SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Lord and Lady Gage"/1) | (@(roleclean,performerclean) "Lord and Lady Gage")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5679 matches on Performance Comments, 2964 matches on Event Comments, 605 matches on Performance Title, 43 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Among the Instrumental Performers are Messrs Ashley and Sons, Patria, Sarjant, Billington, Mahon, Boyce, Mountain, J. Mahon, the Leanders, Ware, Kaye, Rawlings, Sharp, Lyon, &c. &c. &c. Double Drums by J. Ashley. The Whole under the Direction of Harrison and Ashley. No Money to be returned. Places for the Boxes to be had of Brandon at the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Books of the Performances, with the Names of the Performers to their respective Songs, to be had at the Theatre, Price Six-pence. And to prevent imposition in the Streets, the Manager's Books are printed with the following Words at the bottom of each Title Page: "Printed by H. Macleish, Duke's-Court, Drury-Lane.

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers-Harrison, Incledon, Griffith, Sale, Miss Poole, Mrs Piele, Mrs Billington; Leader of the Band-G. Ashley; The Organ-Knyvett.
Cast
Role: Leader of the Band Actor: G. Ashley

Afterpiece Title: Grand Selection 1

Performance Comment: Part I Coronation Anthem,God save the King-; Overture-(Esther); Shall I in Mamre's fertile Plain-Sale; For all these Mercies-Chorus (Joshua); Rise Jephtha, Happy Iphis-Miss Poole; When his loud voice-Chorus (Jephtha); Total Eclipse-Harrison; O first created Beam-Chorus (Samson); Holy holy Lord-Mrs Billington (Redemption); He gave them Hailstones-Double Chorus (Israel in Egypt).

Afterpiece Title: Grand Selection 2

Performance Comment: Part II Fifth Grand Concerto-; Honour and Arms-Griffith; Ye Men of Gaza-Miss Poole; Hear Jacob's God-Chorus; Justly these evils, Why does the God of Israel sleep?-Incledon; Then round about the starry Throne-Chorus (Samson); O come let us worship-Harrison (Coronation Anthems); The Mighty Power-Chorus (Athalia); O worse than Death and Angels ever bright-Mrs Billington (Theodora); Gird on thy Sword-Chorus (Saul).

Afterpiece Title: Grand Selection 3

Performance Comment: Part III Ye Sons of Israel-Chorus (Joshua); Rendi il sereno al Ciglio-Harrison (Sosarme); O Lord in thee have I trusted-Incledon, Chorus (Te Deum); O had I Jubal's Lyre-Miss Poole (Joshua); From the censer-Chorus (Solomon); Ye sacred Priests, Farewell ye limpid springs-Mrs Billington (Jephtha); The Lord shall reign-Chorus; For the Horse of Pharaoh-Harris; The Horse and his Rider-Mrs Billington, Double Chorus (Israel in Egypt).

Performances

Mainpiece Title: Redemption Selected From The Great And Favourite Works Of handel That Were Performed In westminster abbey And At The pantheon on 26 And 27 May 1784 0 Messiah Grand Selection 0

Afterpiece Title: Redemption 1

Performance Comment: PART I. Overture (Occasional Oratorio)-; O first Created Beam-Chorus (Samson); He layeth the Beams-Reinhold (Ezio); When his loud Voice-Chorus (Jephtha); Where e'er you Walk-Mrs Crouch (Semele); How excellent thy Name-Chorus (Saul); Speak ye who best can tall-Spence (Ptolomy); Abraham enough-Miss Broadhurst (Susanna); Jehovah is my shield-Miss Hagley (Occasional Oratorio); Blest be the Man-Chorus (Joseph); Pious Orgies-Miss Davies (Judas Maccabaeus); He gave them Hail@stones-Double Chorus; The Lord is a Man of War-Reinhold, Dignum; Moses and the children of Israel-Chorus; Sing ye to the Lord-Miss Davies; The Horse and his Rider-Double Chorus (Israel in Egypt).

