SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "MMiss Weller"/1) | (@(roleclean,performerclean) "MMiss Weller")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 112 matches on Performance Comments, 58 matches on Event Comments, 1 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: MMiss Weller a Pupil of Dr Arne first appear'd and-(Hopkins Diary). London Evening Post, 11 Jan.; A pupil of Dr Arne and scarecely 19 years of age; her figure is that of the tallest of the middle size, well proportioned and at present possesses a dignity and grace which when habit brings her to perfection cannot fail of being universally admired. Her face is oval with an aqualine nose and though from the timidity of a first appearance the rest of her features lost that necessary animation, yet there were periods when she could disposses herself of her confusion, that prognosticated great expression of countenance. Her voice was clear, commanding, and melodious, and her ear and manner both excellent. She is that kind of singer that one can be pleased from looking at as well as from hearing, --an excellence few vocal performers possess. Her acting abstracted from her voice would have done credit to a first appearance, as it was very pleasing and properly accompanied....What the managers could mean in casting Lucy for Miss Pope is extraordinary, as she sung, or indeed rather squalled every song so much out of tune that it was impossible for the music to accompany her; we do not however mean by this to cast the least reflection on so excellent an actress, as her spirited and judicious manner of playing it almost atoned for that of singing it

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17691011, but Ben Budge-Ackman; Polly-a young gentlewoman [Miss Weller] a Pupil of Dr Arne, her first appearance on any stage; Hornpipe [in Act III-Walker.

Afterpiece Title: A Trip to Scotland

Event Comment: MMiss Susan Mullart, since call'd Mrs Evans [See 5 Jan. 1762]. It is said that Mr Ridout very artfully seduc'd her, and that proofs of their Intimacy appearing Miss Mullart assumed the name of Mrs Evans, and gave out that she had been privately married (Hopkins MS Notes). Ridout had died 28 May 1761. [See 30 Dec. 1761 and also 2 April 1761.

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Smith; King Henry-Gibson; Norfolk-Perry; Stanley-Anderson; Lieut.-R. Smith; Ratcliffe-Bennet; Catesby-Holtom; Lord Mayor-Marten; Oxford-Weller; Richmond-Clarke; Buckingham-Sparks; Tressel-Dyer; Prince Edward-Miss Mullart; Duke of York-Miss Valois; Lady Anne-Mrs Vincent; Duchess of York-Mrs Elmy; Queen-Mrs Hamilton.
Cast
Role: Oxford Actor: Weller

Afterpiece Title: The Coronation

Event Comment: Two Young Lady's made their first Appearance in the Characters of Polly & Lucy Pupils of Dr Arne--Miss Wellers figure is very well for Polly but she wants Spirit & is apt to Sing out of Tune. Mrs Bradley is Tall & a good figure for Lucy and acquitted herself very well in that character they both met with Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly: Two young Gentlewomen appeared in the characters of Polly and Lucy,--brought out by Dr Arne,--Miss Weller and Mrs Bradley.--Miss Weller's figure was very well for Polly; but she is a piece of still life, sings out of tune and will never make an actress.--Mrs Bradley,--very tall, and appears to have blackguard requisites enough for Lucy, but will not do for anything else--Hopkins Diary No 7. Mrs Bradley is since married to Mr Prior the Builder.--J. P. Kemble."] Paid Renters #8 [this payment occurs each playing night of the season, 188 times in all, and will not be further noted]; Mr Carver, six days, #6 [a weekly payment outside the pay list throughout the season. Presumably to scene painter. No further noted]; Mr S. French, 6 days, #1 10s. Renters total for season #1592. Carver total for season #088 (Treasurer's Book). [see account of Miss Weller and Miss Bradley in Town and Country Magazine (Theatre XXXVIII): The first performed the part of Polly, and the latter that of Lucy. Their figures are both genteel, and their countenances expressive. Miss weller was much confused upon her first entrance; but from the melody of her voice, tho she did not raise it sufficiently in many parts, there is reason to believe, when she was got the better of her terrors of facing an audience, that she will be an acquisition to the stage, at least as a vocal performer. Miss Bradley's performance of Lucy with great spirit, vivacity and Propriety' and her singing being so well suited to the character, she so much eclipsed Polly, that the audience formed a more indifferent opinion of her abilities than she deserved."] Receipts: #220 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Vernon; Peachum-Moody; Lockit-Bransby; Filch-Parsons; Mat@O@Mint-Kear; Beggar-Waldron; Player-Wheeler; Ben Budge-Ackman; Mrs Peachum-Mrs Love; Diana Trapes-Mrs Bradshaw; Polly-Miss Weller; Lucy-Mrs Bradley, first appearance on any stage; In Act III, a Hornpipe-Walker; To Conclude with a Country Dance-.
Cast
Role: Polly Actor: Miss Weller

Afterpiece Title: Miss in Her Teens

Dance: II: A Comic Dance-Daigville, Sga Vidini

Event Comment: Benefit for Holtom, Perry, Buck, Weller. No Building on Stage. Receipts: #41 in cash. Charges #64 5s. Deficit to each #5 10s., covered by tickets: @Tickets Holtom Box 9@Pit 109@Gallery 92@Value #27 16s.@Tickets Buck Box 17@Pit 56@Gallery 97@Value #22 7s.@Tickets Perry Box 10@Pit 119@Gallery 191@Value #39 9s.@Tickets Weller Box 13@Pit 87@Gallery 131@Value #29 8s. Total income #160.

