SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "MMiss White"/1) | (@(roleclean,performerclean) "MMiss White")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 369 matches on Performance Comments, 195 matches on Event Comments, 30 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: MMiss Morris was a pupil of Mr Colman's--She was very much approved by the public in the character of Juliet. On the sixth night of her appearance on the stage she was taken ill, and died before the end of this season. See the Bill for her Benefit (Hopkins MS Notes). Afterpiece: Not acted these 6 years. [See 19 May 1762.] [The Occasional Prologue, by Colman, is Larpent MS 288, which introduces Miss Morris as Juliet, and stresses the qualms and fears of a new performer.] Receipts: #227 19s. 6d. (Account Book). Lloyd's Evening Post, 28-30 Nov.: Sir: The managers of both theatres have of late, in order to put a stop to the Public complaint against a dearth of actors, given trials to several stage candidates that seemed to have any promising requisite. Such experiments have not proved fruitless. The most brilliant and interesting of which was the young lady's appearance on Covent Garden Theatre last night, in the character of Juliet. So great was her terror, on presenting herself for the first time before a crowded audience, that, deprived of all her powers, she fell down on the stage in a swoon. The first act in consequence, was all terror on her side, all compassion and anxiety on that of the audience. But having had time between the first and second Acts to recover from her panic, she shone forth in the Balcony Scene the most pleasing promise of a young tragic actress that has been seen for half a century past, and continued so throughout. Her person is genteel, her tone of voice insinuating, variable, and melodious; her recitation is just and sensible; very affecting in the pathetic parts; condescending, free, and polite are the familiar speeches with the Nurse. She is happily devoid of all stage whine, and tragedy Cant. The manner she has been rudimented in does great honour to her instructors, who have so judiciously prevented the so excellent actor of this verily a Shakespeare's Juliet, from being sophisticated by the studied tricks, and false ornamenting of mistaken modern and degenerate art

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Damon and Phillida

Event Comment: MMiss Burton made her first apperaranc on this stage in the part ofthe Country Girl. She is a pretty, genteel figure; Played the part well, and was much Applauded (Hopkins Diary). Country Girl, Young Gentlewoman, first Appearance (Cross Diary)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Queen Mab

Dance: II: A New Dance called The Hunters-Hamoir, Miss Hamoir

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Oxonian in Town

Dance: End: The Merry Sailors-Aldridge. [See17691009, 1767.

Event Comment: MMiss Weller a Pupil of Dr Arne first appear'd and-(Hopkins Diary). London Evening Post, 11 Jan.; A pupil of Dr Arne and scarecely 19 years of age; her figure is that of the tallest of the middle size, well proportioned and at present possesses a dignity and grace which when habit brings her to perfection cannot fail of being universally admired. Her face is oval with an aqualine nose and though from the timidity of a first appearance the rest of her features lost that necessary animation, yet there were periods when she could disposses herself of her confusion, that prognosticated great expression of countenance. Her voice was clear, commanding, and melodious, and her ear and manner both excellent. She is that kind of singer that one can be pleased from looking at as well as from hearing, --an excellence few vocal performers possess. Her acting abstracted from her voice would have done credit to a first appearance, as it was very pleasing and properly accompanied....What the managers could mean in casting Lucy for Miss Pope is extraordinary, as she sung, or indeed rather squalled every song so much out of tune that it was impossible for the music to accompany her; we do not however mean by this to cast the least reflection on so excellent an actress, as her spirited and judicious manner of playing it almost atoned for that of singing it

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: A Trip to Scotland

Related Works
Related Work: A Trip to Scotland Author(s): William Whitehead

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Harlequin's Invasion

Dance: II: A New Double Hornpipe-Mas. White, Miss Lings; IV: New Tambourine Dance-Mas. Byrn, Miss Byrn, Miss Wilkinson, scholars to Sg Giorgi (playbill)

Performance Comment: White, Miss Lings; IV: New Tambourine Dance-Mas. Byrn, Miss Byrn, Miss Wilkinson, scholars to Sg Giorgi (playbill).

Performances

Mainpiece Title: Vittoria Corombona; Or, The White Devil

Performances

Mainpiece Title: The Man's Bewitch'd; Or, The Devil To Do About Her

Afterpiece Title: Harlequin Turn'd Dancing-Master

Dance: TThe White Joke (new)-Eaton

Performances

Mainpiece Title: The Recruiting Officer

Dance: TThe White Joke-Eaton

Performances

Mainpiece Title: The True And Antient History Of King Lear And His Three Daughters

Dance: TThe White Joke-Eaton

Performances

Mainpiece Title: The Fashionable Lady

Music: SSee@larce A Trumpet Farce-Burk Thumoth; accompanied-the rest of the Musick upon the Stage

Song: new Song, called Myra's Choice , to the Tune of the White Joke,-Mr Russell who sung Hunter at the Hay-Market