Afterpiece Title: Redemption 2

Performance Comment: PART II. Ye sons of Israel-Chorus; O had I Jubal's Lyre-Miss Hagley (Joshua); Jehovah crown'd-Reinhold; He comes-Chorus (Esther); Angels ever bright and fair-Miss Davies (Theodora); Welcome mighty king-Chorus (Saul); March (Judas Maccabaeus)-; In sweetest Harmony-Mrs Crouch, Chorus (Saul); Their Bodies are buried in Peace-Chorus (Funeral Anthem); Dead March (Saul)-; Lord remember David-Spence (Sosarme); The Sword that's drawn-Reinhold (Occasional Oratorio); God save the King-Chorus (Coronation Anthems).

Afterpiece Title: Redemption 3

Performance Comment: PART III. Where is this stupendous Stranger?-Mrs Crouch (Alcina); There beneath a lowly Shade-Dignum (Alexander Balus); He was Eyes unto the Blind-Mrs Crouch (Siroe); Hosannah to the Son of David-Chorus (Athalia); He was brought as a Lamb-Reinhold (Deidamia); He sitteth at the Right Hand of God-Chorus (Te Deum); Holy Lord God Almighty-Miss Davies (Rodelinda); Glory be to the Father-Chorus (Jubilate).

Music: End: concerto on the hautboy-W. Parke; End II: concerto violin-Master Clement

Performances

Mainpiece Title: Lallegro Ed Il Penseroso 0 Grand Selection 0

Cast
Role: Leader of the Band Actor: G. Ashley

Afterpiece Title: A Grand Miscellaneous Act

Performance Comment: The Mansion of Peace-Harrison (Webbe); I feel the Deity within, Arm arm ye brave-Sale; We come in bright array-Chorus (Judas Maccabaeus); Praise the Lord-Miss Poole; (Esther); My arms, Sound an alarm-Incledon; We hear the pleasing call-Chorus (Judas Maccabaeus); The Soldier tir'd of war's alarms-Mrs Billington; Hallelujah! for the Lord God omnipotent reigneth-Grand Chorus (The Messiah).

Music: End I: 1st concerto , Op. 3, by Geminiani-G. Ashley

Performances

Mainpiece Title: Redemption 0 Selected From The Works Of handel By dr Arnold

Performance Comment: Principal Vocal Parts-Kelly, Reinhold, Incledon, Master Welsh (from Bath), Dignum, Sedgwick, Morelli, Miss Barclay (pupil of Linley; 1st appearance in public), Mrs Bland, Miss Hagley, Mrs Crouch; Leader of the Band-Shaw.
Cast
Role: Leader of the Band Actor: Shaw.

Afterpiece Title: Redemption 1

Performance Comment: Overture-(Occasional Oratorio); O! First created beam-Chorus (Samson); He layeth the beams-Reinhold (Ezio); When his loud voice-Chorus (Jephtha); Lord what is man-Mrs Crouch (Semele); How excellent thy name-Chorus (Saul); Speak ye who best can tell-Kelly (Ptolomy); Abraham enough-Mrs Bland (Susanna); Jehovah is my shield-Miss Hagley (Occasional Oratorio); Blest be the man-Chorus (Joseph); Pious orgies-Miss Barclay (Judas Maccabaeus); He gave them hail@stones-Chorus; The Lord is a man of war-Reinhold, Dignum; Moses and the Children of Israel-Chorus (Israel in Egypt).

Afterpiece Title: Redemption 2

Performance Comment: Ye sons of Israel-Chorus; Oh! had I Jubal's lyre-Miss Barclay (Joshua); Jehovah crown'd-Reinhold, Chorus (Esther); Angels ever bright and fair-Master Welsh (Theodora); Welcome mighty king-Chorus (Saul); March-(Judas Maccabaeus); In sweetest harmony-Mrs Crouch, Mrs Bland, Chorus (Saul); Their bodies are buried in peace-Chorus (Funeral Anthem); Dead March-(Saul); Lord remember David-Kelly (Sosarmes); The sword that's drawn-Reinhold (Occasional Oratorio); God save the King-(Coronation Anthem).

Afterpiece Title: Redemption 3

Performance Comment: Where is this stupendous stranger?-Master Welsh (Alcina); There beneath a lowly shade-Mrs Bland (Alexander Balus); He was eyes unto the blind-Incledon (Siroe); Hosannah to the Son of David-Chorus (Athalia); He was brought as a lamb-Reinhold (Deidamia); He Sitteth at the right hand of God-Chorus (Te Deum); Holy Lord God Almighty-Mrs Crouch (Rodelinda); Glory be to the Father-Chorus (Jubilate).

