SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Lord and Lady Gage"/1) | (@(roleclean,performerclean) "Lord and Lady Gage")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5679 matches on Performance Comments, 2964 matches on Event Comments, 605 matches on Performance Title, 43 matches on Author, and 0 matches on Roles/Actors.
Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Greville. Tickets and places to be had of Mrs Greville, No. 1, Queen's-court, King-street, Covent-garden. [This was Mrs Pinto's last appearance on the stage (but see 12 May 1786).]

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Mrs Greville (1st appearance in that character); Frankly-Walton; Bellamy-Cross; Jack Meggot-Benson; Tester-Follett; Buckle-Bell; Simon-Brown; Mr Strickland-L'Estrange; Mrs Strickland-Mrs Walcot (from the Theatre Royal, Edinburgh); Jacintha-Mrs Bolton; Lucetta-Mrs Waldron; Milliner-Mrs Benson; Clarinda-Mrs Hunter .
Cast
Role: Mr Strickland Actor: L'Estrange
Role: Mrs Strickland Actor: Mrs Walcot

Afterpiece Title: The Irish Widow

Song: End of mainpiece The Soldier tired of War's Alarms by Mrs Pinto

Monologue: 1785 04 26 End of Act II of mainpiece Collins's Ode on the Passions by Mrs Walcot. imitations. End of Act I of afterpiece, as 17 Sept. 1784, but An entire new dialogue in the Shades between Foote and Weston; added: Prospero (in the manner of Mossop); omitted: Prologue to Barbarossa

Performance Comment: imitations. End of Act I of afterpiece, as 17 Sept. 1784, but An entire new dialogue in the Shades between Foote and Weston; added: Prospero (in the manner of Mossop); omitted: Prologue to Barbarossa .
Event Comment: By Permission of the Lord Chamberlain. Under the Direction of Delpini

Performances

Mainpiece Title: A New Pantomime

Cast
Role: , and Clown Actor: Delpini

Afterpiece Title: The Deserter

Dance: End of pantomime The Devonshire Minuet by the two Miss Simonets. Imitations. After the Dancing, as17850207

Event Comment: By Command of Their Majesties. [1st and 2nd pieces in place of Lord Russel, the Manager in Distress and The Son-in-Law, all three announced on playbill of 31 May.]

Performances

Mainpiece Title: Peeping Tom

Cast
Role: Lady Godiva Actor: Miss Brangin

Afterpiece Title: The Agreeable Surprise

Dance: End of 1st piece Divertissement by Byrne, Master Giorgi, Miss Byrne, the two Miss Simonets

Event Comment: By Command of Their Majesties. Paid Licenses [from the Lord Chamberlain] for Omai and The Fool #4 4s. Receipts: #274 5s. (273/3; 1/2)

Performances

Mainpiece Title: Love In A Village

Cast
Role: Luanda Actor: Miss Stuart

Afterpiece Title: Miss in her Teens

Dance: End of Act II of mainpiece The Piping Pedlar, as17851112

Event Comment: By Permission of the Lord Chamberlain. Benefit for Griffiths, formerly of Drury-Lane Theatre. The Doors to be opened at 5:00. To begin at 6:00. Tickets delivered by Griffiths for the 27th of February will be taken. Tickets and Places to be had of Griffiths, at the Theatre, every Morning from 10 till 12. Fires are kept to keep the Theatre warm

Performances

Mainpiece Title: Tamerlane The Great

Afterpiece Title: The Mayor of Garratt

Dance: After the Imitations, The Dwarf Dance by Powel

Song: Between the acts of mainpiece several Catches and Glees by some of the principal performers in London. imitations. End of mainpiece Imitations, Vocal and Rhetorical, by Decastro

Performance Comment: imitations. End of mainpiece Imitations, Vocal and Rhetorical, by Decastro .

Performances

Mainpiece Title: Redemption

Performance Comment: Vocal Parts and Violin as17860310elections as17860322but Where is this stupendous stranger? [i. e. Verdi prati] by Master Pring; He masbrought as a lamb [i. e. Nel riposo] by Bellamy; Holy Lord God Almighty [i. e. Dove sei] by Miss George; added: When the earth was without form by Arrowsmith; Master Pring as soloist in In sweetest harmony .

