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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Lord and Lady Gage"/1) | (@(roleclean,performerclean) "Lord and Lady Gage")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5679 matches on Performance Comments, 2964 matches on Event Comments, 605 matches on Performance Title, 43 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Lady Of The Manor

Performance Comment: Young English-Johnstone; Sir John English-Quick; Timothy Shacklefigure-Edwin; Farmer Sternhold-Darley; Vulture-C. Powell; Doublejugg-Powel; Carbuncle-Thompson; Hazard-Cubitt; Plunder-Gardner; Sir Charles Manly-Duffey; Mrs Townly-Mrs Martyr; Lady Lucy-Mrs Billington.
Cast
Role: Lady Lucy Actor: Mrs Billington.

Afterpiece Title: Animal Magnetism

Event Comment: Benefit for Johnstone. 1st piece [1st time; C 5, by William Macready, based on The Artful Husband, by William Taverner. Prologue by William Thomas Fitzgerald. Epilogue by Robert Houlton (see text)]. 2nd piece [1st time; M. INT 1, author unknown. Larpent MS 1076; not published]: The Music part new and part compiled by Shield. Morning Herald, 4 June 1795: This Day is published The Bank Note (2s.). Morning Chronicle, 18 Apr.: Tickets to be had of Johnstone, No. 19, Piazza, Covent-garden. Receipts: #434 19s. 6d. (168.1.0; 8.0.6; tickets: 258.18.0)

Performances

Mainpiece Title: The Bank Note; Or, Lessons For Ladies

Performance Comment: Principal Characters by Quick, Holman, Johnstone, Fawcett, Middleton, Hull, Townsend, Macready, Powel, Miss Standen, Mrs Mattocks, Mrs Lee, Miss Hopkins, Mrs Davenport, Mrs Norton, Miss Wallis. Cast from text (T. N. Longman, 1795): Mr Hale-Quick; Sir Charles Leslie-Holman; Killeavy-Johnstone; Ned Dash-Fawcett; Mr Bloomfield-Middleton; Father-Hull; Tim-Townsend; Lieutenant Selby-Macready; Careful-Powel; Young Bloomfield-Miss Standen; Mr Bloomfield's Servant-Abbot; Porter-Coombs; Gentleman-Platt; Cook-Ledger; Butler-Williamson; Mrs Bloomfield-Mrs Mattocks; Sally Flounce-Mrs Lee; Miss Emma Hale-Miss Hopkins; Lady Supple-Mrs Davenport; Maid-Mrs Norton; Miss Russel-Miss Wallis; Gentlewoman-Mrs Follett; Prologue-Macready; Epilogue-Mrs Mattocks.

Afterpiece Title: The Sailor's Prize; or, May-Day Wedding

Afterpiece Title: Three Weeks after Marriage

Performance Comment: Sir Charles Racket-Lewis; Woodley-Macready; Lovelace-Farley; Drugget-Quick; Dimity-Mrs Fawcett; Mrs Drugget-Mrs Davenport; Nancy-Miss Cornelys; Lady Racket-Mrs Mattocks.
Cast
Role: Lady Racket Actor: Mrs Mattocks.

Dance: 2nd piece to conclude with: a Garland Dance (composed by Byrn)-Byrn, Mlle St.Amand, Mme Rossi

Performance Comment: Amand, Mme Rossi.

Song: Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; End II: Old Towler-Incledon; In course 2nd piece: New Ballad-Mrs Martyr; Fat Dolly-Munden; Battle Song-Bowden; Let us love and let us drink-Munden; Bowden, Mrs Martyr; Teddy O'Shaughnessey's History-Johnstone; When 'tis Night and the Mid@Watch is come, Admiral Benbow-Incledon; Now landed from the Ocean-

Performances

Mainpiece Title: The Bank Note; Or, A Lesson For The Ladies

Performance Comment: Sir Charles Leslie-Holman; Killeary-Johnstone; Ned Dash-Fawcett; Mr Bloomfield-Middleton; Mr Hall [recte Hale]-Davenport; Father-Hull; Lieut. Selby-Macready; Tim-Townsend; Careful-Powel; Young Bloomfield-Miss Standen; Mrs Bloomfield-Mrs Mattocks; Lady Supple-Mrs Davenport; Sally Flounce-Mrs Mountain; Emma Hall-Mrs Townsend; Miss Russel-Miss Wallis.