Music: End I: concerto on the bassoon-Parkinson; End II: concerto on the violin-Master Bridgetower

Performances

Mainpiece Title: The First Grand Selection 0 Of Sacred Music From The Works Of handel Lallegro Ed Il Pensieroso 0

Cast
Role: Leader of the Band Actor: G. Ashley

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Occasional Oratorio)-; Loathsome urns-Bartleman (Time and Truth); Great Jehovah's awful word-Mrs Second (Israel in Egypt); Lord of eternity-Chorus; Behold the nations-Bartleman; O Baal-Chorus (Deborah); Total eclipse-Harrison; O first created beam-Chorus (Samson); From mighty Kings-Mrs Billington (Judas Maccabaeus); He gave them hailstones-Chorus (Israel in Egypt).
Cast
Role: Lord of eternity Actor: Chorus

Afterpiece Title: Grand Selection 2

Performance Comment: Overture and Dead March (Saul)-; In sweetest harmony-Mrs Billington; O fatal day-Chorus (Saul); The smiling dawn-Mrs Second (Jephtha); Fallen is the foe-Chorus (Judas Maccabaeus); Gentle airs-Harrison (Athalia); Then round about the starry throne-Chorus (Samson); O worse than death, Angels ever bright and fair-Mrs Billington (Theodora); Fix'd in his everlasting seat-Chorus (Samson).

Afterpiece Title: Grand Selection 3

Performance Comment: Fifth Grand Concerto-; Tyrants would-Mrs Billington, Chorus (Athalia); Pleasure my former ways-Harrison (Time and Truth); No more to Ammon's God-Chorus; Ye sacred priests, Farewell ye limpid springs-Mrs Billington (Jephtha); He layeth the beams-Bartleman (Ezio); The Lord shall reign-Chorus; For the horse of Pharaoh-Harrison; Sing ye to the Lord-Mrs Billington; The horse and his rider-Chorus (Israel in Egypt).

Performances

Mainpiece Title: Redemption Grand Selection 0

Performance Comment: Selected from the Great and Favourite Works of Handel, that were performed at his Commemoration in Westminster Abbey and at the Pantheon (on 26 and 27 May 1784). As17930220.
Cast
Role: Leader of the Band Actor: Shaw.

Afterpiece Title: Redemption 1

Performance Comment: Overture-(Occasional Oratorio); O First Created Beam-Chorus (Samson); He layeth the beams-Bellamy [Ezio]; When his loud Voice-Chorus (Jephtha); Where e'er you walk-Harrison [Semele]; How excellent thy Name-Chorus (Saul); Speak ye who best can tell-Dignum [Ptolomy]; Abraham enough-Miss Leak [Susanna]; Jehovah is my Shield-Miss Poole [Occasional Oratorio]; Blest be the Man-Chorus (Joseph); Pious orgies-Mrs Harrison (Judas Maccabaeus); He gave them Hailstones-Double Chorus; The Lord is a Man of War-Bellamy, Dignum; Moses and the Children of Israel-Chorus; Sing unto the Lord-Mrs Harrison; The Horse and his Rider-Double Chorus (Israel in Egypt).

Afterpiece Title: Redemption 2

Performance Comment: Ye sons of Israel-Chorus; Oh! had I Jubal's lyre-Miss Poole (Joshua); Jehovah crown'd-Bellamy; He comes-Chorus (Esther); Angels ever bright-Master Welsh [Theodora]; Welcome mighty King-Chorus (Saul); March in Judas Maccabaeus-; In sweetest harmony-Mrs Harrison, Chorus [Saul]; Their bodies are buried in Peace-Chorus [Funeral Anthem]; Dead March-(Saul); Lord remember David-Harrison [Sosarme]; The Sword that's drawn-Bellamy [Occasional Oratorio]; God save the King-Chorus.
Cast
Role: Lord remember David Actor: Harrison

Afterpiece Title: Redemption 3

Performance Comment: Where is this stupendous stranger-Miss Poole [Alcina]; There beneath a lowly shade-Miss Leak [Alexander Balus]; He was eyes unto the Blind-Harrison [Siroe]; Hosannah to the son of David-Chorus [Athalia]; He was brought as a Lamb-Bellamy [Deidamia]; He sitteth at the Right Hand of God-Chorus [Te Deum]; Holy Lord God Almighty-Mrs Harrison [Rodelinda]; Glory be to the Father-Chorus [Jubilate].Jubilate].

