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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "MMr Handel"/1) | (@(roleclean,performerclean) "MMr Handel")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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772 results for: Keyword - M$Mr Handel
We found 391 matches on Event Comments, 197 matches on Performance Title, 184 matches on Performance Comments, 77 matches on Author, and 0 matches on Roles/Actors.

551
12 February 1734 @ King's Theatre

Event Comment: [Their Majesties, Prince of Wales, and three eldest Princesses present. Egmont also present. For a satiric pamphlet on opera, see Harmony in an Uproar, dated 12 Feb.; much of it is reprinted in Deutsch, Handel, pp. 344-57.]

Performances

Mainpiece Title: Ariadne [in Creta]

552
11 March 1734 @ King's Theatre

Event Comment: dvertiser, 11 March: We hear, amongst other publick Diversions that are prepaid for the Solemnity of the approaching Nuptials, there is to be perform'd [at King's, 13 March] a Serenata, call'd Parnasso in Festa: The Fable is Apollo and the Muses celebrating the Marriage of Thetis and Peleus. There is one standing Scene, which is Mount Parnassus, on which sit Apollo and the Muses, assisted with other proper Characters emblematically dress'd, the whole Appearance being extreamly magnificent; nor is the Musick less entertaining, being contriv'd with so great a Variety, that all sorts of Musick are properly introduc'd in single Songs, Duettoes, &c. intermix'd with Chorus's something in the Stile of Oratorios, People have been waiting with Impatience for this Piece, the celebrated Mr Handel having exerted his utmost Skill in it.hathiBenefit Delane. At the Desire of several Persons of Distinction

Performances

Mainpiece Title:

553
13 March 1734 @ King's Theatre

Event Comment: A Serenata. Being an Essay of several different Sorts of Harmony.[Music by Handel. Done into English by George Oldmixon.] Daily Advertiser, 14 March: Last Night Mr Handell's new Serenata, in Honour of the Princess Royal's Nuptials with the Prince of Orange, was perform'd before their Majesties, the Prince of Wales, the Princess Royal, the Prince of Orange, and all the Royal Family, and was received with the greatest Applause; the Piece containing the most exquisite Harmony ever furnish'd from the Stage, and the Disposition of the Performers being contriv'd in a very grand and magnificent Manner. [The marriage of the Prince of Orange and Royal Princess occurred on Thursday, 14 March.]

Performances

Mainpiece Title: Parnasso In Festa; Or, Apollo And The Muses Celebrating The Nuptials Of Thetis And Peleus

554
20 March 1734 @ Hickford's Room

Performances

Mainpiece Title: Concert

Music: Concertos by Corelli and Geminiani. Favourite Songs of Mr Handel's. Solo upon the German Flute and Violin. A Concerto, the Solo Part upon the Harpsichord

Performance Comment: Favourite Songs of Mr Handel's. Solo upon the German Flute and Violin. A Concerto, the Solo Part upon the Harpsichord .

555
06 April 1734 @ King's Theatre

Event Comment: Composed by Mr Handel

Performances

Mainpiece Title: Deborah

556
09 April 1734 @ King's Theatre

Event Comment: Composed by Mr Handel

Performances

Mainpiece Title: Deborah

557
26 April 1734 @ Handel's Home

Event Comment: Mrs Pendarves, 27 April: Yesterday morning [26] at the rehearsal of a most delightful opera at Mr Handel's called Sosarme. Delany, Autobiography, I, 463

Performances

Mainpiece Title: Sosarme

558
27 April 1734 @ King's Theatre

Performances

Mainpiece Title: Sosarmes

Performance Comment: Cast not listed, but Deutsch, Handel, p. 364, reconstructs the cast: Sosarme-Carestini; Haliate-Signora Durastanti; Erenice-Signora Maria Caterina Negri; Elmira-Signora Strada; Argone-Scalzi; Melo-Signora Rosa Negri; Altomaro-Waltz .

559
30 April 1734 @ King's Theatre

Event Comment: Mrs Pendarves, 30 April: I go to-night... to Sosarmes, an opera of Mr Handel's, a charming one, and yet I dare say it will be almost empty!

Performances

Mainpiece Title: Sosarmes

560
28 June 1734 @ Haymarket Theatre

Event Comment: The Prince of Wales paid #250 to Handel's Opera Company. See BM, Add MSS 24, 403

Performances

Mainpiece Title: The Nonjuror

Dance: II: Two Pierrots by Davenport and Olbeldiston. III: Harlequin by Miss Brett. V: A new Country Dance by Davenport, proper to the Play

Song: I: A Generi Affetti by Miss Jones and Master Arne. IV: Was ever Nymph like Rosamond by Miss Jones

561
04 November 1734 @ Covent Garden

Event Comment: London Daily Post and General Advertiser, 4 Nov.: We are informed, that when Mr Handel waited on their Majesties with his New Opera of Ariodante, his Majesty . . . was graciously pleased to subscribe 1000/. towards carrying on the Opera [at CG. No confirmation of this point is known]

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Necromancer

562
08 November 1734 @ Covent Garden

Event Comment: The Bee, 9 Nov.: Mr Handel opens Tomorrow . . . with the Opera of Pastor Fido . . . and we hear there was a Rehearsal this Day at Twelve o'Clock

Performances

Mainpiece Title: Pastor Fido

Related Works
Related Work: The Faithful Shepherd Author(s): George Frideric Handel

563
09 November 1734 @ Covent Garden

Event Comment: First Piece: A new Dramatick Entertainment in Musick. [Music by Handel.] Second Piece: An Opera. With several Additions, intermix'd with Choruses. Pit and Boxes half a guinea. First Gallery 4s. Upper Gallery 21. 6d. [King and Princesses Amelia and Caroline present.]

