SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "M G Lewis Esq"/1) | (@(roleclean,performerclean) "M G Lewis Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1371 matches on Performance Comments, 1166 matches on Author, 615 matches on Event Comments, 50 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [1st time; T 5, by Robert Jephson. Prologue by the author (Gentleman's Magazine, Jan, 1782, p. 36). Another Prologue, by the Right Hon. Luke Gardiner, "not arriving in London time enough for the first exhibition of the Count of Narbonne, was not spoken" (ibid.). Epilogue by Richard Josceline Goodenough, but beginning with 20 Nov. it was superseded by a new Epilogue written by Edmond Malone (see text)]: With new Scenery and Dresses. Public Advertiser, 1 Nov.: The Management of The Count of Narbonne is . . . under very good Care: Mr Horace Walpole, with a Fondness nothing less than fatherly, directs that part of the Affair which respects the Scenes and Dresses, while Henderson takes Charge of the Rehearsals and the casting of inferior Parts... [Henderson] is to wear a Dress which is lent him from among the Antiquities at Strawberry Hill. "I have been at the theatre, and compromised the affair of the epilogues: one is to be spoken to-morrow, the friend's on the author's night. I have been tumbling into trap-doors, seeing dresses tried on in the green-room, and directing armour in the painting-room" (Walpole [16 Nov. 1781], XII, 95). "I never saw a more unprejudiced audience, nor more attention. There was not the slightest symptom of disapprobation to any part ... It is impossible to say how much justice Miss Younge did to your writing. She has shown herself a great mistress of her profession, mistress of dignity, passion, and of all the sentiments you have put into her hands. The applause given to her description of Raymond's death lasted some minutes, and recommenced; and her scene in the fourth act, after the Count's ill-usage, was played in the highest perfection. Mr Henderson was far better than I excepted from his weakness, and from his rehearsal yesterday, with which he was much discontented himself. Mr Wroughton was very animated, and played the part of the Count much better than any man now on the stage would have done. I wish I could say Mr Lewis satisfied me; and that poor child Miss Satchell was very inferior to what she appeared at the rehearsals, where the total silence and our nearness deceived us. Her voice has no strength, nor is she yet at all mistress of the stage. I have begged Miss Younge to try what she can do with her by Monday. However, there is no danger to your play: it is fully established" (Walpole [to the author, 18 Nov. 1781], XII, 95-96). Public Advertiser, 28 Nov. 1781: This Day is published The Count of Narbonne (price not listed). Receipts: #164 10s. 6d. (163/0/6; 1/10/0)

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: The Characters by Henderson, Wroughton, Lewis, Thompson, Fearon, J. Bates; Miss Satchell, Mrs Morton, Miss Younge. [Cast from text (T. Cadell, 1781), and London Chronicle, 19 Nov.: Austin-Henderson; Raymond-Wroughton; Theodore-Lewis; Fabian-Thompson; Officers of the Count-Fearon, J. Bates, Painter, &c.; Adelaide-Miss Satchell; Jacqueline-Mrs Morton; Hortensia-Miss Younge.] With a new Prologue [spoken by Wroughtton] and Epilogue [spoken by Miss Younge (see text). These were spoken, as here assigned, at the first 13 performances only (see17811215)] . With a new Prologue [spoken by Wroughtton] and Epilogue [spoken by Miss Younge (see text). These were spoken, as here assigned, at the first 13 performances only (see17811215)] .

Afterpiece Title: The Deaf Lover

Event Comment: Benefit for Lewis. Public Advertiser, 25 Mar.: Tickets to be had of Lewis at his house in Broad-court, Bow-street. Afterpiece [1st time in London; co 2. MS: Larpent 620; not published]: Written by the Author of The Castle of Andalusia, The Agreeable Surprise, Son-in-Law, &c &c. [John O'KeefFe, 1st acted at the Crow Street Theatre, Dublin, 15 Apr. 1777, and altered in the CG season of 1783-84 as The Poor Soldier]. The Airs Select [ed by the author from] Irish [airs]. With a New Overture and Accompaniments by Shield, who composed the music of Rosina. The Words of the Songs to be had at the Theatre. Receipts: #256 9s. (201/10; tickets: 54/19) (charge: #105)