Song: As17930220

Music: End Part II: concerto on the Piano Forte-Dussek

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music

Performance Comment: As17930215, but Principal Vocal Parts-Mrs Clendining, in place of Mme _Mara , "who is still indisposed, and cannot perform this Evening.".

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 3

Performance Comment: Fourth Oboe Concerto-; The trumpet's loud clangour-Kelly, Chorus [Dryden's Ode]; Every day will I give thee thanks-Mrs Crouch Chandos Anthems]; I feel the Diety within-Bartleman; Arm, arm, ye brave-Bartleman; We come-Chorus [Judas Maccabaeus]; The Captive King- [as17930306ncledon, Chorus; Captivity- [as17930220Mrs Crouch; The Lord shall reign-Chorus; And Miriam the Prophetess, Sing ye to the Lord-Mrs Crouch; The horse and his rider-Double Chorus [Israel in Egypt]; God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940314but omitted: Miller, Kelly. Leader as17940312ART I. God save the King by Chorus (CORONATION ANTHEMS). He layeth the beams by Meredith. O had I Jubal's lyre by Mrs Bland (JOSHUA). Gird on thy sword by Chorus (SAUL). Holy, holy by Sga Storace (REDEMPTION). Softly rise by Harrison; Ye southern breezes by Chorus (SOLOMON, by Boyce). Let me wander by Master Welsh (L'ALLEGRO). Sing ye to the Lord by Sga Storace; and Chorus; The horse and his rider by Double Chorus (ISRAEL IN EGYPT). PART II. Ye sons of Israel by Chorus (JOSHUA). What tho' I trace by Mrs Crouch (SOLOMON). Pleasure my former ways by Harrison (TIME AND TRUTH). Would you gain by Master Welsh (ACIS AND GALATEA). Welcome! Welcome! by Chorus (SAUL). Concerto on violin by Giornovichi. Honour and Arms by Meredith (SAMSON). O magnify the Lord by Miss Leak. Halleluiah by Chorus (THE MESSIAH). PART III. How excellent by Chorus (SAUL). Lord, remember David by Harrison. Ask if yon damask rose be sweet by Mrs Crouch (SUSANNA). He gave them hailstones by Chorus (ISRAEL IN EGYPT). The smiling dawn by Miss Leak (JEPHTHA). See the conquering Hero comes by Chorus (JUDAS MACCABAEUS). Angels ever bright and fair by Master Welsh (THEODORA). From the censer by Double Chorus (SOLOMON) .
Event Comment: Benefit for the Relief of the Widows and Orphans of the brave Men who fell in the late Glorious Actions [on 1 June 1794], under Earl Howe. The Whole Receipt of the Night to be applied to the above Fund. Under the Patronage of His Royal Highness the Prince of Wales, and His Royal Highness the Duke of Clarence. The Tickets for the Boxes at Half-a-Guinea each, are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangements of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Lauderdale, Lord Mulgrave, Lord William Russel, The Right Honourable the Lord Mayor [Paul Le Mesurier], Mr Alderman Coombe, Hon. Thos. Erskine, J. Nesbit Esq., I. B. Church Esq., W. Devaynes Esq., J. Taylor Vaughan Esq., J. J. Angerstein Esq., R. B. Sheridan Esq. Tickets and Places for the Boxes, not disposed of by the Committee, to be had of Fosbrook, at the Box-Office, Little Russel-Street. Tickets also to be had at the Bar of Lloyd's Coffee House. Afterpiece [1st time; ENT 2, by Richard Brinsley Sheridan and James Cobb; with songs written by the Duke of Leeds, the Earl of Mulgrave, Mary Robinson, Joseph Richardson, &c. In 1797 altered as CAPE ST. VINCENT. Prologue by Joseph Richardson (London Chronicle, 4 July). Epilogue by Richard Brinsley Sheridan]: The Music composed and selected by Storace [with one song each by Reeve. Linley Sen., Michael Kelly]. The Dresses, Scenery and Machinery entirely New. "This piece is a sort of continuation of No Song No Supper...hastily put together for the occasion" (European Magazine, July 1794, p. 60). "The Theatre this Evening was crowded in every Part, the receipt amounting to something better than 1300 Guineas" (Powell). Powell, 1 July: Country Girl rehearsed at 10; Glorious First at 12 and at night. 2 July: Glorious First rehearsed at 10. Receipts: #1,526 11s. (450/6/0; 41/13/0; 0/12/6; tickets in boxes: 954/0/0; tickets in pit: 80/0/0) (charge: free)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Dance: In afterpiece the Ballets composed by James D'Egville; the Principal Dancers-D'Egville, Gentili, and also by permission of the Proprietor of the King's Theatre, Mme Del Caro, Mlle E. Hilligsberg, Mlle Hilligsberg