Performances

Mainpiece Title: Terpsicore

Afterpiece Title: Pastor Fido

Related Works
Related Work: The Faithful Shepherd Author(s): George Frideric Handel

564
27 November 1734 @ Covent Garden

Performances

Mainpiece Title: Ariadne [in Creta]

Performance Comment: Cast not listed, but see conjectures by Deutsch, Handel, p. 375 .

565
13 December 1734 @ Mercer's Hall

Performances

Mainpiece Title: Concert

Music: Vocal by Miss Cecilia Young and Miss Isabella Young. Instrumental from the Opera, with Violin by Festing, Violoncello by Caporali, Hautboy by Kytch. Water Musick by Handel, with Benj. Baker doing a Preamble on the Kettle Drums

Performance Comment: Instrumental from the Opera, with Violin by Festing, Violoncello by Caporali, Hautboy by Kytch. Water Musick by Handel, with Benj. Baker doing a Preamble on the Kettle Drums .

566
18 December 1734 @ Covent Garden

Event Comment: [For a discussion of this revival, see Deutsch, Handel, p. 377. Their Majesties present.]

Performances

Mainpiece Title: Orestes

567
21 February 1735 @ Hickford's Room

Event Comment: Benefit Waltz, Singer in Mr Handel's Operas. 6 P.M. 5s

Performances

Mainpiece Title: Concert

Music: Vocal by Waltz. Instrumental by Opera Masters, especially Flute by Hagan, French Horn by Antony Uhl and Cook

568
28 February 1735 @ York Buildings

Event Comment: Benefit Caporali, First Violoncello in Mr Handel's Operas. 7 P.M. 5s

Performances

Mainpiece Title: Concert

Music: Singing by Mrs Young and her Sister. Concertos by Caporali

569
05 March 1735 @ Covent Garden

Performances

Mainpiece Title: Esther

Performance Comment: Cast not listed, but Deutsch, Handel, p. 383, conjectures: Esther-Signora Strada; Ahasuerus-Oarestini; Haman-Waltz; Habdonah-Beard; Mordecai-Signora Maria Caterina Negri .

570
12 March 1735 @ Covent Garden

Event Comment: As 5 March. London Daily Post and General Advertiser, 13 March: Last Night their Majesties and the Princess Caroline . . . heard Esther, an Oratorio; and Mr Handel's two new inimitable Concertos on the Organ. [Egmont also present.]

Performances

Mainpiece Title: Cast Not Listed, But See 5 March

571
19 March 1735 @ Covent Garden

Event Comment: As 5 March. old Whig, 20 March: In the flourishing State of this Opera [Artaxerxes], 'tis no Wonder that the other Theatres decline. Handel, whose excellent Compositions have often pleased our Ears, and touched our Hearts, has this Winter sometimes performed to an almost empty Pitt. He has lately reviv'd his fine Oratorio of Esther, in which he has introduced two Concerto's on the Organ that are inimitable. But so strong is the Disgust taken against him, that even this has been far from bringing him crowded Audiences; tho' there were no other publick Entertainments on those Evenings

Performances

Mainpiece Title: Esther

572
01 April 1735 @ Covent Garden

Performances

Mainpiece Title: Athalia

Performance Comment: Cast not listed, but Deutsch, Handel, p. 385, constructs the cast: Athalia-Miss Young; Josabeth-Signora Strada; Joas-the Boy; Joad-Carestini; Mathan-Beard; Abner-Waltz. With a New Concerto on the Organ;..

Afterpiece Title: the first Concerto in the Oratorio of Esther; and the last in Deborah

573
16 April 1735 @ Covent Garden

Event Comment: A New Opera. [Text by A. Marchi. Music by Handel.]

Performances

Mainpiece Title: Alcina

574
08 May 1735 @ Covent Garden

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Mock Lawyer

Music: First Musick: A Concerto for Hautboys, &c. Second Musick: A Concerto of Geminiani. Third Musick: Overture to Ariadne. The Act Tunes for French Horns, Trumpets, &c. V: Handel's Water Musick

Performance Comment: Second Musick: A Concerto of Geminiani. Third Musick: Overture to Ariadne. The Act Tunes for French Horns, Trumpets, &c. V: Handel's Water Musick .

Dance: I: Tambourine by Miss Rogers. Flanderkins by Duke and Mrs Ogden. III: Two Pierrots by Duke and Delagarde. IV: Richmond Maggot by Le Sac and Miss Rogers

Song: V: As17350422

575
15 July 1735 @ Haymarket Theatre

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Honest Yorkshireman

Music: Concerto for Two Hautboys by Woodbridge and Neale. A fine Piece of Mr Handel's on the little Flute by a Friend of Carey

Performance Comment: A fine Piece of Mr Handel's on the little Flute by a Friend of Carey .

Dance: houvre and Minuet by Vallois and Mrs Anderson. V: Two Pierrots by Vallois and his Scholar

Song: By a Scholar of Carey's