Performances

Mainpiece Title: The Chapter Of Accidents

Performance Comment: Woodville-Lewis; Lord Glenmore-Aickin; Grey-Hull; Vane-W. Bates; Gov. Harcourt-Wilson; Capt. Harcourt-Whitfield; Jacob-Edwin; Cecilia-Miss Satchell; Miss Mortimer-Miss Morris; Warner-Mrs Davenett; Bridget-Mrs Wilson .

Afterpiece Title: The Shamrock; or, The Anniversary of St

Dance: As17830221

Event Comment: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Brandon at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [see 13 Nov.]. [Macready was from the Smock Alley Theatre, Dublin. In mainpiece the playbill assigns Miss Ogle to Mrs T. Kennedy, but on the Kemble playbill her name is deleted, and a MS annotation substitutes Mrs Lewis's.] "The dress worn by Lewis, with small buttons innumerable, that gave it the air of a Hussar's jacket lengthened, was lately a coat won by the Prince of Wales" (Morning Chronicle, 20 Sept.). Receipts: #242 5s. 6d. (239.19.6; 2.6.0)

Performances

Mainpiece Title: The Belle's Stratagem

Performance Comment: Doricourt-Lewis; Sir George Touchwood (1st time)-Farren; Saville-Aickin; Flutter-Macready (1st appearance on this stage); Villers-Hull; Courtall-Davies; French Valet-Wewitzer; Porter-Fearon; Hardy-Quick; Mrs Racket-Mrs Mattocks; Lady Touchwood (1st time)-Mrs Wells; Miss Ogle-Mrs Lewis; Kitty Willis-Miss Stuart; Letitia Hardy-Mrs Pope.

Afterpiece Title: Love in a Camp; or, Patrick in Prussia

Event Comment: Benefit for Lewis. 2nd piece [1st time; M. INT 1, arranged by Thomas Goodwin. Monologue by Miles Peter Andrews (Yale, Folio Pamphlets No. 10, p. 157)]. Morning Herald, 19 Mar.: Tickets to be had of Lewis, Bow-street. Receipts: #466 5s

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: The Relief of Williamstadt; or, The Return from Victory

Afterpiece Title: Hartford Bridge

Dance: In 2nd piece: Byrn, Holland, Mrs Watts, Mme Rossi

Entertainment: Monologue. A new Occasional Address in the character of Goldfinch ,-Lewis

Performance Comment: A new Occasional Address in the character of Goldfinch ,-Lewis.
Event Comment: Benefit for Lewis. 1st piece: As altered by Garrick. Not acted these 10 years [acted I June 1791]. 2nd piece: In one Act. Morning Herald, 11 Apr.: Tickets to be had of Lewis, Bow-street. Receipts: #469 13s. (294/3/6; 26/2/6; tickets: 149/7/0)

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Lewis (1st appearance in that character); Frederick-Farren; The Duke-Middleton; Petruchio-Macready; Peter-Blanchard; Anthony-Cubitt; Surgeon-Powel; Antonio-Quick//[First] Constantia-Miss Chapman; Mother-in-Law-Mrs Chambers; Landlady-Mrs Leicester; Second Constantia-Mrs Pope .

Afterpiece Title: TRISTRAM SHANDY

Afterpiece Title: A DIVERTISEMENT

Dance: In 3rd piece a Ballet by Byrn, Mlle St. Amand, Mme Rossi

Song: In Act II of 1st piece a song by Mrs Mountain

Event Comment: Benefit for Lewis. Mainpiece: In Act II the admired Procession from the Grand Spectacle of Hercules and Omphale, with the entire Decorations, Music, Dance, Dresses, &c. adapted and introduced in the Triumphal Entry of Alexander into Babylon. 3rd piece: Never acted at this theatre. Morning Chronicle, 26 Mar.: Tickets to be had of Lewis, No. 6, Bow-street, Covent-Garden. Receipts: #392 6s. 6d. (273.4.0; 13.4.0 ; tickets: 105.18.6)

Performances

Mainpiece Title: Alexander The Great

Performance Comment: Alexander (for that night only)-Lewis; Lysimachus-Farren; Polyperchon-Macready; Hephestion-Davies; Cassander-Richardson; Clytus-Harley; Statira-Miss Morris; Parisatis-Miss Chapman; Sysigambis-Mrs Platt; Rozana-Mrs Pope.

