Event Comment: A New Tragedy. [By Lewis Theobald.] Preface, edition of 1735: But such was its Fate then, that, appearing in a Season when the Weather was warm, and the Town in a political Ferment, it was prais'd and forsaken. Receipts: #47 6s

Event Comment: Benefit for Fawcett 1st piece: By permission of G. Colman, Esq. Never performed at that Theatre. As performed at the Theatre Royal, Haymarket, with universal Applause. With new Scenery, Dresses and Decorations. Written by the Author of The Way to Get Married [Thomas Morton]. 2nd piece [1st time; M. INT 1]. Oracle, 8 Apr.: Tickets to be had of Fawcett at his house, No. 9, Tottenham-Court-Road, opposite Howland-street. Receipts: #507 9s. 6d. (185.7.6; 10.0.0; tickets: 312.2.0)

Event Comment: Benefit for Bannister Jun. 1st piece: 1st Time at this Theatre. 2nd piece: By permission of G. Colman, Esq. [as owner of the copyright]. Morning Chronicle, 26 Mar.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho. Receipts: #681 2s. (392.3.6; 57.18.0; 7.17.6; tickets: 223.3.0) (charge: #211 14s. 5d.)

Event Comment: Mainpiece: By Particular Desire. Paid Mr Vincent for 3 sets of Abels Symphonies #2 5s. (Account Book). Receipts: #116 11s. (Account Book). This was the last time Mr Beard appeared on the stage. John Beard Esq</a> Buried in the vault (at Hampton) 12 Feb. 1791. This celebrated actor was bred up at the King's Chapel, and was afterwards one of the singers at the Duke of Chandos's Chapel at Canons, where he took a part in Handel's Oratorio of Hester. His first appearance on the stage was 30 August 1737, in the character of Sir John Loverule [Devil to Pay], at Drury Lane. In 1739 he married Lady Henrietta Herbert, daughter of James, Earl of Waldegrave, and Widow of Lord Edward Herbert. Upon this event he quitted the Stage. After a few years he returned to it again, and continued to be a great favourite with the public both as an actor and a vocal performer till 1767, when he finally retired from the theatre. Lady Henrietta Beard died in 1753; and in 1759 Mr Beard married a Daughter of John Rich Esq</a> Patentee of Covent Garden Theatre. On this occasion he removed a second time to that theatre, where he had acted from 1744 to 1748; and on the death of his father-in-law in 1761, was appointed Manager. Mr Beard, who was as much esteem'd in private life as he was admired on the stage, was for many years an Inhabitant of Hampton. See Lysons's Middlesex Parishes, p. 89 and 80. Mr Beard died 4 Feb. 1791, aged 74 years. See his Epitaph, ibidem. See Lady Beard's Epitaph in St Pancreas Churchyard (Hopkins MS Notes)

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by Colley Cibber, Esq</a>; Poet-Laureat

Event Comment: Mainpiece: Written by Colley Cibber, Esq</a>; Poet-Laureat. Tickets for Gordon and Haughton taken

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh, and Colley Cibber, Esq</a>; Poet-Laureat

Event Comment: Mainpiece: Written by Colley Cibber, Esq</a>; Poet-Laureat

Event Comment: Mainpiece: Written by Colley Cibber, Esq., Poet Laureate. At the desire of several Persons of Quality

Event Comment: Mainpiece: Written by Colley Cibber, Esq</a>; Poet Laureate. Receipts: #46 19s

Event Comment: [By Lewis Theobald.] Never Acted before

Event Comment: [By Lewis Theobald.] Never Acted before. Receipts: #25 8s. 6d. Preface: I am only sorry, it did not answer so well to Mr Rich, as I hop'd it would have done....The Play was got up with indefatigable Application, in Twelve Days time from the first Reading, which is less than ever any Tragedy was known to be got ready in

Event Comment: Afterpiece: [Text by Lewis Theobald. Set to Music by John Galliard.] A new Opera of one Act. With Scenes, Machines, Habits, Dances, and all other Decorations proper to the same, entirely new

Event Comment: [Written by Lewis Theobald.] The Music by Mr Galliard. By Subscription. A new Comic-Dramatic Opera. With all new Cloaths, and the Scenes are Machines after the Venetian Manner. N.B. There are above two Thousand Ells of Cloath employ'd in the Painting. Pit and Boxes by tickets only. Stage Boxes 15s. First Gallery 3s. Box in the Gallery 5s. Upper Gallery 1s. 6d

Event Comment: [By Lewis Theobald.] With new Scenes and Habits

Event Comment: Afterp1ece: [By Lewis Theobald.] With new Scenes, Machines, Cloaths, and other Decorations. Receipts: #150 3s

Event Comment: Never Acted before [By Lewis Theobald.] Receipts: #133 0s. 6d

Event Comment: [Mainpiece in place of The Recruiting Officer, announced on playbill of 12 Oct.] Afterpiece [1st time; P 2(?), by James Messink. Not in Larpent MS; synopsis of action in London Chronicle, 15 Oct.]: The Scenes partly new and partly compiled from Rich's Pantomimes [i.e. The Rape of Proserpine, Perseus and Andromeda, Apollo and Daphne, all three written by Lewis Theobald (Morning Chronicle, 15 Oct.)]. The new Music by Dibdin. The new Scenes painted by Carver

Event Comment: Benefit for Mrs Clendining. 2nd piece: Not acted these 10 years [acted 25 Apr. 1788]. 3rd piece [1st time; M 1, altered by John Gretton from his Ode performed at the Pantheon, 4 May. Larpent MS 1087; text printed in Morning Chronicle, 2 May 1795, with parts as above]: The Words by John Gretton, Esq. The Music by Spofforth; the Dances by Byrn. Books containing the Words of the Masque will be delivered gratis at the different Doors. Morning Herald, 5 June: Tickets to be had of Mrs Clendining, No. 13, King-street, Covent Garden. Receipts: #204 5s. (72.17; 7.15; tickets: 123.13)