SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "M G Lewis Esq"/1) | (@(roleclean,performerclean) "M G Lewis Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1371 matches on Performance Comments, 1166 matches on Author, 615 matches on Event Comments, 50 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: [2nd piece in place of The Orphan; 3rd piece of Blunders at Brighton [i.e. The Irish Mimic], both advertised on playbill of 9 Oct.] "Where [Lewis] absolutely exceeded all expectation, even from spirits like his own, was in the first scene of the fifth act, where he meets with Cacafogo, who has been Cozened, too, and by a woman also (indeed the same woman); the convulsive joy of his laugh, frequently renewed, and invariably compelling the whole audience to a really painful sympathy, was one of the most brilliant exploits of the comedian...[Lewis] had one peculiarity, which was the richest in effect that could be imagined, and was always an addition to the character springing from himself. It might be called an attempt to take advantage of the lingering sparks of gallantry in the aunt, or the mother of sixty, or the ancient maiden whom he had to win, to carry the purposes of those for whom he was interested. He seemed to throw the lady by degrees off her guard, until at length his whole artillery of assault was applied to storm the struggling resistance; and the Mattockses and the Davenports of his attentions sometimes complained of the perpetual motion of his chair, which compelled them to a ludicrous retreat, and kept the spectator in a roar of laughter. In short, whether sitting or standing, he was never for a moment at rest--his figure continued to exhibit a series of undulating lines, which indicated a self-complacency that never tired, and the sparkling humour of his countenance was a signal hung out for enjoyment" (Boaden, Siddons, II, 364-66). Receipts: #365 4s. 6d. (357.6.6; 7.18.0)

Performances

Mainpiece Title: The Rival Soldiers

Afterpiece Title: Rule a Wife and Have a Wife

Performance Comment: Leon-Holman; Duke-Clarke; Juan-Toms; Cacafogo-Waddy; Sanchio-Thompson; Alonzo-Powel; Copper Captain-Lewis; Margaretta-Miss Chapman; Altea-Mrs Gilbert; Clara-Mrs Platt; Old Woman-Mr Munden; Maid-Mr Rees; Estifania-Mrs Abington.

Afterpiece Title: Three Weeks after Marriage

Event Comment: Under the Patronage of their Royal Highnesses the Prince of Wales, Duke of York, Duke of Clarence, Duke of Cumberland, and Her Royal Highness the Duchess of York [and] the Duchess of Devonshire and the Duchess of Gordon. Benefit for O'Keeffe, the Unfortunate Author of the following successful Dramatic Pieces: The Son in Law, Agreeable Surprise, Peeping Tom, Dead Alive, Young Quaker, Life's Vagaries, Castle of Andalusia, Czar, Tony Lumpkin in Town, Poor Soldier, Modern Antiques, Basket Maker, Wild Oats, Wicklow Mountains, French Grenadier [never acted], Positive Man, Love in a Camp, Tantara Rara Rogues all, Beggar on Horseback, Toy, London Hermit, Highland Reel, Blacksmith of Antwerp, Man Milliner, Irish Mimic, Little Hunchback, World in a Village, Fontainbleau, Magic Banner, Farmer, Doldrum, Sprigs of Laurel, Birth Day, Prisoner at Large, &c. &c. Tickets delivered for The Belle's Stratagem will be admitted. [O'Keeffe is referred to as being unfortunate because he was totally blind. In delivering his Poetical Composition, which is printed in Dramatic Censor, II, 265-67, the Monthly Mirror, June 1800, p. 367, reports that he was led on and off the stage by Lewis. It also notes that "Mrs Jordan...came from Drury-Lane, where she had performed the Child of Nature, to officiate at Covent-Garden as the handmaid of charity."] The Last Night of the Company's performing this season. Receipts: none listed

Performances

Mainpiece Title: The Lie Of The Day

Performance Comment: Aircourt-Lewis; Alibi-Quick (1st appearance on this stage these 3 years); Metheglin-Fawcett; Larry Kavanagh-Knight; Sir Carrol O'Donnovan-Waddy; Young O'Donnovan-Claremont; Lady Arable-Miss Chapman; Katty Kavanagh-Mrs Davenport; Fib-Mrs Watts; Sophia-A Young Lady (2nd appearance [see18000517]).see18000517]).

Afterpiece Title: Three Weeks after Marriage

Performance Comment: Sir Charles Racket-Lewis; Woodly-Claremont; Lovelace-Farley; Drugget-Quick; Dimity-Mrs Litchfield; Mrs Drugget-Mrs Davenport; Nancy (with a song)-Miss Sims; Lady Racket-Mrs Jordan [of dl].of dl].

Afterpiece Title: Paul and Virginia

Song: In Course Evening: The Storm-Incledon

Entertainment: Monologue End II: personal address to the Audience in a Poetical Composition-O'Keeffe (written by Himself for the Occasion); End: Imitations-Rees

Performances

Mainpiece Title: Don Calascione

Dance: Between the Acts: Dancing-

Performances

Mainpiece Title: Don Calascione

Dance: Between the Acts: Dancing-

Performances

Mainpiece Title: Don Calascione

Dance: Between the Acts: Dancing-

Performances

Mainpiece Title: Don Calascione

Dance: Between the Acts: Dancing-

Performances

Mainpiece Title: Don Calascione

Dance: Between the Acts: Dancing-

Performances

Mainpiece Title: Don Calascione

Dance: Between the Acts: Dancing-

Performances

Mainpiece Title: Don Calascione

Dance: Between the Acts: Dancing-

Performances

Mainpiece Title: Don Calascione

Performances

Mainpiece Title: Don Calascione

Performances

Mainpiece Title: Don Calascione

Performances

Mainpiece Title: Don Calascione

Performances

Mainpiece Title: Don Calascione

Performances

Mainpiece Title: Don Calascione

Performances

Mainpiece Title: Don Calascione

Performances

Mainpiece Title: Antigono

Performances

Mainpiece Title: Antigono

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Mainpiece Title: Antigono

Performances

Mainpiece Title: Antigono

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Mainpiece Title: Antigono

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Mainpiece Title: Antigono

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Mainpiece Title: Antigono

Performances

Mainpiece Title: Antigono

Performances

Mainpiece Title: Antigono