Afterpiece Title: The Poor Soldier

Event Comment: Pepys, Diary: I to a play, The Scornfull Lady. [Because this play was offered at Vere Street on 21 Nov. 1660 and because Pepys had been attending that playhouse, it seems likely that this was also a production of the King's Company.

Performances

Mainpiece Title: The Scornful Lady

Event Comment: The King's Company. Pepys, Diary: Mr Moore and I to the Theatre, where was The Scornful Lady, acted very well, it being the first play that ever he saw

Performances

Mainpiece Title: The Scornful Lady

Event Comment: The King's Company. Pepys, Diary: To the Theatre, where I saw The Lost Lady, which do not please me much

Performances

Mainpiece Title: The Lost Lady

Event Comment: The King's Company. Evelyn, Diary: After divers yeares, that I had [not] seene any Play, I went to see acted the Scornfull Lady at a new Theater in Lincolns-in fields

Performances

Mainpiece Title: The Scornful Lady

Event Comment: The King's Company. Pepys, Diary: we went by water to Salisbury Court play-house, where not liking to sit, we went out again, and by coach to the Theatre, and there saw The Scornful Lady, now done by a woman, which makes the play appear much better than ever it did to me

Performances

Mainpiece Title: The Scornful Lady

Performances

Mainpiece Title: The Rival Ladies

Event Comment: The King's Company. Pepys, Diary: My wife and Mercer and I away to the King's play-house, to see the Scornfull Lady; but it being now three o'clock there was not one soul in the pit; whereupon, for shame, we would not go in....[After attending lif] to the King's house, upon a wager of mine with my wife, that there would be no acting there to-day, there being no company: so I went in and found a pretty good company there, and saw their dance at the end of the play

Performances

Mainpiece Title: The Scornful Lady

Event Comment: The King's Company. Pepys, Diary: To the King's house, and there saw good part of The Scornful Lady, and that done, would have taken out Knepp, but she was engaged

Performances

Mainpiece Title: The Scornful Lady

Event Comment: The King's Company. This play is on the L. C. list, 5@12, p. 17: The Scornfull Lady at court. See also Nicoll, Restoration Drama, p. 344

Performances

Mainpiece Title: The Scornful Lady

Event Comment: At the Desire of several Ladies in Greenwich and from London. At Mr Penkethman's New Theatre in Greenwich. At 6 p.m

Performances

Mainpiece Title: The Fine Ladies Airs

Performances

Mainpiece Title: The Scornful Lady

Afterpiece Title: Venus and Adonis (Second Interlude)

Dance: As17151029

Performances

Mainpiece Title: The Constant Couple

Performance Comment: Sir Harry (By Desire)-Cibber Jr; Lady Lurewell-Mrs Horton; Angelica-Mrs Booth; Standard-Mills; Smugler-Johnson; Clincher Sr-Miller; Clincher Jr-Oates; Vizard-W. Mills; Dicky-Jones; Lady Darling-Mrs Mullart; Parly-Mrs Shireburn.
Cast
Role: Lady Lurewell Actor: Mrs Horton
Role: Standard Actor: Mills
Role: Lady Darling Actor: Mrs Mullart

Afterpiece Title: The Mock Officer; or, The Captain's Lady

Dance: Denoyer, Mrs Booth, Essex, Miss Robinson, Haughton, Mrs Walter

Event Comment: At the Great Til'd Booth, Bowling Green, Benefit for Jay [no concert formula used]. To begin at 7 p.m. At the Desire of Several Gentlemen and Ladies

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Afterpiece Title: The Mock Doctor; or, The Dumb Lady Cur'd

Event Comment: Benefit for Hull. Books of the afterpiece to be had at the Theatre. Afterpiece: Founded on the plan of the old Ballad of that name. The songs adapted to old English, Irish and Scotch tunes. [Shuter's Prologue is Larpent MS 218, wherein he enters in character of a Ballad singer, interrupting the music as the overture comes to a close. He sings snatches from some ten old ballads, stopping in the midst of each to comment on the superiority of modern circumstances which parallel those referred to in the old ballads. As the bell rings he introduces the afterpiece.