Music: End of Part I concerto on the violoncello by Mason

Event Comment: Mainpiece: Some Airs compiled from best Masters. Rest of Music, the Overture, Accompaniments, &c. by Linley? Sen. Afterpiece: With a Sea-Fightv and Processionv. [These were included in both subsequent performances.] Receipts: #201 16s. (154.15; 45.18; 1.3)

Performances

Mainpiece Title: The Strangers At Home

Performance Comment: Aldobrand-King; Lawrence-Bannister Jun.; Montano-Barrymore; Octavio-Dignum; Regnalto-Staunton; Fabio-Phillimore; Roberto-Jones; Firelock-Bannister; Rosa-Mrs Jordan; Alice-Mrs Wrighten; Laura-Mrs Forster; Viola-Mrs Crouch.
Cast
Role: Aldobrand Actor: King

Afterpiece Title: The Critic or A Tragedy Rehearsd

Performance Comment: Puff-King; Sneer-Palmer; Dangle-Dodd; Interpreter-Baddeley; Sir Fretful Plagiary-Parsons; Mrs Dangle-Mrs Hopkins; Principal Tragedians-R. Palmer, Fawcett, Waldron, Suett, Wright, Wilson, Chaplin, Phillimore, Bannister Jun., Miss Pope. [Cast of Tragedians adjusted from playbill of 12 Oct. 1781: Earl of Leicester -R. Palmer; Justice -Fawcett; Sir Christopher Hatton -Waldron; Sir Walter Raleigh -Suett; Beefeater -Wright; Constable -Wilson; Lord Burleigh -Chaplin; Governor -Phillimore; Don Ferolo Whiskerandos -Bannister Jun.; Tilburina -Miss Pope.]
Event Comment: The Lord Chamberlain sent an order, between four and five in the evening, to the two theatres to cease representing any plays, till after the funeral of the late Princess Amelia [daughter of George II; she died on 31 Oct.] (Morning Chronicle, 2 Nov.)

Performances

Mainpiece Title: None

Event Comment: By Permission of the Lord Chamberlain. Benefit for Harwood, late prompter of the Theatre-Royal, Drury-Lane. Harwood's respectful compliments to his Friends in particular, and the publick in general, and assures them every effort in his power shall be exerted to render the Evening's Entertainment agreeable, and humbly hopes for their well-known candour and protection on the above occasion. Tickets and Places to be had of Harwood, next door to Drury-Lane Theatre, Little Russel-street, Covent Garden. [Harwood was prompter at dl from 1780 to 1786. Hooke was from cg.] Afterpiece: Written by the late Samuel Foote, Esq

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Devil upon Two Sticks

Entertainment: End: a variety of Theatrical and Senatorial Imitations-Kean

Event Comment: By Permission of the Lord Chamberlain. The Doors to be opened at 5:30. To begin at 6:30

Performances

Mainpiece Title: The Orphan Of China

Performance Comment: Etan-A Gentleman (2nd appearance on this stage); Zamti-A Gentleman (1st appearance on any stage); Mandane-Mrs Somerville.
Cast
Role: Mandane Actor: Mrs Somerville.

Afterpiece Title: Barnaby Brittle or A Wife at her Wits End

Entertainment: End: a variety of Imitations-Kelly; Monologue. After which: A Monody on the late Mr Henderson-the Gentleman who performs Zamti

Event Comment: Tickets to be had, and Places for the Boxes to be taken of Fosbrook, at the Stage Door of the Theatre. Books of the Performance to be had at the Theatre. Boxes 10s. 6d. Pit 5s. 1st Gallery 3s. 6d. 2nd Gallery 2s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Performances

Mainpiece Title: Redemption 0 selected From The Great And Favoprite Works Of handel That Were Performed At His commemoration In Westminster Abbeyv And At The pantheon on 26 And 27 May 1784

Afterpiece Title: Redemption 1

Performance Comment: Public Advertiser, 11 Feb., notes that Pious orgies [Judas Maccabaeus]-Mme Mara; Angels ever bright and fair [Theodora]-Mme Mara; Lord what is man? [Semele]-Mrs Crouch; Verdi prati [Alcina]-Mrs Crouch; Oh had I Jubal's lyre [Joshua]-Miss George; The sword that's drawn [Occasional Oratorio]-Reinhold.