Afterpiece Title: The British Recruit

Afterpiece Title: The Absent Man

Performance Comment: Shatterbrain-Lewis; Welldone-Macready; Doctor Gruel-Powel; Capt. Slang-Farley; Coxcomb-Claremont; Robin-Burton; Frank-Munden; Landlady-Mrs Davenport; Flavia-Miss Hill; Miss Frolick-Miss Cornelys; Mrs Junket-Miss Chapman.

Song: As17950316

Event Comment: [In mainpiece the playbill retains Lewis, but "Lewis being indisposed, Knight on Tuesday evening appeared as his substitute in Young Rapid" (True Briton, 19 Jan.).] Receipts: #437 16s. (431.1; 6.15)

Performances

Mainpiece Title: A Cure For The Heart Ache

Performance Comment: As17970111, but Young Rapid-Knight in place of Lewis.

Afterpiece Title: Harlequin and Oberon

Event Comment: Benefit for Lewis. 1st piece: In 3 Acts. 2nd piece: Not acted these 12 years [acted 13 Dec. 1788]. 3rd piece: With all original Scenery, Machinery, Dresses and Decorations. New Music composed, and ancient Scots Music selected and adapted, by Shield. The Overture by Reeve. With Harp Accompaniment by Weippert. True Briton, 27 Mar.: Tickets to be had of Lewis, Bow-street. Receipts: #519 1s. 6d. (386.10.0; 6.0.0; tickets: 126.11.6)

Performances

Mainpiece Title: The Double Gallant; Or, A Sick Lady's Cure

Performance Comment: Atall-Lewis; Careless-Holman; Clerimont-Macready; Finder-Farley; Sir Harry Atall-Thompson; Dr Bolus-Davenport; Rhubarb-Wilde; Mr Wilful-Powel; Supple-Simmons; Sir Solomon Sadlife-Quick; Wishwell-Mrs Mattocks; Lady Dainty-Mrs Knight; Clarinda-Miss Chapman; Sylvia-Miss Mansel; Lady Sadlife-Miss Wallis.

Afterpiece Title: Duke and No Duke; or, Trapolin's Vagaries

Performance Comment: Trapolin (for that night only)-Lewis (1st appearance in that character); Duke of Tuscany-Macready; Alberto-Thompson; Barbarino-Powel; Brunetto-Claremont; Mago-Davenport; Puritan-Simmons; Three Young Devils-Masters Standen, Goodwin, Griffiths; Flametta-Miss Logan; Prudentia-Mrs Watts; Rogera-Mrs Platt; Algera-Miss Leserve; Duchess of Tuscany-Mrs Follett.

Afterpiece Title: Oscar and Malvina

Event Comment: "In point of voice, there are few women so highly favoured as Mrs Litchfield [whose 1st appearance at cg was on 27 May 1796]; through every gradation of tone it is perfect, combining strength and melody, it is equal to any task which the theatre (large and extensive as it is) can impose. It is suited to the firmness of declamation, the tenderness of pathos, and the burst of indignant passion" (Monthly Mirror, Oct. 1797, p. 226). The Epilogue is not listed on the playbill, but "The audience would not be satisfied without the original Epilogue [by Miles Peter Andrews], which Lewis came forward and spoke" (True Briton, 21 Sept.). [Afterpiece in place of The Poor Soldier, advertised on playbill of 18 Sept.] Receipts: #225 0s. 6d. (195.14.0; 29.6.6)

Performances

Mainpiece Title: The Dramatist

Performance Comment: Vapid-Lewis; Ennui-Fawcett; Neville-Toms; Floriville-Farley; Willoughby-Claremont; Peter-Thompson; Lord Scratch-Munden; Marianne-Mrs Litchfield (1st appearance in that character, and 4th on this stage); Lady Waitfor't-Mrs Davenport; Letty-Mrs Platt; Miss Courtney-Miss Chapman; Original Epilogue-Lewis.