Performances

Mainpiece Title: King Lear

Cast
Role: Cornwall Actor: Anderson.

Afterpiece Title: The Spanish Lady

Performance Comment: Worthy (the English Officer)-Mattocks; Sea Lieutenant-Dunstall; Major Hearty-Perry; Ensign-R. Smith; Soldiers, Sailors-Buck, Weller, Murden; Anna-Miss Valois, 1st time in a singing character; Duenna-Mrs White; Elvira (the Spanish Lady)-Mrs Mattocks; New Prologue-Shuter.

Dance: IV: The Jealous Woodcutter, as17641101

Event Comment: Benefit for Mrs Barry, who humbly requests those ladies and gentlemen who have taken places in the Pit, will be pleased to come early to prevent confusion in getting to their seats. Tickets deliver'd for Thursday March 24, will be taken. Mainpiece: Not acted these 16 years. [See 8 Dec. 1757.] [Hopkins MS Notes identifies Ismena as Mrs I. Barry.] Pit and boxes laid together. Paid Properties #1 15s. 2d. Housekeeper's bill #6 10s. 6d.; 1 yrs Watch for St Martin's to 14 Feb. last #10 16s. 9d. Receipts: #273 13s. Charges: #65 2s. Profits to Mrs Barry: #208 11s. (Treasurer's Book)

Performances

Mainpiece Title: Phaedra And Hippolitus

Performance Comment: Theseus-Barry; Hippolitus-Reddish; Lycon-Palmer; Cratander-Davies; Guards-Wheeler, Everard; Lady-Miss Platt; Ismena-Young Gentlewoman, first appearance on the stage; Phaedra-Mrs Barry.
Cast
Role: Cratander Actor: Davies
Role: Lady Actor: Miss Platt

Afterpiece Title: The Ladies Frolick

Dance: V: The Irish Fair, as17730918

Event Comment: Benefit for Dickinson (First-gallery Office-keeper). Paid Mr Wegg half yrs. rent to Lady Day last #57 (Treasurer's Book). Receipts: #287 2s. Charges: #84. Profits to Dickinson: #203 2s. (Treasurer's Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Ladies Frolick

Dance: End: A Hornpipe-Walker

Event Comment: Benefit for Sga Hidou. Paid 1 yrs. Poor's Rate for Covent Garden parish to Lady Day last #2 16s. 8d.; one yrs. ditto for St Martin's to Xmas last #60 6s. 7d. (Treasurer's Book). Main characters in the New Ballet New Dressed. Receipts: #170 3s. 6d. Charges: #66 4s. 6d. Profits to Sga Hidou: #103 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The School For Wives

Cast
Role: Lady Rachel Actor: Mrs Hopkins

Afterpiece Title: The Ladies Frolick

Dance: I: A New Ballet (for that Night Only) call'd The Force of Love-M LaRavier (his first appearance on that stage), Sga Hidou, Como, Sga Como, Two Children, first appearance; End: The Grand Provencalle Dance, as17750202