Music: End II: a new concerto on the hautboy-Parke

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music Messiah

Performance Comment: see17890306Principal Vocal and Instrumental Performers As17890227, but Principal Vocal Performers-Miss Mahon.

Afterpiece Title: Grand Selection 1

Performance Comment: Overture and March-(Scipio); Tyrants would in impious throngs-Chorus (Athalia); Oft on a plat of rising ground-Harrison (L'Allegro); The many rend the skies-Chorus (Alexander's Feast); Tune your harps-Miss Mahon (Esther); From Harmony-Harrison, Chorus (Dryden's Ode); Ye Sacred Priests, Farewell ye limpid Springs-Sga Storace (Jephtha); From the censer-Chorus (Solomon).
Cast
Role: Overture and March Actor:

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Grand Concerto-; Let me wander not unseen-Miss Mahon; And young and old-Chorus (L'Allegro); Music spread thy voice around-Harrison, Chorus (Solomon); O magnify the Lord-Miss Cantelo (Chandos? Athems); May no rash intruder, [the] Nightingale Chorus-(Solomon); Gentle Airs-Harrison (Athalia); O God who in thy heavenly band-Chorus (Joseph); The Prince unable to conceal his Pain-Sga Storace (Alexander's Feast); The King shall rejoice-.

Afterpiece Title: Grand Selection 3

Performance Comment: Overture-(Ariadne); From wave to wave-Sale; Thy right hand O Lord-Chorus (Israel in Egypt); Pleasure my former ways resigning-Harrison; Happy if still we reign-Chorus (Time and Truth); Pious Orgies-Miss Cantelo [Judas Maccabaeus]; But bright Cecilia-Sga Storace; As from the power of sacre lays-Chorus (Dryden's Ode); God save Great George our King-Greatorex.
Cast
Role: Thy right hand O Lord Actor: Chorus

Music: End II: As17890227; End Part I: Concerto by Handel on organ-Greatorex

Event Comment: Afterpiece [1st time; P 2 (?), by James Wild. Text (no publisher, 1790)]: Being a Collection of favorite Scenes from the Following celebrated Pantomimes: Harlequin Sorcerer, Mother Shipton, Choice of Harlequin, Lord Mayor's Day, Druids, Fryar Bacon, Harlequin Freemason, Norwood Gipsies, Omai, Magic Cavern, and Harlequin Rambler. With new Dresses and Decorations. The Original Scenery, Machinery, &c. painted by Lambert, Dall [both deceased], Carver, Hodgins and Richards-and now all repaired and repainted. The Music selected by Shaw from Pepuch [sic], Dr Arne, Dr Arnold, Dr Fisher, ?M.? Arne, Vincent, Dibdin and Shield. Books of the Songs to be had at the Theatre. Account-Book, 31 Dec.: Paid Wild for his Attention to the Pantomime #30; Boyce for Ditto #15; Shaw for Ditto #10. Receipts: #233 5s. 6d. (204.8.6; 28.17.0)

Performances

Mainpiece Title: Werter

Afterpiece Title: Harlequins Chaplet

Performance Comment: Harlequin-Boyce; Clown-Delpini; Pantaloon-Ratchford; Lover-Farley; Barber (with A Twiggle and a Friz)-Edwin; Farmer (with Come Roger and Nell)-Bannister; Shepherd, Shepherdess (with Cast my Love, thine Eyes around)-Mrs Martyr, Mrs Mountain; Lawyers-Davies, Reeve, Cubitt; Serjeant-W. Powel; 1st Recruit-C. Powell; 2nd Recruit-Cubitt; Artist-Letteney; Carpenter-Lee; Bricklayers-Thompson, Evatt; Doctor-Jackson; Woodcutter-Rock; Monkey-Rayner; Peacock-Sloper; Principal Witches-Darley, Duffey, Mrs Mountain, Mrs Martyr; Fishwomen-Mrs Gray, Mrs Lefevre, Mrs Masters, Mrs White; Colombine-Miss L. Simonet.

