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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "M de Corneille"/1) | (@(roleclean,performerclean) "M de Corneille")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1643 results for: Keyword - M de Corneille
We found 993 matches on Performance Title, 434 matches on Performance Comments, 194 matches on Author, 171 matches on Event Comments, and 0 matches on Roles/Actors.

1126
23 December 1797 @ King's Theatre

Performances

Mainpiece Title: Merope

Dance: As17971220

Ballet: Le Triomphe de Themis. As17971220

1127
31 March 1798 @ King's Theatre

Performances

Mainpiece Title: Cinna

Dance: End I: Le Triomphe de Themis, as17971226; End Opera: Ariadne et Bacchus, as17971216

1128
19 April 1798 @ King's Theatre

Performances

Mainpiece Title: Cinna

Dance: End I: A New Divertisement-; Minuet de la Cour-Didelot, Mme Rose; End Opera: a new grand Ballet, composed by Gallet, Enee et Didon-Didelot, Mme Rose, Laborie, Mme Hilligsberg, Miss Hilligsberg, Mme Laborie, St.Pierre

1129
28 April 1798 @ King's Theatre

Performances

Mainpiece Title: Il Matrimonio Segreto

Dance: End I: Peggy's Love, as17980426; End Opera: La Vengeance de l'Amour, as17980421

1130
01 May 1798 @ King's Theatre

Performances

Mainpiece Title: Il Matrimonio Segreto

Afterpiece Title: Il Capriccio Drammatico

Dance: End 1st piece: Peggy's Love, as17980428; End 2nd piece: La Vengeance de l'Amour, as17980324

1131
03 July 1798 @ King's Theatre

Performances

Mainpiece Title: Elfrida

Dance: End I: La Vengeance de l'Amour, as17980421

Ballet: End Opera: Le Deserteur. As17980614

1132
26 December 1798 @ King's Theatre

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: [a new Divertisement Ballet, composed by Barre with music by Bossi], Le Marchand de Smyrne-; End Opera: Elisa-

1133
01 January 1799 @ King's Theatre

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: Le Marchand de Smyrne, as17981226; End Opera: Ariadne et Bacchus, as17981208

1134
12 February 1799 @ King's Theatre

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: Le Marchand de Smyrne, as17981226; End Opera: Le Deserteur-[Louisa-$Mme Laborie (Morning Chronicle, 13 Feb.)]

1135
18 May 1799 @ King's Theatre

Performances

Mainpiece Title: The 2nd Act Of Ines De Castro

Afterpiece Title: I Due Svizzeri

Dance: As17990330

1136
21 May 1799 @ King's Theatre

Performances

Mainpiece Title: The 2nd Act Of Ines De Castro

Afterpiece Title: I Due Svizzeri

Dance: As17990330

1137
04 June 1799 @ King's Theatre

Performances

Mainpiece Title: The 2nd Act Of Ines De Castro

Afterpiece Title: I Due Svizzeri

Dance: As17990330

1138
08 June 1799 @ Covent Garden

Performances

Mainpiece Title: The Votary Of Wealth

Afterpiece Title: A Divertisement

Dance: Afterpiece: Minuet de la Cour and Gavot-Klanert, Mrs Watts

1139
11 June 1799 @ King's Theatre

Performances

Mainpiece Title: The 2nd Act Of Ines De Castro

Afterpiece Title: I Due Svizzeri

Dance: End: A New Divertissement, as17990326End 2nd piece: Tarare- [see17990502]

1140
23 May 1800 @ Covent Garden

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Dramatist

Afterpiece Title: The Mouth of the Nile

Dance: In 1st piece: Hornpipe-Cuerton; End 2nd piece: The Minuet de la Cour, a Favorite Scotch Pas Deux-Klanert, Mrs Watts

1141
19 June 1800 @ King's Theatre

Performances

Mainpiece Title: I Due Svizzeri

Afterpiece Title: Il Capriccio Drammatico

Dance: End: Laura et Lenza, as18000513; Minuet de la Cour-Mons and Mme Didelot; End 2nd piece: Telemaque-Mme Rose Didelot will take original part

1142
20 January 1662 @ The Cockpit in Drury Lane

Event Comment: In London Jacques Thierry and Will Schellinks saw: de France Comedij Andromeda (Seaton, Literary Relationships, pp. 333-34). The theatre is not known. This play may be Corneille's Andromede