Event Comment: Ode: In two Parts. Principal Instrumental Performers as 20 Feb., but omitted: Bridgtower, Archer, Mahon, Lavenu, Napier, Simpson. Mr Ashley is exceedingly concerned that he is under the necessity of informing the Public that the Anthem [The Anthem that will be performed at the Chapel Royal, St. James's, on the Nuptials oF his Royal Highness the Prince of Wales and the Princess Caroline of Brunswick, composed by Handel, to conclude with the Hallelujah Chorus from The Messiah (advance playbill of 25 Feb.)] advertised for this Evening is necessarihy postponed until the Royal Marriage shall have taken place

Performances

Mainpiece Title: Alexanders Feast Grand Selection 0

Performance Comment: As17950220, but Leader of the Band-_.

Afterpiece Title: A Grand Miscellaneous Act

Performance Comment: Overture-(Ariadne); Angels ever bright-Miss Parke (Theodora); He measureth, He Layeth the beams-Bartleman (Redemption); Total eclipse-Kelly; O first created beam-Chorus (Samson); O had I Jubal's lyre-Miss Poole (Joshua); Every day will I give thanks-Nield (Chandos? Anthems); The Lord shall reign-Chorus; Sing ye to the Lord-Miss Parke; The horse and his rider-Double Chorus (Israel in Egypt).

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of handel Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Second Oboe Concerto-; Thou shalt bring them in-Miss Celson (1st appearance); He smote all the first@born of Egypt-Chorus (Israel in Egypt); Here amid these shady woods-Master Elliot (Alexander Balus); The trumpet's loud clangour-Incledon; The double double beat-Chorus (Dryden's Ode); He was eyes unto the blind-Miss Poole (Siroe); He layeth the beams-Reinhold (Ezio); He rebuked the Red Sea-Chorus (Israel in Egypt); Lord remember David-Mme Mara; From the censer-Chorus (Solomon).
Cast
Role: Lord remember David Actor: Mme Mara

Afterpiece Title: Grand Selection 3

Performance Comment: Introduction-; Ye sons of Israel-Chorus; Relieve thy Champion, Return O God of Hosts-Miss Dufour (Samson); Air-Reinhold; Let the bright seraphim-Mme Mara (Samson); Let them come if they dare-Incledon, Chorus (Purcell); What's sweeter than the new blown rose-Miss Poole, Master Elliot (Joseph); For the horse of Pharaoh-Incledon; The Lord shall reign-Chorus; And Miriam the Prophetess, Sing ye to the Lord-Incledon; The horse and his rider-Double Chorus (Israel in Egypt).

Music: End I: concerto on the violoncello-C. Ashley; End II: concerto= on the Piano Forte-Dussek

Performances

Mainpiece Title: A Grand Selection 0 From The Most Favourite Works Of Handel Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Overture and March- (Scipio); Tyrants would-Mme Mara; Tyrants ye in vain-Chorus (Athalia); He layeth the beams-Reinhold (Ezio); Grateful hearts-Miss Dufour (Nabal); Fall'n is the foe-Chorus (Judas Maccabaeus); Great Jehovah's awful word-Miss Poole (Israel in Egypt); Gentle Airs-Incledon; accompanied on the violoncello-C. Ashley (Athalia); Bravura Agitata-Mme Mara; The Lord shall reign-Chorus; For the Horse of Pharaoh, And Miriam-Incledon; Sing ye to the Lord-Mme Mara; The Horse and his Rider-Chorus (Israel in Egypt); Mad Bess-Mme Mara (Purcell).

