; having but one incongruity, or what did not please me in it, that is, that King Harry promises to plead for Tudor to their Mistresse, Princesse Katherine of France, more than when it comes to it he seems to do; and Tudor refused by her with some kind of indignity, not with a difficulty and honour that it ought to have been done in to him. Downes, Roscius Anglicanus, pp. 27-28: This Play was Splendidly Cloath'd: The King, in the Duke of York's Coronation Suit; Owen Tudor, in King Charle's: Duke of Burgundy, in the Lord of Oxford's, and the rest all New. It was Excellently Perform'd, and Acted 10 Days Successively

Performances

Mainpiece Title: The History Of Henry The Fifth

Performance Comment: Edition of 1669: King Henry the Fifth-Harris; Duke of Bedford-Underhill; Duke of Exeter-Cogan; Earl of Warwick-Aingel; Bishop of Canterbury-Lylinston [Lilleston]; Owen Tudor-Betterton; The Dauphin-Young; Duke of Burgundy-Smith; Earl of Chareloys-Cadiman; Constable of France-James Noke; De Chastel-Norris; Bishop of Arras-Samford; Count of Blamount-Medborne; Monsieur Colemore-Floyd; Queen of France-Mrs Long; Princess Katherine-Mrs Betterton; Princess Anne-Mrs Davis; Countess of La Marr-Mrs Norris.
Event Comment: The Duke's Company. The date of the first performance is not known, but Downes (Roscius Anglicanus, p. 32) states: The first new Play Acted there, was King Charles the VIII. of France; it was all new Cloath'd, yet lasted but 6 Days together, but 'twas Acted now and then afterwards. Two songs for this play, Too justly alas, set by James Hart, and O love if e'er thou'lt ease a heart, set by Pelham Humphrey, are in Choice Songs and Ayres, First Book, 1673

Performances

Mainpiece Title: The History Of Charles The Eighth Of France; Or, The Invasion Of Naples Of The French

Performance Comment: Edition of 1672: The Prologue-; Alphonso-Metbourn; Ferdinand-Harris; Prince of Salerne-Smith; Ascanio-Young; Trivultio-Sandford; Gonsalvo-Burford; Ghost-Cademan; Charles the Eighth-Batterton; Lewis-Crosby; Mompensier-Norris; Isabella-Mrs Batterton; Cornelia-Mrs Slaughter; Irene-Mrs Shadwell; Julia-Mrs Dixon; Epilogue-.
Cast
Role: Ferdinand Actor: Harris
Event Comment: Benefit for Macklin. Last time of performing this season. Doors open half past 5. To Begin at half past 6 o'clock. Tickets to be had of Macklin, James St., Covent Garden, and of Mr Sarjant at the stage Door where places for the Boxes may be taken

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17750525, but Macklin's 2nd appearance as Richard; Queen-Mrs Hopkins (from Drury Lane); Prince Edward-Harris.
Cast
Role: Prince Edward Actor: Harris.

Afterpiece Title: St Patrick's Day

Dance: End: The Irish Lilt, as17741202