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: The Siege of Quebec; or, Harlequin Engineer

Performance Comment: Harlequin-Weller 1st time; Pantaloon-Buck; Clown-Gibbs; Colombine-Mrs Dyer; Britannia (The Genius of England)-Mrs Lee; Song in character of English Officer -Andrews 1st appearance on the stage; to conclude with an Emblematical Representation of General Wolfe 's Monument. to conclude with an Emblematical Representation of General Wolfe 's Monument.
Cast
Role: Harlequin Actor: Weller 1st time

Entertainment: M+Monologue. An Epilogue in Imitation of Shakespeare's Stage of Human Life=-Cresswickas17600508

Dance: II: The Drunken Peasant-Miles; Clown-Bennet; IV: The Fingalian Dance, as17591102

Event Comment: Benefit for Weller, Murden, Lewes. Afterpiece for 52nd and last time this season. Tickets deliver'd for Friday the 15th will taken. Tickets sold at the Door will not be admitted. Charges #65 10s. [Deficit to each beneficiary #1 14s. 4d., covered by income from tickets. Weller #41 14s. (Box 7; Pit 145; Gallery 182); Murden #41 12s. (Box 31; Pit 111; Gallery 172); Lewes #61 10s. (Box 45; Pit 239; Gallery 144).] Paid the Duke of Bedford half year's ground rent due Lady Day last for the theatre #41 13s. 4d. (#50 minus half year's Land Tax #8 6s. 8d.). Paid Duke of Bedford half year's ground rent for the New Building adjoining the theatre #12 10s. (#15 minus half year's Land Tax #2 10s.). (Account Book). Receipts: #60 1s. (Account Book). At 5 went to Covent Garden to see Conscious Lovers &c....Got a bad place hn the First Gallery...Lewis did Harlequin, but not so well as Woodward; and Miss D. Twist did ye Miller's Bride, Miss Wilford's Character. Mrs Mahon does the jealous fellow's wife (Neville MS Diary)

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17661209, but Tom-Woodward, 1st time; Humphrey-Perry; Daniel-Weller.
Cast
Role: Daniel Actor: Weller.

Afterpiece Title: Harlequin Dr Faustus

Dance: IV: Double Hornpipe, as17670427

Ballet: IV: The Wapping Landlady. As17670427

Event Comment: Benefit for Weller, Chapman, Mrs Burden, Miss Sledge. Tickets deliver'd by Redman, Dibdin, Miss Helm, Mrs Viviez, Miss Dawes, and Widow Dupre will be taken. [Ticket distribution from Account Book:] @Names Box Pit Gallery Value 1!2 Value@Weller 19 59 80 #21 12s. #10 16s.@Redman 2 41 44 #11 1s. #5 10s. 6d.@Chapman 51 177 87 #48 #24@Dibdin 5 24 40 #8 17s. #4 8s. 6d.@Mrs Burden 20 30 56 #15 2s. #7 11s.@Miss Sledge 6 56 72 #17 2s. #8 11s.@Miss Helm 4 27 25 #7 11s. #3 15s. 6d.@Mrs Viviez 8 53 144 #24 7s. #12 3s. 6d.@Miss Dawes 14 30 56 #13 12s. #6 16s.@Mrs Dupre 5 44 42 #12 1s. #6 6d.@Total 134 541 646 #179 5s. #89 12s. 6d.@ Receipts: #22 15s. 6d. plus half value of tickets #89 12s. 6d. (Account Book)

Performances

Mainpiece Title: Wit Without Money

Performance Comment: Valentine-Smith; Francisco-Hull; Hairbrain-Wignel; Fountain-Anderson; Belmour-Davis; Lovegood-Gibson; Lance-Dunstall; Shorthose-Weller; Merchant-Marten; Ralph-Bennet; Humphrey-Holtom; Roger-Costollo; Lucy-Miss Sledge; Isabella-Mrs Burden; The Widow-Mrs Hamilton.
Cast
Role: Shorthose Actor: Weller

Afterpiece Title: Lethe

Dance: TThe Waggoners, as17610228

Event Comment: Benefit for Weller, Lewis and Gardner. Tickets deliver'd by Rawlins, Mrs Gould, Mas. Besford, and Trott's Widow, &c. will be taken

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17640402 but Juliet-Miss Macklin; Lady Capulet-Mrs Barrington; Fryar Lawrence-Gardner; Peter-Weller; Page-Mas. Besford; Occasional Prologue-_.
Cast
Role: Peter Actor: Weller

Afterpiece Title: The Old Maid

Dance: III: A Hornpipe-Miss Pitt; End: The Dutch Skippers, as17640509

Performances

Mainpiece Title: Zanaida

Dance: [M$Miss Asselin will dance only two dances because she has been indisposed (Daily Advertiser).]