Event Comment: The King's Company. Pepys, Diary: Being full of my desire of seeing my Lord Orrery's new play this afternoon at the King's house, The Black Prince, the first time it is acted; where though we come by two o'clock, yet there was no room in the pit, but we were forced to go into one of the upper boxes, at 4s. a piece, which is the first time I ever sat in a box in my life. And in the same box come, by and by, behind me, my Lord Barkeley and his lady; but I did not turn my face to them to be known, so that I was excused from giving them my seat; and this pleasure I had, that from this place the scenes do appear very fine indeed, and much better than in the pit. The house infinite full, and the King and Duke of York was there. By and by the play begun, and in it nothing Particular but a very fine dance for variety of figures, but a little too long. But, as to the contrivance, and all that was witty (which, indeed, was much, and very witty), was almost the same that had been in his two former plays of Henry the 5th and Mustapha, and the same points and turns of wit in both, and in this very same play often repeated, but in excellent language, and were so excellent that the whole house was mightily pleased with it all along till towards the end he comes to discover the chief of the plot of the play by the reading of a long letter, which was so long and some things (the people being set already to think too long) so unnecessary that they frequently begun to laugh, and to hiss twenty times, that, had it not been for the King's being there, they had certainly hissed it off the stage. But I must confess that, as my Lord Barkeley says behind me, the having of that long letter was a thing so absurd, that he could not imagine how a man of his parts could possibly fall into it; or, if he did, if he had but let any friend read it, the friend would have told him of it; and, I must confess, it is one of the most remarkable instances that ever I did or expect to meet with in my life of a wise man's not being wise at all times, and in all things, for nothing could be more ridiculous than this, though the letter of itself at another time would be thought an excellent letter, and indeed an excellent Romance, but at the end of the play, when every body was weary of sitting, and were already possessed with the effect of the whole letter, to trouble them with a letter a quarter of an hour long was a most absurd thing. After the play done, and nothing pleasing them from the time of the letter to the end of the play, people being put into a bad humour of disliking (which is another thing worth the noting), I home by coach, and could not forbear laughing almost all the way home, and all the evening to my going to bed, at the ridiculousness of the letter, and the more because my wife was angry with me, and the world, for laughing, because the King was there, though she cannot defend the length of the letter

Performances

Mainpiece Title: The Black Prince

Performance Comment: Edition of 1672: Prologue-the Genius of England [holding Trident in one hand and a Sword in the other; King Edward-Moon [Mohun]; King John-Wintersell; Prince-Kenniston [Kynaston]; Lord Delaware-Hart; Count Guesclin-Burt; Lord Latimer-Cartwright; Page-Beeston; Alizia-Mrs Guinn; Plantaginet-Mrs Marshall; Cleorin-Mrs Corey; Sevina-Mrs Nepp; Valeria disguised-F. Damport [Davenport]; A Lady-Betty Damport [Davenport]; Epilogue to the King-.
Cast
Role: Prologue Actor: the Genius of England
Role: Lord Delaware Actor: Hart
Role: Lord Latimer Actor: Cartwright
Role: A Lady Actor: Betty Damport
Event Comment: Afterpiece [1st time at a public theatre; C 3, by Elizabeth Craven, Baroness Craven, afterwards Margravine of Anspach, 1st acted privately at the Town-Hall, Newbury, 6 Apr. 1780. Text (G. Riley, 1781) assigns no parts. Prologue by Richard Brinsley Sheridan. Epilogue by Joseph Jekyll (see text)]: With new Dresses, &c. "The Prologue [the first 30 lines and the concluding couplet of which were used by Sheridan as the Prologue to Pizarro (see dl, 24 May 1799)] was so much admired that at the request of the Duchess of Devonshire and several other of the nobility it was respoken after the piece; but as King was absent from the theatre, it was delivered by Palmer" (Town and Country Magazine, May 1780, p. 23 ). "The chief singularity was that [Lady Craven] went to it herself the second night, in form; sat in the middle of the front row of the stage-box, much dressed, with a profusion of white bugles and plumes, to receive the public homage due to her sex and loveliness. The Duchess of Richmond, Lady Harcourt,...Mrs Damer, Lord Craven,...and I were with her. It was amazing to see so young a woman entirely possess herself-but there is such an integrity and frankness in her consciousness of her own beauty and talents, that she speaks of them with a naivete as if she had no property in them, but only wore them as gifts of the gods. Lord Craven on the contrary was quite agitated by his fondness for her and with impatience at the bad performance of the actors, which was wretched indeed, yet the address of the plot, which is the chief merit of the piece, and some lively pencilling carried it off very well, though Parsons murdered the Scotch lord, and Mrs Robinson (who is supposed to be the favourite of the Prince of Wales) thought on nothing but her own charms, or him. There is a very good though endless prologue written by Sheridan and spoken in perfection by King, which was encored (an entire novelty) the first night: and an epilogue that I liked still better and which was full as well delivered by Mrs Abington, written by Mr. Jekyl. The audience, though very civil, missed a fair opportunity of being gallant, for in one of those ----logues, I forget which, the noble authoress was mentioned, and they did not applaud as they ought to have done, especially when she condescended to avow her pretty child and was there looking so very pretty...Yet Lady Craven's tranquillity had nothing displeasing;...and it was tempered by her infinite good nature, which made her make excuses for the actors instead of being provoked at them" (Walpole [28 May 1780], XI, 178-80). Public Advertiser, 14 July 1781: This Day at Noon will be published The Miniature Picture (price not listed). Receipts: #144 9s. (94.9; 48.3; 1.17)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Miniature Picture