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The What D'ye Call It

Dance: TTollet's Ground-Burney, Eaton; Flag Dance-Burny; White Joke-Eaton

Performances

Mainpiece Title: The Fashionable Lady

Dance: TThe White Joke-Eaton

Performances

Mainpiece Title: The Fair Quaker Of Deal

Afterpiece Title: Flora

Dance: TThe White Joke-Eaton; Two Pierrots-Burny, Eaton

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Flora

Song: TThe White Joke-Mrs Thomasin Man's Cloaths; A new Mad Tom-Bart Platt

Dance: TThe Yellow Joke (new)-Eaton by Ravenscroft

Performances

Mainpiece Title: The Provok'd Husband

Dance: End Act I: The White Joke-Eaton; III: -Dukes

Song: II: a Youth, aged 13; IV: Mrs Mountfort

Performances

Mainpiece Title: The Stratagem

Song: TThe Bath Teazer (that celebrated Ballad) by Leveridge-Ray

Dance: End II: The White Joke-Eaton; III: A new Dance-Hind, Eaton, Mrs Hill

Performances

Mainpiece Title: A Bold Stroke For A Wife

Entertainment: Between the Acts: particularly the Black and White Joak, to be sounded-Charles, and also a Joak of his own

Performances

Mainpiece Title: The Jealous Husband Outwitted

Entertainment: Several new and surprizing Performances, never perform'd by any one besides herself, on the Strait Rope [the famous-Signora Violante [[1] She Dances a Minuet as Neatly as a Dancing Master on a Floor. [2] She Dances with a Board, ten Foot in length, loose upon the Rope. [3] She Dances with two Boys fastned to her feet; which Occasions great Mirth. [4] She Dances with two heavy Men ty'd to her Feet. [5] She Performs the Exercise of the Colours. After this surprising Performance, Miss Violante will Dance a Louvre in Boys Cloaths

Dance: t the Desire of several Gentlemen and Ladies, the White Joke-will be danced by an Old Woman, with Pierrot in the Basket; Pierrot-Lalauze; Old Woman-Tobin

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Devil to Pay

Music: Second Musick: 3d Concerto of the 1st Opera of Geminiani. Third Musick: Overture, with French Horns, composed for Ptolemy by Handel. V: Handel's Water Musick, accompanied with French Horns

Dance: III: Black and White Joak by Nivelon and Miss Mann. V: Les ombres des Amants Fideles by Essex, Miss Robinson, Miss Latour, &c

Song: I: Was ever Nymph like Rosamond by Miss Arne. II: Hush, ye pretty, warbling Choir by Miss Arne. IV: Lusingue pui care by Miss Arne

Performances

Mainpiece Title: The Plain Dealer

Dance: Scots Dance, as17341004 Shepherd and Shepherdess by Malter and Mlle Salle. Engiish Maggot by Haughton and Mrs Laguerre. The Kilkenny (new) by Glover and Mrs Laguerre. By Desire, Hippisley's Drunken Man

Song: The Black and White Joke, as17340416

Performances

Mainpiece Title: Volpone

Dance: II: Tambourine by Glover and Miss Rogers. In III: The Kilkenny by Glover and Mrs Laguerre. IV: By Desire, La Marrie, combined with a Minuet, by Glover and Miss Rogers. V: Scottish Dance, as17331004

Song: I: The Black and White Joke by Leveridge and Laguerre

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The Mock Lawyer

Dance: II: The Kilkenny by Glover and Mrs Laguerre. III: Les Charactres de l'Amour by Mlle Salle. IV: The Nassau, as17340117 V: Pigmalion by Malter, Dupre, Pelling, Duke, Le Sac, Newhouse, De la Garde, with the Statue-Mlle Salle

Song: I: The Black and White Joke by Leveridge and Laguerre

Performances

Mainpiece Title: The Squire Of Alsatia

Afterpiece Title: The School Boy

Dance: French Sailor and his Lass by Malter and Mlle Salle

Song: The Black and White Joke by Leveridge and Laguerre

Performances

Mainpiece Title: The Fatal Marriage

Afterpiece Title: The Lottery

Dance: II: Tambourine by Glover and Miss Rogers. IV: The Kilkenny by Glover and Mrs Laguerre. V: By Malter and Mlle Salle

Song: I: The Black and White Joke by Leveridge and Laguerre. III: By Mrs Wright

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Mock Lawyer

Dance: II: French Peasant by Malter. III: A new Marie, concluding with a Minuet, by Dupre Jr and Miss Baston. IV: Les Characteres de l'Amour by Mlle Salle. V: Scotch Dance, as17331004. Grand Dance in Momus: Sailor-Pelling; His Lass-Mrs Laguerre

Song: I: The Black and White Joke by Leveridge and Laguerre