Event Comment: MMiss Hollyday. By Command of His Royal Highness. Receipts: money #61 1s. 6d.; tickets #71 7s

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Flora

Dance: HHighland Dance-Salle, Mrs Laguerre; Fingalian-Newhouse, Mrs Ogden

Event Comment: MMiss Thurmond play'd (Cross). Mainpiece: Not acted these 7 years. Receipts: #150 (Cross); #141 15s. (Powel)

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Afterpiece Title: Lethe

Event Comment: MMiss Bellamy Alicia (Cross). Afterpiece: By desire. Receipts: #70 (Cross)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: A Duke and no Duke

Dance: CComic Dance, as17501117

Event Comment: MMiss Norris did Polly (well) (Cross). Receipts: #110 (Cross)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Queen Mab

Event Comment: MMiss Bellamy spoke Orig. Epilogue for ye 1st time (Cross). Receipts: #140 (Cross)

Performances

Mainpiece Title: Phaedra And Hippolitus

Afterpiece Title: The Shepherd's Lottery

Event Comment: MMiss Bellamy taken ill. Receipts: #180 (Cross)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Anatomist

Event Comment: MMiss Bellamy has lain in & is up (Cross). [This month published, The Upper Gallery, a poem, neatly descriptive of the opening scene in a playhouse from the vantage point of the first Gallery. This is an expanded, revised and modernized version of The Upper Gallery inscribed to the Rev Dr Swift, Dublin, 1733.] Receipts: #170 (Cross)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Genii

Event Comment: MMiss Thomas sung for ye first time in ye Chaplet-very well (Cross). Receipts: #150 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Chaplet

Dance: Mlle Auretti

Event Comment: MMiss Nossiter's name first appeared in the Bills (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Dance: As17531018

Event Comment: MMiss Nossiter did Belvidera-vast applause (Cross). [$Murphy in Gray's Inn Journal, 16 Nov., noticed Miss Nossiter's appearance in Belvidera, commenting "that she is, upon many occasions Mistress of the Surprising Attitude and Action," agreeing that she gave promise of excellence, wishing that her voice would mellow into more harmony and softness, and delivering a paragraph of advice from Quintilian on the error of false emphasis in elocution.

Performances

Mainpiece Title: Venice Preserv'd; Or, A Plot Discovered

Afterpiece Title: Damon and Phillida

Event Comment: MMiss Bellamy play'd Athenais. Sad House (Cross)

Performances

Mainpiece Title: Theodosius; Or, The Force Of Love

Afterpiece Title: The Contrivances

Dance: The Italian Peasants-Granier, 1st performance there in Five years, Mlle Camargo

Event Comment: MMiss Kennedy from Bath did Clarinda. Dancing by Marinesi (who lately broke his arm) and Sga? Bugiani (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Dance: LLes Savoyards-Sg Maranesi, Sga Bugiani; Les Taileurs with New Scenes and Decorations,-Sg Maranesi, Sga Bugiani, being the first time of their appearing since their arrival from Paris

Event Comment: MMiss Macklin's benefit will be on Tuesday the 5th of February; the Play will be the Recruiting Officer, in which she will act the part of Sylvia , and Mr Foote the part of Brazen , being the first time of their appearing in those characters. To which will added a piece by Foote call'd the Knights. Receipts: #110 (Cross)

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Fortunatus

Event Comment: MMiss Macklin did Sylvia -G[reat] Ap[plause]. Receipts: #100 (Cross)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Lying Valet

Event Comment: MMiss Midnight will give Tea. &c. Benefit for Pittard le Charpentier and a Free Mason

Performances

Mainpiece Title: New Carnival Concert

Afterpiece Title: La Pantomime du Charpentier

Event Comment: MMiss Macklin did Polly -Well (Cross). Receipts: #100 (Cross)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lying Valet

Event Comment: MMiss Haughton did second Constantia-Mrs Cibber gave it up-some days ago ($Cross). [Early in the next year was published The Devil upon Crutches in England; or, Night Scenes in London. By a Gentleman of Oxford. Chapter V gives a Short View of the Theatres including sharp criticism of 'the most barefaced bawdry Farce...that ever disgraced the stage, in which the Manager, who has caused it to be reviv'd, is to perform the principal part. The Play, Sir, is call'd the Chances...and this is the tenth night of its representation to crowded houses...Your fair country women...are fond of the most fulsome obscenity on the stage."] Receipts: #150 (Cross)

Performances

Mainpiece Title: The Chances

Song: II: (By desire) The School of Anacreon-Beard

Dance: IV: The Shepherd's Holiday, as17541008