Afterpiece Title: Netley Abbey

Event Comment: Benefit for Lewis. 3rd piece [1st time; M. INT 1, by Thomas John Dibdin. Larpent MS 1288; not published]: Founded on a late Glorious Naval Achievement [the recapture by Capt. Edward Hamilton, on 25 Oct. 1799, of the British frigate Hermione, from the Spaniards]. The Music selected and composed by Attwood. Morning Chronicle, 1 Apr.: Tickets to be had of Lewis, No. 52, Great Queen-street, Lincoln's Inn Fields. Receipts: #361 17s. (263.2.0; 33.5.6; tickets: 65.9.6)

Performances

Mainpiece Title: How To Grow Rich

Performance Comment: Pave-Lewis; Warford-Pope; Sir ThomasRoundhead-Munden; Latitat-Fawcett; Smalltrade-Emery; Sir Charles Dazzle-Betterton; Hippy-Townsend; Nab-Farley; Plainly-Claremont; Servants-Curties, Blurton, Platt, Wilde, Rees; Robert-Simmons; Formal-Thompson; Miss Dazzle-Miss Chapman; Rosa-Miss Murray; Betty-Miss Leserve; Visitors-Ms Watts, Ms Follett, Ms Norton, Ms Gilbert; Lady Henrietta-the Late Miss Betterton [i.e. now Mrs Glover].i.e. now Mrs Glover].

Afterpiece Title: A Peep behind the Curtain; or, An Opera Rehearsal

Performance Comment: Glib, the Author-Lewis; Manager-Davenport; Sir Toby Fuz-Gardner; Sir Macaroni Virtu-Farley; Wilson-Claremont; Mervin-Klanert; Prompter-Abbot; Carpenter-Rees; Scenemen-Wilde, Whitmore; Miss Fuz-Mrs Mills; Sweepers of the Stage-Mrs Whitmore, Mrs Norton; Lady Fuz-Mrs Davenport; Characters in the Burletta: Orpheus-Hill; Shepherds-Linton, Denman, Whitmore, Platt, Curties, Street, Bologna, Lee, Hawtin, Blurton, Coombs, Thomas, Noble, Lewiss; The Old Shepherd-Simmons; Rhodope-Mrs Martyr.

Afterpiece Title: The Hermione; or, Valour's Triumph

Event Comment: Benefit for Redman, Lewis, Dibdin. Hussey, Miss Cokayne. Mainpiece: Not acted these 5 years. [See 18 May 1757.] Tickets deliver'd by Rawlins, Dufour, and Mrs Gwinn, and others will be accepted

Performances

Mainpiece Title: The City Wives Confederacy

Performance Comment: Moneytrap-Shuter; Gripe-Lewis; Dick-Smith; Clip-Redman; Jessamin-Bennet; Brass-Dyer; Mrs Amlet-Mrs Pitt; Araminta-Mrs Barrington; Flippantia-Mrs Vincent; Corinna-Miss Cokayne; Mrs Clogitt-Mrs Copin; Clarissa-Mrs Dyer.

Afterpiece Title: The Devil to Pay

Dance: III: The Pierrots-Hussey, Dufour; End: The Taylors, as17620107

Event Comment: Benefit for Lewis, Redman, Gardner, Widow Collins. Tickets deliver'd by Rawlins, Mrs Gould, Mrs Griffiths, Mrs Paddic, Mrs Gwinn, a Gentlewoman under Misfortunes, &c. will be taken. Afterpiece: Not acted these 2 years. [See 22 April 1760.

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: As17630203, but Sylvia-Miss Macklin; Plume-Smith; Kite-Gardner; Welch Collier-Lewis; Scruple-_; Scale-_; Constable-_.