Afterpiece Title: Grand Selection 3

Performance Comment: Selected from The Messiah. Overture-; Comfort ye, Every Valley-Incledon; And the Glory-Chorus; How beautiful-Master Elliot; The trumpet shall sound-Reinhold; Rejoice greatly-Miss Poole; For unto us a Child is born-Chorus; I know that my Redeemer Liveth-Mme Mara; Hallelujah-Chorus.
Cast
Role: And the Glory Actor: Chorus

Music: End I: concerto on the oboe-W. Parke; End II: concerto on the violin-G. Ashley

Performances

Mainpiece Title: Lovers Vows

Cast
Role: Landlord Actor: Thompson
Related Works
Related Work: Das King der Liebe Author(s): August Friedrich Ferdinand von Kotzebue

Afterpiece Title: The Intriguing Chambermaid

Performance Comment: Drunken Colonel-Knight; Goodall-Davenport; Oldcastle-Emery; Valentine-Mansel; Slap-Thompson; Security-Rees; Lord Pride-Claremont; Lord Puff-Abbot; Constable-Platt; Mrs Highman-Mrs Gilbert; Charlotte-Miss Mansel; Lettice-Mrs Mattocks.
Cast
Role: Lord Pride Actor: Claremont
Role: Lord Puff Actor: Abbot

Afterpiece Title: The Mouth of the Nile

Event Comment: Benefit for Mrs Pope. Mainpiece: Not acted these 6 years. In I a Grand Banquet Scene. A Procession from the Abbey at the Coronation of Queen Anne Bullen. The Piece to conclude with the ceremony at the Royal Christening. [Holman's 1st appearance as King Henry was at this theatre, 24 May 1793.] Morning Chronicle, 27 Apr.: Tickets to be had of Mrs Pope, Half Moon-street, Piccadilly. Receipts: #391 0s. 6d. (299.15.6; 2.9.0; tickets: 88.16.0)

Performances

Mainpiece Title: King Henry The Eighth

Performance Comment: King Henry-Holman; Cromwell-Lewis; Bishop of Winchester-Munden; Lord Sands-Fawcett; Duke of Buckingham-H. Johnston; Earl of Surry-Knight; Cranmer-Murray; Doctor Butts-Emery (1st and positively the Only Time of the above Performers appearing in those Characters); Duke of Norfolk-Whitfield; Duke of Suffolk-Waddy; Campeius-Davenport; Brandon, Usher-Claremont; Lord Chamberlain-Clarke; Sir George [recte Thomas] Lovel-Farley; Surveyor-Thompson; Chancellor-Whitmore; Porter-Rees; Capucius-Abbot; Porter's Man-Wilde; Cryer-Street; Serjeant-Lee; Abergavenny-Curties; Cardinal Wolsey-Pope; Anne Bullen-Miss Chapman; Patience (with a song, composed by Attwood)-Mrs Atkins; Queen Catherine (1st time)-Mrs Pope.
Cast
Role: Lord Sands Actor: Fawcett
Role: Lord Chamberlain Actor: Clarke

Afterpiece Title: Hartford Bridge

Song: In course of Evening: Black Ey'd Susan-Incledon; Tomorrow-Incledon

Music: Preceding: Grand Sonata on the Piano Forte-Master Parker; with a new Rondo-Master Parker (Haydn); End I: a celebrated Lesson of Nicolai-Master Parker

Entertainment: Monologues End II: Alexander's Feast-Master Parker; End: Grand Address to the Audience-Master Parker

Event Comment: Representation in Parts, to be Habited, Sung, and Acted, as they have oftentimes with Great Applause performed before the Lord Mayor and the Sheriffs of London. An Eclogue, or Representation in Four Parts, Composed for the Lord Mayor, Sir Thomas Allen, and Sung by the City Musick, December 18th, 1659

