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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "MMr Handell"/1) | (@(roleclean,performerclean) "MMr Handell")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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115 results for: Keyword - MMr Handell
We found 108 matches on Event Comments, 7 matches on Performance Title, 0 matches on Author, 0 matches on Performance Comments, and 0 matches on Roles/Actors.

101
02 March 1769 @ Drury Lane Theatre

Event Comment: MMr Garrick is out of danger (Winston MS 10)

Performances

Mainpiece Title: The Fatal Discovery

Afterpiece Title: The Padlock

102
06 October 1769 @ Drury Lane Theatre

Event Comment: MMr Waldron from Edinburgh made his first appearance upon this Stage in Scrub he is a mean figure a small Impediment in his speaking and wants power he met with some applause (Hopkins Diary)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Ode

Dance: IV: The Wake-Giorgi, Mrs King

103
07 December 1769 @ Drury Lane Theatre

Event Comment: MMr Holland Dyed this Morning (Cross Diary). [Born 1733 came to dl 1755 (Winston MS 10).

Performances

Mainpiece Title: Amphitryon

Afterpiece Title: The Jubilee

104
20 April 1770 @ Drury Lane Theatre

Event Comment: MMr King--Richard 3d as you might expect (Hopkins Diary). Benefit for Mrs King

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Queen Mab

Dance: II: A New Tambourine Dance-Atkins, Mrs King; IV: The English Gardeners, as17691206

105
19 March 1724 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Titus Andronicus; Or, The Rape Of Lavinia

Dance: End I: Flag Dance-Nivelon Sr

Music: End II: A new Piece of Musick for the Harpsicord-Mr Eversman; accompany'd on Basson-Mr Kenny; End III: Mr Handell's Water Musick-; accompany'd with French Horns-

Song: End III: Cantata-Mrs Chambers

106
14 January 1731 @ Academy of Vocal and Instrumental Music

Performances

Mainpiece Title: Concert

Music: A Madrigal for 5 Voices by Abbot Stefani, late President of the Academy-; A Piece of Vocal and Instrumental Musick by Sig Faux, Chapel Master to the Emperor-; A Madrigal for 5 Voices by Sig Antonio Lotti, Chapel Master to the Doge of Venice-; Mr Handell's Great Te Deum, J`bilate-

107
04 February 1731 @ Hickford's Room

Performances

Mainpiece Title: Concert

Music: In which several Instruments, particularly on the Violin, she having been approv'd by Mr Handell, will play (besides Corelli's Vivaldi's,) some Pieces of her own Composing-a Gentlewoman

108
27 April 1732 @ Goodman's Fields

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Stage Coach Opera

Dance: III: Two Pierrots-Burney, Mrs Tollet

Music: II: Trumpet Concerto-Burk Thumoth; IV: Solo on German Flute-Thumouth; V: A Grand Lesson of Mr Handell's on the Harpsichord-Thumoth

109
22 May 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: The Man Of Taste

Afterpiece Title: The Intriguing Chambermaid

Dance: II: Dutchman and his Frow by Phillips and Miss Brett. IV: English Maggot by Villeneuve and Miss Brett

Entertainment: A new Entertainment after the manner of Spring-Garden, Vauxhall: With a New Scene, representing the Place, with a Grand Overture, and select Pieces of Musick, compos'd by Mr Handell, intermix'd with Dances, particularly The Russian Sailor by Denoyer's Apprentice. A Concerto on the French Horn by Mr Winch. The Revellers by Essex, Mrs Walter, &c. Concluding with Mr Handel's Water Musick

110
23 May 1732 @ King's Theatre

Event Comment: A New Opera. [Text by Zeno. Music probably by Caldara, with recitatives by Handel.] Colman's Opera Register: a New Opera Handell it did not take

Performances

Mainpiece Title: Lucius Papirius, The Dictator

111
04 November 1732 @ King's Theatre

Event Comment: A New Opera. [Text by Pietro Metastasio. Done into English by Humphreys. Music presumably by Leonardo Leo.] Pit and Boxes at half a guinea. [Their Majesties, Prince, and three eldest Princesses present.] See also Lord Hervey and his Friends, pp. 145-46. Daily Advertiser, 6 Nov.: There were present a very numerous Audience; and Signora Celeste Gismondi, who lately arriv'd here, perform'd a principal Part in it with universal Applause. We hear that this Opera was not compos'd by Mr Handell, but by some very eminent Master in Italy

Performances

Mainpiece Title: Cato

112
13 March 1734 @ King's Theatre

Event Comment: A Serenata. Being an Essay of several different Sorts of Harmony.[Music by Handel. Done into English by George Oldmixon.] Daily Advertiser, 14 March: Last Night Mr Handell's new Serenata, in Honour of the Princess Royal's Nuptials with the Prince of Orange, was perform'd before their Majesties, the Prince of Wales, the Princess Royal, the Prince of Orange, and all the Royal Family, and was received with the greatest Applause; the Piece containing the most exquisite Harmony ever furnish'd from the Stage, and the Disposition of the Performers being contriv'd in a very grand and magnificent Manner. [The marriage of the Prince of Orange and Royal Princess occurred on Thursday, 14 March.]

Performances

Mainpiece Title: Parnasso In Festa; Or, Apollo And The Muses Celebrating The Nuptials Of Thetis And Peleus

113
05 November 1734 @ King's Theatre

Event Comment: Daily Advertiser, 6 Nov.: The King, the Prince of Wales and Princess Amelia, were again to . . . Artaxerxes, in which Signor Farnelli continues to sing to a crowded Audience, with all imaginable Applause. Egmont, Diary, II, 132: Went to the opera, where I heard the finest voice that Europe affords, Faranelli, lately come over. Norwich Gazette, 9 Nov.: We hear that both Operas (occasion'd by their dividing) are at a vast expence to entertain the Nobility and Gentry for the ensuing Season; the Opera House in the Haymarket are reckon'd to stand near 12000l. and Mr Handell at near 9000l. for the Season

Performances

Mainpiece Title: Artaxerxes

114
22 June 1744 @ King's Theatre

Event Comment: MMonticelli and all the singers and dancers of the opera go away next week, there being no more of these entertainments next winter. Mr. Handell having taken the House...to perform his Oratorios in all the next season.--Lady Ethelreda Townshend to Isabella, Countess of Denbigh, cited from Denbigh MS. in Deutsch, Handel, p. 592

Performances

115
15 April 1747 @ Covent Garden

Event Comment: CCatherine Talbot to Elizabeth Carter, 18 April: These oratorios of Handel's are certainly (next to the hooting of owls) the most solemly striking music one can hear....In this last oratorio he has literally introduced guns, and they have a good effect.--Deutsch, Handel, p. 640, who identifies the guns as kettle-drums. But Winton Dean, Handel's Dramatic Oratorios, p. 471, identifies them as the outsize drums from the Tower of London. See Sheridan's The Critic on off-stage gun shots: This hint I took from Handel. Recced of Mr Handell for rent of his 10 Oratorio's #210.--Account Books, Egerton 2268. [Actually there were twelve nights of oratorios.

Performances

Mainpiece Title: Judas Macchabaeus