Performance Comment: Principal Characters by Palmer, Parsons, Brereton, Wrighten, Mrs Davies, Miss Farren, Miss Sherry, Mrs Robinson. [Cast from Town and Country Magazine, May 1780, p.228: Mr Belvil-Palmer; Lord Macgrinnon-Parsons; Mr Camply-Brereton; John-Wrighten; Susan-Mrs Davies; Miss Loveless-Miss Farren; Mrs Arabella Loveless-Miss Sherry; Eliza Camply-Mrs Robinson; Prologue-King; Epilogue-Mrs Abington. [Thses were spoken, as here assigned, at all subsequent performances.]Thses were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Lord Macgrinnon Actor: Parsons

Dance: II: New Dance, as17791126; End II afterpiece: The Coopers, as17800224

Event Comment: Mainpiece [1st time; C 5, by Lady Eglantine Wallace. Prologue by Joseph Jekyll (World, 14 Apr.). Epilogue by Thomas Morris, with five lines added by Edward Topham (Public Advertiser, 15 Apr.)]: With new Scenes and Dresses. Public Advertiser, 26 Apr.: This Day is published The Ton (18d.). "On the next representation we hope the other performers will not give the audience reason to believe that the prompter has a part in the play from his frequent audibility" (Public Advertiser, 9 Apr.). Receipts: #295 18s. 6d. (294.9.0; 1.9.6)

Performances

Mainpiece Title: The Ton; Or, Follies Of Fashion

Performance Comment: Principal Characters by Lewis, Quick, Aickin, Johnstone, Pope, Farren, Wewitzer, Bernard, Fearon, Mrs Mattocks, Mrs Wells, Miss Brunton, Mrs Bernard, Mrs Morton, Mrs Pope. [Cast from text (T. Hookham, 1788): Captain Daffodil-Lewis; Ben Levy-Quick; Villiers-Aickin; Macpharo-Johnstone; Lord Ormond-Pope; Lord Raymond-Farren; Lord Bonton-Wewitzer; Pink-Bernard; Trusty-Fearon; Lady Bonton-Mrs Mattocks; Clara-Mrs Wells; Lady Clairville-Miss Brunton; Mrs Tender-Mrs Bernard; Mademoiselle-Mrs Morton; Lady Raymond-Mrs Pope; Prologue-Farren; Epilogue-Mrs Wells ["who, at the end of the epilogue, after a proper preparation, favoured the house with an imitation of Mrs Siddons in a passage of Isabella" (London Chronicle, 9 Apr.)]."who, at the end of the epilogue, after a proper preparation, favoured the house with an imitation of Mrs Siddons in a passage of Isabella" (London Chronicle, 9 Apr.)].
Cast
Role: Lord Ormond Actor: Pope
Role: Lord Raymond Actor: Farren
Role: Lord Bonton Actor: Wewitzer
Role: Lady Bonton Actor: Mrs Mattocks
Role: Lady Clairville Actor: Miss Brunton
Role: Lady Raymond Actor: Mrs Pope
Related Works
Related Work: The Ton; Follies of Fashion Author(s): Lady Eglantine Wallace