Dance: In afterpiece: Byrne, the two Miss Simonets

Song: In III: Epithalamium. Vocal Parts-Darley, Cubitt, Mrs Mountain, Mrs Martyr

Performances

Mainpiece Title: A Grand Selection of Sacred Music 0 Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Grand Concerto-; Praise the Lord-Miss Dall (Esther); In sweetest Harmony-Miss Cantelo; O fatal Day-Chorus; O filial Piety, No cruel Father-Saville (Saul); Tyrants would-Miss Mahon, Chorus (Athalia); Every Day will I give thanks-Harrison (Chandos Anthems); The mighty Power-Chorus (Athalia); O worse than Death, Angels ever bright and fair-Miss Cantelo (Theodora); Gird on thy Sword-Chorus (Saul).

Afterpiece Title: Grand Selection 3

Performance Comment: Ye Sons of Israel-Chorus (Joshua); Thou shalt bring them in-Saville (Israel in Egypt); O God@like Youth-Miss Dall; Sinfonia on Carrillons-; Welcome welcome mighty King-Chorus (Saul); Rendi il sereno al ciglio-Harrison (Sosarme); From the censer-Chorus (Solomon); O had I Jubal's lyre-Miss Mahon (Joshua); Ye sacred Priests, Farewell ye limpid springs-Miss Cantelo (Jephtha); The Horse and his Rider-Double Chorus (Israel in Egypt).

Music: End II: concerto on the Piano Forte-Clementi

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0 Messiah

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Esther)-; Wave from Wave-Sale; He rebuked the Red Sea He led them through the deep-Chorus (Israel in Egypt); Justly these Evils Why does the God of Israel sleep?-Harrison (Samson); Cease thy Anguish-Miss Mahon, Saville (Athalia); O God! who in thy heavenly Hand-Chorus (Joseph); The smiling Dawn of happy Days-Miss Cantelo (Jephtha); How excellent thy Name-Chorus (Saul).

Afterpiece Title: Grand Selection 2

Performance Comment: Overture and Dead March (Saul)-; Funeral Anthem-Miss Cantelo, Saville, Harrison, Sale; Come ever smiling Liberty-Miss Dall (Judas Maccabaeus); Gentle Airs-Harrison (Athalia); Then round about-Chorus (Samson); Sweet Bird-Miss Mahon (L'Allegro); Search round the World-Harrison; May no rash Intruder-Chorus (Solomon); How blest the Maid-Miss Poole (Hercules); He was Eyes unto the Blind-Miss Cantelo (Siroe); Immortal Lord!-Double Chorus (Deborah).
Cast
Role: Overture and Dead March Actor:

Afterpiece Title: Grand Selection 3

Performance Comment: Fourth Hautboy Concerto-; For joys so vast-Miss Poole (Jephtha); Sweep sweep the Strings Music spread thy Voice-; Now a different Measure try-; Rouse us next to martial Deeds-Saville, Chorus (Solomon); Great Jehovah's awful Word-Miss Cantelo (Israel in Egypt); Righteous Heaven-Chorus (Susanna); Pleasure my former ways resigning-Harrison (Time and Truth); Gloria Patri (Jubilate)-.

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0

Afterpiece Title: Grand Selection 1

Performance Comment: Overture and March (Scipio)-; What though I trace-Miss Poole (Solomon); Happy if still they reign in pleasure-Chorus (Time and Truth); He layeth the beams of his chambers-Sale [Ezio]; He smote all the first@born of Israel-Chorus (Israel in Egypt); Come ye smiling hours-Miss Poole (Nabal); Softly rise-Harrison; Ye southern breezes-Chorus (Solomon by Boyce); Let the bright Seraphim-Miss Cantelo; Let their celestial concerts all unite-Chorus (Samson).
Cast
Role: Overture and March Actor:

Afterpiece Title: Grand Selection 2

Performance Comment: Second Oboe Concerto-; Hark! 'tis the Linnet-Miss Dall (Joshua); Hence loath'd melancholy!, Come come thou Goddess-Saville (L'Allegro); What Passion cannot Music raise?-Miss Mahon (Dryden's Ode); No more to Ammon's God and King-Chorus; Virtue my soul shall still embrace-Harrison (Jephtha); Hear Jacob's God-Chorus (Samson); O magnify the Lord-Miss Cantelo (Chandos? Anthems); Kings shall be thy nursing fathers-Grand Chorus (Coronation? Anthems).