Afterpiece Title: The Miller of Mansfield

Performance Comment: King-Gibson; Miller-Lewis; Lord Lurewell-Perry; Dick-White; Peggy-Miss Cockayne; Joe-Mattocks.

Dance: II: The Jealous Woodcutter, as17621023

Event Comment: Benefit for Weller, Lewis and Gardner. Tickets deliver'd by Rawlins, Mrs Gould, Mas. Besford, and Trott's Widow, &c. will be taken

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Old Maid

Performance Comment: As17630921, but Cape-Lewis.

Dance: III: A Hornpipe-Miss Pitt; End: The Dutch Skippers, as17640509

Event Comment: Benefit for Lewis, Banks, and Mrs Souchart

Performances

Mainpiece Title: Hamlet

Performance Comment: As17650918, but Horatio-Hull; Rosencraus-Bennet; Pl. King-Lewis; Marcellus-_; Bernardo-_.

Afterpiece Title: The Royal Chace

Event Comment: Mainpiece: A Comedy [by Richard Cumberland] never performed there. Paid John Doe for sticking Black Bills #3 12s. Paid Cooper (printer) as per bill #20 2s. (Account Book). [The Westminster Magazine held in reserve its judgment on Lewis as an actor until the reviewer could see him in another part.] Receipts: #137 4s. 6d. (Account Book)

Performances

Mainpiece Title: The West Indian

Performance Comment: Belcour-Lewis (From Theatre Royal, Dublin, first appearance in this kingdom); Stockwell-Clarke; Capt. Dudley-Hull; O'Flaherty-Shuter; Fulmer-Dunstall; Varland-Quick; Lady Rusport-Mrs Green; Louisa Dudley-Mrs Baker; House Keeper-Miss Helme; Lucy-Mrs Willems; Mrs Fulmer-Mrs Gardner; Charlotte Rusport-Miss Barsanti; Charles Dudley-Wroughton.

Afterpiece Title: Midas

Event Comment: Benefit for Dunstall. Charges #66 6s. 6d. Profit to Dunstall #4 14s. 6d., plus #182 6s. from tickets (Box 394; Pit 412; Gallery 220). Pai Lowe & Lewis (woolendrapers) #22 19s., and Scott (copper lace man) #13 7s. Receipts: #71 1s. (Account Book)

Performances

Mainpiece Title: The Spanish Friar; Or, The Double Discovery

Performance Comment: Torrismond-Smith; Colonel-Lewis; Raymond-Hull; Bertran-Clarke; Alphonso-Gardner; Pedro-Thompson; Dominic-Dunstall; Gomez-Shuter; Elvira-Mrs Mattocks; Queen-Mrs Hartley.

Afterpiece Title: The Apprentice

Dance: IV: The Frolick, as17740416

Event Comment: Benefit for Lewis. Mainpiece: Not acted these 14 years. [See 22 Nov. 1760.] Last time of the Company's performing till Easter Holidays. On Easter Monday, the Tragedy of Jane Shore, with the (fifty-fourth Time) Druids. [In original text Douglas is call'd Norval and Norval is called Stranger, or Prisoner.

Performances

Mainpiece Title: Douglas

Performance Comment: Douglas-Lewis; Glenalvon-Bensley; Randolph-Wroughton; Officers-Davis, Thompson; Norval-Clarke; Anna-Miss Dayes; Lady Randolph-Mrs Barry.

Afterpiece Title: The Apprentice

Entertainment: Interlude.End: True Blue, as17750401

Dance: End Interlude: The Merry Sailors, as17741026

Event Comment: Benefit for Woodward. Mainpiece: By Particular Desire. Afterpiece : A New Farce [by Joseph Reed] from a Story in Gil Blas, never perform'd (Larpent MS 409). Tickets deliver'd for the Double Gallant will be taken. [The Westminster Magazine for March lists Alguazil-Thompson; Alphonso-Lewis; Inis-$Mrs Willems, tells the story for the play, and concludes: "The story is professedly taken from Gil Blas, and although we cannot pay the Dramatist any great compliment either on his diction, the management of his fable, the sublimity of his allusions, or in a word, on the excellence of his tout ensemble; it would be unjust were we not to say, that the farce provok'd most hearty peals of laughter; it may therefore serve as well as any other such Bartholomew-fair-like droll for a heel-piece to the performance on a benefit night."