Performances

Mainpiece Title: An Eclogue Or Representation In Four Parts

Event Comment: Edward Gower to Sir R. Leveson, 20 Nov. 1660: Yesternight the King, Queen, Princess, &c. supped at the Duke of Albemarle's, where they had the Silent Woman acted in the cockpit (HMC, 5th Report, 1876, p. 200). The King's Company. Pepys, Diary, 20 Nov. 1660: This morning I found my Lord in bed late, he having been with the King, Queen, and Princess, at the cockpit all night, where General Monk treated them; and after supper a play, where the King did put a great affront upon John? Singleton's musique, he bidding them stop and bade the French musique play, which, my Lord says, do much outdo all ours. The prologue was printed in 1660: The Prologue to His Majesty at the first Play presented at the cock-pit in Whitehall, Being part of that Noble Entertainment which Their Majesties received Novemb. 19. from his Grace the Duke of Albemarle. [The Prologue has been reprinted by Wiley, Rare Prologues and Epilogues, pp. 11-12. Bodleian Wood 398 has a MS note: By Sir Jo. Denham.

Performances

Mainpiece Title: The Silent Woman

Event Comment: Pepys, Diary This noon going to the Exchange, I met a fine fellow with trumpets before him in Leadenhall-street, and upon enquiry I find that he is the clerk of the City Market; and three or four men carried each of them an arrow of a pound weight in their hands. It seems this Lord Mayor begins again an old custome, that upon the first days of Bartholomew Fayre, the first, there is a match of wrestling, which was done, and the Lord Mayor there and Aldermen in Moorefields yesterday: to-day, shooting: and to-morrow, hunting.And this officer of course is to perform this ceremony of riding through the city, I think to proclaim and challenge any to shoot. It seems that the people of the fayre cry out upon it as a great hindrance to them

Performances

Event Comment: The Duke's Company. The date of the first performance is not known. As Evelyn saw it on 27 April, it seems likely that it was first performed before Easter (April 10). It was not licensed for printing until 8 July 1664. Preface to edition of 1664: I Cou'd not have wish'd my self more fortunate than I have been in the success of this Poem:...The Acting of it has lost me no Reputation. Downes, Roscius Anglicanus, p. 25: @Sir Nich'las, Sir Fred'rick, Widow and Dufoy, Were not by any so well done, Mafoy.@ The clean and well performance of this Comedy, got the Company more Reputation and profit than any preceding Comedy; the Company taking in a months time at it #1000

Performances

Mainpiece Title: The Comical Revenge Or Love In A Tub

Performance Comment: Edition of 1664: The Prologue-; The Epilogue-the Widow, Wheadle; No actors' names. Downes (Roscius Anglicanus, pp. 24-25): Lord Beauford-Betterton; Colonel Bruce-Smith; Lovis-Norris; Sir NicholasCully-Nokes; Palmer-Underhill; Wheadle-Saunford; Graciana-Mrs Betterton; Aurelia-Mrs Davies; Widow-Mrs Long; Sir Frederick Frollick-Harris; Dufoy-Price.
Cast
Role: Lord Beauford Actor: Betterton

Performances

Mainpiece Title: Love In A Tub

Performance Comment: [See16640300 The Prologue-; The Epilogue-the Widow?, Wheadle?; Lord Beanford-Betterton?; Colonel Bruce-Smith?; Lovis-Morris?; Sir NicholasCully-Nokes?; Palmer-Underhill?; Wheadle-Saunford?; Graciana-Mrs Betterton?; Aurelia-Mrs Davies?; Widow-Mrs Long?; Sir Frederick Frolick-Harris?; Dufoy-Price?.
Cast
Role: Lord Beanford Actor: Betterton?
Event Comment: The Duke's Company. Pepys does not indicate that this performance is the premiere, and Summers, The Playhouse of Pepys, p. 137, states, without offering his evidence, that the play first appeared on 11 Aug. 1664. The play also appears in Herbert, Dramatic Records, p. 138. If Pepys saw the premiere, the play was possibly given on 15, 16, 17, 18, 19, 20, 22, 23, 24 Aug. Pepys, Diary: Mr Creed dining with me I got him to give my wife and me a play this afternoon, lending him money to do it, which is a fallacy that I have found now once, to avoyde my vowe with, but never to be more practised I swear, and to the new play, at the Duke's house, of Henry the Fifth; a most noule play, writ by my Lord Orrery; wherein Betterton, Harris, and Ianthe's parts are most incomparably wrote and done, and the whole play the most full of height and raptures of wit and sense, that ever I heard; having but one incongruity, or what did not please me in it, that is, that King Harry promises to plead for Tudor to their Mistresse, Princesse Katherine of France, more than when it comes to it he seems to do; and Tudor refused by her with some kind of indignity, not with a difficulty and honour that it ought to have been done in to him. Downes, Roscius Anglicanus, pp. 27-28: This Play was Splendidly Cloath'd: The King, in the Duke of York's Coronation Suit; Owen Tudor, in King Charle's: Duke of Burgundy, in the Lord of Oxford's, and the rest all New. It was Excellently Perform'd, and Acted 10 Days Successively