Afterpiece Title: Grand Selection 3

Performance Comment: From harmony-Harrison, Chorus (Dryden's Ode); Hush ye pretty warbling choir-Miss Mahon (Acis and Galatea); Like a bright Cherub-Miss Cantelo, Saville, Harrison (Gideon); With thee the unsheltered moor-Miss Cantelo (Solomon); No more ye infidels, Behold ye nations-Saville; Lord of Eternity, O Baal-Chorus (Deborah); Chastity thou cherub bright-Harrison (Susanna); Haste thee Nymph-Saville, Chorus (L'Allegro); God save the King (Coronation Anthems)-.

Music: End II: As17900219; End I: Miserere Mei Deus-, composed by Sg Gregorio Allegri, in the Year 1650, from an authentic Copy brought from Italy by Greatorex. A Translation of this Work (the 51st Psalm in English) will be printed in the Books of the Night

Event Comment: Gazetteer, 20 Sept.: [On Saturday morning] official notice was given from the Lord Chamberlain's Office to shut the Theatres [because of the death of the Duke of Cumberland, brother of George III]

Performances

Mainpiece Title: None

Event Comment: Benefit for Palmer. Mr Palmer most respectfully informs the Publick, the Lord Chamberlain having given Permission, Mr Colman having liberally granted the use of the Theatre, and his Brethren kindly consented to perform, that [there] will be presented...[as above. This benefit had originally been arranged for 20 Sept., but because of the death of the Duke of Cumberland, the theatre on that night was dark.] Tickets to be had of Palmer, No. 3, London Road, St. George's Fields; and of Rice, at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Son in Law

Entertainment: Monologues. End: The Lecture upon Heads-Palmer; After which: Liberty; or, Two Sides of the Water-Bannister Jun

Event Comment: Afterpiece: Being a Collection of favorite Scenes from the following celebrated Pantomimes: Harlequin Sorcerer, Mother Shipton, Choice of Harlequin, Lord Mayor's Day, Druids, Fryar Bacon, Harlequin Freemason, Norwood Gipsies, Omai, Magic Cavern, Harlequin Rambler. The Dances [composed] by Byrne. The Original Scenery, Machinery &c. painted by Lambert, Dall, Carver, Hodgins and Richards. The Music selected by Shaw from Pepuch [sic], Dr Arne, Arnold, Fisher, M.? Arne, Vincent, Didbin, Reeve, Shield. Receipts: #193 7s. (187.15; 15.12)

Performances

Mainpiece Title: As You Like It

Cast
Role: Orlando Actor: Holman

Afterpiece Title: Harlequins Chaplet

Performance Comment: Harlequin-Boyce; Clown-Follett; Pantaloon-Ratchford; Lover-Farley; Farmer (with Come Roger and Nell)-Cubitt; Shepherd, Shepherdess (with Cast, my Love, thine Eyes around)-Mrs Martyr, Mrs Mountain; Serjeant-W. Powel; Recruit-C. Powell; Bricklayers-Letteney, Thompson; Carpenter-Lee; Sportsmen-Cross, Evatt; Gardener-Ledger; Woodcutter-Rock; Lover's Servant-Master Simmons; Monkey-Rayner; Peacock-Sloper; Principal Witches-Davies, Reeve [Public Advertiser: Linton], Miss Williams, Mrs Mountain; Colombine-Mrs Watts.

Dance: As17901020

Event Comment: This was a semi-private rehearsal, with Davide as Pirro. "Yesterday evening an act of Pyrrhus was rehearsed on the stage of this theatre' (London Chronicle, 24 Feb.). "The Theatre is not yet ready entirely for the Public" (Oracle, 24 Feb.) [see 26 Mar.]. On 22 Feb. the newspapers carried a statement from the theatre that "the rehearsal announced for Wednesday Evening is...deferred for a few days." But this deferment was set aside. The Lord Chamberlain having refused a license for the performance of opera at this theatre, Pirro was not publicly performed

Performances

Mainpiece Title: Pirro

Event Comment: By Permission of the Lord Chamberlain, and also under the Patronage of their Royal Highnesses the Prince of Wales, the Duke of York, and the Duke of Clarence. Benefit for Lee Lewes. The Doors to be opened at 5:15. To begin at 6:15. Tickets and Places for the Boxes to be had of Lee Lewes, at Mr Brough's, No. 18, Portland-street, Soho. Afterpiece [1st time; F 2, by James Fennell. Larpent MS 924; not published. Synopsis of plot in Morning Post, 8 Mar.]