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Imposters; or, A Cure for Credulity

Performance Comment: Principal parts- Woodward, Wilson, Wroughton,Thompson, Lewis, Mrs Pitt,Mrs Willems; Miss Dayes, with a Prologue-Woodward; Larpent MS 409 lists parts: Credello, Pedro, Alphonso, Lopez, Alguazil, Two Gentlemen, Two Servants, Jacinta, Florentine, Iris. Genest, V, 519, lists Lopez-Woodward; Don Creduloso-Wilson; Pedro-Wroughton; Jacintha-Mrs Pitt; Florentine-Miss Dayes.

Dance: I: A New Hornpipe-Miss Besford; End Comedy: Mirth and Jollity, as17760102

Event Comment: [Mainpiece in place of Merope, announced on playbill of 4 Jan. "We played last night Much Ado about Nothing, and had an apology to make for the change of three principal parts. About twelve o'clock Mr Henderson sent word he was not able to play. We got Mr Lewis from Covent Garden, who supplied the part of Benedick. Soon after Mr Parsons sent word he could not play. Mr Moody supplied the part of Dogberry; and about four in the afternoon Mr Vernon sent word he could not play. Mr Mattocks supplied his part of Balthazar...In the middle of the first act, a message was brought me that Mr Lamash (who was to play the part of Borachio) was not come to the House. I had nobody there that could go on for it, so I was obliged to cut his scenes in the first and second acts entirely out, and got Mr Wrighten to go on for the remainder of the part. At length we got the play over without the audience finding it out. We had a very bad house. Mr Parsons is not able to play in The School for Scandal to-morrow night; do not yet know how we shall be able to settle that" (Garrick, Private Correspondence, II, 328-29: Hopkins, prompter,in letter to Garrick, 6 Jan. 1779. He does not state who took Wrighten's place as the Sexton.).] On account of the sudden Illness of a Principal Performer, the new Pantomime [The Wonders of Derbyshire, announced on playbill of 4 Jan.] is obliged to be deferred till Friday. Receipts: #74 11s. (48.19; 25.10; 0.2)

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: As17781104, but Benedick-Lewis [of cg]; Balthazer-Mattocks [of cg]; Borachio-Wrighten; Dogberry-Moody; Sexton-.

Afterpiece Title: The Irish Widow

Dance: As17780919

Event Comment: "A most ridiculous circumstance happened in the last act [of mainpiece]--nothing less than a total silence on the Stage, where all the Dramatis Personae stood in a rank, waiting for the next speech, which however was not heard, for, after a considerable time, the curtain was let down . . . Lewis came forward and acquainted the House that the part sent to Aickin was incomplete, and that he (who was to finish the Play) had never been furnished with the last speech. As we understood rehearsals were necessary to getting up Plays, we cannot reconcile this blunder to our apprehension" (General Advertiser, 6 Mar.). Receipts: #157 16s. (152/10; 5/6)

Performances

Mainpiece Title: The Lady's Last Stake

Performance Comment: Lord Wronglove-Wroughton; Sir Friendly Moral-Aickin; Brush-Kennedy; Surgeon-Cubitt; Lord George Brilliant-Lewis; Lady Gentle-Mrs Warren; Mrs Conquest-Mrs Wells; Lady Wronglove-Mrs Bates; Mrs Hartshorn-Mrs Pitt; Miss Notable-Mrs Brown .