Afterpiece Title: Hob in the Well

Event Comment: Boswell (Restoration Court Stage, pp. 180-81) believes that a performance occurred on this day, as well as on 16 Feb. 1674@5, Shrove Tuesday, the date often specified in advance statements. For previous notices, see 2 Feb. 1674@5, 15 and 22 Dec. 1674. Edition of 1675:....followed at innumerable Rehearsals, and all the Representations by throngs of Persons of the greatest Quality...at the 20th or 30th, for near so often it had been Rehearsed and Acted....And the Composer of all the Musick both Vocal and Instrumental Mr Staggins. Langbaine. (English Dramatick Poets, p. 92): a Masque at court, frequently presented there by Persons of great Quality, with the Prologue, and the Songs between the Acts: printed in quarto Lond. 1675....This Masque was writ at the Command of her present Majesty: and was rehearsed near Thirty times, all the Representations being follow'd by throngs of Persons of the greatest Quality, and very often grac'd with their Majesties and Royal Highnesses Presence. John Evelyn (The Life of Mrs Godolphin): [Mrs Blagge] had on her that day near twenty thousand pounds value of Jewells, which were more sett off with her native beauty and luster then any they contributed of their own to hers; in a word, she seemed to me a Saint in Glory, abstracting her from the Stage. For I must tell you, that amidst all this pomp and serious impertinence, whilst the rest were acting, and that her part was sometymes to goe off, as the scenes required, into the tireing roome, where severall Ladyes her companions were railing with the Gallants trifleingly enough till they were called to reenter, she, under pretence of conning her next part, was retired into a Corner, reading a booke of devotion, without att all concerning herself or mingling with the young Company; as if she had no farther part to act, who was the principall person of the Comedy...[With] what a surprizeing and admirable aire she trode the Stage, and performed her Part, because she could doe nothing of this sort, or any thing else she undertooke, indifferently....Thus ended the Play, butt soe did not her affliction, for a disaster happened which extreamly concern'd her, and that was the loss of a Diamond of considerable vallue, which had been lent her by the Countess of Suffolke; the Stage was immediately swept, and dilligent search made to find it, butt without success, soe as probably it had been taken from her, as she was oft inviron'd with that infinite crowd which tis impossible to avoid upon such occasion. Butt the lost was soon repair'd, for his Royall Highness understanding the trouble she was in, generousely sent her the wherewithall to make my Lady Suffolke a present of soe good a Jewell. For the rest of that days triumph I have a particular account still by me of the rich Apparell she had on her, amounting, besides the Pearles and Pretious Stones, to above three hundred pounds (ed. Samuel Lord Bishop of Oxford [London, 1847], pp. 97-100). See also 15 Dec. 1674

Performances

Mainpiece Title: Calisto; Or, The Chaste Nimph

Performance Comment: Edition of 1675: Prologue-; Calisto-The Lady Mary; Nyphe-The Lady Anne; Jupiter-The Lady Henrietta Wentworth; Juno-The Countess of Sussex; Psecas-The Lady Mary Mordaunt; Diana-Mrs [Margaret] Blagge; Mercury-Mrs Jennings; Nymphs attending Diana-The Countess of Darby, The Countess of Pembroke, The Lady Katherine Herbert, Mrs Fitz-Gerald, Mrs Frazier; [The Persons of Quality of the Men that Danced-His Grace the Duke of Monmouth, The Viscount Dunblaine, The Lord Daincourt, Mr Trevor, Mr Harpe, Mr Lane[, Mr Leonard, Mr Franshaw]; [In the Prologue were Represented, The River Thames-Mrs Moll? Davis; Peace-Mrs Mary? Knight; Plenty-Mrs Charlotte? Butler; The Genius of England-Mr Turner; Europe-Mr Hart; Asia-Mr Richardson; Africa-Mr Marsh Jun; America-Mr Ford; [In the Chorusses betwixt the Acts: Strephon-Mr Hart; Coridon-Mr Turner; Sylvia-Mrs Davis; Daphne-Mrs Knight; Two African Women-Mrs Butler, Mrs Hunt; The Epilogue-Jupiter.