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Lee Lewes; Sir Francis Gripe-Wewitzer; Sir Jealous Traffic-Frost; Whisper-Gull; Charles-Everard; Sir George Airy-Fennell; Patch-Mrs Lee Lewes; Isabinda-Mrs Day; Miranda-Miss Atherton (1st appearance on any stage).
Cast
Role: Miranda Actor: Miss Atherton

Afterpiece Title: The Advertisement or A New Way to Get a Husband

Entertainment: MonologuesEnd IV: The late King of Prussia and General Ziethen-Lee Lewes; End: A Whimsical Dissertation upon Law-Lee Lewes

Performances

Mainpiece Title: Lallegro Ed Il Penseroso Grand Selection 0

Cast
Role: Leader of the Band Actor: G. Ashley

Afterpiece Title: LAllegro ed il Penseroso 1

Performance Comment: PART I. First Grand Concerto-; Hence loathed Melancholy!-Harrison; Hence! vain deluding joys-Mrs Billington; Come thou goddess-Harrison; Come rather goddess-Mrs Billington; Haste thee nymph-Incledon, Chorus; Come and trip it-Mrs Piele, Chorus; Come pensive nun-Mrs Billingdon; Join with thee calm peace and quiet-Chorus; Mirth admit me of thy crew-Miss Poole; Sweet bird-Mrs Billington; Mirth admit me of thy crew [repeated]-Griffith; Oft on a plat of rising ground-Harrison; Or let the merry bells ring round-Mrs Billington; And young and old come forth to play-Chorus.

Afterpiece Title: LAllegro ed il Penseroso 2

Performance Comment: Part II. But O! sad virgin-Miss Poole; Populous cities please us then-Sale, Chorus; There let Hymen oft appear-Harrison; Hide me from day's garish eye-Mrs Billington; I'll to the well@trod stage anon-Incledon; And ever against eating cares-Miss Poole; As steals the morn upon the night-Mrs Billington, Harrison; These delights if thou canst give-Incledon, Chorus.

Afterpiece Title: PART III

Performance Comment: A Grand Miscellaneous Act. Overture (Ariadne, Handel)-; The Mansion of Peace-Harrison (Webbe); Nightingale Chorus (Solomon, Handel)-; Praise the Lord-Miss Poole; accompanied on the harp-Meyer Jun. (Esther, Handel); Pour forth no more-Sale; No more to Ammon's God-Chorus (Jephtha, Handel); Concerto Violin-G. Ashley (Giornovichi); The Soldier tir'd-Mrs Billington (Dr Arne); Glory be to the Father-Chorus (Jubilate, Handel).
Cast
Role: Praise the Lord Actor: Miss Poole

Performances

Mainpiece Title: A Second Grand Selection 0 Of Sacred Music From The Works Of Handel

Performance Comment: As17910311but Principal Vocal Performers-_Sale; PART I. Overture-(Berenice); Come ever smiling Liberty-Mrs Piele (Judas Maccabaeus); He measureth the waters, He layeth the beams-Griffith (Redemption); O God! who in thy heavenly hand-Griffith (Joseph); Great Jehovah's awful word-Miss Poole (Israel in Egypt); Daughter of Gods-Harrison (Hercules); Hail! mighty Joshua-Harrison (Joshua); Where e'er you walk-Mrs Billington (Semele); He rebuked the Red Sea He led them through the deep, But the waters overwhelmed-Double Chorus (Israel in Egypt).

Afterpiece Title: Grand Selection 2

Performance Comment: PART II. Overture and Dead March-(Saul); In sweetest harmony-Mrs Billington, Chorus (Saul); Gentle Airs-Harrison; [accompanied on the violoncello-C. Ashley (Athalia); The smiling dawn-Miss Poole (Jephtha); Fallen is the foe-Chorus (Judas Maccabaeus); Blooming virgins-Incledon (Athalia); He smote all the First@born-Chorus (Israel in Egypt); O magnify the Lord-Mrs Billington ([Chandos] Anthems); Kings shall be thy nursing fathers-Chorus (Coronation Anthems).