Performances

Mainpiece Title: The History Of Henry The Fifth

Event Comment: Because of losses incurred in the fire, the Merchant Taylors' Company omitted the pageantry in the swearing in of the Lord Mayor. See R. T. D. Sayle, The Lord Mayors' Pageants (1931), p. 131

Performances

Event Comment: The Duke's Company. Pepys, Diary: I alone out and to the Duke of York's play-house, where unexpectedly I come to see only the young men and women of the house act; they having liberty to act for their own profit on Wednesdays and Fridays this Lent; and the play they did yesterday, being Wednesday, was so well-taken, that they thought fit to venture it publickly to-day; a play of my Lord Falkland's called The Wedding Night, a kind of tragedy, and some things very good in it, but the whole together, I thought, not so. I confess I was well enough pleased with my seeing it: and the people did do better, without the great actors, than I did expect, but yet far short of what they do when they are there, which I was glad to find the difference of

Performances

Mainpiece Title: The Marriage Night

Related Works
Related Work: The Marriage Night Author(s): Henry Cary, Viscount Falkland
Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, by agreement met Sir W. Pen, and saw Love in a Maze: but a sorry play: only Lacy's clowne's part, which he did most admirably indeed; and I am glad to find the rogue at liberty again. Here was but little, and that ordinary, company. We sat at the upper bench next the boxes, and I find it do pretty well, and have the advantage of seeing and hearing the great people, which may be pleasant when there is good store. Now was only Prince Rupert and my Lord Lauderdale, and my Lord [...]...But here was neither Hart, Nell, nor Knipp; therefore, the play was not likely to please me

Performances

Mainpiece Title: The Changes Or Love In A Maze

Event Comment: The Duke's Company. This performance is on the L. C. list at Harvard. See VanLennep, "Plays on the English Stage," p. 13. Diary of Richard Boyle, Earl of Burlington: Heer dined with mee my lord of Canterbury my ld Sandwich and my brother and sister Orrery, and in the afternoone wee all went but his Grace to see my brothers new play cald Tryphon which was much applauded (Volume IV, in the Library at Chatsworth. This excerpt supplied by Kathleen Lynch). Pepys, Diary: My wife tells me of my Lord Orrery's new play "Tryphon," at the Duke of York's house...and [we] went thither, where, with much ado, at half-past one, we got into a blind hole in the 18d. place, above stairs, where we could not hear well, but the house infinite full, but the prologue most silly, and the play, though admirable, yet no pleasure almost in it, because just the very same design, and words, and sense, and plot, as every one of his plays have, any one of which alone would be held admirable, whereas so many of the same design and fancy do but dull one another; and this, I preceive, is the sense of every body else, as well as myself, who therefore showed but little pleasure in it

Performances

Mainpiece Title: Tryphon

Event Comment: Journal of the Earl of Anglesey, 25 Jan. 1671@2: At eight of the clock The King's playhouse took fire, and most of that side of Russell Street and many other houses thereabout were burnt down, and we in Drury Lane and all about in great danger; but the Lord had mercy, and by great industry and blowing up houses the fire was overcome: I had no rest, but sat up almost all night, even till six in the morning. The Lord pardon sin, which brings judgements (HMC, 13th Report, Part VI [London, 1893], p. 270. The Bulstrode Papers (I, 217): About 8 hapened a sad and violent fire, which begun in the King's Theater, and in a few howers burnt down that...severall were hurt and killed, amongst which was Mr Bell, one of the actors in that house. For a poem, On the Unhappy Conflagration of the Theatre Royal, January 25th, 1672, see Fitzgerald, A New History of the English Stage, I, 137

Performances