Afterpiece Title: Love in a Camp

Dance: End of Act IV of mainpiece a new dance, The Drunken Sailor Reclaim'd, by Byrn, Ratchford, Mrs Goodwin, Miss Besford

Event Comment: Benefit for Lewis. Mainpiece: Never performed at this Theatre. Receipts: #265 2s. (190/18/6; 8/12/6; tickets: 65/11/0) (charge: #105)

Performances

Mainpiece Title: The Foundling

Performance Comment: Faddle-Lewis; Sir Charles Raymond -Wroughton; Colonel Raymond-Farren; Sir Roger Belmont-Fearon; Villiard-Gardner; John-Helme; Young Belmont-Holman; Rosetta-Mrs Warren; Fidelia-Miss Brunton (1st time of her appearing in comedy) .

Afterpiece Title: The Poor Soldier

Dance: As17851103

Event Comment: [In mainpiece the playbill retains Lewis, but he "having...received a blast in the eye, was rendered incapable of playing Capt. Crevelt last night, and his part was read by Davies" (Public Advertiser, 8 Dec.). Receipts: #215 18s. (210.16.6; 5.1.6)

Performances

Mainpiece Title: He Wou'd Be A Soldier

Performance Comment: As17861120, but Captain Crevelt-Davies in place of Lewis.

Afterpiece Title: The Girl in Style

Dance: As17861116

Event Comment: Benefit for Lewis. Receipts: #310 12s. (213.3.6; 6.16.6; tickets: 90.12.0)

Performances

Mainpiece Title: The Careless Husband

Performance Comment: Lord Foppington-Lewis; Lord Morelove (1st time)-Pope; Servant-Thompson; Sir Charles Easy (1st time)-Farren; Lady Easy (1st time)-Mrs Pope; Edging (1st time)-Mrs Mattocks; Lady Graveairs-Mrs Bates; Lady Betty Modish-Mrs Abington (1st appearance in that character these 2 years).

Afterpiece Title: Comus

Song: In afterpiece: Sweet Echo-Mrs Billington; accompanied on the hautboy-W. Parke

Event Comment: Benefit for Lewis. 2nd piece [1st time; C 3, by John O'Keeffe. Not in Larpent MS; not published. This is an unusual instance of the playbill containing, on the 1st night of a new play, the full cast]: Taken from Mrs Centlivre's Gamester. Receipts: #345 13s. (256.2.6; 4.3.6; tickets: 85.7.0)

Performances

Afterpiece Title: The Pharo Table

Performance Comment: Young Hazlewood-Lewis; Hector-Ryder; Sir Harry Hazlewood-Quick; Hotfrost (with a song in character)-Edwin; Shaloon-Wewitzer; Colonel Heavyside-Booth; Captain Douce-Cubitt; Major Rooky-Rock; Glovestring-Mrs Rock; Mrs Knott-Mrs Platt; Mrs Jeroboam-Mrs Pitt; Miss Jeroboam (with a song in character)-Mr Blanchard; Miss Somers-Mrs Wells.

Afterpiece Title: The Highland Reel

Song: In 1st piece: Sweet Bird, as17890126

Event Comment: Afterpiece [1st time; BALL. P 2]: Composed by Charles? Farley; Founded chiefly on a principal Episode ["The History of Don Raymond," Vol. I, chaps. III, IV] in the Romance of The Monk [by Matthew Gregory Lewis]. With entire new Music, Scenes, Dresses, and Decorations. The Music by Reeve. The Scenery designed by Phillips, and executed by him, the assistance of Hollogan, Blackmore, Thorne, Byrn, &c. The Machinery by Cresswell and Sloper. The Dresses and Decorations by Dick, Goostree and Mrs Egan. Books of the Songs and Chorusses [T. N. Longman, 1797] to be had at the Theatre. Receipts: #377 17s. (364.3.6; 13.13.6)

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Performance Comment: Principal Characters-Lewis, Quick, Holman, Munden, Simmons, Waddy, Thompson, Hawtin, Mrs Mattocks, Miss Chapman, Miss Wallis. [And see17970304 .And see17970304 .

Afterpiece Title: Raymond and Agnes; or, The Castle of Lindenbergh

Song: Afterpiece: Vocal Parts-Gray, Linton, Street, Mrs Henley, Mrs Castelle, Miss Leserve. [Not listed on playbill, but in Songs (see below).