Afterpiece Title: Grand Selection 3

Performance Comment: PART III. Eleventh Grand Concerto-; Pleasure my former ways resigning-Harrison (Time and Truth); No more shall Edom's sons-Miss Poole (Israel in Babylon); O Baal monarch of the skies-Chorus (Deborah); His hideous love, Love sounds the alarm-Incledon (Acis and Galatea); O Father whose Almighty power-Chorus; O let eternal honours, From mighty Kings-Mrs Billington (Judas Maccabaeus); Fix'd in his everlasting seat-Chorus (Samson).
Cast
Role: Eleventh Grand Concerto Actor:
Event Comment: Mainpiece: Not acted these 5 years [acted 16 Jan. 1789]. Afterpiece [1st time at a public theatre (1st acted at Lord Barrymore's private theatre at Wargrave, 13 Apr. 1791); P 2, by Carlo Antonio Delpini. Not published]: With entire new Music, Scenery, Machinery, Dresses, and Decorations. The Music composed by Baumgarten. The Scenes painted by Richards, Hodgins, Pugh, Walmsley, and other assistants. Books of the Songs [W. Woodfall, 1791] to be had at the Theatre. Nothing under Full Price will be taken. "The Piece was last night very incorrectly exhibited...The scenes of the destruction of the cottage by fire, the view of Strawberry-hill, and Blue Beard's infernal palace...are worthy of commendation. The last scene was not grand enough: the wings were by no means in unison" (Public Advertiser, 22 Dec.). Receipts: #279 13s. (249.19; 29.14)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: Blue Beard or The Flight of Harlequin

Performance Comment: Principal Characters-Byrne, Follett, Farley, C. Powell, Rees, Milburne, Rowson, Simmons, Blurton, Letteney, Master Webb, Mrs Watts, Mrs Rock, Miss Leserve, Miss Francis, Miss Birt, Mrs Ratchford, Mlle St.Amand; Vocal Parts-Munden, Fawcett, Davies, Marshall, Gray, Powel, Cross, Miss Stuart, Mrs Arnold, Mrs Masters, Mrs Davenett, Miss Barnett. [Playbill of 22 Dec. lists a full cast, but has so many changes of all sorts that no assignment of parts for this present night is possible.]Playbill of 22 Dec. lists a full cast, but has so many changes of all sorts that no assignment of parts for this present night is possible.]

Dance: see17920111

Event Comment: [This is the only occasion in the 18th century when a play was acted in London on this date. "The performance at the Haymarket on the 30th of January has been noticed by his Majesty in a manner which is still a topic of conversation in the higher circles...There will be no more theatrical performances on the 30th of January" (London Chronicle, 28 Feb.). On 3 Feb. the Lord Chamberlain wrote to Sheridan as follows: "Sir--Information has been received at this Office that Theatrical Entertainments were exhibited at the Theatre, under your direction, in St. James's Haymarket on the 30th of Last Month, contrary to all precedent, and repugnant to Decency, being the Anniversary of the Martyrdom of King Charles the First. I do not know by what Authority such a Step was taken but, as Chamberlain of His Majesty's Household, think it my Duty to desire that you will be pleased to Cause the Practice to be discontinued in future. I am, Sir, Your Obedient, Humble Servant, Salisbury" (MS Letters to Sheridan from Various Correspondents,II, 64, in Harvard Theatre Collection). The Morning Chronicle on 31 Jan. offered another opinion: "It gave us infinite pleasure that last night we happily broke through one of the most absurd fasts in the calendar. The Managers of Drury Lane, with proper regard to the public, rescued them from the common dullness of a 30th of January." But the absurd fast remained in force until 1843.] Receipts: #339 18s. (291.4; 40.0; 8.11; ticket not come in: 0.3)

Performances

Mainpiece Title: Cymon

Cast
Role: Urganda Actor: Mrs Powell.
Role: Daphne Actor: Mrs Bland

Afterpiece Title: The Englishman in Paris