Performances

Mainpiece Title: Andromeda

1143
15 February 1675 @ Whitehall or St. James's

Performances

Mainpiece Title: Calisto Or The Chaste Nimph

Afterpiece Title: Calistos Additional performers

Performance Comment: See Boswell, Restoration Court Stage, pp. 201-2- Singers-Mrs Masters, Mrs Peirce, Robert, Degrang, Shepheard, Maxfield, Preston, Letelier, Bopins, Bury; Boys-Jack, Waters, Coninsby, Smyth; Harpsicals-Corneille, Bartleme; Theorboes-Marsh, Lylly; Bass Violls-Coleman, Stephkins, Bates; Recorders-Paisible, Bootell, DeBreame, Giton; Gittars-Frasico Corbett, Outom, Delony, Delloney; Trumpeters-Bounty, Thompson, Ragway, Christmas; Kettle Drummer-VanBright; Violins-NicholasStaggins, Singleton, Clayton, Tho. Fitz, Hewson, Myres, Tho. Farmer, Aleworth, Jo. Bannister, Lediger, Harris, Theo. Fitz, Greetinge, Ashton, Gamble, Fashions, Flower, Isaack Staggins, John Strong, Finell, Browne, Brookwell, Dorney, Spicer, Price, Pagitt, Duffill, Kidwell, Jo. Farmer, Basrier, Viblett, Hall, Eagles; Dancers-St Andre, Isaacke, Delisle, Herriette, Dyer, Smyth, Motley, Berto, Letang, Muraile, LeRoy, LeDuke.
Cast
Role: Harpsicals Actor: Corneille, Bartleme

1144
02 May 1664 @ The (first) Drury Lane Theatre

Event Comment: This play, possibly an adaptation from Corneille, was apparently not printed. It bears, however, some resemblances to Walter Hawkesworth's Latin comedy, Labyrinthus (which was first acted at Trinity College, Cambridge, in March 1602@3); and this Restoration play may be a variation on Hawkesworth's. Pepys, Diary: To the King's Playhouse...my wife and I and Madamoiselle. I paid for her going in, and there saw The Labyrinth, the poorest play, methinks, that ever I saw, there being nothing in it but the odd accidents that fell out, by a lady's being bred up in men's apparel, and a man in a woman's

Performances

Mainpiece Title: The Labyrinth

1145
31 October 1718 @ Drury Lane Theatre

Event Comment: Not Acted these Six Years. Taken from the Cid of Mons Corneille. All the Habits being entirely New. With new Scenes and other Decorations

Performances

Mainpiece Title: Ximena Or The Heroick Daughter

1146
01 November 1718 @ Drury Lane Theatre

Event Comment: Taken from the Cid of Mons Corneille

Performances

Mainpiece Title: Ximena

1147
01 March 1750 @ Drury Lane Theatre

Event Comment: Paid to Mr Franklin [the printer?] #8 2s.; To Mr Norton 5 chorus 9s. (Treasurer's Book). Those Gentlemen who borrow'd gold laced hats to go to Drury Lane in order to damn the new play are desir'd to return them to the owners, or their names will be publish'd at full length (Winston MS 7, from No 5 of The Midwife). This month was publish'd Corneille's Horace and the Roman Father Compared (Gentleman's Magazine, Register of Books). Receipts: #190 (Cross); #175 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Roman Father

1148
21 March 1772 @ Covent Garden

Event Comment: Benefit for Mrs Yates. Mainpiece: Altered from Corneille [by Colley Cibber?]. Never Performed There. Pit and Boxes laid together (playbill). Charges #66 7s. 6d. Profit to Mrs Yates #39 7s. 6d., plus #179 from tickets (Box and Pit 716). Paid Younger a Bill for writing parts #5 19s. 9d. Paid John Smith for a Blue cloth suit lac'd with gold #9 9s. (Account Book). Receipts: #105 15s. (Account Book)

Performances

Mainpiece Title: Ximena Or The Heroic Daughter

Afterpiece Title: Man and Wife

Dance: End: The Whim, as17720312 End II Farce: A Comic Dance, as17711031

1149
10 October 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: Isabella Or The Fatal Marriage

Afterpiece Title: A Trip to Scotland

Dance: Afterpiece: With a Postilion Dance incident to the Piece. [This was danced in all subsequent performances.]

Song: In Act III of mainpiece an Epithalamium, with singing by Miss Collett and Miss Wright. [This was sung, as here assigned, at all subsequent performances, except on 6 Nov. 1782, 15 Mar., 6 May, 5 June 1783.]

1150
May 1697 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Intrigues At Versailles Or A Jilt In All Humours