Afterpiece Title: Calisto's Additional performers

Performance Comment: See Boswell, Restoration Court Stage, pp. 201-2- Singers-Mrs Masters, Mrs Peirce, Robert, Degrang, Shepheard, Maxfield, Preston, Letelier, Bopins, Bury; Boys-Jack, Waters, Coninsby, Smyth; Harpsicals-Corneille, Bartleme; Theorboes-Marsh, Lylly; Bass Violls-Coleman, Stephkins, Bates; Recorders-Paisible, Bootell, DeBreame, Giton; Gittars-Frasico Corbett, Outom, Delony, Delloney; Trumpeters-Bounty, Thompson, Ragway, Christmas; Kettle Drummer-VanBright; Violins-NicholasStaggins, Singleton, Clayton, Tho. Fitz, Hewson, Myres, Tho. Farmer, Aleworth, Jo. Bannister, Lediger, Harris, Theo. Fitz, Greetinge, Ashton, Gamble, Fashions, Flower, Isaack Staggins, John Strong, Finell, Browne, Brookwell, Dorney, Spicer, Price, Pagitt, Duffill, Kidwell, Jo. Farmer, Basrier, Viblett, Hall, Eagles; Dancers-St Andre, Isaacke, Delisle, Herriette, Dyer, Smyth, Motley, Berto, Letang, Muraile, LeRoy, LeDuke.
Event Comment: Benefit for Hobson. Tickets and places of Hobson at the stage door of the Theatre. Presentment of the Grand Juryv for the County of Middlesex: We the Grand Jury sworn to enquire for our Sovereign Lord The King, and the body of this county, have observed from most of the presentments delivered to us by the Constables of this County, that they have been, as we apprehend and fear, very remiss in their duty, by returning their several districts to be quiet and in good order. Whereas the contrary does most manifestly appear, in many instances as well from the accounts or advertisements we read in the daily Papers, printed and dispersed within the County (inviting and seducing, not only the inhabitants, but also all other persons, to several places kept apart for the encouragement of Luxury, Extravagance, and Idleness, and we fear other wicked, illegal purposes, which by such means go on with impunity, to the destruction of many families) as otherwise to the great Dishonour of the Kingdom...especially at a time when we are engaged in expensive Wars, and so much overburdened with Taxes of all sorts, both Parliamentary and Parochial, that it is much as a prudent man can do, without a taste to extravagant and illegal pleasure to support himself and family according to his degree and station in life under the most regular economy. [If unchecked this bad example will lead to National destruction]. We do accordingly hereby present as places riotous, of great extravagance, luxury, idleness, and ill fame, the several house &c following: [lists two gambling houses, then the Proprietors of the avenues leading to the several playhouses for not preventing wicked loose and disorderly persons from loitering at the front of their several houses on nights of the play to the prejudice of playgoers.] 4. Saddlers Wells, near Islington; 5. New Wells, Goodman's Fields; 6. New Wells, Clerkenwell; 7. The Proprietors of a Place call'd Hallam's New Theatre at Mayfair. Prays that the court will close all listed. N.B. Many people believed that after this presentment, the places mentioned would be shut up or reformed, but they advertise and continue the same diversions as before.-Gentlemen's Magazine (May, 1744), pp. 278-79

Performances

Mainpiece Title: The Careless Husband

Performance Comment: Sir Charles Easy-Giffard; Lord Foppington-Cibber Jun.; Lord Morelove-Delane; Lady Betty Modish-Mrs Woffington; Lady Easy-Mrs Giffard; Lady Graveairs-Mrs Roberts; Edging-Mrs Ridout.

Afterpiece Title: The Lying Valet

Cast
Role: Randal Actor: Morgan
Role: Hillyard Actor: Moreland

Song: I, IV: Morland

Dance: III: Mlle Auguste